Artists around the world are constantly copying Van Gogh's Starry Night, Saint-Remy. This is one of the most recognizable paintings in the world of fine arts, and various reproductions of this canvas adorn the interiors of many houses. The circumstances of the creation of "Starry Night", where and how it was painted, as well as the artist's former unfulfilled dreams, make this work especially significant for Van Gogh's work.
Vincent van Gogh "Starry Night, Saint Remy" 1889
When Van Gogh was a little younger, he was going to become a pastor and missionary, he wanted to help poor people with the word of God. Religious education in some way helped him create "Starry Night". In 1889, when the night sky was painted with stars sparkling in the moonlight, the artist wasin the French hospital Saint-Remy.
Count the stars - there are eleven of them.We can say that the creation of the picture was influenced by the ancient legend of Joseph from the Old Testament. “Behold, I had another dream: behold, the sun and the moon and eleven stars worship me,” we read in the Book of Genesis.
Van Gogh wrote: “I still crave religion. That is why I went out at night from the house and began to draw the night sky with stars.
This well-known picture of the master demonstrates to the viewer the great power of the artist, as well as his individual and unique style of painting and his special vision of the whole world around him.The painting "Starry Night" is the most outstanding work of art of the mid-19th century.
There are many reasons why Starry Night is so appealing to people, and it's not just the saturation of the blues and yellows. Many details in the picture and, first of all, the stars are deliberately enlarged. It's like an embodied vision of the artist: he surrounds each of the stars with a ball, and we observe their rotational movement.
Just as the stars bend on their way down to the hilly horizon, so Van Gogh will be inclined to leave the familiar world by stepping over the threshold of the hospital. The windows of the buildings are reminiscent of the houses where he lived as a child, and the spire of the church depicted by Van Gogh in The Starry Night recalls that he once wanted to devote his life to religious activities.
The main "pillars" of the composition are the seemingly huge cypress trees on the hill (foreground), the pulsating crescent and stars of a "radiant", bright yellow color. A city lying in a valley may even go unnoticed at first, because the main emphasis is on the greatness of the universe.
The crescent of the moon, the stars move in a single undulating rhythm. The trees depicted in this picture greatly balance the overall composition.
The whirlwind in the sky reminds of the Milky Way, of galaxies, of cosmic harmony, expressed in both ecstatic and blissfully calm movement of all bodies in dark blue space. In the picture, these are eleven incredibly huge stars and a large, but waning month, reminiscent of the biblical story about Christ and the 12 apostles.
Geographers are trying in vain to determine what kind of settlement is depicted at the bottom of the canvas, and astronomers are trying to find the constellations in the picture. The image of the night sky is written off from his own consciousness. If usually the night sky is serene and cold-indifferent, then in Van Gogh it is swirling with whirlwinds, full of secret life.
Thus, the artist hints that the imagination is omnipotent to create a more amazing nature than the one we see in the real world.
"Starlight Night"
When the darkness of the Night falls on the Earth -
Love lights up the stars in the sky...
Perhaps someone does not notice them,
And, someone observes them through a telescope -
There he is looking for life, studying science ...
And someone just looks - and Dreams!
Sometimes, a fabulous Dream happens,
But still, he continues to believe ...
His star is alive, it shines,
He answers all his questions...
There, among thousands of stars - Vincent has a Star!
She never fades away!
She burns all over the universe -
She sets the planet on fire!
So that, in the midst of the dark Night, it suddenly becomes brighter -
So that the light of the Star shines like the Sun in the Soul of people!
Vincent's sister
Hello!
Today we will be writing a free copy of Vincent van Gogh's Starry Night. This is one of the most famous and recognizable paintings ever made. The Starry Night by Vincent van Gogh is a symbol of the power of the human imagination, one of the most amazing and incredible landscapes imaginable.
In the course of working on the painting, we will try to get at least a little closer to the author’s technique, to convey the dynamism inherent in this work, the rhythm and pastiness of the brushstroke. We will try to guess the mood and energy of the picture.
How did Vincent van Gogh paint his painting?
It is possible that one night, Vincent van Gogh left the house, armed with canvas, brushes and paints, with a completely convincing intention to paint the most incredible landscape, with the most incredible stars, moon, light, sky, wind ...
Let's take a close look at the painting by Vincent van Gogh, admire it, try to catch all the details and start writing our Starry Night.
Vincent van Gogh paints "Starry Night"
The process of writing this picture and the result of the work will make you fall in love with this picture and the work of the author.
Original painting by Vincent van Gogh Starry Night. Description, photo, history, year of writing, dimensions, analysis, where it is located.
