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The first composition is deep perpl. Deep Purple: Reunion

The first composition is deep perpl. Deep Purple: Reunion

22.02.2019

background

The initiator of the creation of the group and the author of the original concept was drummer Chris Curtis, who left THE SEARCHERS in 1966 and intended to resume his career. In 1967, he hired entrepreneur Tony Edwards as manager, who at the time worked in the West End at his family agency, Alice Edwards Holdings Ltd., but was also involved in the music business, helping singer Ayshea . Just as Curtis was contemplating his comeback plans, keyboardist Jon Lord was also at a crossroads - he had just left Art Wood's rhythm and blues band THE ARTWOODS and joined the touring line-up of THE FLOWERPOT MEN, a group formed solely to promote the hit "Let's Go To San Francisco".

At a party at the famous "talent scout" Vicki Wickham, Lord accidentally met Curtis, and he was carried away by the project of a new band, the members of which would come and go "like on a carousel": hence the name "ROUNDABOUT". Soon, however, it turned out that Curtis lives in his own, "acid" world. Before leaving the project, which was supposed to be the third member of George Robins, a former bass guitarist for CRYIN SHAMES, Curtis said that he had in mind for "ROUNDABOUT" "... a fantastic guitar player - an Englishman who lives in Hamburg" .

Guitarist Ritchie Blackmore, despite his young age, managed by this time to play with such musicians as "MIKE DEE AND THE JAYWALKERS", "THE OUTLAWS" and "NEIL CHRISTIAN AND THE CRUSADERS" - thanks to which he ended up in Germany (where he founded his own band, "THE THREE MUSKETEERS"). Blackmore's first attempt at ROUNDABOUT coincided with the disappearance of Curtis (who then turned up in Liverpool) and was unsuccessful, but Edwards (with his checkbook) persisted, and soon - in December 1967 - the guitarist again flew to audition from Hamburg.

Soon the group included bassist Dave Curtiss (Dave Curtiss, ex-“DAVE CURTISS & THE TREMORS”) and drummer Bobby Woodman, who lived at that time in France, who in the 1950s, under the pseudonym Bobby Clarke, played in Vince Taylor’s band “PLAYBOYS ", as well as with Marty Wilde in "WILDCATS".

After Curtiss left, Lord and Blackmore resumed their search for a bassist. Jon Lord: Nick Simper was chosen simply because he was also in THE FLOWERPOT MEN. He also had a thing for lace shirts, which Richie liked. Richie generally paid more attention to the outside of the case. Simper, by his own admission, did not take the offer seriously until he learned that in new group involved Woodman, whom he idolized. But once the quartet began rehearsing at Deeves Hall, a large farm in south Hertfordshire, it became clear that it was the drummer who stood out from the picture. The parting was not easy, because the personal relationship everyone had with him was excellent.

In parallel, the search for a vocalist continued: the group, among others, listened to Rod Stewart, who, according to Simper, "was terrible," and even tried to poach Mike Harrison from SPOOKY TOOTH, who, as Blackmore recalls, "didn't want to hear about it ". Terry Reed, who had contractual obligations, also refused. At some point, Blackmore decided to return to Hamburg, but Lord and Simper persuaded him to stay - at least for the duration of rehearsals in Denmark, where Lord was already well known. After Woodman's departure, 22-year-old vocalist Rod Evans and drummer Ian Paice joined the band, both of whom had previously played in THE MI5. With a new line-up, under a new name but still managed by manager Edwards, the quintet made a short tour of Denmark.

At first, the band members did not have a clear idea of what direction they would choose, but gradually the main role model for them was "VANILLA FUDGE". Jon Lord was blown away by the band's concert at the Speakeasy Club and spent the entire evening chatting with vocalist and organist Mark Stein about technique and tricks. Tony Edwards, by his own admission, did not understand the music that the group began to create at all, but he believed in the flair and taste of his wards.

The band's first opportunity to perform in front of a large audience came in April 1968 in Denmark. It was familiar territory for the Lord, plus Denmark was away from the big rock scene, which suited the musicians. “We decided to start out as ROUNDABOUT, and in case of failure, turn into DEEP PURPLE,” Lord recalled. According to another version (by Nick Simper) the name changed on board the ferry: "Tony Edwards naturally called us 'ROUNDABOUT'." But then suddenly a reporter came up to us, asked what we were called, and Richie answered: "DEEP PURPLE"".

The band played their first show as "ROUNDABOUT", but the posters mentioned "FLOWERPOT MEN" and "ARTWOODS". DEEP PURPLE tried to make a strong impression on the audience and, as Simper recalls, was a "smashing success". Paice was the only one who had dark memories of this tour: “From Harwich to Esbjerg we went by sea. We needed permission to work in the country, and our papers were far from in order. From the port I was taken in a police car with bars straight to the station. I thought, good start! Upon my return, I stank of dog."

The entire material of the debut album "Shades Of Deep Purple" was created in two days, during an almost continuous 48-hour studio session in the ancient mansion of Highley (Balcombe, England) under the direction of producer Derek Lawrence, whom Blackmore knew from his collaboration with John Meek .

In June 1968, Parlophone Records released the band's first single, "Hush", a composition by American country singer Joe South. However, as a basis, the group took the version of Billy Joe Royal, with which the group was only familiar at that moment. The idea to use "Hush" as the opening release belonged to Jon Lord and Nick Simper (the thing was very popular in London clubs), and Blackmore arranged it. In the US, the single rose to number 4, and was hugely popular in California. Lord believes that part of the reason for this was a lucky coincidence: in that state in those days, a variety of "acid" called "DEEP PURPLE" was widely used. In Britain, the single was not successful, but here the group made their radio debut on John Peel's Top Gear program: their performance produced an audience and specialists strong impression. The album itself did not enter the charts here, but it rose to number 24 on the Billboard 200.

The second album "The Book of Taliesyn" was constructed by the group according to the original formula, pinning its main hopes on cover versions. "Kentucky Woman" and "River Deep - Mountain High" had moderate success, but it was enough to push the record on the Billboard 200. The very fact that the album, released in the US in October 1968, appeared in England only 9 months later (and without any support from the record company), indicated that EMI had lost interest in the group. “In the US, we were immediately interested in big business. In Britain, EMI, those stupid old men, did nothing for us,” Simper recalled.

Almost the entire second half of 1968 "DEEP PURPLE" spent in America: here - through producer Derek Lawrence - they signed a contract with the label "Tetragrammaton Records", financed by comedian Bill Cosby. Already on the second day of the group's stay in the USA, one of Cosby's friends, Hugh Hefner, invited DEEP PURPLE to his Playboy Club. The band's performance on Playboy After Dark remains one of the funniest moments in its history, especially the episode where Ritchie Blackmore "teaches" the show's host how to play the guitar. Even more bizarre was the appearance of the band members on The Dating Game, where Lord was among the losers and was very upset (because the girl who rejected him "...was so beautiful").

The band spent March, April and May 1969 in the USA, but before returning to America, they managed to record the third album, Deep Purple, which marked the band's transition to heavier and more complex music. Meanwhile, by the time it (several months later) was released in the UK, the band had already changed its line-up. In May, the three of Blackmore, Lord and Paice met secretly in New York, where they decided to change the vocalist, which was informed by second manager John Coletta, who accompanied the group on a trip. “Rod and Nick have reached the limit of their capabilities in the group. Rod had great vocals for ballads, but his limitations were becoming more and more apparent. Nick was a great bass player, but his eyes were fixed on the past, not the future, ”Paice recalled.

In addition, Evans fell in love with an American and suddenly wanted to become an actor. According to Simper, “… rock and roll has lost all meaning for him. His stage performances got weaker and weaker.” Meanwhile, the rest of the members developed rapidly, and the sound became tougher day by day. Mine last concert American tour "DEEP PURPLE" was given in the first part of "CREAM". After them, the headliners were whistled off the stage by the audience.

In June, upon returning from America, DEEP PURPLE began recording a new single, "Hallelujah". By this time, Blackmore had discovered EPISODE SIX, a pop-rock band in the vein of THE BEACH BOYS, but with an unusually strong vocalist. Blackmore brought Lord to their concert, and he was also struck by the power and expressiveness of Ian Gillan's voice (Ian Gillan). The latter agreed to go to DEEP PURPLE, but - in order to showcase his own compositions - he brought EPISODE SIX bassist Roger Glover with him to the studio, with whom he had already formed a strong author's duet. Gillan recalled that when he met DEEP PURPLE, he was struck primarily by the intelligence of Jon Lord, from whom he expected much worse. Glover, on the other hand, was intimidated by the bleakness of the DEEP PURPLE members, who "... wore black and looked very mysterious." Glover took part in the recording of "Hallelujah", to his amazement, he immediately received an invitation to join the line-up, and the next day he accepted it after much hesitation.

It is noteworthy that while the single was being recorded, Evans and Simper did not know that their fate was sealed. The other three secretly rehearsed with the new vocalist and bassist during the day at London's Hanwell Community, and played gigs with Evans and Simper in the evenings.

The old line-up of DEEP PURPLE gave their last concert in Cardiff on July 4, 1969. Evans and Simper were given a three-month salary, and in addition they were allowed to take amplifiers and equipment with them. Simper sued another 10 thousand pounds through the court, but forfeited the right to further deductions. Evans was satisfied with little and as a result, over the next eight years, he received annually 15 thousand pounds from the sale of old records. Between the managers of "EPISODE SIX" and "DEEP PURPLE" a conflict arose, settled out of court, through compensation in the amount of 3 thousand pounds.

