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Description Olya Meshcherskaya easy breathing. "Easy breath

Description Olya Meshcherskaya easy breathing. "Easy breath

09.04.2019

In the cemetery, over a fresh earthen embankment, there is a new cross made of oak, strong, heavy, smooth. April, the days are gray; the monuments of the cemetery, spacious, county, are still far away visible through the bare trees, and the cold wind tinkles and tinkles the china wreath at the foot of the cross. A fairly large, convex porcelain medallion is embedded in the cross itself, and in the medallion is a photographic portrait of a schoolgirl with joyful, amazingly lively eyes. This is Olya Meshcherskaya. As a girl, she did not stand out in the crowd of brown gymnasium dresses: what could be said about her, except that she was one of the pretty, rich and happy girls, that she was capable, but playful and very careless about the instructions that a classy lady gives her ? Then it began to flourish, to develop by leaps and bounds. At fourteen, she had thin waist and slender legs, breasts and all those forms were already well outlined, the charm of which the human word has never yet expressed; at fifteen she was already a beauty. How carefully some of her friends combed their hair, how clean they were, how they watched their restrained movements! But she was not afraid of anything - not ink stains on her fingers, not a flushed face, not disheveled hair, not a knee that became naked when she fell on the run. Without any of her worries and efforts, and somehow imperceptibly, everything that had distinguished her so much in the last two years from the whole gymnasium came to her - grace, elegance, dexterity, a clear sparkle in her eyes ... No one danced at balls like Olya Meshcherskaya, no one skated like she did, no one was looked after at balls as much as she was, and for some reason no one was loved so junior classes like her. She imperceptibly became a girl, and her gymnasium fame imperceptibly strengthened, and there were already rumors that she was windy, could not live without admirers, that the schoolboy Shenshin was madly in love with her, that she seemed to love him too, but was so changeable in her treatment of him. that he attempted suicide. During her last winter, Olya Meshcherskaya went completely crazy with fun, as they said in the gymnasium. The winter was snowy, sunny, frosty, the sun set early behind the high spruce forest of the snowy gymnasium garden, invariably fine, radiant, promising frost and sun tomorrow, a walk on Cathedral Street, a skating rink in the city garden, pink evening, music and this in all directions the crowd sliding on the skating rink, in which Olya Meshcherskaya seemed the most carefree, the happiest. And then one day, at a big break, when she was running like a whirlwind around the assembly hall from the first-graders chasing after her and squealing blissfully, she was unexpectedly called to the headmistress. She stopped in a hurry, took only one deep breath, straightened her hair with a quick and already familiar female movement, pulled the corners of her apron to her shoulders, and, shining in her eyes, ran upstairs. The headmistress, youthful but gray-haired, sat calmly with knitting in her hands at the desk, under the royal portrait. "Hello, mademoiselle Meshcherskaya," she said in French, without looking up from her knitting. “Unfortunately, this is not the first time I have been forced to call you here to speak with you about your behavior. "I'm listening, madame," Meshcherskaya answered, going up to the table, looking at her clearly and vividly, but without any expression on her face, and sat down as lightly and gracefully as she alone could. “It will be bad for you to listen to me, I, unfortunately, was convinced of this,” said the headmistress, and, pulling the thread and twisting a ball on the lacquered floor, at which Meshcherskaya looked with curiosity, she raised her eyes. "I won't repeat myself, I won't speak at length," she said. Meshcherskaya really liked this unusually clean and large office, which breathed so well in frosty days the warmth of a brilliant dutch and the freshness of lilies of the valley on the desk. She looked at the young king, painted to his full height in the midst of some brilliant hall, at the even parting in the milky, neatly frilled hair of the boss, and was expectantly silent. “You are no longer a girl,” the headmistress said meaningfully, secretly beginning to get annoyed. "Yes, madam," Meshcherskaya answered simply, almost cheerfully. “But not a woman either,” the headmistress said even more significantly, and her dull face flushed slightly. First of all, what is this hairstyle? It's a woman's hairstyle! “It’s not my fault, madame, that I have good hair,” Meshcherskaya answered, and lightly touched her beautifully trimmed head with both hands. "Ah, that's how it is, you're not to blame!" the headmistress said. “You are not to blame for your hair, you are not to blame for these expensive combs, you are not to blame for ruining your parents for shoes worth twenty rubles!” But, I repeat to you, you completely lose sight of the fact that you are still only a schoolgirl... And then Meshcherskaya, without losing her simplicity and calmness, suddenly politely interrupted her: — Excuse me, madame, you are mistaken: I am a woman. And blame for this - you know who? Friend and neighbor of the pope, and your brother Alexei Mikhailovich Malyutin. It happened last summer in the village... And a month after this conversation, a Cossack officer, ugly and plebeian in appearance, who had absolutely nothing to do with the circle to which Olya Meshcherskaya belonged, shot her on the station platform, among a large crowd of people who had just arrived with the train. And the incredible confession of Olya Meshcherskaya, which stunned the boss, was completely confirmed: the officer told the judicial investigator that Meshcherskaya had lured him, was close