In his novel "Eugene Onegin" A.S. Pushkin recreated all the ideas about the ideal Russian girl, creating the image of Tatyana, who was his favorite heroine. He conveys the idea that a Russian girl should be sincere, with a rich spiritual world, selfless.
For the first time the reader meets Tatiana at her parents' estate. Since childhood, she was distinguished by calmness and thoughtfulness. By this, the girl was not like other children, and even with her sister they were not at all similar in character, children's pranks did not attract her, she preferred to be alone with herself. It is not for nothing that Pushkin compares Tatiana with a forest fallow deer, who is wary of everything and prefers to hide. She loved books, because from childhood the nanny read fairy tales and legends to her, and since her parents' estate was far from the bustle of the city, Tatyana loved nature very much.
Tatyana is noticeable not for her external beauty, but for the fact that she is very natural, thoughtful and dreamy. It is difficult for her to find a person who understands her inner world.
Having matured, Tatyana is very much looking forward to great love, therefore, having met Onegin, she immediately falls in love with him. He attracts her with his mysteriousness. Love absorbs Tatyana, she cannot find a place for herself, therefore, she decides to tell Evgeny about her feelings. Pushkin sheds tears along with Tatyana, because he knows that this story will end sadly.
Naive Tatyana sincerely hopes that her feelings are mutual, but Onegin rejects her feelings. Tatyana's letter touched him very much, but it did not arouse great feelings in him. He says that even if he falls in love with Tatyana, he will stop loving her, because he will quickly get used to the fact that she is around. And Tatyana continues to love him.
Later, Tatyana marries and becomes known in the world. She has ceased to be a naive girl, she has grown spiritually, but she has not lost the main thing. Although Tatyana's appearance has changed, inside she remains just as natural and simple. When she meets Onegin again, she betrays her feelings in no way. With him, she behaves with restraint and sternness, although she still loves him very much. She cries when she reads his letter, because happiness is so close, but now she has a husband to whom she will be faithful.
Essay about Tatyana Larina with quotes
“I am writing to you, what more ...” - every schoolboy probably knows these lines. But only a young girl will sigh languidly, remembering the heroine of the beloved novel. Tatyana Larina is the embodiment of simplicity and modesty.
How inconspicuously, but with taste, Alexander Sergeevich Pushkin compares two sisters: Tatyana and Olga.
Olga is open, coquettish, graceful and beautiful. It is worth noting that it is with this sister that the author begins his story. And only then, as if, by the way, she says: “her sister was called Tatyana.” Here, the creator, finally, draws attention to the young lady, who was not distinguished by beauty and freshness of her eyes.
It is interesting that Pushkin does not write a word about the appearance of Tatyana herself. The reader does not know how she is built, what color her eyes are. The reader only draws in his imagination a girl completely opposite to the beautiful Olga. But this is no worse, because at the very beginning of the novel, Olga does not give the impression of a well-mannered girl.
“She seemed like a stranger in her own family” - probably, it is after this phrase that the reader has a great disposition towards a girl who did not know happiness in her own family.
As you can see, another misfortune appears in the way of the girl. Eugene Onegin. The first naive real feelings make the girl, without thinking, write a letter to her chosen one. Oh, how wrong it was for a girl of that time. And yet, the letter captivates the reader with touching speeches, silent prayer, love that is read between the lines.
“I am writing to you ...” - the first line of the letter describes her seemingly humiliating position as accurately as possible. No wonder when reading it is worth putting a logical stress on the first word. It was she who dared to do this. Tatyana probably thought that this would quickly endear Evgeny to her. How did she miscalculate? Rejected by her lover, she was soon forced to marry another.
It is impossible to separate Tatyana and Evgeny in this work, since only after the passage of time he, perhaps, realized the whole irony of the situation that happened so long ago. And how the years change dear Tatyana. She carries herself gracefully and proudly in public. In her eyes she reads the femininity that has come to her over the years. There is still no coquetry, no affectation, no desire to please. However, Eugene no longer needs this. But rushing to Tatyana's feet, the hero hears the well-known phrase: “I love you. (Why be cunning?) But I am given to another; I will be faithful to him forever.