Remaining virtually unknown in Britain, DEEP PURPLE gradually lost commercial potential in America as well. Unexpectedly for everyone, Lord proposed to the management of the group a new, highly attractive idea.

“The thought of creating a piece that could be performed by a rock band with symphony orchestra, appeared with me back in "THE ARTWOODS". Dave Brubeck's album "Brubeck Plays Bernstein Plays Brubeck" prompted me to it. Richie was in favor with both hands. Shortly after Ian and Roger arrived, Tony Edwards suddenly asked me, “Remember when you told me about your idea? Hope it was serious. Well, so: I rented the Albert Hall and the London Philharmonic Orchestra - for September 24th. I was first horrified, then wildly delighted. There were about three months left for work, and I immediately started it, ”says Lord.

The publishers of DEEP PURPLE enlisted the Oscar-winning composer Malcolm Arnold to oversee the work, and then take the conductor's stand. Arnold's unconditional support for the project, which many considered dubious, ultimately ensured success.

The band's management found sponsors in the form of The Daily Express newspaper and British Lion Films, which filmed the event. Gillan and Glover were nervous: three months after joining the group, they were taken to the most prestigious concert venue countries.

The album Concerto for Group and Orchestra, recorded in concert at the Royal Albert Hall on September 24, 1969, was released (in the USA) three months later. He provided the group with a buzz in the press and hit the British charts. Subsequently, music critics noted here the influences of Dmitry Tyomkin, Franz Voksman, Rachmaninov, Sibelius and Mahler, the energy of Blackmore's guitar parts, but, at the same time, the protractedness of symphonic inserts.

After the release of the album, despondency reigned among the musicians of the group. The sudden fame that fell on the Lord Author (as K. Tyler notes in his biography) infuriated Richie. Gillan in this sense was in solidarity with the latter. “Promoters tormented us with questions like: Where is the orchestra? One even said: I can’t guarantee you a symphony, but I can invite a brass band, ”the vocalist recalled. Moreover, Lord himself realized that the appearance of Gillan and Glover opens up opportunities for the group in a completely different area. By this time, Ritchie Blackmore had become a central figure in the ensemble, developing a peculiar method of playing with "random noise" (by manipulating the amplifier) and urging colleagues to follow the path of "LED ZEPPELIN" and "BLACK SABBATH".

The full potential of the new line-up was realized at the end of 1969, when DEEP PURPLE began recording a new album. As soon as the group gathered in the studio, Blackmore categorically stated: only the most exciting and dramatic will be included in the new album. The requirement, with which everyone agreed, became the leitmotif of the work. Work on "Deep Purple In Rock" lasted from September 1969 to April 1970. The release of the album was delayed for several months, until the bankrupt Tetragrammaton was bought out by Warner Brothers, which automatically inherited the DEEP PURPLE contract.

Meanwhile, Warner Bros. released "Live In Concert" in the US - a recording with the London Philharmonic Orchestra - and called the band to America to perform at the Hollywood Bowl. After a few more gigs in California, Arizona and Texas on August 9, DEEP PURPLE found themselves in yet another conflict: this time on stage at the Plumpton National Jazz Festival. Ritchie Blackmore, not wanting to give up his time on the program to the late "YES", staged a mini-arson attack on the stage and caused a fire, which resulted in the band being fined and getting virtually nothing for their performance. The rest of August and the beginning of September the band spent on tour in Scandinavia.

The album "In Rock" was released in September 1970; it climbed to #4 on the UK Albums Chart and stayed in the top 30 for over a year (in the US it only peaked at #143). Management was unable to select a single from the album's material, and the band went into the studio to record something urgently. Created almost spontaneously, "Black Night" secured "DEEP PURPLE" 2nd place in the UK Singles Chart and became the band's calling card for some time.

In December 1970, Jesus Christ Superstar, a rock opera written by Andrew Lloyd Webber and libretto by Tim Rice, was released and became a world classic. Ian Gillan performed the title part in the original (studio) version of the album. In 1973, the film "Jesus Christ Superstar" was released, which was distinguished from the original by arrangements and vocals by Ted Neeley as Jesus. Gillan was working at DEEP PURPLE at the time, and could not act in films.

In early 1971, the band began work on the next album, while not stopping concerts, because of which the recording stretched for six months and was completed in June. During the tour, Roger Glover's health deteriorated. Subsequently, it turned out that his stomach problems were psychologically motivated: this was the first symptom of severe touring stress, which soon struck all members of the team.

Fireball was released in July in the UK and in October in the US. The group held an American tour, and the British part of the tour ended with a grand show in London's Albert Hall, where the invited parents of the musicians were accommodated in the royal box. By this time, Blackmore, having given free rein to his own eccentricity, had become "a sovereign in the state" in DEEP PURPLE. "If Richie wants to play a 150-bar solo, he'll play it and nobody can stop him," Gillan told Melody Maker in September 1971.

The album Machine Head was released in March 1972, climbed to number 1 in Britain and sold 3 million copies in the US, where the single "Smoke On The Water" entered the top five on the Billboard.

In July 1972, DEEP PURPLE flew to Rome to record their next studio album (later released under the title "Who Do We Think We Are?"). All members of the group were morally and psychologically exhausted, the work took place in a nervous atmosphere - also because of the aggravated contradictions between Blackmore and Gillan. On August 9, studio work was interrupted and DEEP PURPLE headed to Japan. Recordings of the concerts held here were included in the album "Made in Japan", released in December 1972, in retrospect it is considered one of the best live albums of all time, along with "Live At Leeds" by THE WHO and "Get Yer Ya-Ya's Out" by THE ROLLING STONES.

In 1972, DEEP PURPLE went on tour five times in America, and the sixth tour was interrupted due to Blackmore's illness. By the end of the year, in terms of total circulation of records, DEEP PURPLE were declared the most popular group in the world, beating LED ZEPPELIN and THE ROLLING STONES.

During the autumn American tour, tired and disappointed with the state of affairs in the group, Gillan decided to leave, which he announced in a letter to the London management. Edwards and Coletta persuaded the vocalist to wait, and he, along with the group, completed work on the album. By this time, he no longer talked to Blackmore and traveled separately from the rest of the participants, avoiding air travel. Album "Who Do We Think We Are?" was a commercial success, but disappointed both the band members and music critics, who noted only two tracks here: the satirical-journalistic "Mary Long" and "Woman From Tokyo", a song that became popular at concerts and was released as a single in the USA.

In December, when "Made In Japan" entered the charts, the managers met with Jon Lord and Roger Glover and asked them to do their best to keep the band alive. They convinced Ian Paice and Ritchie Blackmore, who had already conceived their own project, to stay, but Blackmore set a condition for management: the indispensable dismissal of Glover. The latter, noticing that his colleagues began to shun him, demanded an explanation from Tony Edwards, and he (in June 1973) admitted that Blackmore was demanding his departure. Enraged, Glover immediately filed for resignation. After DEEP PURPLE's last concert together in Osaka, Japan, on June 29, 1973, Blackmore, passing Glover on the stairs, only said over his shoulder: "Nothing personal: business is business." Glover took this trouble hard and did not leave the house for the next three months, partly due to worsening stomach problems.

Ian Gillan left DEEP PURPLE at the same time as Roger Glover and retired from music for a while to enter the motorcycle business. He returned to the stage three years later with the IAN GILLAN BAND. After his recovery, Glover concentrated on producing.

In June 1973, the three remaining members of DEEP PURPLE brought in vocalist David Coverdale and singing bassist Glenn Hughes (ex-TRAPEZE). In February 1974, "Burn" was released: the album marked a triumphant return for the band, but also a change in style: Coverdale's deep, nuanced vocals and Hughes' high-pitched vocals gave a new, rhythm and blues flavor to DEEP PURPLE's music, only in the title track, demonstrating fidelity to the traditions of classic hard rock.

In November 1974 Stormbringer was released. The title track, as well as "Lady Double Dealer", "The Gypsy" and "Soldier Of Fortune" became popular on the radio, but in general the material turned out to be weaker - largely because Blackmore, not approving the other musicians' passion for "white soul", he saved the best ideas for RAINBOW, where he left in 1975.

Ritchie Blackmore's replacement was Tommy Bolin, an American jazz-rock guitarist known for his masterful use of the Echoplex echo machine and the distinctive "juicy" sound of the Fuzz pedal. According to one version, the musician was recommended by David Coverdale. Also, in an interview with Melody Maker in June 1975, Bolin talked about meeting Blackmore and his recommendations to the band.

On DEEP PURPLE's new album Come Taste The Band (released in the US in November 1975), Bolin's influence was decisive: he co-wrote with Hughes and Coverdale most material. The composition "Gettin' Tighter" became a popular live hit, symbolizing the new musical direction undertaken by the group. The group gave a series of successful concerts in the New World, but in the UK they faced the dissatisfaction of the traditional audience with a new guitarist whose playing style was different from what was expected. Tommy Bolin's drug problems Concerts in March 1976 in London and Liverpool were all but thwarted by audiences demanding the more familiar Blackmore.

