Who accompanies the Dyatlov in the smoke over the water. History of Smoke on the Water

13.02.2019

Smoke on the Water ("Smoke on the Water") is a song by the rock band Deep Purple, recorded in December 1971 and first released on the album machine head in March 1972. It was released as a single only in 1973; the second side of the single was occupied by her live version from the album Made in Japan.

History of creation

The song describes real events. In December 1971, the band traveled to the Swiss town of Montreux to record new album in a mobile studio rented from Rolling Stones and known as the Rolling Stones Mobile. It was decided to record in the entertainment complex of the Montreux casino (in the song - "the gambling house"), in which they had already been to concerts. On the eve of the studio session, on Saturday, December 4, Frank Zappa and The Mothers of Invention played a concert at the Casino Theater as part of their European tour. It was last concert in this hall, after which he was to be made available deep purple to record an album. In order to avoid misunderstandings, the group decided not to unload the equipment for the time being, which later turned out to be a happy decision.

About an hour into the concert, during a synth solo on King Kong, sparks appeared from behind the suspended bamboo ceiling and then a fire - apparently, one of the audience (who could not be found) fired a flare gun at the roof ("some stupid with a flare gun"). Zappa calmly said “don't panic, we're on fire” (maybe they didn't notice anything and told them themselves), after which the musicians left the stage. Spectators were evacuated in a fairly organized manner, there were no casualties. The song mentions "funky Claude" who "ran in and out" - this is the director of the Montreux Jazz Festival, Claude Nobs, who helped the audience out of the hall. Among the audience were members of Deep Purple. According to Glover's memoirs, the fire was initially so weak that during the evacuation he managed to re-enter the hall, get closer to the empty stage, examine Zappa's equipment with the band, and be impressed by the two newest synthesizers.

As a result of the fire, the entire multi-storey casino complex burned to the ground, along with concert hall and The Mothers' equipment (which was insured, but concerts in France and Belgium had to be cancelled). From the Europe Hotel where the Deep Purple members were staying, the musicians watched through the restaurant's large window as the casino was engulfed in flames (helped by the wind blowing from the mountains) and saw a curtain of smoke over Lake Geneva.

The group, which had already rented an expensive studio, had to look around the city for new premises. Nobs soon found The Pavilion Theater for them, located in the city center. The equipment was moved there and work began in the middle of the day on an instrumental track with a new riff prepared by Blackmore, still without lyrics, under the working title "Title # 1". Debugging the equipment and developing arrangements took the rest of the day, and the actual dubs began to be recorded already after midnight. The third double was successful, and they stopped on it. As it turns out, all this time service staff tried to keep the police squad behind the locked doors, which was called by the neighboring residents because of the noise. It was thanks to the fact that the police were detained that it was possible to finish recording the track.

Composer Ritchie Blackmore
Ian Gillan
Roger Glover
Jon Lord
Ian Paice

Smoke on the Water(With English- "Smoke on the Water") is a song by the rock band Deep Purple, recorded in December 1971 and first released on the album machine head in March 1972. It was released as a single only in 1973; the second side of the single was occupied by her live version from the album Made in Japan.

History of creation[ | ]

The song describes real events. The band decided to record their new album outside of England to avoid extra taxes, and in December 1971 the musicians traveled to the Swiss town of Montreux to record the album in a mobile studio rented from the Rolling Stones and known as the Rolling Stones Mobile. It was decided to record in the entertainment complex of the Montreux casino (in the song - "the gambling house"), in which they had already been to concerts. On the eve of the studio session, on Saturday, December 4th, Frank Zappa and The Mothers of Invention played a concert at the Casino Theater as part of their European tour. This was the last concert in this hall, after which he was supposed to be at the disposal of Deep Purple to record an album. The group decided, in order to avoid misunderstandings, not to unload the equipment for the time being, which later turned out to be a happy decision.

Claude Nobs (photo 2006)

About an hour into the concert, during a synth solo on King Kong, sparks appeared from behind the suspended bamboo ceiling and then a fire - apparently, one of the audience (who could not be found) fired a flare gun at the roof ("some stupid with a flare gun"). Zappa calmly said “don't panic, we're on fire” (maybe they didn't notice anything and told them themselves), after which the musicians left the stage. Spectators were evacuated in a fairly organized manner, there were no casualties. The song mentions "funky Claude" who "ran in and out" - this is the director of the Montreux Jazz Festival Claude Nobs, who helped the audience out of the hall. Among the audience were members of Deep Purple. According to Glover's memoirs, the fire was initially so weak that during the evacuation he managed to re-enter the hall during the evacuation, get closer to the empty stage, examine Zappa's equipment with the band, and be impressed by the two newest synthesizers.