to him, swore to be his wife, and at the station, on the day of the murder, seeing him off to Novocherkassk, she suddenly told him that she and never thought to love him, that all this talk about marriage was just her mockery of him, and gave him to read that page of the diary that spoke about Malyutin. “I ran through these lines and right there, on the platform where she was walking, waiting for me to finish reading, I shot at her,” said the officer. - This diary, here it is, look what was written in it on the tenth of July last year. The following was written in the diary: “It is now the second hour of the night. I fell asleep soundly, but immediately woke up ... Today I have become a woman! Dad, mom and Tolya, they all left for the city, I was left alone. I was so happy to be alone! In the morning I walked in the garden, in the field, was in the forest, it seemed to me that I was alone in the whole world, and I thought as well as never before in my life. I dined alone, then whole hour I played, to the music I had the feeling that I would live without end and be as happy as anyone. Then I fell asleep in my father's office, and at four o'clock Katya woke me up and said that Alexei Mikhailovich had arrived. I was very happy with him, it was so pleasant for me to receive him and occupy him. He arrived on a pair of his vyatki, very beautiful, and they stood at the porch all the time, he stayed because it was raining, and he wanted it to dry out by evening. He regretted that he did not find dad, was very animated and behaved like a gentleman with me, he joked a lot that he had been in love with me for a long time. When we were walking in the garden before tea, the weather was lovely again, the sun shone through the whole wet garden, although it became quite cold, and he led me by the arm and said that he was Faust with Marguerite. He is fifty-six years old, but he is still very handsome and always well dressed - the only thing I did not like was that he arrived in a lionfish - he smells of English cologne, and his eyes are very young, black, and his beard is elegantly divided into two long parts and is completely silver. We were sitting at tea on the glass veranda, I felt as if I was unwell and lay down on the couch, and he smoked, then moved to me, began again to say some courtesies, then to examine and kiss my hand. I covered my face with a silk handkerchief, and he kissed me several times on the lips through the handkerchief ... I don’t understand how this could happen, I went crazy, I never thought that I was like that! Now there is only one way out for me ... I feel such disgust for him that I can’t survive this! .. ” During these April days, the city became clean, dry, its stones turned white, and it is easy and pleasant to walk on them. Every Sunday after mass, a little woman in mourning, wearing black kid gloves, and carrying an ebony umbrella, walks down Cathedral Street, which leads out of the city. She crosses along the highway a dirty square, where there are many smoky forges and fresh field air blows; further, between monastery and a prison, the cloudy slope of the sky turns white and the spring field turns gray, and then, when you make your way among the puddles under the wall of the monastery and turn to the left, you will see, as it were, a large low garden, surrounded by a white fence, above the gate of which the Dormition is written mother of God. The little woman makes a small cross and habitually walks along the main avenue. Having reached the bench opposite the oak cross, she sits in the wind and in the spring cold for an hour or two, until her feet in light boots and her hand in a narrow husky are completely cold. listening spring birds singing sweetly even in the cold, listening to the sound of the wind in a porcelain wreath, she sometimes thinks that she would give half her life if only this dead wreath was not in front of her eyes. This wreath, this mound, this oak cross! Is it possible that under him is the one whose eyes shine so immortally from this convex porcelain medallion on the cross, and how to combine with this pure look that terrible thing that is now connected with the name of Olya Meshcherskaya? “But in the depths of her soul, the little woman is happy, like all people devoted to some passionate dream. This woman is a classy lady Olya Meshcherskaya, a middle-aged girl who has long been living in some kind of fiction that replaces her real life. At first, her brother, a poor and unremarkable ensign, was such an invention - she united her whole soul with him, with his future, which for some reason seemed to her brilliant. When he was killed near Mukden, she convinced herself that she was an ideological worker. The death of Olya Meshcherskaya captivated her with a new dream. Now Olya Meshcherskaya is the subject of her relentless thoughts and feelings. She goes to her grave every holiday, does not take her eyes off the oak cross for hours, recalls the pale face of Olya Meshcherskaya in the coffin, among the flowers - and what she once overheard: once, at a big break, walking in the gymnasium garden, Olya Meshcherskaya quickly, she quickly said to her beloved friend, plump, tall Subbotina: - I'm in one of my dad's books - he has a lot of old ones, funny books- I read what beauty a woman should have ... There, you understand, it is so much said that you can’t remember everything: well, of course, black eyes boiling with tar - by golly, it’s written: boiling with tar! - black as night, eyelashes, a gently playing blush, a thin figure, longer than an ordinary arm - you understand, longer than usual! - a small foot, in moderation big breasts, correctly rounded calf, shell-colored knees, sloping shoulders - I almost learned a lot by heart, so all this is true! But the main thing, you know what? - Easy breath! But I have it, - you listen to how I sigh, - is it true, is it? Now that light breath has dissipated again in the world, in that cloudy sky, in that cold spring wind. 1916

