Phantasmagoria Phantasmagoria Fantasmagoria Phantasmagoria Phantasmagoria Phantasmagoria Phantasmagoria Phantasmagoria Phantasmagoria Phantasmagoria Phantasmagoria Phantasmagoria Zaliznyak's grammar dictionary

And, well. fantasmagorie gr. phantasma ghost + agoreuo I say. 1. Showing light patterns using optical devices. ALS 1. After the lecture, Strakhov showed experiments on what phantasmagoria is based on (he imagined shadows, say ... ... Historical dictionary gallicisms of the Russian language

- (Greek, from phantasma vision, and agora collection). 1) the art of showing ghosts. 2) an image or picture that appears to the viewer. Dictionary of foreign words included in the Russian language. Chudinov A.N., 1910. PHANTASMAGORIA Greek, from phantasma, ... ... Dictionary of foreign words of the Russian language

Phantasmagoria, phantasmagoria, women. (from Greek phantasma ghost and agoreuo I say). 1. Bizarre delusional vision (book). “Happiness is over for him, and what happiness? phantasmagoria, deception. Goncharov. 2. trans. Nonsense, impossible thing (colloquial) ... Explanatory Dictionary of Ushakov

Cm … Synonym dictionary

- (from the Greek phantasma vision of a ghost and agoreuo I say), something unreal, bizarre visions, delusional fantasies ... Big Encyclopedic Dictionary

FANTASMAGORIA, and, for women. Bizarre delusional vision. | adj. phantasmagorical, oh, oh. Explanatory dictionary of Ozhegov. S.I. Ozhegov, N.Yu. Shvedova. 1949 1992 ... Explanatory dictionary of Ozhegov

- (from the Greek phantasma - vision, ghost and agoreuo - I say) a bizarre vision, a fantastic image, a ghost, a hallucination, something unreal. Philosophical encyclopedic dictionary. 2010 ... Philosophical Encyclopedia

- (from Greek phantasma vision, ghost and ado geo I say) eng. phantasmagoria; German Phantasmagoric. A ghostly fantastic idea about something, delusional ideas. Antinazi. Encyclopedia of Sociology, 2009 ... Encyclopedia of Sociology

- (from the Greek phantasma vision, ghost and agoreuo I say) something unreal, bizarre visions, delusional fantasies. Political Science: Dictionary Reference. comp. Prof. floor of sciences Sanzharevsky I.I.. 2010 ... Political science. Dictionary.

Phantasmagoria- (Greek phantasma vision, ghost and agoreuo say), something unreal, bizarre visions, delusional fantasies. … Illustrated Encyclopedic Dictionary

Books

• Phantasmagoria, Bruce Julia. This book is the most complete reference by supernatural creatures magical creatures and evil monsters. In it you will find the stories that made them famous: from ancient legends to…
• Phantasmagoria, Lewis Carroll. Phantasmagoria and Other Poems is a collection of the writings of Lewis Carroll, compiled and published by him in 1869. This edition includes a significant part of the poems that made up ...

Phantasmagoria in some sources is considered as something that does not exist in reality. In the dictionary of synonyms, similar to the word - ghost. In historical encyclopedic dictionary, according to Internet sources, the value this concept defined as something created by the imagination, in delirium. A more subtle approach to the translation of this word (Wikipedia), characterizes phantasmagoria as a kind of theatrical genre. With the help of special lighting and mirrors, an action resembling a picture of the revival of skeletons, ghosts and other non-existent phenomena was played out on the stage. The spectacle was a little creepy, bewitching in its own way and, undoubtedly, it had its fans, now we would say fans. People had fun in a similar way in Europe in the 18th and 19th centuries.

In cinema, music, cartoons, this term defines everything bizarre, strange, fantastic based on the vision of unreal ghostly visions and fantasies. If we turn to the interpretation of the concept of phantasmagoria in a collection of figurative words and allegories, then a direct formulation means the ability, the art of depicting foggy inexplicable pictures using reflections, mostly mirror ones. Thus, one can imagine how a person has learned to create mystical, strange and inexplicable stories from real life. More precisely, to create what many of us are afraid of, what many of us are afraid of and what stains our hearts. Learned to create similar in such a way that in in a certain sense this skill has been applied in many genres of past and contemporary art.