This is how the love story ended, which forever changed the Russian classics.
Option 3
A.S. Pushkin is an artist of female images in the literature of the 19th century. Portraits of contemporaries are found in almost every work of the writer. The search for a feminine ideal for Pushkin is one of the leading themes in his works.
One of the most beautiful Pushkin heroines is Tatyana Larina from the novel "Eugene Onegin". The true ideal of a girl was embodied in this image by the author. The beauty of the Russian soul, moral principles, the ability to love - all are intertwined with thin threads in the characterization of the girl.
In the most outward description of Tatyana, the Russian nationality is felt. Despite her noble origin, the rural way of life is close to her. No secular balls, the luxury of St. Petersburg will not replace for her the silence of the wilderness, the sunrise, harmony with nature. Larina herself is like a “fearful doe”, she is silent, wild, sad.
Growing up on the estate, she absorbed the national character from childhood through fairy tales, folk songs, traditions and beliefs. The proof is the belief of the heroine in dreams. Filipyevna is for Tatyana, as the nanny Arina Radionovna is for the poet, an inexhaustible source of folk wisdom. With her mother's milk, the heroine absorbed a sense of duty and decency; for her, the concept of good and evil is clearly distinguished.
Tatyana is far from stupid, the author endowed her with a bright personality. She is not like city noblewomen, there is no feigned coquetry, stupid affectation in her. Her love for Onegin is sincere and for life. She opens up to him in a purely feminine way through a letter. Only in it can she openly talk about her feelings. The touching nature of the confession once again emphasizes the sensitive nature of the heroine. Pushkin loves his heroine, he sheds tears with her, knowing about the participation prepared for her.
Rejected by Eugene, Tatyana finds the strength to live on. The author shows us another Larina. The girl got married, her intellectual development and strict upbringing easily allowed her to become a real secular lady. Having met Yevgeny, Tatyana high and arrogantly denies him love. The feeling is long higher than the love still remaining in the soul. Pushkin shows the growing up of the heroine, but in her heart this is all the same pure and sincere girl. The upper world did not spoil her individuality, she does not strive to seem better than she really is. Human values still remain the highest law for the heroine.
Having now received a letter from Onegin with a declaration of love for her, she does not condemn him. Love has not passed in her heart and happiness is close, but there is a sense of honor and duty. For Larina, it is more important than her own happiness.
More than one generation of young girls grew up on the image of Pushkin's Tatyana. Strong in spirit, faithful in heart - she has always served and serves as an example of the boundless purity of the fair sex of mankind.
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We bring to your attention a brief description of Tatyana Larina from the novel "Eugene Onegin", on which Alexander Pushkin worked for about eight years from 1823-1831.
The image of Tatyana Larina is very interesting, and it is clear that Pushkin worked a lot on him, as well as on the rest of the main characters of the novel "Eugene Onegin".
The image of Tatyana Larina Pushkin draws the reader very clearly - Tatyana Larina is a simple provincial girl, she is "wild, sad and silent." Tatyana is thoughtful and lonely, and it is interesting that the environment does not have a strong influence on her, because she is not proud of her connections, her parents' belonging to the nobility, the guests who come to their house.
The characterization of Tatyana Larina is formed by completely different circumstances and events of her life. For example, Tatyana loves nature, she is romantic and inspired by the novels of Rousseau and Richardson.
Characteristics of Tatyana Larina at the appearance of Eugene Onegin
Drawing the image of Tatyana Larina, Pushkin does not resort to irony, and in this respect the character of Tatyana is unique and exceptional, since from her appearance on the pages of the novel to the very denouement, the reader sees only the love and respect of the poet.
One can recall such lines of Pushkin: "I love my dear Tatyana so much."
Tatyana is a romantic and tender girl, but at the same time she has great endurance and willpower, which is confirmed in the finale of the poem, when she, despite her love for Onegin, still refuses him.
