Drama and its genres. The meaning of the word tragicomedy in a large modern explanatory dictionary of the Russian language

18.03.2019

The meaning of the word TRAGICOMEDY in the Big Modern explanatory dictionary Russian language

TRAGICOMEDY

dramatic work, combining elements of the tragic and the comic; tragic farce.

An event that is sad and funny at the same time.

Large modern explanatory dictionary of the Russian language. 2012

See also interpretations, synonyms, meanings of the word and what is TRAGICOMEDY in Russian in dictionaries, encyclopedias and reference books:

  • TRAGICOMEDY in the Dictionary of Literary Terms:
    - (from the Greek tragodia - a goat song and komodia - a song of a cheerful crowd) - one of the genres of drama in 1 ...
  • TRAGICOMEDY in the Big Encyclopedic Dictionary:
  • TRAGICOMEDY in big Soviet encyclopedia, TSB:
    a type of drama that combines the features of tragedy and comedy. The attitude underlying T. is associated with a sense of the relativity of the existing criteria of life and ...
  • TRAGICOMEDY V encyclopedic dictionary Brockhaus and Euphron:
    I is a drama of a mixed nature, where the tragic and comic elements appear with great brilliance. There is no special dramatic form with such a name ...
  • TRAGICOMEDY in the Modern Encyclopedic Dictionary:
  • TRAGICOMEDY
    a dramatic work that has features of both comedy and tragedy. Tragicomedy is based on a sense of the relativity of the existing criteria of life, one and ...
  • TRAGICOMEDY in the Encyclopedic Dictionary:
    and, well. 1. A dramatic work that combines elements of tragedy1 and comedy.||Cf. DRAMA, MELODRAMA, FARS. 2. trans. …
  • TRAGICOMEDY in the Encyclopedic Dictionary:
    , -i, f. 1. A dramatic work that combines the features of tragedy and comedy. 2. trans. Sad and funny at the same time. …
  • TRAGICOMEDY in the Big Russian Encyclopedic Dictionary:
    TRAGICOMEDIA, drama. a work of both comedy and tragedy. T. is based on a sense of the relativity of the existing criteria of life; one...
  • TRAGICOMEDY
    (Greek) ? a dramatic work in which a tragic plot is depicted in a comic form or which is a disorderly heap of tragic. and comic. …
  • TRAGICOMEDY in the Encyclopedia of Brockhaus and Efron:
    ? a drama of a mixed nature, where the tragic and comic elements appear with considerable brightness. There is no special dramatic form with such a name ...
  • TRAGICOMEDY in the Full accentuated paradigm according to Zaliznyak:
    tra`gikome "diya, tra`gikome" diy, tra`gikome "dia, tra`gikome" diy, tra`gikome "dia, tra`gikome" diyam, tra`gikome "dia, tra`gikome" diy, tra` gikome "dia, tra`gikome" diy, tra`gikome "diya, tra`gikome" diy, ...
  • TRAGICOMEDY in the Popular Explanatory-Encyclopedic Dictionary of the Russian Language:
    -and, well. 1) A dramatic work that combines elements of tragedy and comedy. Performance in the genre of tragicomedy. 2) trans. Sad and...
  • TRAGICOMEDY in the New Dictionary of Foreign Words:
    1) a dramatic work built on the basis of a tragic (see tragedy) conflict, the resolution of which is associated with comic (see comedy ...
  • TRAGICOMEDY in the dictionary of Synonyms of the Russian language.
  • TRAGICOMEDY in the New explanatory and derivational dictionary of the Russian language Efremova:
    1. g. A dramatic work that combines the tragic and the comic. 2. g. An event that is both sad and...
  • TRAGICOMEDY in the Complete Spelling Dictionary of the Russian Language:
    tragicomedy...
  • TRAGICOMEDY in the Spelling Dictionary:
    tragicomedia, ...
  • TRAGICOMEDY in the Dictionary of the Russian Language Ozhegov:
    a dramatic work that combines the features of tragedy and comedy tragicomedy sad and at the same time funny ...
  • TRAGICOMEDY in the Modern Explanatory Dictionary, TSB:
    a dramatic work that has features of both comedy and tragedy. Tragicomedy is based on a sense of the relativity of the existing criteria of life; one and...
  • TRAGICOMEDY in the Explanatory Dictionary of the Russian Language Ushakov:
    tragicomedy, 1. A dramatic work, in which elements of tragedy and comedy are combined (lit., theatre.). 2. trans. Sad and with...
  • TRAGICOMEDY in the Explanatory Dictionary of Efremova:
    tragicomedy 1. f. A dramatic work that combines the tragic and the comic. 2. g. An event that is both sad and...
  • TRAGICOMEDY in the New Dictionary of the Russian Language Efremova:
    I A dramatic work that combines the tragic and the comic. II well. An event that is both sad and...
  • FEOFAN (PROKOPOVICH) in the Orthodox Encyclopedia Tree:
    Open Orthodox Encyclopedia "TREE". Feofan (Prokopovich) (1681 - 1736), Archbishop of Novgorod. In the world Prokopovich Eleazar. Born June 8th...