The fire burned to the ground the entire multi-storey casino complex, along with the concert hall and The Mothers' equipment (which was insured, but concerts in France and Belgium had to be cancelled). From the Europe Hotel where the members of Deep Purple were staying, the musicians watched through the restaurant's large window as the casino was engulfed in flames (helped by the wind blowing from the mountains) and saw a curtain of smoke over Lake Geneva.

The group, which had already rented an expensive studio, had to look around the city for new premises. Nobs soon found The Pavilion Theater for them, located in the city center. The equipment was moved there and work began in the middle of the day on an instrumental track with a new riff prepared by Blackmore, still without lyrics, under the working title "Title # 1". Debugging the equipment and developing arrangements took the rest of the day, and the actual dubs began to be recorded already after midnight. The third double was successful, and they stopped on it. As it turned out, all this time the attendants tried to keep the police squad behind the locked doors, which was called by the neighboring residents because of the noise. It was thanks to the fact that the police were detained that it was possible to finish recording the track.

Since working only during the daytime did not suit the musicians, they had to look for new hall. There were many requirements for the premises, and its search took 5-6 days. On one of these days of waiting, Glover woke up in a hotel room, uttering the words at the moment of awakening smoke on the water. When he later reported these words to Gillan, he said that they sounded like “drug” (“sounds like a drug song”), and, referring themselves exclusively to “drinking” groups, they initially rejected these words.

Cover versions [ | ]

In a concert performance, the song was subsequently recorded by later deep lineups Purple with vocalist David Coverdale, as well as the Ian Gillan Band, Gillan and Rainbow. It was released in 1989 as a compilation Rock Aid Armenia, as well as a separate single performed by Deep Purple musicians and the combined group famous rock musicians; Proceeds from the sale of the single went to the Victim Relief Fund

The most famous song groups Deep Purple was written on the basis of real events, which are based on the fire in the casino of the Swiss town of Montreux, which occurred on 12/04/1971.

Deep Purple - Smoke on the Water: the story

In 1971, British musicians arrived in Montreux to begin recording their third album in gold lineup. Along the way, they rented a mobile studio from the Rolling Stones and prepared for recording at a local gambling house. The last concert in the hall before the start of the recording was the performance of his team The Mothers of Invention. It was during this performance that a fire broke out, presumably from a shot from a rocket launcher into the roof. The casino building and all the equipment of The Mothers burned to the ground. But in the Montreux casino it was possible to play live roulette or poker. But now it can be done online at http://slot-club-online.com/ without fires and under famous song Deep Purple about the casino. The Deep Purple musicians were present at the concert, and the final scene of the fire was already observed from their hotel.

Text Smoke on the Water

We all came out to Montreaux
On the Lake Geneva shoreline
To make records with a Mobile
We didn't have much time
Frank Zappa and the mothers
Were at the best place around
But some stupid with a flare gun
Burned the place to the ground

And fire in the sky

They burned down the gambling house
It died with an awful sound
Funky and Claude was running in and out
Pulling kids out the ground
When it all was over
We had to find another place
But Swiss time was running out
It seemed that we would lose the race

And fire in the sky

We ended up at the Grand Hotel
It was empty cold and bare
But with the Rolling truck Stones thing just outside
Making our music there
With a few red lights and a few old beds
We make a place to sweat
No matter what we get out of this
I know we'll never forget

The song describes real events. In December 1971, the band traveled to the Swiss town of Montreux to record a new album in a mobile studio rented from the Rolling Stones, known as the Rolling Stones Mobile. It was decided to record in the entertainment complex of the Montreux casino (in the song - "the gambling house"), in which they had already been to concerts. On the eve of the studio session, on Saturday, December 4th, Frank Zappa and The Mothers of Invention played a concert at the Casino Theater as part of their European tour. This was the last concert in this hall, after which he was supposed to be at the disposal of Deep Purple to record an album. In order to avoid misunderstandings, the group decided not to unload the equipment for the time being, which later turned out to be a happy decision.



