Voca-loka voice cards and audio greetings. Voca-loka voice cards and audio greetings Test whether I have a voice

13.07.2019

Answer:

Many women love to sing in the shower, but how do you know if there is a voice? It has long been proven that a person hears himself differently than the people around him. Sinus resonance is to blame. People hear themselves through the bone. In order for a person to find out how the people around him perceive the singing, you can record the voice even on the most ordinary voice recorder.

When listening to the recording for the first time, many are horrified by their voice. This is due to the fact that people cannot recognize their own timbre. An outsider will not be surprised by anything, because the voice on the recording will be familiar to him.

After listening to your singing, you can hear falseness, which was not initially felt. If a person recognizes it, then he still has a hearing. Otherwise, you should not be upset. Most likely, coordination of hearing and voice can be developed by nature.

In order to finally make sure that there is a voice, you need to contact a professional musician or vocal teacher. It is clear that their services will cost a lot of money, but what can not be done in order to start a musical career. It is not necessary to contact specialists from higher educational institutions, you can also choose a teacher from a music school or college.

How to check if there is hearing and voice - expert comments

Do not give up music lessons, thinking that there is no hearing and voice. They just need to be developed. We will give a few recommendations on how to check if there is hearing and voice:

  • one person plays a note on the piano, the second listens to it and memorizes it. Then the keys will be pressed randomly until the second person hears the desired note. If you manage to determine the note by sound, then there is a rumor;
  • one person silently taps some kind of rhythm on the table with a pencil for ten seconds. The subject next tries to reproduce this rhythm. Over time, you can complicate the musical pattern;
  • if the subject knows how to play the piano, you can conduct a musical dictation. The teacher plays single sounds in turn. The subject tries to get his voice in unison with the sounds that he hears;
  • the vocalist plays the piano, the subject tries to write down the notes he hears in a notebook. The vocalist then checks for errors.

In the case when something does not work out, experts advise not to give up. Sooner or later it will turn out, the main thing is that there is a desire to develop. You just need to practice a little. Voice and hearing are inherent in man by nature. People who have them less developed will have to make a lot of effort to improve them.

Each voice is unique and inimitable in its sound. Thanks to these features, we can easily recognize the voices of our friends even on the phone. Singing voices differ not only in timbre, but also in the height of the opening of the voice, range, and individual coloring. And in this article you will learn how to correctly determine the type of voice of a child or an adult. Also, how to determine your comfortable range.

Singing voices always fit one of the vocal characteristics that came up in the Italian opera school. They were compared in sound to the musical instruments of a string quartet. As a rule, the sound of the violin was compared with the female voice of the soprano, the viola with the mezzo. The lowest voices - contralto - were compared with the sound of a horn (like the tenor timbre), and low bass timbres - with a double bass.

This is how the classification of voices, close to choral, appeared. Unlike, in which only men sang, the Italian opera school expanded the possibilities of singing and made it possible to create a classification of female and male voices. Indeed, in the church choir, women's parts were performed by treble (soprano) or tenor-altino. This characteristic of voices has been preserved today not only in opera, but also in pop singing, however, in the stage, the sound delivery is different. Some criteria:

4 criteria for determining the vote

Professional singing has its own definition criteria. While listening, the teacher pays attention to:

  1. Voice timbre . This is the name of the unique coloring of the voice, which can be light and dark, rich and soft, lyrical tender. The timbre is made up of the individual coloring of the voice, which each person has. In one, the voice sounds soft, subtle, even a little childish, while in the other, already in the early years it has a rich chest coloration. There are head, chest and mixed timbres, soft and sharp. It is the main color characteristic. There are voices whose harsh timbre sounds very repulsive and unpleasant to the point that they are not recommended to practice vocals. Timbre, like the range, is a distinctive feature of the singer, and the voice of outstanding singers and singers is distinguished by a bright individuality and recognizability. In vocals, a soft, beautiful and pleasant timbre is appreciated.
  2. Range. Each type of voice has not only its own characteristic sound, but also a range. It can be determined while singing or by asking a person to sing a song in a key that is convenient for him. Usually singing voices have a certain range, which allows you to accurately determine its type. Distinguish between working and non-working voice range. Professional singers have a wide working range, which allows them not only to replace colleagues with other voices, but also to beautifully perform opera arias for other parts.
  3. Key . Any voice has its own key, in which it is convenient for the performer to sing. It will be different for each type.
  4. Tessitura. This is the name of a certain part of the range in which it is convenient for the performer to sing. There is one for every voice. The wider this area, the better. It is often said that there is a comfortable and uncomfortable tessitura for a voice or a performer. This means that a song or part in a choir may be comfortable for one performer to sing and uncomfortable for another, although their ranges may be the same. So you can determine the features of the voice.

Howcorrectly determine the type of voice in children

Children's voices do not yet have a formed timbre, but already at this time it is possible to determine their type in adulthood. Usually they are divided into high and low, both in boys and girls. In the choir they are called soprano and alto or treble and bass. Mixed choirs have 1st and 2nd sopranos, as well as 1st and 2nd altos. After a transitional age, they will acquire a brighter color and after 16-18 years it will be possible to determine the adult type of voice.