The acquaintance of readers with Tatyana Pushkin begins with a description of her still a village girl, silent and timid, kept apart and cold in her family:
Like a forest doe is timid,
She is in her family
Seemed like a stranger girl.
Tatyana does not know how to caress her relatives, does not like to play with other children:
She couldn't caress
To my father, not to my mother;
A child by herself, in a crowd of children
I didn't want to play or jump.
Of course, this is because no one really understands and appreciates her. Deep and serious feelings are not accepted in the Larin family. Tatyana's mother herself was easily comforted by being married to an unloved person, and she knew about books only by hearsay. Olga very quickly forgets Vladimir - even Tatyana yearns for him longer, but she was not in love with him!
Tatyana is thoughtful, prefers to be alone, she spends most of her time thinking and reading romance novels; loves long walks and nature in the wee hours.
This character of Tatyana also forms her attitude towards love, for her love is the whole world, and the beloved person is the hero whom she wants to choose once and for all. The seriousness of Tatyana leads to the fact that she takes her feelings with all seriousness.
Onegin is her conscious choice, because when she saw him, she immediately realized that it was “he” - the one who appeared to her more than once in a dream, with whom she had been waiting for a meeting for so long. She writes about this in the sincere lines of her letter:
My whole life has been a pledge
Faithful goodbye to you;
I know you were sent to me by God
Until the grave you are my keeper ... "
You appeared to me in dreams
Invisible, you were already sweet to me ...
Tatyana is a romantic person who believes that Eugene is her destiny. But after he does not reciprocate her feelings, she does not become pitiful and offended, does not feel anger and hatred for him, but, on the contrary, inspires respect and admiration in the eyes of the reader, because she behaved very worthily when talking with Onegin, demonstrating his strong character. This girl has a huge spiritual strength - her strength is in the ability to trust and faithfully love, in the ability to be simple and frank and follow her choice to the end. Tatyana knows how to be restrained when necessary, knows how to keep secrets, she is a self-sufficient and interesting girl, a whole person. In relations with men, Tatyana is not coquettish: “A coquette judges in cold blood, Tatyana loves in earnest”; it is distinguished by fidelity and simplicity, it has its own moral values and principles. Having tied the knot with the general, she does not allow herself to commit adultery, although she admits that she still loves Eugene. Tatyana's character is fully manifested precisely in the finale of the poem: she is a stately, majestic lady who arouses the admiration of others. Onegin is fascinated by such a transformation of Tatyana, but he hears a refusal from her: “But I am given to another. I will be faithful to him forever. The girl has matured, become more wise and insightful, so she understands that Onegin’s love that suddenly flared up for her is most likely caused by her current status:
Why do you have me in mind?
Is it not because in high society
Now I must appear;
That I am rich and noble?
Ambitious Onegin can bring an affair with her "seductive honor" in the circles of high society, and Tatyana is well aware of all this, but even during this conversation she behaves very dignified. Tatyana is honest with Onegin, openly tells him that she could not stop loving him, but still does not give him any chance, saying that the past can no longer be returned:
I got married. You must,
I ask you to leave me;
I know that there is in your heart
And pride and direct honor.
I love you (why lie?),
But I am given to another;
I will be faithful to him forever.
Tatyana commands respect from readers for her openness and honesty, for her straightforwardness in communicating with Onegin, she does not leave him false hopes, although she declares that her current status does not bring her any joy, that she is ready to exchange everything that she has now , just to return to his "poor dwelling".
... Now I'm glad to give
All this rags of masquerade
All this brilliance, and noise, and fumes
For a shelf of books, for a wild garden,
For our poor home
For those places where for the first time,
Onegin, I saw you...
Tatyana's character is a combination of strength and timidity, seriousness and romance, isolation and openness. The girl has a deep inner world in which so many feelings languish, so many memories, but she restrains the impulses of her soul, remaining faithful to her husband. All this suggests that Tatyana is a strong person who is able to be true to her word.