Starry Night is an 1889 oil on canvas painting by the Dutch Impressionist painter Vincent van Gogh. Its size: 92 cm x 73 cm. To date, the painting is in the Museum of Modern Art, in New York, USA. However, she often "travels" and is regularly exhibited in various museums in Europe.
This painting is one of Van Gogh's most famous and beloved masterpieces. The picture is immediately recognizable, it inspires poets, directors, musicians, designers and artists. Her writing style is absolutely unique.
Vincent van Gogh created "Starry Night" in June 1889 when he was admitted to the hospital at the monastery of Saint-Paul-de-Mausole in Saint-Remy-de-Provence, where he stayed long enough for psychiatric treatment. At that time the artist was spontaneous and unpredictable.
In his letters to his brother, Van Gogh wrote: “... I like to do something difficult. But even this does not help me not to feel my great need for religion and preaching, so I go out at night to paint the stars.
The artist was cramped within the framework of our world. The picture is an idealized landscape, more vivid and non-standard. Powerful celestial whirlwinds, stars and a crescent-shaped moon, in the picture, move, in one undulating motion, over a small town. On the right is an olive grove and hills, on the left is a cypress, striving into the sky, like a flame. “... we use death to travel to the stars,” the artist wrote. Despite the fact that the picture absorbed the state of hopelessness experienced by the artist at the time of its writing, the composition of the picture was not selected spontaneously, but rather carefully. Trees frame the starry sky and bring balance to the composition.
Eleven stars in the picture is a separate topic of discussion. It is likely that the biblical story of Joseph influences the composition. “Listen,” he said, “I had another dream, and this time the sun, moon, and eleven stars bowed down before me” (Genesis 37:9).
Thirteen months after painting Starry Night, Vincent van Gogh committed suicide.
Despite (or perhaps because of) all the interpretations and hidden meanings, the painting remains one of the most important works of art of the 19th century.
Starry sky by Vincent van Gogh
As long as there is a person, so much he is attracted by the starry sky.
Lucius Annaeus Seneca, the Roman sage, said that "if there was only one place on earth from where one could observe the stars, people would continuously flock to it from all over."
Artists captured the starry sky on their canvases, and poets dedicated many poems to it.
Paintings Vincent Van Gogh so bright and unusual that they surprise and remember forever. And the "star" paintings of Van Gogh are simply mesmerizing. He managed to unsurpassedly depict the night sky and the extraordinary radiance of the stars.
Night cafe terrace
"Night Café Terrace" was painted by the artist in Arles in September 1888. Vincent van Gogh was disgusted by the ordinary, and in this picture he masterfully overcomes it.
As he later wrote to his brother:
"The night is much more lively and richer in colors than the day."
I'm working on a new painting depicting the outside of a cafe at night: tiny figures of people drinking on the terrace, a huge yellow lantern illuminating the terrace, the house and the sidewalk, and even brightens the pavement, which is painted in pinkish-purple hues. The triangular pediments of buildings on the street running away into the distance under a blue sky strewn with stars seem to be dark blue or purple ... "
van Gogh Stars over the Rhone
Starry night over the Rhone
Amazing Van Gogh painting! The night sky over the city of Arles in France is depicted.
What could be better for reflecting eternity than the night and the starry sky? 
The artist needs nature, real stars and the sky. And then he attaches a candle to his straw hat, collects brushes, paints and goes out to the banks of the Rhone to paint night landscapes...
Night view of Arles. Above it are seven stars of the Great Bear, seven small suns, shading with their radiance the depth of the firmament. The stars are so far away, but so accessible; they are part of Eternity, because they have always been there, unlike the city lamps that pour their artificial light into the dark waters of the Rhone. The flow of the river slowly but surely dissolves the earthly fires and carries them away. Two boats at the pier invite you to follow, but people do not notice the signs of the earth, their faces are turned up to the starry sky.
Van Gogh's paintings inspire poets:
From a white pinch of underwing down
Having repaired the stray angel of the brush,
He will then pay with a severed ear
And then he will pay with black madness,
And now he will come out, loaded with an easel,
On the bank of the blackening slow Rhone,
Almost a stranger to the dank wind
And almost a stranger to the human world.
He will touch with a special, unearthly brush
Colorful oil on a flat palette
And, not recognizing learned truths,
He will draw his own world, flooded with lights.
Heavenly colander, burdened with radiance,
Shed in a hurry golden paths
Into the cold Rhone flowing in the pit
Their shores and guardian prohibitions.
A brushstroke on canvas - I would like to stay like that,
But he won't write with an underwing pinch
Me - only the night and the wet sky,
And the stars, and Rhone, and the pier, and boats,
And bright paths in the water reflection,
Night city lights complicity
To the dizziness that arose in the sky,
Which will be equated with happiness ...