At that time, there were two camps in the group: in the first there were Hughes and Bolin, who preferred improvisation in a jazz and dance vein, in the other - Coverdale, Lord and Paice, who later became part of the WHITESNAKE group, whose music was more focused on hits. parades. According to the version presented by the group's historiographer Simon Robinson and later cited in Russian-language publications, after a concert in Liverpool, the latter decided to end the existence of "DEEP PURPLE", but from the following interview with Bolin it is clear that he finally took a break for solo work in support of the "Teaser" album. »:

Don't think I'm officially out of DEEP PURPLE anymore. I just told them that I would be free by the end of the month, but they didn't write to me, they didn't do anything. Only one of them was present at my debut performance - Ian Paice, with whom we had probably the most distant relationship. I still don't really know what my position in the group is. After I left the tour, they didn't call me, didn't write to me, and anyway, I feel that the management just used me, because if you are interested in someone, you do something about him. Well, how much does it cost, for example, to send a telegram - I mean that? - Nothing compared to the money they have; but they didn't even do that. And they know about it. They know what is happening, but people, whatever they are, they remain the same ... "

The breakup of DEEP PURPLE was officially announced in July.

On December 4, 1976, shortly after finishing work on his second solo album ("Private Eyes") in Miami, guitarist Tommy Bolin died of an alcohol and drug overdose. He was 25; jazz authorities such as Jeremy Stig predicted a great future for him. Ritchie Blackmore continued to perform with RAINBOW. After a series of heavy albums with mystical lyrics by vocalist Ronnie James Dio (Ronnie James Dio), he invited Roger Glover as a producer and released a number of commercially successful albums.

Ian Gillan created his own band, with whom he toured in many parts of the world. He later joined BLACK SABBATH, with whom he released the album Born Again (1983), replacing former RAINBOW vocalist Ronnie James Dio in the group. (Curiously, Toni Iommi originally offered the job to David Coverdale, who turned it down.) The rest of the band collaborated extensively: DAVID COVERDALE'S WHITESNAKE's first solo albums were produced by Roger Glover (from 1978 to 1984 with RAINBOW) , and after that Jon Lord (who stayed with the group until 1984) and a year later Ian Paice (who stayed there until 1982) came to the full-fledged "WHITESNAKE", the drummer of "RAINBOW" Cozy Powell, who was in excellent relations with Tony Iommi.

In 1980 and 1982, the DEEP PURPLE musicians were asked to do one single tour, but they refused. But in 1984 the group is going again.

On April 27, the London Evening Standard was the first to break the news about the revival of DEEP PURPLE.

The musicians gathered to work on a new album in May 1984 at the Lorde Mansion, Vermont, where the RAINBOW album Bent Out Of Shape was being recorded. The bulk of the music was composed by Blackmore. Gillan and Glover wrote the lyrics. Recording began in another place - in the town of Stowe (Vermont), where the musicians moved on July 6, and work began four days later, which continued (with interruptions) until August 26. They worked slowly, not forgetting about the rest, often arranging football competitions. On September 1, mixing of the album began at Tennessee Tonstudio Munich. The producer was Roger Glover. Initially, they wanted to call the album "The Sound Of Music", but on September 20 they changed it to Perfect Strangers ("Completely Strangers").

"Perfect Strangers" was mixed in early October and went on sale on November 16, rising to #5 in the UK and #17 in the US.

Since the beginning of the tour fell in the winter, it was decided to start the tour from Australia. In Britain, the group gave only one concert - at the Knebworth Festival. IN total the revived group played about 100 concerts.

But after the release of "The House of Blue Light" (1987), it became clear that the union would not last long.

Gillan, who released the single "South Africa" with Bernie Marsden in the summer of 1988, continued to work on the side. From the musicians of the bands "THE QUEST", "RAGE" and "EXPORT" he recruited a band and, calling it "GARTH ROCKETT AND THE MOONSHINERS", gave his debut concert at the "Southport Floral Hall" in early February. In early April, after finishing the tour with the MOONSHINERS, Ian Gillan returned to the US.

The conflict between Gillan and the rest of the group continued to grow. “I think Ian didn't like what we were doing. At that time he did not write anything, often did not come to rehearsals, ”said Jon Lord. But he was increasingly seen drunk. One day, almost naked, he stumbled into Blackmore's room and fell asleep there. On another occasion, he publicly obscenely spoke out against Bruce Payne. In addition, he delayed the start of recording a new album, which is scheduled for release in early 1990.

Finally, on May 14, 1989, Gillan again went on a tour of the clubs in England with the GARTH ROCKETT AND THE MOONSHINERS group. In his absence, the rest of the band decided to fire their vocalist. Even Glover, who usually supported Gillan, advocated expulsion.

In place of Gillan Blackmore suggested Joe Lynn Turner (Joe Lynn Turner), who previously sang in «RAINBOW». Turner had recently left Yngwie Malmsteen's band and was free from contracts. Turner's first tryouts for DEEP PURPLE went well, but Glover, Pace, and Lord didn't like this candidacy. The newspaper ad didn't work either. News appeared in the press that DEEP PURPLE had recruited: Terry Brock of STRANGEWAYS, Brian Howe of BAD COMPANY, Jimmy Jameson of SURVIVOR. Managers denied these rumors. “…We still couldn't decide who would be the vocalist of the group. We just drowned in oceans of tapes with recordings of candidates, only all this did not suit us. Almost 100% of applicants unsuccessfully tried to copy the manner and voice of Robert Plant (Robert Plant), and we needed something completely different, ”said Roger Glover. Then Blackmore offered to return to the candidacy of Turner. By replacing Gillan, he, in his own words, "realized the dream of his life."

The recording of the new album began in January 1990 at Greg Rike Productions (Orlando). Recording and mixing took place at New York's Sountec Studios and Power Station. The arrival of Turner was not officially announced. For the first time before the public, Joe appeared in the football team next to Pace, Glover and Blackmore in a match against the team of the WDIZ radio station from Orlando. On March 27, BMG Europe organized a press conference in Monte Carlo to introduce Turner. Four of the band's new songs were played for the press, among which was "Hey Joe".

Recording was basically finished by August. On October 8, a single with the songs "King Of Dreams" / "Fire In The Basement" was released, and on October 16, the presentation of the album called "Slaves and Masters" took place in Hamburg. The name, as explained by Roger Glover, the disc received from the two 24-track tape recorders used in the recording. One of them was called "Master" (master or leader), and the other - "Slave" (slave). The album went on sale on November 5, 1990, to mixed reviews. Blackmore was very pleased with the record, but music critics felt that it was more like a "RAINBOW" album.

Almost simultaneously with the release of this album, the German branch of BMG released a record with an audio track for Willy Boehner's film Fire, Ice And Dynamite, where DEEP PURPLE performed the song of the same name. It is noteworthy that Jon Lord does not play in this song. Instead, Glover performed the keyboard parts.

On November 7, 1991, the band met in Orlando to work on their next record. At first, the musicians, inspired by the warm reception during the tour, were full of enthusiasm. But soon the enthusiasm faded. For the Christmas holidays, the musicians went home, having gathered again in January.

Meanwhile, tensions were building between Turner and the rest of the band. According to Glover, Turner was trying to turn DEEP PURPLE into an ordinary American heavy metal band.

The recording of the album was delayed. The advance paid by the record company came to an end, and the recording of the album was only halfway through. The record company demanded Turner's dismissal and Gillan's return to the group, threatening not to release the album. Ritchie Blackmore, who had previously treated Turner with respect, understood that he could not sing on "DEEP PURPLE". Once Blackmore approached Jon Lord and said: “We have a problem. Be sincere, are you dissatisfied? Lord replied that he was quite satisfied with the instrumental part of the recorded compositions, but "something is still wrong." Then Blackmore asked: "And what is the name of this problem?".

From the beginning of 1992, there were negotiations between the record company and Gillan, the result of which was to be the return of the latter to the group. However, Blackmore was against the return of Gillan and proposed the candidacy of a certain American. However, other members of the group, and primarily Roger Glover, did not like this option. Glover flew to England, where Gillan lived, hoping that if Gillan sang well, then Blackmore would change his mind. Glover and Gillan spent three days in the studio. Three songs were recorded - "Solitaire", "Time To Kill" and one more, later rejected. Lord and Paice were quite pleased with these recordings. Ritchie Blackmore was forced to agree to return to Gillan's group, since the record company, if the album was not released, would demand the return of the advance, and the musicians would have to sell their property in order to pay it.

Work continued at New York's Bearsville Studios and Red Rooster Studios in Berkeley, California. On July 17, 1993, The Battle Rages On finally hit stores. In the UK, the disc rose to number 21, but failed in the US, falling short of number 192.

On October 30, a rather unsuccessful concert took place in Prague. According to eyewitnesses, Blackmore spent more time behind amplifiers with Candice Night (Candice Night) than on stage. Gillan was having problems with his voice. Blackmore was furious: in the end, he tore out a Japanese visa from his passport and threw it in the face of the manager, stating that he was leaving the group at the end of the European tour. Everyone was in shock. The band followed this up with a performance on November 5th in Manchester, and on the 7th in Brixton.

On November 12, 1993, the departure of Ritchie Blackmore was officially announced in Copenhagen for the first time. The shows in Stockholm and Oslo were sold out. The last performance of the star cast took place on November 17, 1993 in Helsinki. The planned performance at the Olympic Stadium in Moscow was cancelled.

Concerts in Japan were supposed to start on December 2 - 85,000 tickets were sold for six concerts. Cancellation of concerts threatened to pay huge penalties. The Japanese promoter presented a list of guitarists who could replace Blackmore without causing massive discontent among ticket holders. The only real candidate on this list was Joe Satriani. “When they called me and offered to join DEEP PURPLE, I asked for two days to think. But an hour later he called Bruce Payne back and gave his consent. To be honest, I was afraid that they would find someone else in these two days, ”he recalled. “Roger Glover was the first person to invite me to the band. He spends all his energy and ideas on the group - he is the best organizer, always in a good mood and with a sense of humor. Yes, they all did everything possible to make me feel at home among friends, ”satriani later said.