Composition

OLGA MESHHERSKAYA - the heroine of the story by I.A. Bunin "Easy breathing" (1916). The story is based on a newspaper chronicle: an officer shot a schoolgirl. In this rather unusual incident, Bunin caught the image of an absolutely natural and uninhibited young woman who entered the world of adults early and easily. O.M. - a sixteen-year-old girl, about whom the author writes that "she did not stand out in the crowd of brown gymnasium dresses." The point is not at all in beauty, but in inner freedom, unusual and unusual for a person of her age and gender. The charm of the image lies precisely in the fact that O.M. doesn't think about own life. She lives in full force, without fear and caution. Bunin himself once said: “We call it uterine, and I called it light breathing there. Such naivety and lightness in everything, both in insolence and in death, is “light breathing”, “non-thinking”. O.M. she has neither the lazy charm of an adult woman, nor human talents, she has only this freedom and lightness of being, not constrained by decency, and also - rare for her age human dignity, with which she brushes aside all the reproaches of the headmistress and all the rumors around her name. O.M. - a person is a fact of his life. Psychologist L.S. Vygotsky emphasized the heroine’s love conflicts in the story, emphasizing that it was this frivolity that “led her astray.” K. G. Paustovsky argued that “this is not a story, but an insight, life itself with its trembling and love, the writer’s sad and calm reflection is an epitaph to girlish beauty.” Kucherovsky believed that this was not just an "epitaph to girlish beauty", but an epitaph to the spiritual "aristocratism" of being, which is opposed by the brute force of the "plebeian".

Other writings on this work

Female images in the story of I. A. Bunin "Easy breathing" The motive of love "like a sunstroke" in the prose of I. A. Bunin The role of symbolism in Bunin's stories ("Light Breath", "The Gentleman from San Francisco") The Mystery of Love and Beauty in I. Bunin's story "Light Breath" The theme of love and death (according to the story of I. A. Bunin "Easy breathing")

This story allows us to conclude that it belongs to the novel genre. The author managed to convey in a short form the life story of the schoolgirl Olya Meshcherskaya, but not only her. According to the definition of the genre, a short story in a unique, small, concrete event should recreate the whole life of the hero, and through it - the life of society. Ivan Alekseevich, through modernism, creates a unique image of a girl who is still dreaming of true love.