V. G. Belinsky called "Eugene Onegin" "an encyclopedia of Russian life", since it reflected the whole life of the Russian nobility of that era as in a mirror. The poet focuses on the life, way of life, morals, and deeds of the young man Eugene Onegin. Eugene Onegin is the first literary hero who opens a gallery of so-called "superfluous people". He is educated, intelligent, noble, honest, but secular life in St. Petersburg killed all his feelings, aspirations, desires. He "matured before the time", became a young old man. He is not interested in life. In this image, Pushkin showed the disease of the century - "spleen". Onegin is really seriously ill with the social disease of his time. Even a sincere feeling, love is not able to resurrect his soul.
The image of Tatyana Larina is a counterbalance to the image of Onegin. For the first time in Russian literature, the female character is opposed to the male, moreover, the female character is stronger and more sublime than the male. Pushkin draws the image of Tatyana with great warmth, embodying in her the best features of a Russian woman. Pushkin in his novel wanted to show an ordinary Russian girl. The author emphasizes the absence of extraordinary, out of the ordinary traits in Tatyana. But the heroine is surprisingly poetic and attractive at the same time. It is no coincidence that Pushkin gives his heroine the common name Tatyana. By this he emphasizes the simplicity of the girl, her closeness to the people.
Tatyana is brought up in a manor estate in the Larin family, faithful to the "habits of sweet old times", Tatyana's character is formed under the influence of a nanny, the prototype of which was the wonderful Arina Rodionovna. Tatyana grew up as a lonely, unkind girl. She did not like to play with her friends, she was immersed in her feelings and experiences. She tried early to understand the world around her, but she did not find answers to her questions from her elders. And then she turned to books that she believed undividedly: She liked novels early, They replaced everything for her: She fell in love with the deceptions of Both Rtardson and Rousseau. The surrounding life did little to satisfy her demanding soul. In books, she saw interesting people whom she dreamed of meeting in her life. Communicating with the yard girls and listening to the stories of the nanny, Tatyana gets acquainted with folk poetry, imbued with love for her.
Proximity to the people, to nature develops in Tatyana her moral qualities: spiritual simplicity, sincerity, artlessness. Tatyana is smart, unique. original. By nature, she is gifted: With a rebellious imagination, With a living mind and will, And with a wayward head, And with a fiery and necessary heart. With her mind, the originality of nature, she stands out among the landlord environment and secular society. She understands the vulgarity, idleness, emptiness of life in rural society. She dreams of a man who would bring high content into her life, who would be like the heroes of her favorite novels. Onegin seemed to her like that - a secular young man who came from St. Petersburg, smart and noble. Tatyana, with all sincerity and simplicity, falls in love with Onegin: "... Everything is full of him; all the sweet girl incessantly with magical power repeats about him." She decides to write a love confession to Onegin. Eugene's abrupt refusal is a complete surprise for the girl. Tatyana ceases to understand Onegin and his actions. Tatyana is in a hopeless position: she cannot stop loving Onegin and at the same time is convinced that he is not worthy of her love. Onegin did not understand the full strength of her feelings, did not guess her nature, since he valued "freedom and peace" above all, was an egoist and selfish. Love brings Tatyana only suffering, her moral rules are firm and constant.
In Petersburg, she becomes a princess; gains universal respect and admiration in the "high society". During this time, she changes a lot. "An indifferent princess, an impregnable goddess of the luxurious, regal Neva," Pushkin draws her in the last chapter. But still, she's adorable. Obviously, this charm was not in her external beauty, but in her spiritual nobility, simplicity, intelligence, richness of spiritual content. But in the "high society" she is lonely. And here she does not find what her lofty soul longed for. She expresses her attitude to secular life in the words addressed to Onegin, who returned to the capital after wandering around Russia: ... Now I am glad to give, All this masquerade rags. All this brilliance and noise and fumes For a shelf of books, for a wild garden, For our poor dwelling...