Yes, probably, and there is nothing strange in this, because even our grandmothers, and we, at one time, with the help of the same mirrors, somehow became participants in the creation of mystical visions. I mean, divination on mirrors. Also in early youth, granny told how she and her girlfriends in pitch darkness, preferably in non-residential premises, with the help of mirrors and candles, they evoked the image of a betrothed - a mummer. The desire to see her fate, for one of the girls, ended tragically, she died of a heart attack or, as they say, from a broken heart. It is impossible to say exactly why this happened, but the mental state of each of the participants in that fortune-telling, according to my grandmother, was at the limit even before the tragedy. We also guessed at our princes, but we decided to do it only in the house, when there were adults in the neighboring rooms.

Psychologists note a certain dependence of mentally ill people with certain pathologies on such phenomena. Someone obsessive states manifest in fear of ghosts, demons, which constantly and everywhere pursue them. They interfere with living in the house and even kill relatives. Other's, psychical deviations are based on a direct dependence on watching such films, from which, according to the patients themselves, they enjoy, moral "saturation", in other words, they get a "high" from all such horror. I can’t judge how right it is to get involved in such fortune-telling, listen to strange music or hang out on the same Internet games, but I know one thing, people with a sick heart and a weak psyche should avoid such hobbies.

Whether or not ghosts and demons exist, humanity may someday find a way to scientifically confirm their existence. However, in real life, I personally would prefer not to encounter them. Enough worries and troubles with living people. You can believe in many unreal things and mystical phenomena, you can create them artificially and involve others in your works, you can enjoy and depend on such images. But the passion for phantasmagoria, as an art, should not be identified with reality, and even more so endanger one's life and the lives of loved ones.

Riddle, mystery, mystery, strangeness - all this is contained in the semantics of the word phantasmagoria. Subconsciously, everyone feels this when they use this combination of letters in their speech, but not everyone is fully aware of the versatility of its meaning.

Phantasmagoria in literature

For verbal creativity the use of phantasmagoria is quite familiar. Among representatives of Russian literature, this phenomenon was actively used by N.V. Gogol, M. Bulgakov, Saltykov-Shchedrin and many others.

inverted motif, strange world, in which the boundaries of the natural and the unnatural are blurred, was fundamental in this case. Phantasmagoria in literature, of course, was used widely and on a large scale.

We must not forget about the works of the great Edgar Allan Poe, where mysticism and reality are intertwined into close, almost inseparable knots. Another inimitable example of the use of phantasmagoria can be called "Dracula"

A little about the white rabbit

All over the world there is no one person who would not have heard of L. Carroll's Alice in Wonderland. The characters of this book have long been firmly entrenched in the minds of mankind, and yet the author of the work is perhaps the first and most a prime example writer who turned to phantasmagoria.

The phantasmagoria of Lewis Carroll is fascinating, mysterious, sometimes absurdly colorful. On its pages in literally magic passes into the world of reality, becomes reality itself. That is why his characters and heroes have long been familiar to man.

In addition to the famous "Alice", from the pen of Carroll came out a collection of poems "Phantasmagoria", which included and poem of the same name.

In general, it is the phantasmagoria of the dissected soul that is most often used in literature, when the improbability of being, huge world, full of hyperbolizations and puns, becomes an integral part of human existence.

Phantasmagoria and cinema

Touching upon the theme of literary phantasmagoria and, of course, the work of Lewis Carroll, one cannot but say about the film, which the leader intended to release. musical group"Marilyn Manson".

It should immediately be noted that this, even if it did not come true, was significantly different from the original. Despite the obvious dedication to the writer, his own phantasmagoria invented by the author of the film (the film was supposed to be called "Phantasmagoria: Visions of Lewis Carroll") - a completely new, strange, in some way even disturbing reading of the famous Alice in Wonderland.

Work on the tape was started, but on big screens The work never came out for unknown reasons.

Computer games industry

Phantasmagoria is, first of all, an incredible image, and nothing gives a more powerful sense of the image than computer games. More or less thoughtful plot, good graphics and quality musical accompaniment allow you to immerse yourself in the world of mysteries and secrets. This kind of work has always been and will be in demand among lovers of adventure and mystery.

"Phantasmagoria" is a game that owes its appearance to the famous Roberta Williams, who became the ideological inspirer and one of the creators of the masterpiece. Despite the fact that horror cannot boast of powerful graphics, it simply has no equal in terms of the atmosphere of indescribable horror.

Of course, this is far from the only example of the use of phantasmagoric elements in the creation of video games. The same sensational "Silent Hill" or "Amnesia" use this phenomenon in full.

Painting and phantasmagoria

If we take into account the fact that phantasmagoria is, first of all, going beyond the usual, a certain amount of madness, mental insanity, then the biggest admirer of this phenomenon, no doubt, can be called Hieronymus Bosch. It is difficult to find works more phantasmagorical, strange, surprising and frightening at the same time.

