Composition based on the painting by A. Ryabushkin “Moscow girl of the 17th century

Andrei Petrovich Ryabushkin is a Russian painter of the second half of the 19th century, a master of genre and historical painting. He is the author of paintings in which the life of Rus' of past centuries is shown very poetically and with a moderate sense of decorativeness.

In 1903, he created the painting "Moscow Girl of the 17th Century", thanks to which the viewer can get acquainted with the customs, fashion and life of Russia at that time.

Ryabushkin depicted one of the days of winter in Moscow. A certain girl is walking down the street without anyone nearby. She raised her head and lowered her eyes. The girl is lost in her thoughts. The viewer does not know where she is going. The dear sable hat and muff say that her family is well off. These guesses are confirmed by a long dyed coat, reaching to the floor, decorated with fluffy fur. Dark brown hair is neatly tied into a braid with a red ribbon. From under the hem, when walking, yellowish leather boots with red-colored heels are slightly visible.

The red color prevails in the girl's outfit, which at the time described was a synonym for the adjective "beautiful". Surely, this person knows her worth and cares about her attractiveness. Her natural beauty is her property.

Most likely, it is not very cold in the yard, and the girl gathered somewhere near the house, since she, being very wealthy, decided to go on foot, and not go by sleigh. It is clear that the heroine is in a hurry: her whole body is filled with movement, she walks with a sweeping step that is not characteristic of the usual girlish gait.

The canvas shows not the center of Moscow, but its remote area. Therefore, we do not see people on the street in such good weather.

In the background of the picture, the viewer can see a long structure of logs. Perhaps this is a warehouse, since there is not a single one, not even a small window, looking out onto the street. This fact allows, in turn, to make the assumption that the girl is the daughter of a merchant. And the representatives of this estate at that time had a greater opportunity for action than the noblewomen, who were called the recluses of the towers. They could leave the house unaccompanied, for example. They were also allowed to wear colorful clothes every day. Which is what the lady in question does. That's why she goes, straightening her back, proud of her position.

The composition of the canvas is built in such a way that the viewer cannot see the girl's face completely. He can't figure out where she's trying to get to. It seems that the heroine will take a few more steps and go beyond the frame of the picture, freeing her background, turning the canvas into a landscape sketch.

With the help of his work, Ryabushkin wanted not only to acquaint the viewer a little with the customs and life of Rus' in the 17th century, but, of course, to once again admire the natural beauty of Russian girls, which looks as beneficial as possible against the backdrop of white snow.

A.P. Ryabushkin is a famous Russian artist, Perov's favorite student at the Moscow School of Painting, the author of paintings about the village and historical and domestic works.

The painting “Moscow Girl of the 17th Century” depicts the artist’s favorite era. On the quiet snow-covered streets of Moscow there are huts and towers, stoves are heated, pies are baked, girls do needlework in the rooms. Lace, like frozen snow, hangs over the windows. On this December bright day, it is quiet in the lanes of Zamoskvoretsky. Everyone has already returned from the market, somewhere a dog is barking. Not warm and not cold. Air

light, soft snow.

There is a girl, light as this day, slightly blushing. A fur hat, high, a braid in ribbons, a pink fur coat with long sleeves beats against the snow. The high collar is embroidered with beads. He walks quickly, slightly closing his eyelids, stretching his sharp, tender chin forward. Not cheerful, not sad, she moves on this canvas and is about to leave, and someone else will appear behind her. And you can’t say that she was thinking, she just lowered her eyes: immodestly looking at passers-by. The girl is fragile and charming.

The soft pink color of the fur coat, trimmed with dark brown fur, is so harmonious with the snow ... And bright red is only in ribbons fluttering

yes in heels. Who is she? Unknown. And so this girl passes, refined and very Russian, filling the picture with the attractive power of the beautiful, typing on the soft snow with red heels.