In the scene of Tatyana's last meeting with Onegin, her spiritual qualities are revealed even more deeply: moral impeccability, fidelity to duty, determination, truthfulness. She rejects Onegin's love, remembering that at the heart of his feelings for her lies selfishness, selfishness. The main traits of Tatyana's character are a highly developed sense of duty, which takes precedence over other feelings, and spiritual nobility. This is what makes her soulful appearance so attractive. Tatyana Larina opens a gallery of beautiful images of a Russian woman, morally impeccable, looking for deep content in life. The poet himself considered the image of Tatyana an "ideal" positive image of a Russian woman.
Tasks and tests on the topic "The image of Tatyana Larina in the novel Eugene Onegin by A. S. Pushkin"
- NGN with subordinate adverbial clauses (subordinate comparisons, modes of action, measures and degrees) - Complex sentence Grade 9
Lessons: 3 Assignments: 7 Tests: 1
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The image of Tatyana Larina from the novel by A.S. Pushkin's "Eugene Onegin" is one of those that evoke a feeling of admiration and pity at the same time. Her life path once again makes one think that a person's happiness depends not only on the integrity of his actions and sincerity of intentions, but also on the actions of other people.
Larin family
Tatyana Larina is an aristocrat by birth. Her family lives in the rural hinterland, rarely leaving it, so all the girl's communication is based on communication with her closest relatives, a nanny, who is actually equated with family members and neighbors.
At the time of the story, Tatyana's family is incomplete - her father died, and his mother took over his responsibilities for maintaining the estate.
But in the old days, everything was different - the Larin family consisted of Dmitry Larin, a foreman in his position, his wife Polina (Praskovya) and two children - girls, the elder Tatyana and the younger Olga.
Polina, in the marriage of Larin (her maiden name is not mentioned by Pushkin), was forcibly married to Dmitry Larin. For a long time, a young girl was burdened from a relationship, but, thanks to her husband’s calm disposition and good attitude towards her person, Polina was able to discern a good and decent person in her husband, become attached to him and even, later, fall in love. Pushkin does not go into details of the description of their family life, but it is likely that the tender attitude of the spouses towards each other continued into old age. Being already at a respectable age (the author does not name the exact date), Dmitry Larin dies, and Polina Larina, his wife, takes over the functions of the head of the family.
The appearance of Tatyana Larina
Nothing is known about Tatyana's childhood and appearance at that time. Before the reader in the novel appears already an adult girl of marriageable age. Tatyana Larina did not differ in traditional beauty - she was not much like the girls who captivate the hearts of young aristocrats at dinner parties or balls: Tatyana has dark hair and pale skin, her face is devoid of blush, it seems somehow completely colorless. Her figure also does not differ in the sophistication of forms - she is too thin. The gloomy appearance complements the look full of sadness and melancholy. Against the background of her blond and ruddy sister, Tatyana looks extremely unattractive, but still she cannot be called ugly. She has a special beauty, different from the generally accepted canons.
Tatyana's favorite activities
The unusual appearance of Tatyana Larina does not end with an unusual appearance. Larina also had non-standard ways to spend her leisure time. While the bulk of the girls indulged in needlework at their leisure, Tatyana, on the contrary, tried to avoid needlework and everything connected with it - she did not like to embroider, the girl was bored at work. Tatyana loved to spend her free time in the company of books or in the company of her nanny, Filipyevna, which in terms of content was almost equivalent to actions. Her nanny, despite the fact that she was a peasant by birth, was considered a member of the family and lived with the Larins, and after the girls grew up and her services as a nanny were no longer in demand. The woman knew many different mystical stories and with pleasure retold them to the curious Tatyana.
In addition, Larina often liked to spend time reading books - mainly the works of such authors as Richardson, Rousseau, Sophie Marie Cotten, Julia Krudener, Madame de Stael and Goethe. In most cases, the girl preferred books of romantic content, rather than philosophical works, although they were contained in the literary heritage of the author, as, for example, in the case of Rousseau or Goethe. Tatyana liked to fantasize - in her dreams she was transferred to the pages of the novel she had read and acted in her dreams in the guise of one of the heroines (usually the main one). However, none of the romance novels was Tatyana's favorite book.