Of course, this example is far from the only one. Phantasmagoria is Dali, and Rodney Matthews, and, no doubt, Goya, for whom this direction was the final one.

The phenomenon of phantasmagoria is quite difficult to correlate with one or another time period, a specific era. Of course, in the era of classicism, an appeal to this kind figurative system was unusual, but baroque architecture and painting can provide countless examples of phantasmagoria.

The appeal to this kind of art is, first of all, an attempt to convey, to convey the vulnerability, the fragility of human nature, its place in the context of the immensity of the soul, consciousness, and the world. This is an attempt to focus on how frightening and at the same time beautiful the world can be, passed through the prism of human perception.

Phantasmagoria(from other Greek φάντασμα - a ghost and ἀγορεύω - I speak in public). The word has several meanings:

1. A bizarre delusional vision: “Happiness is over for him, and what happiness? phantasmagoria, deception.
2. IN figurative meaning- nonsense, impossible thing.
3. A ghostly, fantastic image obtained through various optical devices.
4. Phantasmagoria (art) - a heap of bizarre images, visions, fantasies; chaos, confusion, grotesque.
5. Phantasmagoria (performance) - genre theatrical performance in Europe in the XVIII-XIX centuries, in which, with the help of " magic lantern frightening images were shown in the background: skeletons, demons, ghosts.

"Magic Lantern" - an apparatus for projecting images, common in the 17th-20th centuries, the 19th century. - in ubiquitous use. Is milestone in the history of cinematography.

1. Phantasmagoria (cinema) is a subgenre of science fiction, representing films about something completely unreal, depicting bizarre visions, delusional fantasies.
2. Phantasmagoria (in literature) - satirical device, akin to the grotesque, that is, an exaggerated caricature of a character, when he is presented to the reader in ugly and incredible forms, the brighter showing his essence.

Phantasmagoria in literature

Phantasmagoria as a heap of fantastic images can be one of the techniques of the work, serve as a means of creating a special fantastic, mysterious, fairy world. Phantasmagoria usually serves the author to show the essence of the phenomenon, but to make it more obvious, more conspicuous, so that the reader not only understands what it consists of, but also sees the funny sides of this phenomenon. It is no coincidence that phantasmagoria as literary device used by authors whose task is to ridicule and debunk the society that they portray in their works.

Main Features

The clash of groundless dreams and falsified reality, the merging of dreams and dreams, a daydream forms a phantasmagoria - a reality where everything is possible, everything can happen, happen. The imposition of the reality of the unconscious on the rationalized reality leads to the overturning and destruction of the meaning of established things and phenomena. Phantasmagoria appears as a random, instant narcotic illumination, in which behind the phantoms of things the great nothing flickers. As J. Cocteau wrote:

Where is my rose wreath?

We are the front pattern of the carpet of metamorphoses,

Death weaves it from the inside out.

As a figment of the imagination, phantasmagoria is a hallucination, a chimera resulting from the influence of modalities of the unconscious outside of critical thinking. Instant intuitive grasp, vision of absolute reality suggests the appearance of the ghost of eternity and infinity in the game of possibilities, in relation to which the current time of physical existence loses its meaning. The past of the dream merges with the future of the dream into a kind of timelessness.

An illustration of the phantasmagoria of ceased time is the sinking of the spirit in Edgar Allan Poe's story The Well and the Pendulum (1844). The pendulum threatening a person symbolizes the current present of the outside world, which inexorably brings death closer. The man who is about to be cut by the pendulum takes his breath away with horror with every swing. All the fibers of the soul permeate with a passionate desire to stop time.

Phantasmagoria is an indicator the highest degree a game in which there are no rules is a game of the forces of eros and aggression, a game of illusions and confusion of feelings. In the dynamic chaos, delusions of the mind, desires, aspirations, hopes, superstitions, latent fears and fears, unrealizable hopes become of paramount importance. The game of hidden feelings shows the highest power over a person, reminiscent of the irony of Nero, whose dominance over the world has exhausted itself in negative dialectics. The miraculous and supernatural are superimposed on the banal and natural, forming such an element of the fantastic as a cliché - a sign that is extraordinary in its meaning, but banal in form.

