CAVATINA
CAVATINA
(it.). A small aria interrupted by a recitative.
Dictionary foreign words, included in the Russian language. - Chudinov A.N., 1910 .
CAVATINA
it. cavatina, from cavata, a kind of song. A small aria interrupted by a recitative.
Explanation of 25,000 foreign words that have come into use in the Russian language, with the meaning of their roots. - Mikhelson A.D., 1865 .
CAVATINA
a small aria (song), uncomplicated in music, with gentle content, interrupting with recitative (talk).
A complete dictionary of foreign words that have come into use in the Russian language. - Popov M., 1907 .
CAVATINA
a small aria expressing tender feelings and interspersed with recitative.
Dictionary of foreign words included in the Russian language. - Pavlenkov F., 1907 .
Cavatina
it. cavatina) a small opera aria, usually of a lyric-narrative nature; sometimes a small instrumental piece of a melodious character.
New dictionary foreign words.- by EdwART,, 2009 .
Cavatina
cavatins, [it. cavatina] (music). A small lyrical aria, melodic solo in opera, sometimes a non-sick play. Cavatina for tenor.
Big Dictionary foreign words.- Publishing house "IDDK", 2007 .
Cavatina s, and. (it. cavatina cavare to extract (sounds)).
A small opera aria or instrumental piece of a melodious, lyrical nature.
Explanatory Dictionary of Foreign Words L. P. Krysina.- M: Russian language, 1998 .
Synonyms:
See what "KAVATINA" is in other dictionaries:
Cm … Synonym dictionary
CAVATINA, cavatina, wives. (Italian cavatina) (music). A small lyrical aria, melodic solo number in the opera. Cavatina for tenor. Explanatory Dictionary of Ushakov. D.N. Ushakov. 1935 1940 ... Explanatory Dictionary of Ushakov
- (Italian cavatina) a small solo vocal piece of a lyrical nature in opera and oratorio ... Big Encyclopedic Dictionary
CAVATINA, s, female. A small operatic aria, usually of a lyrical nature, as well as a melodic instrumental piece. Explanatory dictionary of Ozhegov. S.I. Ozhegov, N.Yu. Shvedova. 1949 1992 ... Explanatory dictionary of Ozhegov
Female, Italian a short aria or melody (one-voice) that interrupts the recitative, talker, in the opera. Dahl's Explanatory Dictionary. IN AND. Dal. 1863 1866 ... Dahl's Explanatory Dictionary
- (cavatina or cavata) a short, uncomplicated aria in form and texture, with one theme of gentle character, moderate movement. A small recitative precedes K.N.S ... Encyclopedia of Brockhaus and Efron
- (Italian cavatina, diminutive of Italian cavata) a small lyrical opera aria. Descended from kavata. FROM late XVIII centuries, often an exit aria in the opera (Figaro's cavatina in the opera The Marriage of Figaro, Prince's cavatina, Aleko). Brief, ... ... Wikipedia
- (Italian cavatina, reduce from cavata cavata, extract from cavare). 1) In the 18th century. short solo lyric a piece in an opera or oratorio, usually contemplative in character. It arose from the kavata associated with recitative of the early 18th century ... ... Music Encyclopedia
- (Italian cavatina, from cavare, literally extract) solo lyrical piece in opera and oratorio. In the 18th century usually had a contemplative thoughtful character and differed from the aria in greater simplicity, songlike melody and modesty of scale. IN 1 … Great Soviet Encyclopedia
s; and. [ital. cavatina] One of the varieties opera aria, usually of free construction, distinguished by melodiousness and lyricism. * * * cavatina (ital. cavatina), a small lyrical aria in opera and oratorio. * * * CAVATINA CAVATINA (Italian… … encyclopedic Dictionary
Books
- Cavatina, Op. 144, Saint-Saens Camille. Reprinted music edition of Saint-Sa?ns, Camille`Cavatine, Op. 144`. Genres: Cavatinas; For trombone, piano; Scores featuring the trombone; scores featuring the piano; For 2 players. We have created…
Meaning of CAVATINA in the Dictionary musical terms
CAVATINA
(Italian cavatina, from cavare, lit. - extract) - a small opera aria, usually of a lyric-narrative nature, distinguished by its relative simplicity of form and song warehouse. a small instrumental piece with a melodic melody is sometimes also called a cavatina.
