Crosses are not placed on mass graves,
And widows do not weep at them,
Someone brings bouquets of flowers to them,
And the Eternal Flame is lit.
Here the earth used to rear up,
And now - granite slabs.
There is no personal fate here -
All destinies are merged into one.
And in eternal flame a tank is visible,
Burning Russian huts,
Burning Smolensk and burning Reichstag,
The burning heart of a soldier.
There are no weeping widows at mass graves -
Stronger people go here.
On the mass graves...
hi brother, this is interesting,
and I liked it, baby
what are you writing!
Well, we are unlikely to be aggressors,
often had to defend.
Che rhyme minion is easy,
or dared to gouge out the rhythm,
furry khan,
mongols thunderstorm,
spread out the tents at the foot,
hearth smokes,
and fraternal meeting
Is it possible to find more important things,
dare they count the gods,
I put on the expanse of the Barmian vigils.
ditches of defense cut plows,
those who once sowed bread,
in rye, drowning hands in calluses,
groves were plowed, between ...
A cross is drawn with black chalk,
A scarlet worm is dancing in a test tube,
A fluent test is compressed into a lump,
The beast whines with a nervous drift ...
Eating plasma lumps,
Dried brains swollen
The disease writhed in a spin,
The result rises sick ...
Locks locked on dots
End of life run
Nights, farewell in the wake
The money lay out on the lines,
Between them semantic
And rage...and a comma?!
It's time for all friends to pass the analysis,
And find out the truth about yourself,
Philosophical mind with consciousness together,
In copulation, the dough was kneaded.
To judge the quality of such a mixture,
A simple sample test is required,
But do not rush to mess with her urgently,
Try testing first.
What do we eat sometimes?
In a load on the stomach, liver, kidneys,
It's scary to imagine that we defecate,
So you can reach the extreme point.
And how we breathe and sometimes inhale,
Cigarette smoke and the smell of businesses
And what...
We need each other more
What it may seem.
Help day and night
Both winter and summer.
We do know about it.
There is none dearer than us.
There are no relatives and more expensive.
Support every time
Saves from misfortune.
You were always there
I want to be around too.
Just remember that it's closer
Than a family does not happen.
We're not at all alike.
But only for someone.
Our thoughts converge
No answer needed.
Maybe you will become stricter.
You are my brother - that's a lot.
We do know about it.
Brothers would keep up with the fly, to us.
And to hear us the voice of truth, would.
There's no point in sleepy searching, na.
The path of eternal insight is difficult, alas.
Wouldn't you go there, brothers,
Don't spin the Collider.
Plow would have been sharpened ...
They remembered M. Schreider.
Why Darwin, you son of a bitch
Have you thought of a chain?
Why from Russia, from Ukraine
Stupidly roll a barrel?
We can't drink beer from that barrel
Don't swallow a little.
Stretched too much
The accordion broke.
Husband, to pass the tests properly,
I got up, filled the vial with urine,
And for feces, be it amiss,
Came up from matchboxes.
It's better than a tube of pasta...
A river flowed to the doctor's appointment,
And it sounded very friendly -
Excuse me, can I have a light...
The husband left and seemed to fail.
My wife's mascara dripped from tears,
The morgue called everyone... In the hospital
A day later, a prodigal husband was found
All in bandages, thanks for not dying.
The husband answered last strength:
"What happened to me, I don't remember...
The whole verse is permeated with the idea of patriotism.
The first four lines fit an incredible amount of suffering, longing, immense grief. In every word is the bitterness of the loss of the most courageous and courageous, whose names are unknown and whose image has not been preserved, about whom we can only speak in general, about all at once. Their exploits are not recorded, but their heroism is not diminished by this.
In the following lines, the author emphasizes the patriotism of every soldier who fought for one thing, for our land, for our Motherland. And every soldier with a lost name is a hero. The fearlessness of those who fought defeated the enemy and the spirit is not broken by any grief or any defeat.
In the last quatrain, Vysotsky burns about an irreparable, immense loss, which concerns not everyone individually, but all together. And there is no measure of great sorrow for the death of unknown heroes.
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Vysotsky called " mass graves"a song with a happy fate, as she received a long life."Communal Graves" was on the record, in the cinema, in the theater, and, it would seem, everything has already been played, worked out, and I always start concerts with it, almost every performance. So the song lives on" he said.
Vysotsky himself always called "Communal Graves" his first military song. It was first performed in 1963 at the birthday party of Vysotsky's father, Semyon Vladimirovich, a colonel and an honorary citizen of the cities of Kladno and Prague.