Dear readers! We suggest that you familiarize yourself with which Alexander Sergeevich Pushkin wrote.
The girl was ready to wake up and fall asleep only with Martyn Zadeki's dream book. Larina was a very superstitious girl, she was interested in everything unusual and mystical, attached great importance to dreams and believed that dreams do not just dream, but contain some message, the meaning of which the dream book helped her decipher.
In addition, the girl could spend hours looking out the window. It is difficult to say at this moment she was watching what was happening outside the window or indulging in dreams.
Tatiana and Olga
The Larina sisters differed significantly from each other, and this concerned not only the external. As we learn from the novel, Olga was a frivolous girl, she liked to be in the spotlight, she flirts with young people with pleasure, although she already has a fiancé. Olga is a merry laugher with classical beauty, according to the canons of high society. Despite such a significant difference, there is no enmity or envy between the girls. Attachment and friendship firmly reigned between the sisters. Girls spend time together with pleasure, they guess at Christmas time. Tatyana does not condemn the behavior of her younger sister, but does not encourage him either. It is likely that she acts on the principle: I act as I see fit, and my sister as she wants. This does not mean that one of us is right, and someone is wrong - we are different with her and act differently - there is nothing wrong with that.
Personality characteristic
At first glance, it seems that Tatyana Larina is Childe Harold in a female form, she is just as dull and sad, but in fact there is a significant difference between her and the hero of Byron's poem - Childe Harold is dissatisfied with the arrangement of the world and society, he is bored because that he cannot find an occupation that would interest him. Tatyana is bored, because her reality is different from the reality of her favorite novels. She wants to experience something that literary heroes have experienced, but there is no reason for such events to be foreseen.
In society, Tatyana was mostly silent and dull. She was not like most young people who enjoyed talking to each other, flirting.
Tatyana is a dreamy person, she is ready to spend hours in the world of dreams and dreams.
Tatyana Larina has read women's novels and has adopted the main character traits and behavioral elements of the main characters from them, so she is full of novel "perfections".
The girl has a calm disposition, she tries to restrain her true feelings and emotions, replacing them with indifferent decency, over time Tatiana learned to do it masterfully.
A girl rarely indulges in self-education - she spends her free time in entertainment or just whiles away the hours, spending time aimlessly. The girl, like all aristocrats of that time, knows foreign languages well and does not know Russian at all. This state of affairs does not bother her, because in the circles of the aristocracy it was a common thing.
Tatyana lived in solitude for a long time, her social circle was limited by relatives and neighbors, so she is too naive and too open girl, it seems to her that the whole world should be like that, so when she encounters Onegin, she realizes how deeply mistaken she was.
Tatyana and Onegin
Soon Tatyana will have the opportunity to fulfill her dream - to transfer one of her women's novels from the plane of the world of dreams to reality - they have a new neighbor - Eugene Onegin. It is not surprising that Onegin, who has a natural charm and charm, could not help but attract the attention of Tatyana. Soon Larina falls in love with a young neighbor. She is overwhelmed with hitherto unknown feelings of love, different from the one she felt in relation to her family and friends. Under the pressure of emotions, the young girl decides on an unimaginable act - to confess her feelings to Onegin. In this episode, it seems that the girl's love is invented and caused by a secluded lifestyle and the influence of romance novels. Onegin was so different from all the people around Tatyana that it seems not surprising that he became the hero of her novel. Tatyana turns to her books for help - she cannot entrust the secret of her love to anyone and decides to solve the situation on her own. The influence of romance novels on the development of their relationship is clearly visible in the letter, this is evidenced by the very fact that Tatyana decided to write this letter as a whole.
At that time, such behavior on the part of the girl was indecent, and if her act was made public, it could become disastrous for her later life. What can not be said about the fair sex at the same time living in Europe - for them it was a common occurrence and did not mean anything shameful. Since the novels usually read by Tatyana belonged to the pen of European masters of the word, the idea of the possibility of writing a letter first was acceptable and only intensified under Onegin's indifference and strong feelings.