Looking at the picture, we plunge into the distant world of Moscow of the 17th century, succumb to the charm of the heroine of the picture. (203 words)

Glossary:

- an essay based on the painting by Ryabushkin, a Moscow girl of the 17th century

- an essay based on the picture of a Moscow girl of the 17th century

- an essay based on the picture of a Moscow girl

- description of the painting Moscow girl of the 17th century

- An essay based on the painting by Ryabushkin, a Moscow girl

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Sections: Russian language

Artists paint with the eyes of love
and only through the eyes of love
they should be judged.
Lessing

1. Announcement of the topic, setting goals and objectives of the lesson

2. Student's report about A.P. Ryabushkin. (Slide number 1, 2. Appendix)

Ryabushkin A.P. (1861-1904) - Russian painter, creator of historical paintings, mainly recreating the life of Moscow in the 17th century. He was born in the village of Stanichnaya Sloboda, Tambov province. Father and elder brother were engaged in icon painting, and the future artist helped them in their work. At the age of 14, the boy was orphaned, but remained with his older brother, who inherited his father's profession. The case helped Ryabushkin become a real artist: his talent was noticed by a student of the Moscow School of Painting, Sculpture and Architecture A.Kh. Preobrazhensky and took him to Moscow, assigned him to the school. Ryabushkin studied with I.M. Pryanichnikov and V.G. Perov. In 1882 the artist moved to St. Petersburg and entered the Academy of Arts. An important role in his professional training was played by the teacher P.P. Chistyakov.

Ryabushkin is the author of various works: illustrations, magazine drawings, icons, church murals, decorative panels and paintings. He traveled a lot in Russia, the ancient Russian cities - Novgorod, Uglich, Yaroslavl, where he studied local antiquities in museums, copied frescoes, painted sketches of medieval architecture. A serious passion for Russian history, folk epic gave rise to interest in the historical genre in painting. One of the most important tasks that the artist set himself was to reveal the spirit of history through the general colorful structure of the canvas.

In the last years of his life, Andrei Ryabushkin was seriously ill (pulmonary tuberculosis). The doctors advised me to go to Switzerland. In 1903, having returned from a short and unsuccessful European trip, the artist, as if expressing tenderness for the Motherland, wrote one of his best works - “Moscow Girl of the 17th Century”.

3. Acquaintance with the creative heritage of the artist. (Slides #3-11)

Russian painter A.P. Ryabushkin devoted a number of paintings to the image of Moscow in the 17th century.

All these paintings are currently kept in the State Tretyakov Gallery and in the Russian Museum.

4. Actualization of impressions. Conversation. Grammar work . (The underlined sentences are written in a notebook for characterization)

What pleases us with the paintings of the artist? (Student answers)

(Slide number 12)

The national identity of Muscovy: outfits, rituals, customs. (Slide number 13)

Describe the second sentence (the national identity of Muscovy: outfits, rituals, customs) by the presence of grammatical foundations; determine the structure of the sentence: two-part or one-part, common or non-common, complete or incomplete; determine whether the given sentence is complicated; explain punctuation.

Which one is necessarily present on Ryabushkin's canvases? (Slides #14,15)

Red.

Give an oral description of the sentence "Red".

What is the lexical meaning of the word "red" in Russian? Name phraseological turns with this word, explain their meaning. (Slide number 16, 17)

Student's message based on the materials of the schoolchild's etymological dictionary.

Red

1. Colors of blood, ripe berries, bright poppy color.

2. Relating to revolutionary activity.

3. Used in folk speech and poetry to denote something good, bright.

4. Used to designate the most valuable breeds, varieties.

The word "red" is common Slavic. A suffixal derivative of a word that meant "beautiful, good." The modern meaning of the word has been noted in monuments since the beginning of the 16th century. The adjective "red" denoted in the old days what is now denoted by the word "beautiful". Remember the words from old folk tales and songs: red girls, red fellow, red sun; saying: "The hut is not red with corners, it is red with pies." Red Square in Moscow was named so many centuries ago because it meant "beautiful square". In some Slavic languages ​​and dialects, even now they say: “red”, that is, “good, beautiful”.

The word is often included in phraseological turns: red girl, red corner, red diploma, red fish, red term, red word, red thread, red corner, etc.

Is it appropriate to call the heroine of A. Ryabushkin's painting a beautiful girl? Why?