a dramatic work that has features of both comedy and tragedy. Tragicomedy is based on a sense of the relativity of the existing criteria of life; the playwright sees the same phenomenon in both comic and tragic coverage.

Great Definition

Incomplete definition ↓

TRAGICOMEDY

a dramatic work that combines tragic and comic features. Distinctive features tragicomedies are the unresolved conflict, the dominance of chance, a whimsical plot, replete with mysterious situations, unexpected turns, well-received end. A tendency towards a tragicomic beginning is outlined in some of the dramas of Euripides, full of ups and downs of an adventure character with happy ending. The term "tragicomedy" was first used by Plautus in the prologue to the comedy "Amphitrion" and understood by the Roman playwright as a mixture of the tragic and the comic. Jester's scenes alternate in it with serious and even pathetic ones. In the XVI-XVII centuries. the tragicomedy genre was addressed by I.Kh. Golman, J. de Rotru, A. Hardy in France, Shakespeare in romantic dramas in England, the authors of the "comedy of the cloak and sword" in Spain. In the XIX-XX centuries. the tragicomic effect is present in the dramas of romantics, in the works of G. Ibsen, A. Strinberg, A.P. Chekhov, and others.

a type of dramatic work that has both signs of tragedy and comedy and is in its pure form the highest form their alloy. T. is based on the tragicomic worldview of the artist, the origins of which are a variety of trends: a critical attitude towards existing social orders and mores, a sense of the insurmountability of life conflict (which often gives rise to an unfinished composition of works), the desire to ridicule the viciousness, vulgarity of social and moral principles, to compromise them with humor, irony, satire. Hence - the wide ranges of T.: from farcical mischief to the severity of a true tragedy. However, in principle, two pole genres - tragic and comic - turn out to be closely intertwined in theater in their defining characteristics, in particular, in the combination of sublime and comic images (often conditional in a generalized way), in the alternation of diverse plot, sometimes paradoxical, positions, etc. e. Both of these genres, being mutually activated, can be realized through each other (a tragic situation and a comic character, or vice versa). Then the tragedy of the comic and the comedy of the tragic are revealed - explicitly or in the subtext, and serious and sad comedy, permeated with spiritual sensitivity, poetry, even lyricism, causes sadness, bitterness, pain and sorrow. T. is built on the dialectical unity of these genre opposites, which sometimes give rise to specific emotion - laughter through tears. The effective means of T. are allegory, metaphor, and especially the grotesque, when excessive exaggeration reveals a comically absurd feature. Tragic grotesque revealing meaning terrible phenomenon, is always scaled up; in its nature there is one or another measure of the tragedy of the funny (for example, the film "Repentance" by T. E. Abuladze). The tragicomic beginning can manifest itself in a wide variety of forms ( fantasy tale, an allegorical parable - as in the plays of E. L. Schwartz, a fusion of comedy, or vaudeville. farce with drama - as in "The Wedding" by A.P. Chekhov) and gradations of content - from optimistic striving for the beautiful and sublime, reassessment of established values, research pain points public problems to the pessimistic recognition of the impossibility of resisting them and overcoming them - depending on citizenship artist. The origin of t. belongs to antiquity and the Middle Ages, its heyday falls on the 19th-20th centuries: the work of N. V. Gogol, K. Hamsun, G. Ibsen, G. Hauptmann, J. 0Nil, F. Garcia Lorca, F. Dürrenmatt , pl. other writers and playwrights; it received a bright and harmonious embodiment in the cinematography of Ch. Chaplin.



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