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In her letter, Tatyana defines only two ways of developing their relationship with Onegin. Both paths are essentially cardinal and are clearly opposed to each other, because they contain only pole manifestations, avoiding intermediate ones. In her vision, Onegin had to either provide her with a family idyll, or act as a tempter.
There are no other options for Tatyana. However, the pragmatic and, moreover, not in love with Tatyana Onegin lowers the girl from heaven to earth. In Tatyana's life, this was the first serious lesson that influenced her further formation of personality and character.
Eugene does not talk about Tatyana's letter, he understands all its destructive power and does not intend to bring even more grief into the girl's life. At that time, Tatyana was not guided by common sense - she was covered with a wave of emotions that the girl could not, due to her inexperience and naivety, cope with. Despite the disappointment and the unsightly reality that Onegin revealed to her, Tatyana's feelings did not dry out.
Christmas dream and its symbolism
Winter was Tatiana's favorite season. Perhaps because just at that time the Holy Week fell, in which the girls guessed. Naturally, the superstitious Tatyana, who loves mysticism, does not miss the opportunity to find out her future. One of the important elements in the life of a girl is the Christmas dream, which, according to legend, was prophetic.
In a dream, Tatyana sees what worries her most - Onegin. However, the dream does not bode well for her. At first, the dream does not portend anything bad - Tatyana is walking through a snowy meadow. On her way there is a stream that the girl needs to overcome.
An unexpected assistant - a bear - helps her cope with this obstacle, but the girl feels neither joy nor gratitude - she is overwhelmed with fear, which intensifies as the beast continues to follow the girl. An attempt to escape also leads to nothing - Tatyana falls into the snow, and the bear overtakes her. Despite Tatyana's presentiment, nothing terrible happens - the bear takes her in his arms and carries her further. Soon they find themselves in front of a hut - here a terrible beast leaves Tatyana, telling her that the girl can warm up here - his relative lives in this hut. Larina enters the hallway, but is in no hurry to enter the rooms - the noise of fun and feast is heard outside the door.
A curious girl tries to peep - Onegin turns out to be the owner of the hut. The amazed girl freezes, and Eugene notices her - he opens the door and all the guests see her.
It is worth noting that the guests of his feast do not look like ordinary people - they are some kind of freaks and monsters. However, this is not what scares the girl most of all - laughter, in relation to her person, worries her more. However, Onegin stops him and seats the girl at the table, driving all the guests away. Some time later, Lensky and Olga appear in the hut, which displeases Onegin. Eugene kills Lensky. This is where Tatiana's dream ends.
Tatyana's dream is essentially an allusion to several works. First of all, to the fairy tale of A.S. Pushkin's "Groom", which is an expanded "dream of Tatiana". Also, Tatyana's dream is a reference to Zhukovsky's work "Svetlana". Tatyana Pushkina and Svetlana Zhukovsky contain related features, but their dreams differ significantly. In the case of Zhukovsky, this is just an illusion; in the case of Pushkin, it is a prediction of the future. Tatyana's dream really turns out to be prophetic, soon she really finds herself on a shaky bridge and a certain person, who looks like a bear, and also a relative of Onegin, helps her to overcome it. And her lover turns out to be not the ideal person that Tatyana portrayed in her dreams, but a real demon. In reality, he becomes the killer of Lensky, shooting him in a duel.
Life after Onegin's departure
The duel of Onegin and Lensky, in its essence, happened because of the most insignificant things - at the celebration of Tatyana's birthday, Onegin was too kind to Olga, which caused a fit of jealousy in Lensky, which was caused by a duel that did not end successfully - Lensky died on place. This event left a sad imprint on the life of all the characters in the novel - Olga lost her fiancé (their wedding was to take place two weeks after Tatyana's name day), however, the girl was not too worried about Lensky's death and soon married another person. The blues and depression of Onegin increased significantly, he was aware of the gravity and consequences of his act, staying on his estate was already unbearable for him, and therefore he sets off on a journey. However, Lensky's death had the greatest impact on Tatyana. Despite the fact that she had nothing to do with Lensky except comradely relations, and her position and views were only partially similar, Tatyana had a hard time with the death of Vladimir, which, in essence, became the second significant lesson in her life.