When Blackmore's departure was announced, about 1,200 people returned tickets. Nevertheless, the concerts were sold out. Ritchie Blackmore said about the new guitarist: "I'm glad it's not Yngwie Malmsteen or someone like him." It was originally planned that Joe would stay in the group only during the tour of Japan, but in the summer of 1994 the group toured Europe, and Satriani was offered a place in the permanent line-up of the group, but he had to refuse due to contractual obligations.

According to Roger Glover, the 4 remaining members of DEEP PURPLE independently made lists of guitarists they would like to see in the band. Only one name appeared on all four lists: Steve Morse. Steve agreed, and at the end of 1994, 3 trial concerts were held in Mexico and Texas, after which Steve officially became a permanent member of DEEP PURPLE. He recorded the stylistically varied "Purpendicular" and the more hard-rocking "Abandon" (1998).

In 1999 Jon Lord restored the lost sheet music of "Concerto for Group and Orchestra" and the work was again performed at the Royal Albert Hall in September 1999, this time with the London Symphony Orchestra and conductor Paul Mann. In 2000, the album "In Concert with the London Symphony Orchestra" was released. In the spring of 2001, two similar concerts were held in Tokyo and released as part of the "The Soundboard Series" box set.

Mark VIII (March 2002 - present)

In 2002, Jon Lord announced his intention to pursue solo projects, and Don Airey, who previously collaborated with many artists and also played with Blackmore and Glover in RAINBOW, took his place. A year later, the new line-up released the first in five years studio album"Bananas" (received excellent reviews from the press and criticized only for the name) and immediately went on tour. In July 2005, they performed at Park Place (Barry, Ontario) as part of the Live 8 festival, and in October of that year they released Rapture Of The Deep, followed by the Rapture Of The Deep Tour.

In February 2007, Ian Gillan urged fans not to buy the live album released by Sony BMG. The recording, made at Birmingham's National Exhibition Center (NEC), has already been released as a bootleg. Gillan called this concert one of the worst in his life.

In early 2008, Gazprom invited DEEP PURPLE to perform at a special concert dedicated to the company's 15th anniversary - as a thank you to Dmitry Medvedev, a longtime fan of the band (who has all his albums in his personal collection), who left the post of chairman after the presidential election board of directors. The concert took place on February 11, 2008 at the State Kremlin Palace. The group performed 7 songs and was warmly received by 6 thousand spectators, which was evidence (in the words of the London Times) "a demonstration of harmony rare in our days in Anglo-Russian relations."

On September 8, 2008, with a concert at the Roman Amphitheatre (Israel, Caesarea), DEEP PURPLE began their next tour, during which they gave 4 concerts in Ukraine and 7 in Russia (one, in the Sports Palace Nizhny Novgorod did not take place). The group completed the tour with concerts on October 27, 2008 at the Olimpiysky (Moscow) and on October 28 at the Ice Palace in St. Petersburg.

On May 21, the group's second concert took place in Vladivostok, where they took the stage of the Fesco-Hall concert complex, then on May 22 a concert took place in Khabarovsk at the Platinum Arena Ice Palace. On June 12, 2010, the Rock Over the Volga festival took place in Samara with the participation of DEEP PURPLE.

In 2011 - 2012, the group made a world tour "The Songs That Built Rock Tour", during which in October 2012 they visited Russia, where they gave four concerts: on October 24 - in the Uralets CRC (Yekaterinburg), on October 27 - in the Ice Palace (St. Petersburg), October 28 - at the Olimpiysky Sports Complex (Moscow), October 30 - an hour and a half concert at the Basket Hall Sports Complex (Krasnodar).

In 2013, a new 19th studio album was recorded in Nashville. The album was released by Earmusic and produced by Bob Ezrin. On December 20, the release date for the album was posted on the band's official website - April 30, 2013. The date was later changed to 26 April. The new album is called Now What?!. On April 26, 2013, the new album was released in a number of countries, including Russia. In other countries, the album was released from April 29 to May 22. The release of the album was timed to coincide with an important date for the group - in April 2013, Deep Purple celebrated their 45th anniversary. In support of the new album, the band staged a world tour.

Back in June 2014, vocalist Ian Gillan revealed that the band was working on a new studio album. According to the musician, the band works in a studio in the Algarve (Portugal). According to preliminary data, the disc was supposed to be released before the end of the year, but this did not happen. At the beginning of 2016, information about the work of the group on the album again appeared. The album is being produced by Bob Ezrin, who had already worked with the band on "Now What?!"

In 2016 the band started a new world tour. As part of it, concerts were announced in Moscow and St. Petersburg in June 2016, timed to coincide with the 20th anniversary of the band's first tour in Russia.

Inclusion in the Rock and Roll Hall of Fame

In October 2012, Deep Purple were inducted into the Rock and Roll Hall of Fame, along with bands and artists such as Public Enemy, Rush, N.W.A and more. But despite high score popular vote (resulting in which the group received second place), the management of the Hall of Fame refused to include the group in 2013. At the same time, a number of musicians, including Rush bassist Geddy Lee and Kiss co-founder Gene Simmons, said that the group should definitely be included in the Hall of Fame. Guitarist Slash, Lars Ulrich and Kirk Hammett from Metallica criticized the decision of the leadership of the Rock and Roll Hall of Fame. Steve Lukather of Toto stated, "They include Patti Smith, but don't include Deep Purple? What song does each child start learning to play with? ["Smoke on the Water"]... And they're NOT in the hall of fame?

On October 16, 2015, Deep Purple were once again nominated for inclusion in the 2016 Rock and Roll Hall of Fame. In December 2015, the long-awaited decision was made: it was announced that at a ceremony in April 2016, Deep Purple would be solemnly inducted into the Hall of Fame, while the Hall of Fame management noted that the group's non-inclusion was a "gaping hole" that needed to be closed. .

According to materials: en.wikipedia.org

Deep Purple ("Deep Peep") British rock band, formed in February 1968 in the city of Hartford, England, and considered one of the most notable and influential in " heavy music» 1970s. Music critics call Deep Purple among the founders of hard rock (along with Black Sabbath, Uriah Heep and Led Zeppelin), praising their contribution to the development of progressive rock and heavy metal. The musicians of the "classic" composition of Deep Purple (in particular, guitarist Ritchie Blackmore, keyboardist Jon Lord, drummer Ian Paice) are considered virtuoso instrumentalists. Around 240 million copies of their albums have been sold worldwide.

Deep Purple line-ups:

Over the 40-year history of the group's existence, its composition has changed several times. Drummer Ian Paice is the only musician to have been featured on all of Deep Purple's lineups.

Deep Purple lineups are usually numbered Mark X (Mk X for short), where X is the number of the lineup. There are two different ways numbering chronological and personal. The first gives two lineups more due to the fact that in 1984 and 1992 the group returned to the Mark II lineup. Due to this uncertainty, the band's fans often refer to lineups by the names of the members who were replaced.

Compound
Mark II (Gillan, Blackmore, Glover, Lord, Pace)

Jon Lord
Ritchie Blackmore

Ian Paice: Drums;

is considered the "classic" lineup of Deep Purple, since it was in this lineup that the group gained worldwide fame and recorded the classic hard rock albums "In Rock", "Fireball" and "Machine Head". Subsequently, this line-up met twice more and recorded a total of 7 studio albums out of 18 released by the group to date.

19761984 the group did not exist. In 1980, Rod Evans performed with a group of little-known musicians called "Deep Purple", but the performances were soon stopped by a court order.

Thus, in total, 14 people performed as part of Deep Purple:
1. Rod Evans (Rod Evans: Vocals 19681969)
2. Nick Simper (Bass, vocals 19681969)
3. Ritchie Blackmore (Guitar 19681975, 19841993)
4. Jon Lord: Keyboards, vocals, string & woodwind arrangements 19681976, 19842002
5. Ian Paice (Drums 19681976, from 1984 to this day)
6. Ian Gillan
7. Roger Glover (Roger Glover: Bass, synthesizer 1969-1973, 1984 to present)
8 David Coverdale: Vocals 19731976
9. Glenn Hughes (Bass, vocals 19731976)
10. Tommy Bolin (Guitar, vocals 19751976)
11. Joe Lynn Turner (Joe Lynn Turner: Vocals 19891992)
12. Joe Satriani (Joe Satriani: Guitar 19931994)
13. Steve Morse (Steve Morse: Guitar since 1994 to this day)
14. Don Airey (Don Airey: Keyboards from 2002 to this day)

Mark I (1968-1969)
Rod Evans

Ritchie Blackmore
Nick Simper: Bass, vocals
Ian Paice: Drums

Mark II (1969-1973, 1984-1988, 1992-1993)
Ian Gillan: Vocals, congas, & harmonica
Jon Lord
Ritchie Blackmore
Roger Glover
Ian Paice: Drums

Mark III (1973-1975)
David Coverdale
Jon Lord
Ritchie Blackmore
Glenn Hughes: Bass, vocals
Ian Paice: Drums

Mark IV (1975-1976)
David Coverdale
Jon Lord
Tommy Bolin
Glenn Hughes: Bass, vocals
Ian Paice: Drums

Mark V (1990-1991)
Joe Lynn Turner
Jon Lord
Ritchie Blackmore
Roger Glover: Bass
Ian Paice: Drums

Mark VI (1993-1994)
Ian Gillan
Jon Lord
Joe Satriani
Roger Glover: Bass
Ian Paice: Drums

Mark VII (1994-2003)
Ian Gillan
Jon Lord
Steve Morse
Roger Glover: Bass
Ian Paice: Drums

Mark VIII (2004-present)
Ian Gillan
Don Airey
Steve Morse
Roger Glover: Bass
Ian Paice: Drums

Biography Deep Purple.