A little about the white rabbit

There is not a single person in the whole world who has not heard about L. Carroll's Alice in Wonderland. The characters of this book have long been firmly entrenched in the minds of mankind, and yet the author of the work is perhaps the first and most striking example of a writer who turned to phantasmagoria. The phantasmagoria of Lewis Carroll is fascinating, mysterious, sometimes absurdly colorful. On its pages, in the literal sense, magic passes into the world of reality, becomes reality itself. That is why his characters and heroes have long been familiar to man. In addition to the famous "Alice", from the pen of Carroll came out a collection of poems "Phantasmagoria", which included the poem of the same name. In general, it is the phantasmagoria of the dissected soul that is most often used in literature, when the improbability of being, a huge world full of hyperbolizations and puns, becomes an integral part of human existence.

The appearance of phantasmagoria in animation and cinema

Phantasmagoria can be attributed to the world's first hand-drawn cartoon with speaking name"Phantasmagoria", released in 1908. The French film director Jean Vigo also worked in the phantasmagoria genre. In 1930, he made the film "About Nice", where the phantasmagoria is shown as a ghostly picture obtained with the help of optical devices. In Vigo's next film, Jean Taris, Swimming Champion, the element of phantasmagoria already works at the narrative level, demonstrating "delirium in reality" and "quirks in reality." The film Lieutenant Kizhe, based on the story of the same name by Yuri Tynyanov directed by Alexander Feintsimmer in 1934, also contains elements of phantasmagoria. Subsequently, a number of less popular films were made, partially using phantasmagoria.

Films in the genre of phantasmagoria

Phantasmagoria in cinema: famous directors

Cinema is a visual art. And with the help of modern special effects and animation, it makes it possible to create the most unrealistic landscapes, color combinations and bizarre images. Let's remember three modern directors specializing in fairy tales for adults: the Frenchman Michel Gondry, the American Wes Anderson and the main Indian of Hollywood - Tarsem Singh. These directors are also united by the fact that they create their amazing movie worlds without actually using computer special effects.

Michel Gondry

The Oscar-winning director wanted to be an artist or an inventor as a child, like his grandfather Constant Martin, who created one of the first synthesizers. While Michel studied at art school, he organized a punk rock band, but the demand and success came to him when he began directing music videos and commercials. He directed music videos for Björk, Paul McCartney and Radiohead. Videos for Adidas, Coca-Cola, Polaroid, Nescafe with George Clooney, and Gondry's Levis jeans ad got into the Guinness Book of Records as the clip that collected the most big number awards in the history of this genre. He was one of the first to use the Bullet time slow-motion technique that became famous after the release of The Matrix in advertising.

"The Science of Sleep"

In this film, Michel Gondry decided to finally erase the boundaries between dream and reality and mix them up. He admitted that The Science of Sleep is an autobiographical picture: “We shot the film in the house where I lived with my son and his mother. I wanted to explore the story that happened to me 25 years ago in 1983 when I was in Paris, and the one that happened to me in New York two years ago, so I combined them into one ... "

The huge arms of the hero Bernal, which grow during his sleep, are also real nightmare, which Michel Gondry saw as a child. A necklace made from scraps of nails is also part of the director's biography. Gondry spoke about his ex girlfriend: “She was unhappy with my long nails. So I chained them up and turned them into jewelry". The characters in The Science of Sleep speak English, French and Spanish. It was unplanned: Gondry asked the Spanish actor Gabriel García Bernal to learn French before filming, but he did not have time to do it.

"Foam of days"

This film is an adaptation of the novel by Boris Vian. And the world that is the setting of the story will give odds to any dream: in an apartment where the real sun lives, mice-housekeepers talk with cats, lovers spend a date flying on clouds, great philosopher Jean-Sol Partre (a parody of Sartre) lectures, and flowers can sprout in the lungs of a person, and this disease is fatal and incurable. Despite the irony over Sartre, the philosopher himself spoke highly of Vian's work.

Wes Anderson

When little Anderson, growing up in Texas, was 8 years old, his parents divorced. He would later refer to this as "the very important event in my life and the lives of my brothers", and this divorce will form the basis of his film "The Tenenbaums".

At first glance, it seems that his films are not phantasmagoria at all. These are quite plausible realistic stories, tragicomedies, melodramas, albeit a little eccentric. But the world that Wes Anderson builds in his paintings excites the imagination and pleases the eye more than any fairy tale. Wes Anderson's style is perfect symmetry in all paintings, hero or central figure always in the center of the frame. Very a large number of detailed details. He works on films independently at all stages of production. All this forms what is called the "Wes Anderson style." Do not confuse him with anyone.

“When I conceive the next film, I imagine the world in which the action will take place. All these design details are my attempts to create this world, perhaps not like reality and, hopefully, not like the places you have already been, ”says the director himself.