FRANK ZAPPA

About an hour into the concert, during a synth solo on King Kong, sparks appeared from behind the suspended bamboo ceiling and then a fire - apparently, one of the audience (who could not be found) fired a flare gun at the roof ("some stupid with a flare gun"). Zappa calmly said “don't panic, we're on fire” (maybe they didn't notice anything and told them themselves), after which the musicians left the stage. Spectators were evacuated in a fairly organized manner, there were no casualties. The song mentions "funky Claude" who "ran in and out" - this is the director of the Montreux Jazz Festival, Claude Nobs, who helped the audience out of the hall. Among the audience were members of Deep Purple. According to Glover's memoirs, the fire was initially so weak that during the evacuation he managed to re-enter the hall, get closer to the empty stage, examine Zappa's equipment with the band, and be impressed by the two newest synthesizers.
The fire burned to the ground the entire multi-storey casino complex, along with the concert hall and The Mothers' equipment (which was insured, but concerts in France and Belgium had to be cancelled). From the Europe Hotel where the Deep Purple members were staying, the musicians watched through the restaurant's large window as the casino was engulfed in flames (helped by the wind blowing from the mountains) and saw a curtain of smoke over Lake Geneva.

The group, which had already rented an expensive studio, had to look around the city for new premises. Nobs soon found The Pavilion Theater for them, located in the city center. The equipment was moved there and work began in the middle of the day on an instrumental track with a new riff prepared by Blackmore, still without lyrics, under the working title "Title # 1". Debugging the equipment and developing arrangements took the rest of the day, and the actual dubs began to be recorded already after midnight. The third double was successful, and they stopped on it. As it turned out, all this time the attendants tried to keep the police squad behind the locked doors, which was called by the neighboring residents because of the noise. It was thanks to the fact that the police were detained that the recording of the track was completed.
Since working only during the daytime did not suit the musicians, they had to look for a new hall. There were many requirements for the premises, and its search took 5-6 days. On one of these days of waiting, Glover woke up in a hotel room, uttering the words "smoke on the water" at the moment of awakening. When he later reported these words to Gillan, he said that they sounded like “drug” (“sounds like a drug song”), and, referring themselves exclusively to “drinking” groups, they initially rejected these words.
In the end, already in time trouble, the group rented the entire Grand Hotel, which was on the outskirts and almost empty, and therefore practically unheated in December ("We ended up at the Grand Hotel, / It was empty, cold and bare") , turning her T-shaped hallway on the first floor into a makeshift studio. A carpenter had to be specially hired to build a wooden shield that blocked off the foyer, and to overlay the shield with mattresses from hotel rooms. An industrial heater was rented, which was turned on during breaks several times a day. Cables were run from the studio parked nearby to the hotel. Since the entrance to the foyer was blocked by a shield, the musicians got inside and got out back to the street to the mobile studio through the side corridor and balconies of the adjoining adjacent rooms. The space where they played was lit up with red spotlights to create a creative atmosphere ("With a few red lights and a few old beds / We made a place to sweat..."). The drum parts were recorded separately in the hallway of the hotel, as Ian Paice liked the reverb of the hall between the numbers.
Under such conditions, the entire Machine Head album was recorded. And on the instrumental track, recorded earlier in the "Pavilion", the newly written text with the chorus "Smoke on the Water" was overdubbed.
Of all the songs on the album, the song "Smoke on the Water" was included in concert program 1972 is the latest, it happened at the end of May.


Saved

Enver's fans know the epic connected with the recording of the famous Deep Purple hit "Smoke on The Water". There were copyright issues. They, of course, had to be bought, which was done. Then the arrangement of the classics began. You understand that it is not easy with living geniuses. In the opinion of experts, Enver introduced his own interpretation and his own style, which added new intonations to the composition. Lenya rehearsed the vocal part selflessly. She just grew in her own eyes, for which she has a separate respect. Recording a clip deserves a separate story, but more on that another time. In fact, the question arose, does anyone know what this song is about, and why "Smoke on The Water"?

The song describes real events. In December 1971, the band traveled to the Swiss town of Montreux to record a new album in a mobile studio rented from the Rolling Stones, known as the Rolling Stones Mobile. It was decided to record in the entertainment complex of the Montreux casino (in the song - "the gambling house"), in which they had already been to concerts. On the eve of the studio session, on Saturday, December 4th, Frank Zappa and The Mothers of Invention played a concert at the Casino Theater as part of their European tour. This was the last concert in this hall, after which he was supposed to be at the disposal of Deep Purple to record an album. In order to avoid misunderstandings, the group decided not to unload the equipment for the time being, which later turned out to be a happy decision.

About an hour after the start of the concert, during the synth solo on King Kong, sparks appeared from behind the suspended bamboo ceiling and then fire - apparently, one of the spectators (who could not be found) fired a flare gun at the roof (the line "some stupid with a flare gun"). Zappa calmly said “don't panic, we're on fire” (maybe they didn't notice anything and told them themselves), after which the musicians left the stage. Spectators were evacuated in a fairly organized manner, there were no casualties. The song mentions "funky Claude" who "ran in and out" - this is the director of the Montreux Jazz Festival, Claude Nobs, who helped the audience out of the hall. Among the audience were members of Deep Purple. According to Glover's memoirs, the fire was initially so weak that during the evacuation he managed to re-enter the hall, get closer to the empty stage, examine Zappa's equipment with the band, and be impressed by the two newest synthesizers.