The epithet "red", in addition to the meaning "beautiful", "beautiful" in this combination includes a number of meanings associated with the concepts of goodness, high moral qualities.

It is probably no coincidence that the red girls in Ryabushkin's paintings are dressed in red. Not only external beauty, but also internal, spiritual, excites the artist. His deep knowledge, vivid emotions, loving attitude towards his creation in every line, in every brush stroke! And a sensitive viewer cannot but be imbued with the mood of the creator.

- "They use colors, but write with feelings." (J.-B. Simeon Chardin) (Slide No. 18)

- “Moscow girl of the 17th century”. (Slide number 19)

The picture is dedicated to a Muscovite girl. In my opinion, it would be fair to turn first of all to the image of the heroine. Describe the girl's costume. And which girl is easier for you to describe: the 17th or the 21st century? Why? Your classmates, who are interested in the history of the women's costume of the 17th century, will help us figure out the names of the attire.

Student message. (Slide number 20-22)

According to the aesthetic ideas of that time, a woman should have a tall stately figure. All women's clothes were subject to this ideal and visually created a majestic and static image. Outerwear was never girdled and fastened from top to bottom. Almost all clothes were fitted, long, made of heavy fabrics and lined. Such clothes made the figure inactive, gave a proud posture, a smooth gait. In my opinion, the heroine of A. Ryabushkin is dressed in a padded jacket.

Telogreya in silhouette, shape of details, fabrics resembled a fur coat, that is, the sleeves played a purely decorative role, they were folding, long and narrow. A cut was made along the armhole line for passing hands. But the quilted jacket, unlike a fur coat, was a swinging garment with buttons or ties. A fur collar could be fastened to the bodysuit. The muff saved the girl's hands from the cold.

Women wore leather, morocco, velvet, satin boots and shoes. It should be noted that until the 17th century, shoes were without heels, which appeared precisely in the 17th century. A young Muscovite walks in high-heeled boots, which makes her tall and stout.

In winter, the girls wore a high hat, which was called a stolbunets. Its bottom was trimmed with beaver or sable fur, and the high top was made of silk. Braids with red ribbons fell out from under the column. The fact is that a bandage was also put on under the columnar, wide in front and narrow in the back, which was tied with ribbons in the same place. Kosniks could be sewn to girlish ribbons - dense triangles made of leather or birch bark, covered with silk or embroidered with beads, pearls, semi-precious stones. The high headdress, which bore the telling name “stolubunets”, makes the figure of a Muscovite girl more majestic, emphasizes her excellent posture.

You will involuntarily admire the stately female figure, dressed in a red quilted jacket and a high columnar hat. (Slide number 23)

Describe this sentence by the presence of grammatical foundations; determine the structure of the sentence: two-part or one-part, common or non-common, complete or incomplete; determine whether the given sentence is complicated; explain punctuation.

- "The portrait should be a picture and a characteristic of the face." (I.E. Repin)

Do not drink water from the face (proverb). (Slide number 24) Explain the meaning of the saying.

Describe this sentence by the presence of grammatical foundations; determine the structure of the sentence: two-part or one-part, common or non-common, complete or incomplete; determine whether the given sentence is complicated.

Describe the character's face.

Student message. (Slide number 25, 26)

According to the aesthetic ideas of that time, a woman had to have a white face with a bright blush and sable eyebrows. Modern man, I think, will be interested in the observations of Adam Olearius ( German traveler and scientistXVIIcentury):

“Women of medium height, in general, beautifully built, delicate in face and body, but in the cities they all blush and whiten, moreover, so rudely and noticeably that it seems as if someone had rubbed a handful of flour over their face and painted their cheeks red with a brush. They also blacken, and sometimes brown, eyebrows and eyelashes. But this whitening and blushing was, presumably, only an urban and, mainly, metropolitan fashion.

The heroine of Ryabushkin, in my opinion, corresponds to the ideas of beauty of that time: she is white-faced, black-browed, blush. A somewhat arrogantly raised face speaks of high self-esteem and girlish pride.

Agree, when you look at the picture, the illusion of rapid movement is created. Describe the position of the heroine.