Dictionary of musical terms. 2012
See also interpretations, synonyms, meanings of the word and what is CAVATINA in Russian in dictionaries, encyclopedias and reference books:
- CAVATINA in the Big Encyclopedic Dictionary:
(Italian cavatina) a small solo vocal piece of a lyrical nature in an opera and ... - CAVATINA
(Italian cavatina, from cavare, literally - to extract), solo lyric piece in opera and oratorio. In the 18th century usually wore a contemplative-thoughtful ... - CAVATINA
(cavatina or cavata) - a short, uncomplicated aria in form and texture, with one theme of gentle nature, moderate movement. A little recitative... - CAVATINA
[Italian cavatina] a small lyrical aria (in... - CAVATINA in the Encyclopedic Dictionary:
s, w. A small opera aria or an instrumental piece of a melodious, lyrical ... - CAVATINA in the Encyclopedic Dictionary:
, -s, w. A small operatic aria, usually of a lyrical nature, as well as a melodious instrumental ... - CAVATINA in the Big Russian Encyclopedic Dictionary:
CAVATINA (Italian cavatina), a small lyric. aria in opera and ... - CAVATINA in the Encyclopedia of Brockhaus and Efron:
(cavatina or cavata) ? a short, uncomplicated aria in form and texture, with one theme of a gentle nature, moderate movement. A little recitative... - CAVATINA in the Full accentuated paradigm according to Zaliznyak:
kawati "na, kawati" us, kawati "us, kawati" n, kawati "not, kawati" us, kawati "well, kawati" us, kawati "noy, kawati" noi, kawati "us, kawati" not, ... - CAVATINA in the New Dictionary of Foreign Words:
it. cavatina) a small opera aria, usually of a lyric-narrative nature; sometimes a small instrumental piece by a sing-song... - CAVATINA in the Dictionary of Foreign Expressions:
[it. cavatina] a small opera aria, usually of a lyric-narrative nature; sometimes a small instrumental piece by a sing-song... - CAVATINA in the Dictionary of synonyms of Abramov:
cm. … - CAVATINA in the dictionary of Synonyms of the Russian language:
aria, ... - CAVATINA in the New explanatory and derivational dictionary of the Russian language Efremova:
and. 1) A small aria of a lyrical-narrative nature in an opera, oratorio. 2) A small instrumental piece (or part of it) of a melodious melodic ... - CAVATINA in the Dictionary of the Russian Language Lopatin:
kavat`ina, … - CAVATINA in the Complete Spelling Dictionary of the Russian Language:
cavatina... - CAVATINA in the Spelling Dictionary:
kavat`ina, … - CAVATINA in the Dahl Dictionary:
female , Italian a short aria or melody (one-voice), which interrupts the recitative, talker, in ... - CAVATINA in Modern explanatory dictionary, TSB:
(Italian cavatina), a small solo vocal piece of a lyrical nature in an opera and ... - CAVATINA in the Explanatory Dictionary of the Russian Language Ushakov:
cavatins, (it. cavatina) (music). A small lyrical aria, melodic solo number in the opera. Cavatina for… - CAVATINA in the Explanatory Dictionary of Efremova:
cavatina 1) A small aria of a lyrical-narrative nature in an opera, oratorio. 2) A small instrumental piece (or part of it) of a melodious melodic ... - CAVATINA in the New Dictionary of the Russian Language Efremova:
and. 1. A small aria of a lyric-narrative nature in an opera, oratorio. 2. A small instrumental piece (or part of it) of a melodious melodic ... - CAVATINA in the Big Modern Explanatory Dictionary of the Russian Language:
and. 1. A small aria of a lyrical-narrative nature in an opera or in an oratorio. 2. A small instrumental piece or part of a melodious melodic ... - ARIA in the Dictionary of Musical Terms:
ital. aria, the main meaning is air, an episode (number) completed in construction in an opera, oratorio or cantata, performed by one singer ... - BERNARD (NAME OF RUSSIAN MUSIC PERSONS) in the Brief Biographical Encyclopedia:
Bernard is the name of several Russian musical figures: 1) Matvey Ivanovich (1794 - 1871). Studied piano playing under Field; … - OPERA in big Soviet encyclopedia, TSB:
(Italian opera, literally - composition, from Latin opera - work, product, work), a genre of musical and dramatic art. Literary basis O. (libretto ... - ARIA in the Great Soviet Encyclopedia, TSB:
(Italian aria), an episode in an opera, oratorio or cantata, completed by construction, performed by a singer with an orchestra. In the dramatic development of the opera A. ... - FORM IN MUSIC in the Encyclopedic Dictionary of Brockhaus and Euphron:
structure musical composition, which is based on the proportionality of parts and symmetry. The following functions have been established in musical architectonics: sentence (see), period (see), ... - BORODIN ALEXANDER PORFIRIEVICH in the Encyclopedic Dictionary of Brockhaus and Euphron:
professor of chemistry and academician of the Military Medical Academy, doctor of medicine and composer; genus. Oct 31 1834 in St. Petersburg, died in February ... - BORODIN in the Encyclopedic Dictionary of Brockhaus and Euphron:
Borodin A.P. as a composer. Musical ability Borodin were discovered very early; As a nine-year-old child, he played by ear on the piano all kinds of pieces that he heard ... - BALAKIREV in the Encyclopedic Dictionary of Brockhaus and Euphron:
(Miliy Alekseevich) - a famous Russian composer and musical and public figure; genus. Dec 21 1836 in Nizhny Novgorod. He was brought up in Kazan ...