... But He and She are the first plan, coupled with lies,
Return to the warmth and a glass of absinthe
They smile kindly, knowing the impossibility
Crazy and stellar insights of Vincent.
Solyanova-Leventhal
………..
Starlight Night
Vincent van Gogh made his rule and the highest measure of "truth", the image of life as it really is.
But Van Gogh's own vision is so unusual that the world around him ceases to be ordinary, excites and shocks.
Van Gogh's night sky is not just dotted with sparks of stars, it is swirling with whirlwinds, the movement of stars and galaxies, full of mysterious life and expression.
Never, looking at the night sky with the naked eye, you will not see the movement (of galaxies? stellar wind?) that the artist saw. 
Van Gogh wanted to portray the starry night as an example of the power of the imagination, which can create more amazing nature than we can perceive when looking at the real world. Vincent wrote to his brother Theo: "I still need religion. That's why I went out at night and started painting stars."
This picture arose entirely in his imagination. Two giant nebulae are intertwined; eleven hypertrophied stars, surrounded by a halo of light, break through the night sky; on the right is a surreal orange moon, as if combined with the sun.
In the picture of a person's striving towards the incomprehensible - the stars - cosmic forces are opposed. The impulsiveness and expressive power of the image is enhanced by the abundance of dynamic strokes.
The cart wheel spun and creaked.
And they spun in unison with him
Galaxies, stars, earth and moon.
And a butterfly near a silent window,
By creating this picture, the artist is trying to give vent to the struggle of feelings that overwhelmed him.
"I paid with my life for my work, and it cost me half my sanity." Vincent Van Gogh.
“Looking at the stars, I always start to dream. I ask myself: why should the bright dots in the sky be less accessible to us than the black dots on the map of France? - wrote Van Gogh.
The artist told his dream to the canvas, and now the viewer is surprised and dreaming, looking at the stars painted by Van Gogh. The original "Starry Night" by Van Gogh adorns the hall of the Museum of Modern Art in New York.
…………..
Anyone who wants to interpret this Van Gogh painting in a modern way can find a comet, a spiral galaxy, a supernova remnant - the Crab Nebula ...
Poems inspired by Van Gogh's "Starry Night"
Come on Van Gogh
Spin the constellations.
Give these paints a brush
Light up.
Rot your back, slave
Laying bows to the abyss
the sweetest of torments,
before dawn...
Jacob Rabiner
……………
How did you guess, my Van Gogh,
How did you discover these colors?
Smears magical dances -
As if eternity is a stream.
Planets to you, my Van Gogh,
Spinning like divination saucers
Revealed the secrets of the universe
Taking a sip of obsession.
You created your world like a god.
Your world is a sunflower, sky, colors,
The pain of a wound under a deaf bandage ...
My fantastic Van Gogh.
Laura Trin
………………
Road with cypresses and a star
“A night sky with a thin crescent moon barely peeking out of the dense shadow cast by the earth, and an exaggeratedly bright, soft pink-green star in an ultramarine sky where clouds float. Below is a road bordered by tall yellow reeds, behind which one can see the low blue Lesser Alps, an old inn with orange-lit windows, and a very tall, straight, gloomy cypress. On the road are two belated passers-by and a yellow wagon drawn by a white horse. The picture, in general, is very romantic, and Provence is felt in it. ” Vincent Van Gogh. 
Each picturesque zone is made with the help of a special type of strokes: thick - in the sky, winding, superimposed parallel to each other - on the ground and wriggling like tongues of flame - in the image of cypresses. All elements of the picture merge into a single space, pulsating with the tension of forms.
Road leading to the sky
And a nagging thread on it
The loneliness of all his days.
Purple night silence
Like a hundred thousand orchestras sound,
Like prayer revelation
Like a breath of eternity...
Painting by Vincent van Gogh
Only the starry night and the road...
…………………….
After all, hundreds of suns at night and moons of the day
The roads were promised indirect ...
…Hangs on her own (and she doesn't need duct tape)
Of the big stars Van Gogh night
Maria Revyakina, art historian:
The picture is divided into two horizontal planes: the sky (upper part) and the earth (urban landscape below), which are pierced by a vertical of cypresses. Soaring into the sky, like tongues of flame, cypress trees with their outlines resemble a cathedral, made in the style of "flaming Gothic".
In many countries, cypresses are considered cult trees, they symbolize the life of the soul after death, eternity, the frailty of life and help the departed find the shortest path to heaven. Here these trees come to the fore, they are the main characters of the picture. Such a construction reflects the main meaning of the work: the suffering human soul (perhaps the soul of the artist himself) belongs to both heaven and earth.