Ryabushkin pays extraordinary attention to the character and rhythm of movement. A slender female figure in red, all directed forward, seems to be flying, the boots barely touch the ground, the ribbon flutters, emphasizing the rhythm of the movement. A proudly upturned chin speaks of the girl's self-esteem and determination.

It is impossible to feel the mood and atmosphere of the picture, to feel the era without turning to the background, to the background of the canvas. What do you see? What time of year is depicted in the picture? What colors create the mood of the picture? (Slide number 28)

Not striving for documentary, Ryabushkin conveys the convincing appearance of one of the streets of “wooden” Moscow, its special atmosphere with the unchanging silhouette of the temple, the uncomplicated buildings, subtly uses landscape motifs.

A clear winter day, a piercing blue of the sky, clear frosty air, the creak of snow under the heels of a swift Muscovite, traces of runners left by fast sleighs... The light palette of colors fascinates, evokes a feeling of celebration. (Slide number 29)

Palette?

A palette is a selection of colors characteristic of the painting style of a given artist. (Slide number 30)

Light blue, rich red, black, golden brown and grayish pink tones create the mood of the picture.

“Painting is an art in which the artist depicts passion through facial features and body position and excites the viewer with his attitude to the subject, sympathetic or ironic.” (Stendhal). (Slide #31) Comment on the quote.

Reread the epigraph to the lesson. What was the acquaintance with the artist and his creation for you? What feelings did the picture evoke? How useful was the lesson?

Andrei Petrovich Ryabushkin is one of the brightest Russian historical painters. Thanks to him, in the 21st century, the door to the 17th century opened a crack. The colorful image of a Muscovite of the 17th century, the brightness and at the same time lightness of colors, a somewhat ironic, but kind and respectful attitude towards the heroine ... The artist gave us the beauty of a different, distant life; life, opposed to the vanity, money-grubbing, vulgarity of modernity.

“The good that art gives us is not in what we learn, but in what we become thanks to it.” (O. Wilde) (Slide number 33)

Homework: an essay based on the painting by A.P. Ryabushkin “Moscow girl of the 17th century”.

Notes

Gotthold Ephraim Lessing (1729–1781) – German playwright, art theorist and literary critic-educator. Founder of German classical literature.

Jean Baptiste Siméon Chardin (1699–1779) French painter.

Ilya Efimovich Repin (1844-1930) - Russian artist, painter, master of portraits, historical and everyday scenes.

Oscar Wilde (1854–1900) – English writer

Stendhal (1783–1842) – French writer

Used materials

1. http://art-rus.narod.ru/gal1/photo4.htm. Paintings on Russian history.

2. http://www.artscroll.ru/page.php?id=6909&comments=1

3. http://1584.allrpg.info/index.php?kind=5&id=2502. Terrible hour: Costumes, armor and weapons. Muscovites, women's costume

4. http://ruart.syrykh.net/slovar.html. S. K. Zhegalova, Russian Folk Painting.

5. http://narjad.narod.ru/books/Korotkova_istoria_kostuma/4.htm. Costume history. Ancient beauty.

6. V. M. Mekhanikova, Andrey Petrovich Ryabushkin. 1861-1904. L., 1989.

7. 50 biographies of masters of Russian art. L., Aurora. 1970.

8. Sycheva G. N. Schoolchild Etymological Dictionary. - Rostov n / D .: "Publishing house BARO-PRESS", 2006.

"Lesson of the teaching essay on the picture

Andrei Petrovich Ryabushkin

"Moscow girlXVII century""

Developed

Dissemination of experience at the "Forum of Young Teachers of the Moscow Region"Ivanteevka, 2011 academic year

Lesson topic: Painting Lesson

Andrei Petrovich Ryabushkin "Moscow girl of the 17th century".

Lesson type: preparation for an essay on a painting.

The purpose of the lesson: acquaintance with a reproduction of Andrei Petrovich Ryabushkin's painting "Moscow girl of the 17th century", preparation for an essay.

Lesson objectives.

Educational: to instill the skill of verbal description of the picture.

Educational: to develop coherent oral and written speech of students;

Educational: to instill a love for art; arouse interest in the historical life of Muscovy.