One more unattractive side of Onegin's personality is revealed, but there is no disappointment, Larina's feelings towards Onegin are still strong.
After Yevgeny's departure, the girl's sadness intensifies significantly, she is more than usual looking for solitude. From time to time Tatyana comes to Onegin's empty house and, with the permission of the servants, reads books in the library. Onegin's books are not like her favorites - the basis of Onegin's library is Byron. After reading these books, the girl begins to better understand the character traits of Eugene, because he is inherently similar to the main characters of Byron.
Tatyana's marriage
Tatyana's life could not continue to flow in the same direction. The changes in her life were predictable - she was an adult, and she had to be married already, because otherwise Tatyana had every chance to remain an old maid.
Since no suitable candidates are expected in the vicinity, Tatyana has only one chance left - to go to Moscow to the bride fair. Together with her mother, Tatiana comes to the city.
They stop at Aunt Alina's. A relative has been suffering from consumption for the fourth year, but the disease did not prevent her from welcoming visiting relatives. Tatyana herself is unlikely to accept such an event in her life with joy, but, considering the need for marriage, she reconciles with her fate. Her mother does not see anything wrong with the fact that her daughter will not be married for love, because at one time she was treated the same way, and this did not become a tragedy in her life, and after a while even allowed her to become a happy mother and wife .
The trip for Tatyana did not turn out to be useless: a certain general liked her (his name is not mentioned in the text). Soon the wedding took place. Little is known about the personality of Tatyana's husband: he took part in military events and is essentially a military general. This state of affairs contributed to the question of his age - on the one hand, obtaining such a rank required considerable time, so the general could already be at a decent age. On the other hand, personal participation in hostilities made it possible for him to move up the career ladder much faster.
Tatyana does not love her husband, but does not protest against marriage. Nothing is known about her family life, moreover, this situation is aggravated by Tatyana's restraint - the girl learned to restrain her emotions and feelings, she did not become a cutesy aristocrat, but she also confidently moved away from the image of a naive village girl.
Meeting with Eugene Onegin
In the end, fate played a cruel joke on the girl - she again meets her first love - Eugene Onegin. The young man returned from a trip and decided to pay a visit to his relative, a certain general N. In his house he meets Larina, she turns out to be the general's wife.
Onegin was struck by the meeting with Tatyana and her changes - she no longer looked like that girl, overflowing with youthful maximalism. Tatyana became wise and balanced. Onegin realizes that all this time he loved Larina. This time he changed roles with Tatyana, but now the situation is complicated by the girl's marriage. Onegin is faced with a choice: suppress his feelings or make them public. Soon the young man decides to explain himself to the girl in the hope that she has not yet lost her feelings for him. He writes a letter to Tatyana, but, despite all Onegin's expectations, there is no answer. Even greater excitement seized Eugene - the unknown and indifference only provoked him more and agitated him. In the end, Eugene decides to come to the woman and explain himself. He finds Tatyana alone - she looked so much like the girl he met two years ago in the village. Touched, Tatyana admits that she still loves Yevgeny, but now she cannot be with him - she is bound by marriage, and being a dishonorable wife is against her principles.
Thus, Tatyana Larina has the most attractive character traits. She embodied the best features. In her youth, Tatyana, like all young people, is not endowed with wisdom and restraint. In view of her inexperience, she makes some mistakes in behavior, but she does this not because she is poorly educated or depraved, but because she has not yet learned to be guided by her mind and emotions. She is too impulsive, although generally a pious and noble girl.
Characteristics of Tatyana Larina in the novel "Eugene Onegin" by Pushkin: description of appearance and character
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