Background: "Roundabout" (196768)

The initiator of the creation of the group and the author of the original concept was drummer Chris Curtis, who left The Searchers in 1966 and intended to resume his career. In 1967, he hired entrepreneur Tony Edwards as manager, who was then working in the West End at his family agency Alice Edwards Holdings Ltd, but was also involved in the music business, helping the singer Ayshea (Ayshea, later leading TV show Lift Off). As Chris Curtis was contemplating his comeback plans, keyboardist Jon Lord found himself at a crossroads: he had just left Art Wood's rhythm and blues band The Artwoods (Art Wood brother of Ron Wood a, guitarist for The Rolling Stones) and became a touring member of The Flowerpot Men, a band formed solely to promote the hit LetS Go To San Francisco. At a party at the famous "talent scout" Vicky Wickham ( Vicky Wickham) he accidentally met Chris Curtisom, and he carried away his project of a new group, whose members would come and go "like on a carousel": hence the name "Roundabout". Soon, however, it turned out that Chris Curtis lives in his own "acidic" world. Before leaving the project, the third member of which was to be George Robins (George Robins), the former bass guitarist of The Cryin Shames, Chris Curtis stated that he had in mind for Roundabout "...a fantastic guitarist an Englishman who lives in Hamburg.

Guitarist Ritchie Blackmore, despite his young age, managed by this time to play with such musicians as Gene Vincent, Mike Dee, The Jaywalkers, Screaming Lord Sutch, The Outlaws (studio group producer Joe Meek and Neil Christian and The Crusaders who ended up in Germany (where he founded his own band, The three Musketeers) The first attempt to attract Ritchie Blackmore to Roundabout coincided with the disappearance of Chris Curtis (who then turned up in Liverpool) and was unsuccessful, but Tony Edwards (with his checkbook) persisted, and soon in December 1967 the guitarist again flew in from Hamburg to audition.

Jon Lord: “Ritchie Blackmore came to my apartment with an acoustic guitar and we immediately wrote And The Address and Mandrake Root. We spent a wonderful evening. It immediately became clear that he would not tolerate fools around him, but I liked that. He looked gloomy, but that's how he always was.

Soon the group included bassist Dave Curtiss (ex-Dave Curtiss & The Tremors) and drummer Bobby Woodman (Robert William Woodman Bobby Woodman), who lived in France at that time, who in the 1950s under the pseudonym Bobby Clarke (Bobbie Clarke) played in Vince Taylor's band The Playboys and also with Marty Wilde in WildCATs.

“Ritchie Blackmore saw Bobby Woodman in Johnny Hallyday's band and was amazed that he was using two kicks in his kit,” Jon Lord recalled.

After the departure of Dave Curtiss, Jon Lord and Ritchie Blackmore resumed their search for a bassist. “Nick Simper was chosen simply because he was also in The Flowerpot Men,” Jon Lord recalled. In addition, he was partial to lace shirts, which Ritchie Blackmore liked. Ritchie Blackmore generally paid more attention to the outside of the case.

Nick Simper (who also played in Johnny Kidd & The New Pirates), by his own admission, did not take the offer seriously until he found out that Bobby Woodman, whom he idolized, was involved in the new group. But as soon as the quartet began rehearsals at Deaves Hall, a large farm in south Hertfordshire, it became clear that it was the drummer who stood out from the picture. The parting was not easy, because the personal relationship everyone had with him was excellent.

At the same time, the search for a vocalist continued, with the band listening to Rod Stewart, who, according to Nick Simpera, "was terrible", among others, and even trying to poach Mike Harrison from Spooky Tooth, who, as he recalls, Ritchie Blackmore, "didn't want to hear about it." Refused and had contractual obligations Terry Reid (Terry Reid). At some point, Ritchie Blackmore decided to return to Hamburg, but Jon Lord and Nick Simper persuaded him to stay at least for the rehearsals in Denmark, where Jon Lord was already well known. After the departure of Bobby Woodmana, 22-year-old vocalist Rod Evans (Rod Evans) and drummer Ian Paice joined the group: both had previously played in The MI5 (a group that later under the name The Maze released two singles in 1967 year). With a new line-up, under a new name but still managed by manager Tony Edwards, the quintet had a short tour of Denmark.

The fact that the name needs to be changed, all members of the group agreed in advance.

At Deeves Hall we made a list options. Almost chose "Orpheus". «Concrete God» it seemed very radical to us. Sugarlump was also on the list. And one morning there was a new option "Deep Purple". After intense negotiations, it turned out that Ritchie Blackmore contributed it. Because it was his grandmother's favorite song.

At first, the band members did not have a clear idea of what direction they would choose, but gradually Vanilla Fudge became their main role model. Jon Lord was blown away by the band's gig at the Speakeasy and spent the entire evening chatting with vocalist and organist Mark Stein about technique and tricks. Tony Edwards, by his own admission, did not understand the music that the group began to create at all, but he believed in the flair and taste of his wards.

The band's stage show was designed with Ritchie Blackmore in mind (Nick Simper later said he spent a lot of time at the mirror next to Ritchie Blackmore, pirouettes).

Jon Lord: “Ritchie Blackmore impressed me from the very first day with his frills. He looked fabulous, almost like a ballet dancer. It was the school of the mid-60s: a guitar behind the head ... everything is like Joe Brown! ... (Joe Brown) "

The band members dressed up at Tony Edwards' Mr Fish boutique, at his own expense. “These clothes looked very beautiful, but after about forty minutes they began to creep at the seams ... For some time we really liked ourselves, but from the outside we looked like terrible dudes,” said Jon Lord.

Mark I (1968-1969)
First line-up of Deep Purple (Evans, Lord, Blackmore, Simper, Paice)
Rod Evans
Jon Lord: Keyboards, vocals, strings & woodwind arrangements
Ritchie Blackmore
Nick Simper: Bass, vocals
Ian Paice: Drums

The band's first opportunity to perform in front of a large audience came in April 1968 in Denmark. It was familiar territory for Jon Lord (he had played here with the St Valentines Day Massacre the year before), and Denmark was also away from the big rock scene, which suited the musicians. "We decided to start as Roundabout," recalled Jon Lord, "and if it didn't work out, turn into Deep Purple." According to another version by Nick Simper the name changed on board the ferry: “Tony Edwards naturally called us Roundabout. But then suddenly a reporter came up to us, asked what our name was, and Ritchie Blackmore answered: Deep Purple.

The Danish public remained in the dark about these maneuvers. The band played their first show as Roundabout, but the posters featured The Flowerpot Men and The Artwoods. Deep Purple tried to make the strongest impression on the audience and, as Nick Simper recalls, were "overwhelmingly successful". Ian Paice was the only one with dark memories of this tour. “From Harwich to Esberg we went by sea. We needed permission to work in the country, and our papers were far from in order. From the port I was taken in a police car with bars straight to the station. I thought, good start! Upon my return, I stank of dog."

The entire material of the debut album "Shades of Deep Purple" was created in two days, during an almost continuous 48-hour studio session in the ancient mansion of Highley (Balcombe, England) under the direction of producer Derek Lawrence, whom Ritchie Blackmore knew from collaboration with John Meek.

In June 1968 Parlophone Records released the first single from Hush, a composition by American country singer Joe South. However, the group took as a basis the version of Billy Joe Royal (Billy Joe Royal), with which the group was only familiar at that moment. The idea to use Hush as a launch release was Jon Lord's and Nick Simper's (the thing was very popular in London clubs), and it was arranged by Ritchie Blackmore. In the US, the single rose to number 4, and was hugely popular in California. Lord believes that part of the reason for this was a lucky coincidence: in that state in those days a variety of "acid" called "Deep Purple" was widely used. In Britain, the single was not successful, but here the group made their radio debut on John Peel's Top Gear program: their performance made a strong impression on the public and specialists.

The second album "The Book Of Taliesyn" was constructed by the band according to the original formula, pinning its main hopes on cover versions. Kentucky Woman and River Deep Mountain High had moderate success, but it was enough to push the record into the American "twenty". The fact that the album, released in the USA in October 1968, appeared in England only 9 months later (and without any support from the record company) in itself, indicated that EMI had lost interest in the group. “In the US, we were immediately interested in big business,” recalled Nick Simper. In Britain, EMI, those stupid old men, did nothing for us.”

Deep Purple spent much of the second half of 1968 in America, where through producer Derek Lawrence they signed a record deal with Tetragrammaton Records, funded by comedian Bill Cosby. Already on the second day of the group's stay in the US, one of Bill Cosby's friends, Hugh Hefner, invited Deep Purple to his Playboy Club. The band's performance on Playboy After Dark remains one of the funniest moments in its history, especially the episode where Ritchie Blackmore "teaches" the show's host how to play the guitar. Even weirder was the appearance of the band members in the program "The Dating Game" ("Game in a date"), where Jon Lord was among the losers and was very upset (because the girl who rejected him "... was so beautiful") .

Deep Purple returned home for the New Year and (after such venues as the Inglewood Forum in Los Angeles) were unpleasantly surprised to learn that they were invited to play, for example, at the premises of the Student Union of Goldmeath College in south London. Both the self-assessment of the group members and their relationships have changed.

Nick Simper: "Ritchie Blackmore was especially annoyed by the fact that Rod Evans and Jon Lord put their own thing on the b-side and made some money selling the single. Ritchie Blackmore complained to me: Rod Evans only wrote the lyrics! To which I answered him: Any idiot can compose a guitar riff, but you try to write meaningful lyrics!... He didn't like it at all. ".