M methodological techniques:

Question-answer conversation, choice of lexical means according to a certain style, oral description, cluster, cinquain.

Equipment:

Presentation on the topic, multimedia equipment, audio speakers, cards with a set of words and phrases, a reproduction of a picture for individual viewing, a board.

During the classes.

I.Organizing time.

The teacher greets the students, announces the topic and type of lesson, explains the form of control.

II. Dive into the topic. Updating impressions.

The teacher offers to consider a reproduction of the picture.

Do you love writing essays?

The reason for dislike is the complexity of the task. I will try to offer you such forms of preparation for writing an essay in order to facilitate your task.

Look at the reproduction of the painting. Are they the product of modern painting? Reflects new styles, directions?

Reflects the well-known direction of painting of the 19th century - realism.

Guys, who knows where the original of this picture is kept? This picture can now be seen in the Tretyakov Gallery in Moscow in the National Russian Museum in St. Petersburg.

The author of this picture is Andrei Petrovich Ryabushkin, one of the brightest Russian historical painters. Thanks to him, in the 21st century, the door to the 17th century opened a crack. The colorful image of a Muscovite of the 17th century, the brightness and at the same time lightness of colors, a somewhat ironic, but kind and respectful attitude towards the heroine ... The artist gave us the beauty of a different, distant life; life, opposed to the vanity, money-grubbing, vulgarity of modernity.

View reproductions.

He was called a master of the historical genre.

“After Surikov, this is our second historical painter. And in terms of subtlety, delicacy and poetry of his unique style, he will in many ways surpass our brilliant Siberian.

In order to recreate real pictures of the past, Ryabushkin studied ancient fabrics, household items, costumes, and weapons in museums. With enthusiasm I read literature on the history of Rus', chronicles, folk tales. wrote that the picture "transfers" the viewer to a distant era ... The artist managed to recreate the distant antiquity, as if opening a page of Russian history.

In order to be transported back to the era of the seventeenth century, I suggest you listen to an excerpt from their story by N. Karamzin “Natalya, the boyar daughter”.

“... One great psychologist said that the description of a person's daily exercises is the truest image of his heart. With the permission of my kind readers, I will describe how Natalya, the boyar daughter, spent her time from sunrise to sunset of the red sun.

As soon as the first rays of this magnificent luminary appeared from behind the morning cloud, pouring liquid, intangible gold onto the quiet earth, our beauty woke up, opened her black eyes and, crossing herself with a white satin, bare hand up to a tender elbow, got up, put on a thin silk dress, a damask quilted jacket and with her dark blond hair loose, she approached the round window

his high tower, to look at the beautiful picture of the animated nature - to look at the golden-domed Moscow ...

Then she woke her nurse, a faithful servant of her dead mother. Mother got up, dressed, called her young lady an early bird, washed her with spring water, combed her long hair with a white bone comb, braided it and adorned the head of our charmer with a pearl bandage. Having thus equipped themselves, they waited for the good news and, having locked their room with a lock, went to mass. “Every day?” the reader will ask. Of course - such was the custom in the old days - and perhaps in winter one cruel blizzard, and in summer torrential rain with a thunderstorm could then keep the red maiden from fulfilling this pious office. In the old days there were no clubs, no masquerades, where nowadays people go to show themselves and see others; so, where, if not in the church, could then a curious girl look at people? After mass, Natalya always distributed a few kopecks to poor people and came to her parent, with tender love to kiss his hand. Natalya sat down next to him, or to sew in a hoop, or to weave lace, or to knot silk, or to string a necklace ... "

IIIDescription of the picture.

To help you, a sheet with various words and phrases has been proposed that will help you keep the style of time depicted in the picture when describing. Of course, if you correctly manage to choose the right word.

FRONT OF THE PICTURE.

In the center is a girl. What class does it belong to, by what signs did you recognize it? What is its attraction for you? Did she touch your feelings, remind you of something? (Boyar daughter)

Image creation techniques:

1. Gait: a stately proud posture, in a hurry, but smooth, as if it barely touches the ground.

*According to the aesthetic ideas of that time, a woman should have a tall stately figure. All women's clothes were subject to this ideal and visually created a majestic and static image.