At first, Vysotsky offered a song for the performance of the Taganka Theater "The Fallen and the Living", in which he played. She was perfect for the episode when the Eternal Flame was lit right on the stage, but for some reason she did not enter the performance.
But she got into the movie “I Come From Childhood”, filmed in 1966 at the Belarusfilm studio by director Viktor Turov, where Vysotsky played the role of tanker Volodya. By the way, the original songs in the film were not planned.
V. Vysotsky: “Belarusfilm” is perhaps the only studio where songs are always used so carefully in films. Victor Turov, other guys who work here, find an opportunity and a place for these songs, so that they are on an equal footing with the image.
True, "Common Graves" in the film did not sound in the author's performance. The director's wife, Svetlana Turova, recalled that there were many disputes over who should perform the song. And so that there were no problems with the approval of the film (Vysotsky's name was already odious at that time), they decided that the song should be performed by Mark Bernes. The memoirs of Bernes' wife, Lilia Mikhailovna, paint a slightly different picture. Vysotsky came to famous performer « dark night and offered him a choice of several songs. Bernes settled on "Communal Graves", but with one condition - he will change the sound of this song for himself. Mark Naumovich motivated his condition as follows: "Volodya, I need a melody, I can't sing without it." And, indeed, in the film this song sounded somewhat different - more softly and sincerely. Vysotsky, of course, did not object, and after the death of Bernes, he often dedicated the “Communal Graves” to his memory.
V. Vysotsky:
“I knew him, at the end of my life I was friends with him, and he sang this song at concerts later. And we needed a voice that would sound immediately after the war. And during the war. So that there is such recognition of the voice. And during the scene, when women with tearful eyes approach the wall, which is all chipped by bullets and shells, and put flowers, some greens on the grave of unknown soldiers, at this time Mark Bernes sings this very song ... And after that film, we received a lot of letters. And there was even one letter from a woman, in front of whom, in 1942, her two sons were shot. She lost her memory. For many, many years, I struggled to remember where it was. And so she wrote us a letter that when the song “Common Graves” sounded, she remembered this place where this tragedy happened. But this place didn't exist. We built it ourselves. You understand? But there was such a strong impact on her from this scene here: the combination of music, text and image together, that she thought that this was really here.
Be that as it may, the songs from the movie "I come from childhood" became the first "official" recognition of Vysotsky as a singer-songwriter. In this capacity, his name was indicated in the credits, and on August 21, 1966, "Communal Graves" performed by Bernes sounded on the radio. In 1967, the text of the song was published in the New Films magazine, becoming Vysotsky's first publication in the press, and the song itself was released on minions in 1972 and 1979.
1st stage of the lesson: preparation for the perception of new material - the teacher's word about Vysotsky, his life credo- vocabulary work: creed - firm convictions, views - ahead of the task: “I don’t like” reading by heart 2nd stage of the lesson: perception and comprehension of the material on the topic - Vocabulary work: interpretation - interpretation, disclosure of meaning, clarification of a particular text - - sample plan analysis poetic work- - the basic laws of poetry, reference circuit- - analysis of the poem "Common Graves"
3rd stage of the lesson - generalization of the work done - "Common graves" performed by the author - group creative task: determination of the pathos of the poem, its ideas, the relevance of the topic. - reflection - homework: essay “My discovery of Vysotsky” Epigraph to the lesson: Epigraph to the lesson: He wore his conscience close to his heart, As a veteran wears his fragment ...
Analysis helps to understand the deep meaning of the poem, the ideas, images, feelings contained in it, and the means by which they are created. In a literary text, every word, every sign carries information. This information may be secondary and even tertiary, but helps to understand the shades common sense. Randomness of details is excluded by the very concept of art. In a literary text, everything is natural. In a literary text, every word, every sign carries information. This information may be secondary and even tertiary, but it helps to understand the shades of the general meaning. Randomness of details is excluded by the very concept of art. In a literary text, everything is natural.
The poetic idea "by the grain" grows out of every word. Dry linguistic facts unfold in bright pictures and images. The interaction of elements is important here artistic text. Changes in the language do not affect the stability of the text. It continues to carry the information that was originally laid down. The meaning of words, their stylistic coloring is a constant value. Changes in the language do not affect the stability of the text. It continues to carry the information that was originally laid down. The meaning of words, their stylistic coloring is a constant value.