The band spent March, April and May 1969 in the US, but before returning to America managed to record Deep Purple's third album Deep Purple, which marked the band's transition to heavier and more complex music. Meanwhile, by the time it (several months later) was released in the UK, the band had already changed its line-up. In May, the three of Ritchie Blackmore, Jon Lord and Ian Paice met secretly in New York, where they decided to change the vocalist, which was informed by the second manager John Coletta (John Coletta), who accompanied the group on a trip.

"Rod Evans and Nick Simper reached their limits as a band," Ian Paice recalled. Rod Evans had great vocals for ballads, but his limitations were becoming more and more obvious. Nick Simper was a great bassist, but his eyes were on the past, not the future." In addition, Rod Evans fell in love with an American and suddenly wanted to become an actor. According to Nick Simper, “... rock and roll has lost all meaning for him. His stage performances got weaker and weaker.” Meanwhile, the rest of the members developed rapidly, and the sound became tougher day by day. Deep Purple played their last show on the American tour at Cream's first branch. After them, the headliners were whistled off the stage by the audience.

In June, after returning from America, Deep Purple started recording a new single, Hallelujah. By this time, Ritchie Blackmore (thanks to drummer Mick Underwood, familiar from The Outlaws) had discovered (virtually unknown in Britain, but of interest to specialists) Episode Six, performing pop rock in the spirit of The Beach Boys, but having unusually strong vocalist. Ritchie Blackmore brought Jon Lorda to their concert, and he also marveled at the power and expressiveness of Ian Gillan's voice. The latter agreed to move to Deep Purple, but to showcase his own compositions he brought Episode Six bassist Roger Glover with him to the studio, with whom he had already formed a strong songwriting duo.

Ian Gillan recalled that when he met with Deep Purple, he was struck primarily by the intelligence of Jon Lorda, from whom he expected much worse. Roger Glover (who always dressed and behaved very simply), in contrast, was intimidated by the gloominess of the Deep Purple members, who "... wore black and looked very mysterious." Roger Glover took part in the recording of Hallelujah, to his amazement, he immediately received an invitation to join the line-up, and the next day he accepted it after much hesitation.

It is noteworthy that while the single was being recorded, Rod Evans and Nick Simper did not know that their fate was sealed. The other three secretly rehearsed with the new vocalist and bassist during the day at London's Hanwell Community, and played shows in the evenings with Rod Evans and Nick Simper. “It was a normal modus operandi for Deep Purple,” Roger Glover later recalled. Here it was accepted as follows: if a problem arises, the main thing is to keep everyone silent about it, relying on management. It was assumed that if you are a professional, then you should part with elementary human decency in advance. I was very ashamed of what they did to Nick Simper and Rod Evans.”

The old line-up of Deep Purple gave their last concert in Cardiff on July 4, 1969. Rod Evans and Nick Simper were given a three-month salary and were also allowed to bring amplifiers and equipment with them. Nick Simper sued another £10,000 through the courts, but forfeited the right to further deductions. Rod Evans was satisfied with little and as a result, over the next eight years, received annually 15 thousand pounds from the sale of old records, and later in 1972 founded the Captain Beyond team. Between the managers of Episode Six and Deep Purple, a conflict arose, settled out of court, through compensation in the amount of 3 thousand pounds.

Mark II (1969-1973, 1984-1988, 1992-1993)
second line-up of Deep Purple:
Ian Gillan: Vocals, congas, & harmonica
Jon Lord
Ritchie Blackmore
Roger Glover
Ian Paice: Drums

Remaining virtually unknown in Britain, Deep Purple gradually lost commercial potential in America as well. To everyone's surprise, Jon Lord proposed a new, highly attractive idea to the band's management.

Jon Lord: “The idea of creating a work that could be performed by a rock band with a symphony orchestra came to me back in The Artwoods. It was Dave Brubeck's Brubeck Plays Bernstein Plays Brubeck that got me hooked on it. Ritchie Blackmore was both hands on. Shortly after the arrival of Ian Paice and Roger Glover, Tony Edwards suddenly asked me: Remember when you told me about your idea? Hope it was serious. Well, I've rented the Albert Hall and The Royal Philharmonic Orchestra for September 24th. I came first in horror, then in wild delight. There were about three months left for work, and I immediately started it. ”

The publishers of Deep Purple brought in composer Malcolm Arnold (Malcolm Arnold), an Oscar winner: he had to carry out overall supervision of the progress of the work, and then stand at the conductor's stand. Malcolm Arnold's unconditional support for a project that many considered dubious ultimately ensured success. The band's management found sponsors in The Daily Express and British Lion Films, who filmed the event. Ian Gillan and Roger Glover were nervous: three months after joining the group, they were taken to the most prestigious concert venue in the country.

“John was very patient with us,” recalled Roger Glover. None of us understood musical notation, so our papers were full of remarks like: “you wait for that stupid tune, then you look at Malcolm Arnold and count to four.”

The album "Concerto For Group and Orchestra" (performed by Deep Purple and The Royal Philharmonic Orchestra), recorded in concert at the Royal Albert Hall on September 24, 1969, was released (in the USA) three months later. He provided the group with a buzz in the press (which was required) and hit the British charts. But gloom reigned among the musicians. The sudden fame that hit the author Jon Lord pissed off Ritchie Blackmore. Ian Gillan in this sense was in solidarity with the latter.

“Promoters tormented us with questions like: Where is the orchestra? he recalled. One even said: I can’t guarantee you a symphony, but I can invite a brass band. Moreover, Jon Lord himself realized that the appearance of Ian Gillan and Roger Glover opened up opportunities for the band in a completely different area. By this time, Ritchie Blackmore had become the central figure in the ensemble, developing a peculiar method of playing with "random noise" (by manipulating the amplifier) and urging his colleagues to follow the path of Led Zeppelin and Black Sabbath. It became clear that Roger Glover's luscious, rich sound was becoming the "anchor" of the new sound, and that Ian Gillan's dramatic, extravagant vocals were a perfect match for the radical new development path proposed by Ritchie Blackmore.

The group worked out a new style in the course of continuous concert activity: the Tetragrammaton company (which financed films and experienced one failure after another) by this time was on the verge of bankruptcy (its debts by February 1970 amounted to more than two million dollars). With a complete lack of financial support from across the ocean, Deep Purple were forced to rely only on earnings from concerts.

The full potential of the new line-up was realized at the end of 1969, when Deep Purple began recording a new album. As soon as the group gathered in the studio, Ritchie Blackmore categorically stated: only the most exciting and dramatic will be included in the new album. The requirement, with which everyone agreed, became the leitmotif of the work. Work on the album Deep Purple "In Rock" lasted from September 1969 to April 1970. The release of the album was delayed for several months, until the bankrupt Tetragrammaton was bought out by Warner Brothers, which automatically inherited the Deep Purple contract.

Meanwhile, Warner Brothers. released "Live in Concert" in the US with the London Philharmonic Orchestra and called the band to America to perform at the Hollywood Bowl. After a few more gigs in California, Arizona and Texas on August 9, Deep Purple found themselves in yet another conflict: this time on stage at the Plumpton National Jazz Festival. Ritchie Blackmore, not wanting to give up his time on the program to Yes's latecomers, staged a mini-arson attack on the stage and caused a fire, which resulted in the band being fined and getting virtually nothing for their performance. The rest of August and the beginning of September the band spent on tour in Scandinavia.

"In Rock" was released in September 1970, was a huge success on both sides of the ocean, was immediately declared a "classic" and lasted more than a year in the first album "thirty" in Britain. True, the management did not find any hint of a single in the material presented, and the group was sent to the studio urgently to come up with something. Created almost spontaneously, Black Night provided the band with their first big hit on the charts, climbing to #2 in the UK, and became their hallmark for many years to come.

In December 1970, a rock opera written by Andrew Lloyd Webber and a libretto by Tim Rice "Jesus Christ Superstar" was released and became a world classic. The title role in this work was performed by Ian Gillan. In 1973, the movie muvie "Jesus Christ superstar (Video Jesus Christ Superstar)" was released, which differed from the original arrangements and vocals by Ted Neeley as Jesus ("Jesus"). Ian Gillan at that time was working with might and main in Deep Purple, and never became a cinematic Christ.

"Fireball" was released in July in the UK (climbing to the top of the charts here) and in October in the US. The group held an American tour, and the British part of the tour ended with a grand show at London's Albert Hall, where the invited parents of the musicians were accommodated in the royal box. By this time, Ritchie Blackmore, having given free rein to his own eccentricity, had become a "state within a state" in Deep Purple. "If Ritchie Blackmore wants to play a 150-bar solo, he'll play it and nobody can stop him," Ian Gillan told Melody Maker in September 1971.

An American tour that began in October 1971 was canceled due to Ian Gillan's illness (he contracted hepatitis). Two months later, the vocalist reunited with the rest of the band in Montreux, Switzerland to work on the new album "Machine Head". Deep Purple agreed with The Rolling Stones to use their mobile studio Mobile, which was supposed to be located near the concert hall "Casino". On the day of the band's arrival, during a performance by Frank Zappa and The Mothers of Invention (where the members of Deep Purple also went), there was a fire caused by a rocket sent by someone from the audience into the ceiling. The building burned down, and the band rented an empty Grand Hotel, where they completed work on the record. In fresh footsteps, one of the band's most famous songs, Smoke on the Water, was created.