2. Robe: a swinging quilted jacket with slits for the sleeves, embroidered with gold, perhaps even by the girl herself; fur muff and collar; a hat - a columnar made of beaver fur; a braid with a red ribbon flutters; saffiano heeled boots.

* Outerwear was never girdled and fastened from top to bottom. Almost all clothes were fitted, long, made of heavy fabrics and lined. Such clothes made the figure inactive, gave a proud posture, a smooth gait.

*Telogrey in silhouette, shape of details, fabrics resembled a fur coat, that is, the sleeves played a purely decorative role, they were folding, long and narrow. A cut was made along the armhole line for passing hands. But the quilted jacket, unlike a fur coat, was a swinging garment with buttons or ties. A fur collar could be fastened to the bodysuit. The muff saved the girl's hands from the cold.

* Women wore leather, morocco, velvet, satin boots and shoes. It should be noted that until the 17th century, shoes were without heels, which appeared precisely in the 17th century. A young Muscovite walks in high-heeled boots, which makes her tall and stout.

* In winter, the girls wore a high hat, which was called a stolbunets. Its bottom was trimmed with beaver or sable fur, and the high top was made of silk. Braids with red ribbons fell out from under the column. The fact is that a bandage was also put on under the columnar, wide in front and narrow in the back, which was tied with ribbons in the same place. Kosniks could be sewn to girlish ribbons - dense triangles made of leather or birch bark, covered with silk or embroidered with beads, pearls, semi-precious stones.

Main color- red.

* The word "red" is common Slavic. A suffixal derivative of a word that meant "beautiful, good." The epithet "red", in addition to the meaning "beautiful", "beautiful" in this combination includes a number of meanings associated with the concepts of goodness, high moral qualities.

It is no coincidence that the red girls in Ryabushkin's paintings are dressed in red. Not only external beauty, but also internal, spiritual, excites the artist. His deep knowledge, vivid emotions, loving attitude towards his creation in every line, in every brush stroke! And a sensitive viewer cannot but be imbued with the mood of the creator.

“They use colors, but write with feelings.”(J.-B. Simeon Chardin)

2. Facial expression: a proudly upturned chin speaks of the girl's self-esteem and determination, white with a bright blush, sable eyebrows.

*According to the aesthetic ideas of that time, a woman should have had a white face with a bright blush and sable eyebrows. Observations of Adam Olearius (a German traveler and scientist of the 17th century): “Women of medium height, in general, are beautifully built, delicate in face and body, but in cities they all blush and whiten, moreover, so rudely and noticeably that it seems as if someone has a handful of He rubbed flour over their faces and painted their cheeks red with a brush. They also blacken, and sometimes brown, eyebrows and eyelashes. But this whitening and blushing was, presumably, only an urban and, mainly, metropolitan fashion.

The heroine of Ryabushkin, in my opinion, corresponds to the ideas of beauty of that time: she is white-faced, black-browed, blush. A somewhat arrogantly raised face speaks of high self-esteem and girlish pride.

3. Background of the painting (background of the canvas)

What time of year is depicted in the picture?

What colors create the mood of the picture?

*contrast

The street of "wooden" Moscow, its special atmosphere with the same silhouette of the temple, the uncomplicated buildings, the author uses landscape motifs. A clear winter day, a piercing blue of the sky, clear frosty air, the creak of snow under the heels of a swift Muscovite, traces of runners left by fast sleighs... The light palette of colors fascinates, evokes a feeling of celebration. Light blue, rich red, black, golden brown and grayish pink tones create the mood of the picture.

(Ironically , disdainfully, disparagingly, sympathetically, lovingly, with malice)

5. What is your attitude to the picture?

SINKWINE (five-line)

Ø concept

Ø 2 adjectives

Ø 3 verbs

Ø statement at the level of generalization

Ø is a synonym for a given concept

1. painting by A. Ryabushkin

2. attractive, informative

3. introduces with everyday life , reveals manners, bewitches simplicity.