Interestingly, life in the sky looks more attractive than life on earth. This feeling is created thanks to the bright colors and the unique technique of painting for Van Gogh: through long, thick strokes and rhythmic alternation of color spots, he creates a feeling of dynamics, rotation, spontaneity, which emphasizes the incomprehensibility and all-encompassing power of the Cosmos.
The sky is given most of the canvas to show its superiority and power over the world of people
The celestial bodies are shown greatly enlarged, and the spiraling vortices in the sky are stylized as images of the galaxy and the Milky Way.
The effect of twinkling heavenly bodies is created by combining cold white and various shades of yellow. Yellow in the Christian tradition was associated with divine light, with enlightenment, while white was a symbol of transition to another world.
The painting is also replete with celestial hues, ranging from pale blue to deep blue. The blue color in Christianity is associated with God, symbolizes eternity, meekness and humility before His will. The sky is given most of the canvas to show its superiority and power over the world of people. All this contrasts with the muted tones of the cityscape, which looks dull in its peace and serenity.
"DO NOT LET THE MADNESS CONSUME YOURSELF"
Andrey Rossokhin, psychoanalyst:
At the first glance at the picture, I notice the cosmic harmony, the majestic parade of stars. But the more I peer into this abyss, the more clearly I experience a state of horror and anxiety. The vortex in the center of the picture, like a funnel, drags me, pulls me deep into space.
Van Gogh wrote "Starry Night" in a hospital for the mentally ill, in moments of clarity of consciousness. Creativity helped him come to his senses, it was his salvation. This is the charm of madness and the fear of it I see in the picture: at any moment it can absorb the artist, lure him in like a funnel. Or is it a whirlpool? If you look only at the top of the picture, it is difficult to understand whether we are looking at the sky or at the rippling sea in which this sky with stars is reflected.
The association with a whirlpool is not accidental: it is both the depths of space and the depths of the sea, in which the artist is drowning - losing his identity. Which, in essence, is the meaning of insanity. Sky and water become one. The horizon line disappears, inner and outer merge. And this moment of expectation of losing oneself is very strongly conveyed by Van Gogh.
The center of the picture is occupied by not even one whirlwind, but two: one is larger, the other is smaller. Head-on collision of unequal rivals, senior and junior. Or maybe brothers? Behind this duel one can see a friendly but competitive relationship with Paul Gauguin, which ended in a deadly collision (Van Gogh at one point rushed at him with a razor, but did not kill him as a result, and later injured himself by cutting off his earlobe).
And indirectly - Vincent's relationship with his brother Theo, too close on paper (they were in intensive correspondence), in which, obviously, there was something forbidden. The key to this relationship can be 11 stars depicted in the picture. They refer to a story from the Old Testament in which Joseph tells his brother: "I had a dream in which the sun, the moon, 11 stars met me, and everyone worshiped me."
The picture has everything but the sun. Who was Van Gogh's sun? Brother, father? We do not know, but perhaps Van Gogh, who was very dependent on his younger brother, wanted the opposite from him - submission and worship.
In fact, we see in the picture the three "I" of Van Gogh. The first is the almighty "I", which wants to dissolve in the Universe, to be, like Joseph, the object of universal worship. The second "I" is a small ordinary person, freed from passions and madness. He does not see the violence that is happening in heaven, but sleeps peacefully in a small village, under the protection of the church.
Cypress is perhaps an unconscious symbol of what Van Gogh would like to strive for
But, alas, the world of mere mortals is inaccessible to him. When Van Gogh cut off his earlobe, the townspeople wrote a statement to the mayor of Arles with a request to isolate the artist from the rest of the inhabitants. And Van Gogh was sent to a hospital for the mentally ill. Probably, the artist perceived this exile as a punishment for the guilt he felt - for madness, for his destructive intentions, forbidden feelings for his brother and for Gauguin.
And therefore, his third, main "I" is an outcast cypress, which is distant from the village, taken out of the human world. Cypress branches, like flames, are directed upwards. He is the only witness to the spectacle unfolding in the sky.
This is the image of an artist who does not sleep, who is open to the abyss of passions and creative imagination. He is not protected from them by church and home. But he is rooted in reality, in the earth, thanks to powerful roots.
This cypress, perhaps, is an unconscious symbol of what Van Gogh would like to strive for. Feel the connection with the cosmos, with the abyss that feeds his creativity, but at the same time not lose touch with the earth, with his identity.
In reality, Van Gogh had no such roots. Enchanted by his madness, he loses his footing and is swallowed up by this whirlpool.