Claude Nobs, director of the Montreux festival, mentioned in the song Smoke on the Water ("Funky Claude was running in and out..." According to legend, Ian Gillan scribbled the lyrics on a napkin while looking out of a window at the surface of a lake shrouded in smoke, and the title was suggested by Roger Glover, to whom these 4 words seemed to have appeared in a dream.(Machine Head was released in March 1972, climbed to number 1 in Britain and sold 3 million copies in the US, where the single Smoke on the Water entered the top five on Billboard.

In July 1972, Deep Purple flew to Rome to record their next studio album (subsequently titled Who Do We Think We Are?). All members of the group were mentally and psychologically exhausted, the work was carried out in a nervous atmosphere also because of the aggravated contradictions between Ritchie Blackmore and Ian Gillan.

On August 9, studio work was interrupted and Deep Purple headed to Japan. Recordings of concerts played here are included in Made In Japan: released in December 1972, it is retrospectively considered one of the best live albums of all time, along with Live at Leeds (The Who) and Get Yer Ya-yas Out" (The Rolling Stones).

"The idea behind a live album is to get all the instruments as natural as possible while being energized by an audience that can pull something out of a band that they could never have done in a studio," said Ritchie Blackmore. "In 1972, Deep Purple went on tour five times in America, and the sixth tour was interrupted due to Ritchie Blackmore's illness. By the end of the year, Deep Purple were declared the most popular band in the world in terms of total circulation of records, beating Led Zeppelin and The Rolling Stones .

During the autumn American tour, tired and disappointed with the state of affairs in the group, Ian Gillan decided to leave, which he announced in a letter to the London management. Tony Edwards and John Coletta persuaded the vocalist to wait, and he (now in Germany, at the same studio of The Rolling Stones Mobile) together with the band completed work on the album. By this time, he was no longer talking to Ritchie Blackmore and was traveling separately from the rest of the members, avoiding air travel.

The album "Who Do We Think We Are" (so named because the Italians, outraged by the level of noise on the farm where the album was recorded, asked the repeated question: "Who do they even take themselves for?") disappointed musicians and critics, although it contained strong things "stadium" anthem Woman From Tokyo and satirical journalistic Mary LongMary Long, ridiculing Mary Whitehouse (Mari Whitehouse) and Lord Longford (Lord Longford), two then guardians of morality.

In December, when "Made In Japan" hit the charts, the managers met with Jon Lord and Roger Glover and asked them to do their best to keep the band alive. They convinced Ian Paice and Ritchie Blackmore to stay, who had already conceived their own project, but Ritchie Blackmore set a condition for the management: the indispensable dismissal of Roger Glover. The latter, noticing that his colleagues began to shun him, demanded an explanation from Tony Edwards, and he (in June 1973) admitted that Ritchie Blackmore demanded his departure. An angry Roger Glover immediately filed for resignation.

After Deep Purple's last concert together in Osaka, Japan on June 29, 1973, Ritchie Blackmore, walking past Roger Glover on the stairs, only said over his shoulder, "Nothing personal: business is business." Roger Glover took this trouble hard and did not leave the house for the next three months, partly due to aggravated stomach problems.

Ian Gillan left Deep Purple at the same time as Roger Glover and moved away from music for a while to enter the motorcycle business. He returned to the stage three years later with the Ian Gillan Band. Roger Glover after recovery concentrated on producing activities.

Mark III (1973-1975)
The third composition of Deep Purple:
David Coverdale
Jon Lord
Ritchie Blackmore
Glenn Hughes: Bass, vocals
Ian Paice: Drums

In June 1973, the three remaining members of Deep Purple brought in vocalist David Coverdale (who by then worked in a fashion boutique) and singing bassist Glenn Hughes (ex-Trapeze Glenn Hughes). In February 1974, Burn was released: the album marked a triumphant comeback for the band, but also a change in style: David Coverdale's deep, nuanced vocals and Glenn Hughes' high-pitched vocals gave a new, rhythm and blues flavor. music of Deep Purple, which only in the title track showed fidelity to the traditions of classic hard rock.

Stormbringer was released in November 1974. The epic title track, as well as "Lady Double Dealer", "The Gypsy" and "Soldier Of Fortune" were radio hits, but overall the material was weaker, in large part because Ritchie Blackmore (as he himself later admitted) did not approving other musicians' passion for "white soul", he saved the best ideas for Rainbow, where he left in 1975.

Mark IV (1975-1976)
The fourth composition of Deep Purple:
David Coverdale
Jon Lord
Tommy Bolin
Glenn Hughes: Bass, vocals
Ian Paice: Drums

A replacement for Ritchie Blackmore was found in Tommy Bolin, an American jazz rock guitarist known for his masterful use of the Echoplex echo machine and the characteristic "juicy" sound of the classic American Fuzz pedal. According to one version (described in the appendix to the 4-volume box set), the musician was recommended by David Coverdale. Also, in an interview with Melody Maker in June 1975 (published on the Deep Purple Appreciation Society website), Tommy Bolin talked about meeting Ritchie Blackmore and his recommendations to the band.

Tommy Bolin, who played early in his career with Denny & The Triumphs and American Standard, rose to prominence in the jazz rock scene for playing in the hippie band Zephyr. The famous drummer Billy Cobham invited him to New York, where Tommy Bolin performed and recorded with such jazz & jazz fusion legends as Ian Hammer, Alphonse Mouzon, Jeremy Steig . Tommy Bolin gained popularity with Billy Cobham's album Spectrum (1973), performed solo, and later joined The James Gang (albums Bang (1973) and Miami (1974)).

On the new Deep Purple album "Come Taste The Band" (released in the US in November 1975), Tommy Bolin's influence was decisive: he co-wrote most of the material with Glenn Hughes and David Coverdale. "Gettin' tighter" became a popular live hit, symbolizing the new musical direction the band was taking.

The band played a series of successful shows in the New World, but in the UK they faced traditional audience dissatisfaction with a new guitarist who played differently than the British audience was used to. Added to that were Tommy Bolin's drug problems. A concert in March 1976 in Liverpool was all but derailed.

There were two camps in the group: in the first one there were Glenn Hughes and Tommy Bolin, who preferred jazz and dance improvisations, in the other David Coverdale, Jon Lord and Ian Paice, who later joined the Whitesnake group, whose music was more hit-oriented. parades. After the concert in Liverpool, the latter decided to end the existence of Deep Purple. Officially, the breakup was announced only in July.

On December 4, 1976, shortly after finishing work on his second solo album ("Private Eyes") in Miami, guitarist Tommy Bolin died of an alcohol and drug overdose. He was 25 years old and jazz authorities like Jeremy Steig had a great future ahead of him.

Ritchie Blackmore continued to perform with Rainbow. After a series of heavy albums with mystical lyrics by vocalist Ronnie James Dio, he brought in Roger Glovera as a producer, and released a number of commercially successful albums, the music of which was more like a heavier version of ABBA, which Ritchie Blackmore had great respect for.

Ian Gillan created his own jazz rock band, with whom he toured many parts of the world. Later, he joined Black Sabbath, with which he released the album Born Again (1983), replacing former Rainbow vocalist Ronnie James Dio in the group. (Even more curiously, Tony Iommi originally offered the job to David Coverdale, who turned it down.)

Funny coincidences also happened with the rest of the musicians: the first solo albums of David Coverdales Whitesnake were produced by Roger Glover (who played in Rainbow from 1979 to 1984), and after the full-fledged Whitesnake was joined by Jon Lord (who stayed with the group until 1984), and a year later, Ian Paice (who stayed there until 1982), and Rainbow drummer Cozy Powell, who was at the same time a friend of Tony Iommi, also ended up there.

Mark V (Mark II) (1984-1988)
First reunion of the second classic cast

Ian Gillan: Vocals, congas, & harmonica
Jon Lord
Ritchie Blackmore
Roger Glover
Ian Paice: Drums

In the early 80s, Deep Purple had already begun to forget, when suddenly (after a meeting of the participants in Connecticut), the group gathered in a classic line-up (Ritchie Blackmore, Ian Gillan, Jon Lord, Ian Paice, Roger Glover) and released the album “Perfect Strangers followed by a successful world tour that began in Australia. In Britain, the group gave only one concert at the Knebworth Festival.

But after the release of the album "The House Of Blue Light" (1987), it became clear that the union would not last long. By the time of the release of the live album "Nobody's Perfect" in the summer of 1988, Gillan announced his departure.

Ian Gillan, who released the single "South Africa" with Bernie Marsden in the summer of 1988, continued to work on the side. From the musicians of The Quest, Rage and Export, he recruited a band and, calling it Garth Rockett and the Moonshiners, gave his debut concert at the Southport Floral Hall in early February. In early April, after finishing the tour with Garth Rockett and the Moonshiners, Ian Gillan returned to the US.

The conflict between Ian Gillan and the rest of the band continued to grow. Jon Lord: “I think Ian Gillan didn't like what we were doing. At that time he did not write anything, often did not come to rehearsals. But he was increasingly seen drunk. Once, almost naked, he stumbled into Ritchie Blackmore's room and fell asleep there. On another occasion, he made public obscene remarks about Bruce Payne. In addition, he delayed the start of recording a new album, which is scheduled for release in early 1990. Finally, on May 14, 1989, Ian Gillan again went on a tour of the clubs in England with the band Garth Rockett and the Moonshiners. And during his absence, the rest of the band decide to fire "big Ian Gillan".