Vysotsky was one of the leaders in the formation of this type of consciousness, which we today call pluralism. He clearly demonstrated what a powerful source of energy in the plurality of views on life. In his poems the real polyphony of our very motley and very different life, proximity to this real life. The ability to understand other people's points of view new depth social vision - that's what the Vysotsky phenomenon is. In his poems there is a real polyphony of our very colorful and very different life, closeness to this real life. The ability to understand other people's views, a new depth of social vision - this is what the Vysotsky phenomenon is.
He touched on important and painful moments in our history: he spoke about the war, about aces pilots and soldiers of penal battalions, about the difficult post-war period, about construction sites and astronauts, about ordinary people and yogis, but the main character of his works was the truth. The truth about himself, about his contemporaries, about our history. Vysotsky's poems amaze with convincing honesty and clever simplicity. The truth about himself, about his contemporaries, about our history. Vysotsky's poems amaze with convincing honesty and clever simplicity.
Today we will read this poem, but not just read it, but try to reveal its meaning with the help of analysis, that is, we will take up interpretation. We work according to an exemplary plan for the analysis of a poetic text We work according to an exemplary plan for the analysis of a poetic text
1. Extra-textual connections (epoch, biography facts, time and place of writing, life circumstances 2. Composition - construction of the work 2. Composition - construction of the work There are 4 quatrains in the poem. Quatrain is the most common form of stanza in poetry. At the end of the work, the initial lines are repeated, therefore, the composition is circular, which narrows and concentrates the semantic space.There is no plot, in the foreground the poet's feelings, his assessment of events.There are 4 quatrains in the poem.Quathren is the most common form of stanza in poetry.At the end of the work, the initial lines are repeated, which means that the composition is circular , which narrows and concentrates the semantic space.There is no plot, in the foreground the poet's feelings, his assessment of events.
3. Rhythm and intonation. In intoning its own law, it is inscribed in the text with a special recording of poetic speech. Rhythm creates the character of speech, gives expressiveness. Sound repetitions, saturated with poetic meaning, begin to sound. Both the number of syllables in a line and the order of stress become significant. Rhythm connects with meaning. The poem is written in amphibrach, which gives it solemnity and severity. (The anthem of Russia is written in amphibrach) 4. Reflection on the word. 4. Reflection on the word. Every word, every pictorial technique are essential to the meaning of the poem. We find idioglosses with semantic versatility. Interacting with each other, they establish associative links and form poetic world poems. These are dominants, concentrating in themselves the ideological and aesthetic meaning. Every word, every visual device is important for revealing the meaning of the poem. We find idioglosses with semantic versatility. Interacting with each other, they establish associative links and form the poetic world of the poem. These are dominants, concentrating in themselves the ideological and aesthetic meaning.
5. Paphos 6. Idea 7. - the relevance of the topic - all this together gives full interpretation of a poetic work Let us schematically depict the basic laws of poetry that raise the work to the heights poetic creativity. Let us depict schematically the basic laws of poetry, which elevate the work to the heights of poetic creativity.
1-quatrain. Strict, chased lines (in each line - a verb, phonetically accurate rhyme) create emotional excitement, empathy. The picture of the surrounding reality, drawn in the stanza, speaks of the author's feelings, of his awareness of the greatness of the feat of our soldiers. These graves have no addresses, and the pain of loss is so great and bitter that one can only mournfully be silent at the Eternal Flame. There are no crosses on these graves - a special monument is required here. (eternal flame - symbol) Flowers to this monument from those in whom memory is alive (vaguely personal sentences)
2nd quatrain In the first line - real picture terrible battles. An accurate metaphor conveys the entire intensity of the fighting. And in the next line - opposition. (Verbs in line 1, in line 2 - they are not) A roaring roar replaces the peace of granite slabs. Under which the famous and nameless defenders of the Fatherland sleep in eternal sleep
3 stanza is a whole sound-semantic complex. Here, with the help of an anaphora, the word burning is put forward. This word is the way to create key image. The role of the anaphora is expressive and rhythmic. Also, the anaphora gives the stanza semantic integrity, as a result, a single semantic image arises - a symbolic image.
In the Eternal Flame, the reflections of the fire of burning Russian huts, for which, with a heart burning with righteous anger and love, a soldier died in a burning tank. In this fire and the glow of the defeated Reichstag. Vysotsky's characteristic sound-writing with the help of alliterations and assonances creates almost tangible sensations.
The very form of the question is one of the strong positions in the text. The question is put in such a way that the answer is clear to us. The three lines of the last stanza are separated from the final line by an ellipsis, that is, a pause. This pause, graphically indicated by an ellipsis, carries deep meaning. The realities of the first lines cannot merge with the last question.