Most often, tenors and baritones are obtained from trebles, dramatic baritones and basses are obtained from altos.. The low voices of girls can turn into mezzo-soprano or contralto, and the soprano can become a little higher and lower and acquire its own unique timbre. But it happens that low voices become high and vice versa.

The treble is well recognizable by its sonorous high sound. Some of them can even sing parts for girls. They have a well-developed high register and range.

Violas both boys and girls have a chest sound. They have better low notes than high ones. Sopranos - the highest voices among girls - sound better high notes, starting from the first octave G, than low ones. If you determine their tessitura, then you can understand how it will develop. That is, how to determine the range of this voice in adulthood.

Howcorrectly identify your voice type

There are currently 3 types of female and male voices. Each type has its own differences.

Soprano is the most sonorous, light high female voice. It has a bright feminine timbre and can sound high, resonant and piercing. It is more convenient for him to sing at the end of the first octave and in the second, and some coloratura sopranos easily sing high notes in the third. In men, the tenor has a similar sound.

Mezzo-soprano is a juicy and rich medium female voice. Most often, it has a beautiful deep timbre and a range that opens up beautifully in the first octave and at the beginning of the second. The low notes of this voice sound full, juicy, with a beautiful chest sound. It is similar to the sound of a baritone.

Contralto is a deep, sensual, velvety and the lowest voice in women. It has a sound reminiscent of a cello in timbre, and can take low notes of a small octave. And the lowest male voice is the bass profundo, which is very rare in nature. Most often, the lowest parts in the choir are sung by basses.

After listening to the outstanding singers of your gender, you can easily understand how to determine your type by color.

How to determine accurately the tonality of the voice? You can do this at home if you have a musical instrument. Choose a song that you like and sing it in a comfortable key. It should have a wide range to cover at least one and a half octaves. Then try to pick up its melody. In what range do you like to sing it? Then lift it up and down.

Where is your voice best revealed? This is the most comfortable part of your working range. The soprano will be comfortable singing at the end of the first and the beginning of the second octave and higher, the mezzo in the first, and the contralto sounds brightest in the last tetrachord of the small octave and in the first sixth of the first. This is a good way to correctly determine the tone of your voice.

Here is another way how to determine what kind of natural voice you have. You need to take a chant in the range of an octave (for example, do - mi - la - do (up) to -mi - la (down), and sing it in different keys, which will differ by a second. If the voice opens when you sing the top, it means that his type is soprano, and if it fades and loses its expressiveness - mezzo or contralto.

Now do the same from top to bottom. In what key did you find it most comfortable to sing? Did the voice begin to lose its timbre and become dull? When moving down, sopranos lose their timbre at low notes, it is inconvenient for them to sing them, unlike mezzo and contralto. So you can determine not only the timbre of the voice, but also the most convenient area for singing, that is, the working range.

How to determine what kind of voice you have in the studio? Choose several backing tracks of your favorite song in different keys and sing them. Where the voice is best revealed, and it is worth singing in the future. Well, at the same time, you will know how to determine your timbre by listening to the recording several times. And while you may not recognize your voice out of habit, sometimes a recording can most accurately define its sound. So if you want to define your voice and understand how to work with it, go to the studio. Good luck!

SW. Ladies and Gentlemen!

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Welcome, kindly, welcome. VokaLoka and good mood are with you!

Perhaps in the shower or in the car you sing like a rock star, but sometimes it's hard to objectively evaluate your own vocal abilities. It turns out that it is quite possible to evaluate yourself if you learn to listen and hear correctly. Record yourself on a tape recorder and pay attention to your tone, pitch, and ability to control your voice. The good news is that almost anyone can learn to sing well. Follow these simple guidelines to develop your vocal abilities.

Steps

Part 1

How to evaluate your vocal abilities

    Evaluate the overall tone and timbre of the voice. Timbre is the general characteristic of the sound of a voice. If you hit all the notes, but the tone or timbre doesn't match the song, then the performance won't sound good. Pay attention to how clearly and consistently you emphasize vowel sounds, how fully you use your voice register and how you reproduce rhythmic nuances (adapt your voice to different styles of performance).

    • When evaluating the timbre, pay attention to the softness or hardness, sharpness or smoothness, strength or weakness of the voice.

    Part 2

    How to learn to sing better
    1. Use audition. Listen to a short melody or sound, then visualize that melody or sound in complete silence. Next, imagine yourself singing this melody without making a sound. Finally, sing the melody or sound out loud.

      Private music teacher

      Annabeth Nowitzki is a Texas private music teacher. She received her BA in Music from Carnegie Mellon University in 2004 and her MA in Music in Vocal Arts from the University of Memphis in 2012.

      Private music teacher

      Annabeth Nowitzki, private vocal coach:“Despite the fact that some people sing better than others by nature, this skill can be developed and improved. If you really like to sing, then approach the matter wisely and work on yourself regularly.