The number opera dominated the world for a long time. musical art. It is called numbered because it can be easily divided into numbers - arias of opera heroes. These are (in which the number of arias could exceed all reasonable limits) operas of the Romantic era (Bellini, for example), classicist operas (Mozart, of course), Verdi operas (except later ones) and many others. With the advent of Wagner, a certain revolution took place, after which a through opera began to be highly valued, from which it is difficult or impossible to single out individual numbers.
When the opera was numbered, arias for each character could be written in it. For the main actors composers composed several solo numbers. Naturally, such diversity could not be called by one word "aria". In fact, there is a classification of opera arias, and it would be nice for a singer to understand it.
So, there is the main type of solo number - aria. This is a completely finished, independent episode in an opera (or oratorio), which can easily be taken from it for a separate performance. Aria most fully characterizes the hero. The length of the aria may vary. For example, the aria da capo, common in old opera-seria, consists of the first part, middle and repetition of the first part, but with variations, an example of a da capo aria is Handel's "Lascia ch'io pianga". In the Baroque era, there were so many variations that he could calmly drink tea while the singer brings out the coloratura. A large aria implies a slow and fast part (such arias are sung in the last rounds vocal competitions). The aria may be preceded by a scene, that is. Examples from operas: Cavaradossi's aria "E lucevan le stelle" by Puccini, José's aria with a flower from "Carmen", two Zerlina arias from Mozart's "Don Giovanni", Don Basilio's slander aria from " Barber of Seville" etc.
Often the main character is given two arias, the second of them may be less developed. In this case, the number is called "arioso". It is more saturated than recitative, and can also be easily removed from the opera for performance at a concert. Most often, arioso describes the reaction of the hero to the events taking place. Arioso is also found in large duet scenes (the scene of Violetta and Germont from La Traviata). Examples from Tchaikovsky: Herman’s arioso “Forgive me, heavenly creature”, Lensky’s arioso “I love you”, Onegin’s arioso “Is it really the same Tatyana”, etc.
Arietta is close in meaning to arioso. It has a simpler melody of a song character. Arietta is common in French comic opera. For example, the arietta of Loretta Gretry, the arietta of the Snow Maiden “I Heard”, etc.
Cavatina occupies a special place. Previously, it was the very first aria of the hero, "day off", that is, it was sung immediately upon entering the stage. Later, arias with free construction began to be called cavatina. Examples: Valentine's cavatina from Gounod's Faust, Rosina's cavatina and Figaro's cavatina (both very popular) from Rossini's The Barber of Seville.
There are also romances in operas. In general, romance is the main genre of chamber music, but let us recall Dubrovsky's romance from Napravnik's opera, Santuzza's romance from " rural honor", Nemorino's romance from Love Potion. More often than not, the theme of a romance is a love experience.
Barcarolle (from the Italian word "barca" - a boat) is a song of the Venetian gondoliers, its melody seems to "rock" the listener on the waves. Most famous example- duet-barcarolle "Belle nuit" from the opera "The Tales of Hoffmann" by Offenbach.