« Hotel“ Grand Budapest” »

This Oscar-winning film was shot in three different aspect ratios: 1.33, 1.85 and 2.35:1. They are not chosen randomly and correspond to three different periods of time - different proportions Frames indicate how long the screen lasts.

In advance of the film's production, Wes Anderson made an animated puppet version of the film, a kind of plot guide that was used film crew in the future, as a help in the work, and was shown to the actors. The real filming of the non-existent hotel took place on the border of Germany, the Czech Republic and Poland - in the Saxon city of Görlitz and partly in Dresden.

In addition to working with the composition of the frame, there are many jokes in the film. For example, almost all male characters in the picture wear a mustache. The end credits say that the film was created based on the story of Stefan Zweig, although the creators of the picture later called several works at once: “Impatience of the Heart”, “Notes of a European”, “24 hours from the life of a woman”.

"Kingdom of the Full Moon"

In one of the scenes of this film, the girl Susie finds the pamphlet "Struggle with a naughty child" at home. The moment is autobiographical for Anderson, having had a similar experience in his childhood: “There was nothing wrong with that. Only at the moment when I found her, I was very surprised. Another scene in the film is part of the biography of screenwriter Roman Coppola (Anderson's friend). His mother, like the film's heroine Laura Bishop, yelled at family members through a megaphone.

So piece by piece, like a mosaic, the plots of Wes Anderson's phantasmagoria line up. Yes, and the process of filming is often unusual. For example, while working on Moonlight Kingdom, Wes Anderson shot old mansion so that he, the operator and the editor of the picture could work there. The actors were settled in a hotel next door, but in the end, Edward Norton, and Bill Murray, and Jason Schwartzman moved into the old house.

Tarsem Singha

Director's childhood Indian origin passed in Iran, and then in the Himalayas. When his father found out that his son decided to take up cinema instead of Harvard, he said that he was no longer his son. “In India, I saw a book called “A Guide to Film Schools in America” and I was just blown away by it. She changed my life, because before that I thought that going to college was all about studying something that your father loves and you yourself hate. I told my father that I wanted to study cinema, and he said he would never let me do it. But I went to Los Angeles and made a film that got me a scholarship to art college,” says the director. Now the director lives alternately in London and Los Angeles. But for his films there are no geographical boundaries, for example, the shooting of "Outland" was carried out in 18 countries of the world.

A feature of Tarsem Singh's style is balancing on the verge of dream and reality. Russian directors Tarkovsky and Parajanov greatly influenced Singh's style. Like Gondry, Tarsem Singh began his film career in advertising. He shot dozens of commercials before making his debut in a big movie - the film "The Cage".

"Outland"

Tarsem Singh worked on the script for Outland for 17 years. He himself acted as the scriptwriter, director and producer of the film. He watched Zako Heskia's 1981 Bulgarian film Yo-Ho-Ho, about an actor who is in the hospital with an injury. The injury is serious, perhaps the actor will no longer be able to walk. He tells the boy next door fairy tales. This plot formed the basis of "Outland". The fantastic shots and worlds that we see in the film, according to the director, were created without the use of special effects at all. For this, 26 different parts of the planet in 18 countries of the world were used.

The little actress Katinka Huantaru, who plays the role of the girl Alexandria, who, by analogy with the Bulgarian source, listens to the stories of the crippled stuntman, was sure that he really was injured and his legs were paralyzed. She was not persuaded. Cruel, but in this case, art requires such sacrifices - the girl did not play, but lived her role.

Phantasmagoria in painting

If we take into account the fact that phantasmagoria is, first of all, going beyond the usual, a certain amount of madness, mental insanity, then the biggest admirer of this phenomenon, no doubt, can be called Hieronymus Bosch. It is difficult to find works more phantasmagorical, strange, surprising and frightening at the same time. Of course, this example is far from the only one. Phantasmagoria is Dali, and Rodney Matthews, and, no doubt, Goya, for whom this direction was the final one. The phenomenon of phantasmagoria is quite difficult to correlate with one or another time period, a specific era. Of course, in the era of classicism, recourse to this kind of figurative system was unusual, but baroque architecture and painting can provide countless examples of phantasmagoria. The appeal to this kind of art is, first of all, an attempt to convey, to convey the vulnerability, the fragility of human nature, its place in the context of the immensity of the soul, consciousness, and the world. This is an attempt to focus on how frightening and at the same time beautiful the world can be, passed through the prism of human perception.