The fire burned to the ground the entire multi-storey casino complex, along with the concert hall and The Mothers' equipment (which was insured, but concerts in France and Belgium had to be cancelled). From the Europe Hotel where the Deep Purple members were staying, the musicians watched through the restaurant's large window as the casino was engulfed in flames (helped by the wind blowing from the mountains) and saw a curtain of smoke over Lake Geneva.

The group, which had already rented an expensive studio, had to look around the city for new premises. Nobs soon found The Pavilion Theater for them, located in the city center. The equipment was moved there and work began in the middle of the day on an instrumental track with a new riff prepared by Blackmore, still without lyrics, under the working title "Title # 1". Debugging the equipment and developing arrangements took the rest of the day, and the actual dubs began to be recorded already after midnight. The third double was successful, and they stopped on it. As it turned out, all this time the attendants tried to keep the police squad behind the locked doors, which was called by the neighboring residents because of the noise. It was thanks to the fact that the police were detained that the recording of the track was completed.

Since working only during the daytime did not suit the musicians, they had to look for a new hall. There were many requirements for the premises, and its search took 5-6 days. On one of these days of waiting, Glover woke up in a hotel room, uttering the words "smoke on the water" at the moment of awakening. When he later reported these words to Gillan, he said that they sounded like "drug" ("sounds like a drug song"), and, referring themselves exclusively to "drinking" groups, they initially rejected these words.

In the end, already in time trouble, the group rented the entire Grand Hotel, which was on the outskirts and almost empty, and therefore practically unheated in December ("We ended up at the Grand Hotel, / It was empty, cold and bare") , turning her T-shaped hallway on the first floor into a makeshift studio. A carpenter had to be specially hired to build a wooden shield that blocked off the foyer, and to overlay the shield with mattresses from hotel rooms. An industrial heater was rented, which was turned on during breaks several times a day. Cables were run from the studio parked nearby to the hotel. Since the entrance to the foyer was blocked by a shield, the musicians got inside and got out back to the street to the mobile studio through the side corridor and balconies of the adjoining adjacent rooms. The space where they played was lit up with red spotlights to create a creative atmosphere ("With a few red lights and a few old beds / We made a place to sweat..."). The drum parts were recorded separately in the hallway of the hotel, as Ian Paice liked the reverb of the hall between the numbers.

Under such conditions, the entire Machine Head album was recorded. And on the instrumental track, recorded earlier in the "Pavilion", the newly written lyrics with the chorus "Smoke on the Water" were overdubbed.

As a result, the song became a hit, and the rock intro went so deep into the minds of the musicians that, according to Enver, in America, in guitar stores, there are signs “smoke on the water do not play!”

Here are the lyrics of the song in Russian and English:

We all came out to Montreaux
On the Lake Geneva shoreline
To make records with a Mobile
We didn't have much time
Frank Zappa and the Mothers
Were at the best place around
But some stupid with a flare gun
Burned the place to the ground

smoke on the water
And fire in the sky

They burned down the gambling house
It died with an awful sound
Funky and Claude was running in and out
Pulling kids out the ground
When it all was over
We had to find another place
But Swiss time was running out
It seemed that we would lose the race

smoke on the water
And fire in the sky

We ended up at the Grand Hotel
It was empty cold and bare
But with the Rolling truck Stones thing just outside
Making our music there
With a few red lights and a few old beds
We make a place to sweat
no matter what we get out of this
I know we'll never forget

smoke on the water
And fire in the sky

We arrived in Montreux
On the shores of Lake Geneva,
To record a record in a mobile studio.
There was little time
Frank Zappa and the Moms
occupied best places in District,
But a fool with a rocket launcher
Burnt it all down.

Smoke on the water
And fire in the sky

They burned down the gambling house
He died with a terrible sound
Funky and Claude were running back and forth
Rescuing children from the danger zone.
When it was all over
We had to look elsewhere
But the time spent in Switzerland was running out,
It looked like we weren't going to win this race.

Smoke on the water
And fire in the sky

We settled in the Grand Hotel
It was empty, cold and poor,
But when the Rolling Stones gave us Stone's move, we made a new record,
In the meager light of red lights on a couple of old bunks
We sweated a lot
It doesn't matter what we got out of it
I know we will never forget

Smoke on the water
And fire in the sky

Like this unusual story that became a legend.



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