Even Roger Glover, who usually supported Ian Gillan, advocated expulsion: “Ian Gillan is a very strong person and can't stand it when things don't go the way he wants. He could work with me because he was willing to compromise, but with the rest of Deep Purple, and mostly with Ritchie Blackmore, he was always hard to work with. It was a conflict of strong personalities, and it had to be stopped. We decided that Ian Gillan should go. And it's not true that Ritchie Blackmore fired Ian Gillan, because this painful decision was made by everyone, guided only by one the interests of the group.

Mark VI (1990-1991)
The sixth composition of Deep Purple:
Joe Lynn Turner
Jon Lord
Ritchie Blackmore
Roger Glover: Bass
Ian Paice: Drums

In place of Ian Gillan, Ritchie Blackmore suggested Joe Lynn Turner, formerly of Rainbow. Joe Lynn Turner had recently left Yngwie Malmsteen's band and was out of contract. Joe Lynn Turner's first tryouts for Deep Purple went well, but Roger Glover, Ian Paice and Jon Lord didn't like it. The newspaper ad didn't work either.

News appeared in the press that Terry Brock (Terry Brock) from Strangeways, Brian Howe (BRIAN HOWE) from Bad Company, Jimmy Jameson (Jimi Jamison) from Survivor. Managers denied these rumors.

Roger Glover: In the meantime, we still couldn't decide who would be the band's vocalist. We just drowned in oceans of tapes with recordings of candidates, only all this did not suit us. Almost 100% of applicants unsuccessfully tried to copy the style and voice of Robert Anthony Plant (Robert Anthony Plant), and we needed something completely different. Then Ritchie Blackmore proposed to return to the candidacy of Joe Lynn Turnera. By replacing Ian Gillan, he, in his own words, "realized the dream of his life."

The recording of the new album began in January 1990 at Greg Rike Productions (Orlando). Recording and mixing took place at New York's Sountec Studios and Power Station. The arrival of Joe Lynn Turner has not been officially announced. Joe Lynn Turner made his first public appearance on the football team alongside Ian Paice, Roger Glover and Ritchie Blackmore against Orlando radio station WDIZ. On March 27, bmg Europe held a press conference in Monte Carlo to introduce Joe Lynn Turner. Four of the band's new songs were played for the press, among which was "Hey Joe".

Recording was basically finished by August. On October 8, a single with the songs “King Of Dreams/Fire In The Basement” was released, and on October 16, the presentation of the album called “Slaves and Masters” took place in Hamburg. The name, as explained by Roger Glover, the disc received from the two 24-track tape recorders used in the recording. One of them was called "Master" (master or leader), and the other "Slave" (slave). The album went on sale on November 5, 1990, to mixed reviews. Blackmore was very pleased with the record, but the music critics felt that it was more like a Rainbow album.

Almost simultaneously with the release of this album, the German branch of "bmg" released a record with an audio track for Willy Boehner's film "Fire, Ice And Dynamite", where Deep Purple performed a song of the same name. It is noteworthy that Jon Lord does not play on this song. Instead, the keyboard parts were performed by Roger Glover.

The first concert of the Slaves and Masters tour in Tel Aviv was canceled due to Saddam Hussein, who ordered a missile attack on the Israeli capital. The tour began on February 4, 1991 in the city of Ostrava in Czechoslovakia. Local climbers helped install lighting equipment and speakers in the sports palace. In March, the single "Love Conquers All/Slow Down Sister" was released. The tour ended with two concerts in Tel Aviv on 28 and 29 September.

On November 7, 1991, the band met in Orlando to work on their next album, The Battle Rages On. At first, the musicians, inspired by the warm reception during the tour, were full of enthusiasm. But soon the enthusiasm faded. For the Christmas holidays, the musicians went home, having gathered again in January. Meanwhile tensions were building between Joe Lynn Turner and the rest of the band.

According to Roger Glover, Joe Lynn Turner was trying to turn Deep Purple into an ordinary American heavy metal band: “Joe Lynn Turner would come into the studio and say: can we do something in the style of Mötley Crüe? Or criticized what we were recording, saying: “well, you give! They don't play like that in America for a long time, as if he had no idea what style Deep Purple was working in.

The recording of the album was delayed. The advance paid by the record company came to an end, and the recording of the album was only halfway through. The record company demanded that Joe Lynn Turner be fired and Ian Gillan rejoin the band, threatening not to release the album. Ritchie Blackmore, who used to treat Joe Lynn Turner with respect, knew he couldn't sing in Deep Purple.

One day Ritchie Blackmore walked up to Jon Lord and said, “We have a problem. Be sincere, are you dissatisfied? Jon Lord replied that he was quite satisfied with the instrumental part of the recorded compositions, but "something is still wrong." Then Ritchie Blackmore asked: "And what is the name of this problem?". And what should I have said? I replied, "The name of this problem is Joe Lynn Turner, isn't it?" I knew Ritchie Blackmore was referring to him. Especially since it really was a problem. Ritchie Blackmore said he didn't want to be the one kicking another musician out of the band again, that he didn't want to be the "bad guy", Joe Lynn Turner has a great voice, he's a great singer, but he's not a Deep Purple singer he is a pop rock vocalist. He wanted to be a pop star, causing girls to faint with just his appearance on stage.

On August 15, 1992, Joe Lynn Turner received a call from Bruce Payne saying that he had been fired from the band.

Mark VII (Mark II) (1992-1993)
Second reunion of the classic line-up
(Blackmore, Gillan, Lord, Paice, Glover) Deep Purple:
Ian Gillan: Vocals, congas, & harmonica
Jon Lord
Ritchie Blackmore
Roger Glover
Ian Paice: Drums

Since the beginning of 1992, there were negotiations between the record company and Ian Gillanom, the result of which was to be the return of the latter to the group. However, Ritchie Blackmore was against the return of Ian Gillan and proposed an American as a candidate. However, the other members of the band, and Roger Glover in the first place, did not like this option. Roger Glover flew to England, where Ian Gillan lived, hoping that if Ian Gillan sang well, then Ritchie Blackmore would change his mind. Roger Glover and Ian Gillan spent three days in the studio. Three songs were recorded "Solitaire", "Time To Kill" and one more, later rejected. Jon Lord and Ian Paice were very pleased with these recordings. Ritchie Blackmore had to go along with the return of Ian Gillan. Ritchie Blackmore was forced to agree to a return to Ian Gillan's band because the record company demanded the return of the advance in case the album was not released, and the musicians would have to sell their property in order to pay it.

Ritchie Blackmore: “Ian Gillan is deeply unpleasant to me with his antics and bad behavior. Therefore, on a personal level, we do not communicate with him. I know it's very difficult with me too, but Ian Gillan is a real psycho. On the other hand, he is the greatest vocalist in hard rock. On stage, he is what he should be. It carries a fresh stream into modern rock. On stage, we complement each other perfectly, I can be myself, and not copy, for example, Steven Vai (Steven Siro Vai). But when we're off stage, we're far apart. It has always been so. Joe Lynn Turner has always been my friend. He's a good singer, but we need Ian Gillan. He is a very different type of person, Mr. Rocknroll. When Joe Lynn Turner appeared on stage, I immediately caught myself thinking that Deep Purple was turning into Foreigner. For what? He began to copy David Lee Roth and completely lost as an individual. I tried to convince him, but it's a dead number."

The start of a world tour in support of the album was scheduled for September. But the first three shows of The Battle Rages On tour (in Istanbul, Athens and Thessaloniki) were cancelled. After their arrival in Europe, on September 21, the group held a rehearsal in Austria, and on the 23rd they played a practice concert near Rome (without spectators). The tour opened with a performance in the Palaghiaccio hall in Rome. Germany, France, Switzerland, Austria followed. The concerts were a success. In Nuremberg, however, during the performance of "Lazy" Blackmore's amplifier caught fire, and the concert had to end without guitar solos. Two shows in Spain had to be cancelled: October 23rd in Barcelona due to extreme fatigue of the band members and the 24th in San Sebastian due to Roger Glover's illness. On October 30, a rather unsuccessful concert took place in Prague. According to eyewitnesses, Ritchie Blackmore spent more time behind amplifiers than on stage. To fix Ian Gillan's voice problems. Ritchie Blackmore was furious and ended up ripping a Japanese visa out of his passport and throwing it in his manager's face, stating that he was leaving the band at the conclusion of the European tour. Everyone was in shock. The band then performed on 5 November in Manchester, and 7 in Brixton.

On November 12, 1993, Ritchie Blackmore's departure was officially announced in Copenhagen for the first time. The shows in Stockholm and Oslo were sold out. The last performance of the star cast took place on November 17, 1993 in Helsinki. The planned performance at the Olympic Stadium in Moscow was cancelled.

Jon Lord: "For many years we believed that Deep Purple" couldn't exist without Ritchie Blackmore. He convinced us otherwise. He left the band during the 1993 world tour when we were supposed to play 8 shows in Japan, tickets for which were already sold out. And he made Ian Gillan responsible for it. He said Ian Gillan couldn't sing.<...>Ritchie Blackmore wanted to make us into something like Rainbow he rejected our ideas and only wanted to play what he liked."

Mark VIII (1993-1994)
The eighth composition of Deep Purple:
Ian Gillan
Jon Lord
Joe Satriani
Roger Glover: Bass
Ian Paice: Drums

Concerts in Japan were supposed to start on December 2. For six concerts of which 85 thousand tickets were sold. Cancellation of concerts threatened to pay huge penalties. The Japanese promoter presented a list of guitarists who could replace Ritchie Blackmore without causing a massive backlash from ticket holders. The only real candidate on this list was Joe Satriani.

Joe Satriani: When they called me and offered to join Deep Purple, I asked for two days to think. But he called back an hour later.