      Use your range and technique daily. Some people naturally control their voice better than others, but practice is good for every singer. Keep learning to control your breath, develop your voice and ear, and find the style of music that best suits your tone.

      • Musical talent often develops in parallel with musical talent. Get to know vocal techniques and learn how to use your voice as an instrument. The more you know about the various components of correct execution, the more effective your practice will be.
    2. Attend vocal lessons. Finding someone to teach you how to use your voice as an instrument will improve your singing a lot. Choose a tutor who will teach you not only how to hit the notes correctly, but who will also be able to develop the general technique of performance. A good teacher will tell you how to stand, breathe, move and read notes while performing vocal parts.

      • If your friends are taking vocal lessons, ask them for recommendations. You can also rely on the feedback of the choir leader, local groups and ensembles.
      • Many educators give a trial lesson for free or at a reduced price. Attend trial lessons with several teachers to find the best option. Did the teacher encourage you? Did you talk for most of the class? Focused only on the voice or also paid attention to the technique of performance?
    3. Learn to accept constructive criticism. If you have a great singing voice, you will already know this, as well as the reverse. Just as a beginner guitarist has to go through an awkward stage when he is still not good at the instrument and does not always hit the strings, so singers should work hard to improve their voice. Such skills are not given to a person from birth, but are acquired through hard work.

      • If someone told you that you can't sing, but you have a strong desire to learn, then keep working hard on your voice. Do not listen to ill-wishers. There are people who will never learn to sing, no matter how hard they try. If this is the case, then you will already know about it.
    4. Enroll in a music school or local choir to practice singing and develop your voice. Working in a choir is a great way to improve your vocal skills. You will know the opinion of the choir leader and other participants about your abilities, and you will also get the chance to work in a team. Often, inexperienced performers are more comfortable singing along with other people and not becoming the center of critical attention.

      Continue to study and practice regularly to improve your technique. If you decide that you don't have an innate ability but love to sing, then keep working. Your instructor will help you get the most out of your abilities. The joy of singing is available to everyone.

    Part 3

    How to test your innate abilities
    1. Get tested for musical deafness. Musical deafness is the inability to correctly perceive the pitch of sounds. There are several tests on the Internet that will allow you to identify the presence of such a problem. Find out if you are able to distinguish between high and low notes, or if you are one of the 1.5% of the population who suffer from "amusia" and cannot recognize pitch, tone, or even rhythm.

      • Most online quizzes consist of a few short snippets of well-known songs and tunes. Listen to the passage, and then indicate whether it was performed correctly.
      • Musical deafness doesn't mean you have a bad voice, but it limits your ability to tune your voice to a particular song or tune.
      • Similarly, difficulty in trying to control your singing voice does not mean you have musical deafness. Good performance depends on many factors. It's possible that you just need to work harder.
    2. Get the opinion of people you trust. Like singing in front of friends and family, play your voice recordings with your closest people to get their opinion. If your friend sings well, then ask him about the technical aspects. If the listener is not familiar with vocal techniques, then find out the first reaction.

      • Choose people who will give you an honest answer and whose opinion you trust. It is better not to contact a person who will praise or criticize you in any case.

Publication date:

According to music teachers and experts, there is no person on Earth who does not have a musical ear. The thing is that some people are endowed with an ear for music more, others less. However, there are no people in whom it would be completely absent!

The vocal voice is very closely connected with the musical ear, and its development requires tremendous strength and energy. To find out if you have a voice, and how developed it is, it is enough to conduct a few small experiments.

Try to sing some very simple tune. If the melody seems too hard to master, try singing a normal scale (do, re, mi...). Record your singing with a voice recorder or mobile phone.

Listen and hear how your voice sounds. Most people who hear their own voice on a recording panic and don't like the voice or the way it sounds at all. Actually, this is normal. The voice will sound alien because you hear it through the bones, and because of this, some of the overtones are lost. However, listening to the recording, you will hear your clear voice, the way everyone around hears it.

Now, you can absolutely analyze whether you have a voice or not. So, on the record, all the falsity that was allowed during singing will be heard. And if you really hear it when listening, it's great, as it is confirmation that you still have a hearing. If there is no falsehood, this does not mean that everything is lost. Quite possibly, on the contrary, you are gifted with a developed ear and voice from birth.

If you don't believe yourself, play your recording to a vocal or music teacher, some musician, who will tell you for sure whether you have a voice or not. Most likely, the answer will be yes, but depending on how developed the hearing is, the number of errors indicated may be different.



What to do if it turns out that you really have a hearing? You can do whatever you want with this. You can apply to a music school and get additional skills, experience and special education. You can try yourself in some singing competition and so on.

Of course, you can do nothing at all, thereby ruining your will to music. This is the easiest way that a huge number of people have gone. Today, there are far fewer people who sing than there used to be. And the point is not even that there are fewer talented people, but that no one wants to work on themselves. Previously, many even spoke in rhyme, but now they don’t ...



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