4. The picture takes us to a distant era, introduces us to the life and customs of the past.

5. Historical bridge

6. Summary by the teacher.

WORK PLAN:
1. Introduction
2.Main part
3.Conclusion

Write in the working material the numbers corresponding to the point of the plan. “The good that art gives us is not in what we learn, but in what we become thanks to it.” (O. Wilde)

V I. Homework. Using this material, write an essay based on the painting “Moscow girl of the 17th century”.

Ryabushkin - Moscow girl of the 17th century

The picture shows a young lady in expensive attire. From all her appearance it is clear that the girl is from a wealthy family. Boots, a fur coat, a hat, long hair with a satin ribbon and sleeves that stick out from under a fur coat make it clear that her clothes are clearly not peasant. The girl has a confident posture, a thin figure, a somewhat arrogant expression on her face, but it is clear that she rather depicts this and could easily laugh if any people or things around her make her laugh.

The painting shows movement. Although the girl is alone here and there is no one around on the Moscow street, it is clear that she is in a hurry somewhere and everything around her echoes. The tones of the picture are bright, which very much highlights a single person against the background of snow and makes you think only about her. Blushed cheeks and a lot of snow on the street reflect the classic Russian winter, with severe frosts and frosts.

The picture is somewhat amusing, the image of the young lady makes you smile and enjoy winter, brightness and lightness. Classical works of literature come to mind, and I want to know where she is in a hurry, on a date with her sweetheart, home or to her friends for carols, where she will warm up and drink tea.

Composition-description on the painting Moscow girl of the 17th century Grade 8

We can learn the history of the country from books in libraries, but how to see the landscapes of the past. So Ryabushkin's canvas "Moscow girl of the 17th century" shows his viewer the fashion of that time.

The picture is very simple in meaning. It does not contain any extra items that could distract the viewer from the center character of the canvas. We see a tall Russian girl. She walks through winter, snow-covered Moscow. There is not a soul on the street. The girl is surrounded by beautiful Moscow architecture, but Andrei Petrovich did not place much emphasis on the buildings. They are not clearly drawn and vague. But we can consider the color scheme of buildings. In the farthest corner is a cream-colored, small house. Behind him is a burgundy tall building. Perhaps this is a temple, but Ryabushkin did not show us this. And closer to the girl is a gray, wooden building.

The lady impressed me the most. Just look how proudly she walks down the street with her chin held high. It is clear that she is not a simple peasant woman. She is wearing a long red fur coat, which is about to touch the snow-white snow. The girl has a fur muff in her hands. The coat has no sleeves. The girl is dressed in a beautiful green sweater with patterns. The coat collar is also fur. The hat is high and furry, and a light brown braid develops from it, into which a bright red satin ribbon is woven. Thus, the girl wants to attract the attention of the opposite sex. She is probably unmarried and in search of a groom. If you look closely, you can see fir-tree noticeable earrings on the ears.

The red blush on her cheeks from the frost emphasizes her image. The girl walks in a small dimensional step through the city. She is proud of herself and her attire.

Not everyone could boast of such decoration in the 17th century. For ordinary peasants, such clothes were not available; only rich people could afford them. Many girls dreamed of looking like our heroine. Andrei Petrovich showed his audience of the XXI century the fashion of the past.

Andrey Petrovich Ryabushkin, a famous Russian artist who sang in his works the life of Moscow in the 17th century. The future master was born in an ordinary peasant family. It was the parents who instilled a love for art, since from an early age Andrei Petrovich painted icons with his father. The artist glorified himself in the genre of artistic painting. But, more unfortunately, Andrey Petrovich lived a little. At the age of 42, he died, but managed to leave behind a large baggage of paintings.

• Composition based on the painting Blue Spring Baksheev 2, 3rd grade

  A beautiful picture with a beautiful title. Why is spring blue and not green? It's the color of green. Usually spring is always associated with young greenery. I think that it's just that greenery does not appear immediately. But the sky is so blue-blue only in spring.

• Composition based on the painting Summer day. Blooming lilac Kopyttseva

  Maya Kuzminichna Kopyttseva - Honored Artist of the Russian Federation. Over the years of her creative life, Kopyttseva created paintings in perhaps almost all genres of fine art.