The composer resorts to a serenade when the hero of the opera sings under the window of his beloved. Examples: Smith's serenade from Bizet's Belle of Perth, Mephistopheles Gounod's serenade (this serenade is satirical).
A ballad is a song story with dramatic and fantastic content. For example, the ballad of Mephistopheles or the ballad of Margarita about the King of Ful from the opera Faust. 
Canzone in Italian opera called a lyric song. The most famous song- "The Heart of a Beauty" from Verdi's opera "Rigoletto", more examples: Almaviva's canzone from "The Barber of Seville", Cherubino's canzone "Voi che sapete". A canzonette is a small canzone, like, for example, de Grieux's canzoneta from Puccini's Manon Lescaut.
To show the heroic, fighting, strong-willed character of the hero, cabaletta is used. It is small in size, fast and rhythmic. Such is Manrico's cabaletta "Di quella pira" from Il trovatore, the cavatina and cabaletta of Norma or Elvira by Bellini. True, Manrico's cabaletta is also called stretta, which means the acceleration of the tempo of music and action in the finale of the work.
Here are the main types of opera arias, knowing which, you will correctly announce your performance at a concert or in front of a jury.
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A cavatina is a short aria in an opera performance or a piece for an instrument.
What is cavatina
AT instrumental music cavatina is a short piece. Usually such works have not too fast pace. They are performed very melodiously, as if it were a song, only for musical instrument. For example, Ludwig van Beethoven Adagio molto espressivo from string quartet B-dur. But in instrumental music, this term is still rarely used.
The word cavatina has Italian roots. It is diminutive form from cavata(kawata), which comes from cavare(kavare), which means "to extract" .
This term is mainly used in opera music. Cavatina is an aria, small in size (usually it is one verse, preceded by a short instrumental introduction), light, having a lyrical character. It is performed, as a rule, contemplatively-thoughtfully. It differs from the usual aria in that it is simpler, much more modest in scale, and it rarely uses textual repetitions and coloratura. The pace of the cavatina is usually slow.
At the end of the 18th century, it often became the exit aria of the main character of an opera performance. Since the 19th century, cavatinas have become widespread, virtuoso in performance, as well as moderately slow in tempo. In addition, those whose melodies are more like a song. A prime example the last type are two cavatinas by J. Haydn from the oratorio "The Seasons", one of them belongs to the heroine Agatha, and the other to Antonida. of this genre, created in the 19th century, are freer in their construction and much larger than those that were adopted in the 18th century. There are also cavatinas, which are arias in form.
"The Marriage of Figaro"
Figaro's Cavatina from Wolfgang Amadeus Mozart's opera is one of the most famous works this genre. She is the exit aria of this character. It reveals the character of Figaro. Musical portrait the main character speaks of him as a temperamental, courageous and proud person. The size of the cavatina is 2/4.
"The Barber of Seville"
Another famous character, through whose mouth the cavatina is performed, is Rosina from the opera by Gioacchino Rossini. This aria is written in the form of a short song of 1 verse. Her character is virtuoso. Rosina's cavatina is one of those rare works of its genre that contain coloratura. The heroine here talks about herself, about how she is obedient and inferior to everyone, but if necessary, she will always be able to insist on her own.
Watch value Cavatina in other dictionaries
Cavatina- and. ital. a short aria or melody (one-voice) that interrupts the recitative, talker, in the opera.
Dahl's Explanatory Dictionary
Cavatina- cavatina, w. (it. cavatina) (music). A small lyrical aria, melodic solo number in the opera. for tenor.
Explanatory Dictionary of Ushakov
Cavatina J.- 1. A small aria of a lyric-narrative nature in an opera, oratorio. 2. A small instrumental piece (or part of it) of a melodious-melodic nature.
Explanatory Dictionary of Efremova
Cavatina- -s; and. [ital. cavatina] One of the varieties of opera aria, usually free construction, distinguished by melodiousness and lyricism.
Explanatory Dictionary of Kuznetsov
Cavatina- (Italian cavatina) - a small solo vocal piece of a lyrical nature in opera and oratorio.
Big encyclopedic Dictionary
Cavatina- (Italian cavatina, diminutive from cavata - cavata, from cavare - extract). 1) In the 18th century. - short solo lyric. a piece in an opera or oratorio, usually contemplative-thoughtful in character. There was ........
Music Encyclopedia