Not only Bunin wrote about this feeling ("Easy breathing"). The analysis of love was carried out, perhaps, by all the great poets and writers, very different in character and worldview, therefore, many shades of this feeling are presented in Russian literature. Opening the work of another author, we always find something new. Bunin also has his own. In his works, there are often tragic endings, ending with the death of one of the heroes, but it is rather bright than deeply tragic. We come across a similar ending after reading Easy Breath.

First impression

At first glance, the events seem messy. The girl plays love with an ugly officer, far from the circle to which the heroine belonged. In the story, the author uses the so-called method of "proof from the return", because even with such vulgar external events, love remains something untouched and bright, does not touch everyday dirt. Arriving at Olya's grave, the class teacher asks herself how to combine all this with a clear look at "that terrible thing" that is now associated with the name of the schoolgirl. This question does not require an answer, which is present in the entire text of the work. They are permeated through Bunin's story "Easy breathing".

The character of the main character

Olya Meshcherskaya seems to be the embodiment of youth, thirsty for love, a lively and dreamy heroine. Her image, contrary to the laws of public morality, captivates almost everyone, even the lower grades. And even the guardian of morals, Olya's teacher, who condemned her for early adulthood, after the death of the heroine, he comes to the cemetery to her grave every week, constantly thinks about her and at the same time even feels, "like all people devoted to a dream," happy.

character trait main character the story is that she longs for happiness and can find it even in such an ugly reality in which she had to find herself. Bunin uses "light breathing" as a metaphor for naturalness, vital energy. the so-called "lightness of breath" is invariably present in Olya, surrounding her with a special halo. People feel this and therefore are drawn to the girl, while not even being able to explain why. She infects everyone with her joy.

contrasts

Bunin's work "Light Breath" is built on contrasts. From the very first lines, a double feeling arises: a deserted, sad cemetery, a cold wind, a gray April day. And against this background - a portrait of a schoolgirl with lively, joyful eyes - a photograph on the cross. Olya's whole life is also built on contrast. cloudless childhood opposed tragic events that took place in Last year the life of the heroine of the story "Easy breathing". Ivan Bunin often emphasizes the contrast, the gap between the real and the apparent, internal state and the outside world.

Storyline

The plot of the work is quite simple. The happy young schoolgirl Olya Meshcherskaya first becomes the prey of her father's friend, an elderly voluptuary, after which she becomes a living target for the aforementioned officer. Her death inspires her to "serve" her memory cool lady- a single woman. However, the apparent simplicity of this plot is violated by a striking contrast: a heavy cross and lively, joyful eyes, which involuntarily makes the reader's heart shrink. The simplicity of the plot turned out to be deceptive, since the story "Light Breath" (Ivan Bunin) is not only about the fate of a girl, but also about the unfortunate fate of a classy lady who is used to living someone else's life. Olya's relationship with the officer is also interesting.

Relationship with an officer

The already mentioned officer, according to the plot of the story, kills Olya Meshcherskaya, involuntarily misled by her game. He did this because he was close to her, believed that she loved him, and could not survive the destruction of this illusion. Far from any person can evoke such strong passion. This speaks of Olya's bright personality, says Bunin ("Easy Breath"). The act of the main character was cruel, but, as you might guess, having a special character, she intoxicated the officer unintentionally. Olya Meshcherskaya was looking for a dream in a relationship with him, but she could not find it.

Is Olya to blame?

Ivan Alekseevich believed that birth is not the beginning, and therefore death is not the end of the existence of the soul, the symbol of which is the definition used by Bunin - "light breathing". Its analysis in the text of the work allows us to conclude that this concept is souls. She does not disappear without a trace after death, but returns to the source. About this, and not only about the fate of Olya, the work "Light Breath".

It is not by chance that Ivan Bunin drags out the explanation of the causes of the death of the heroine. The question arises: "Maybe she is to blame for what happened?" After all, she is frivolous, flirting now with the high school student Shenshin, then, albeit unconsciously, with her father's friend Alexei Mikhailovich Malyutin, who seduced her, then for some reason promises the officer to marry him. Why did she need all this? Bunin ("Easy breathing") analyzes the motives of the heroine's actions. Gradually it becomes clear that Olya is beautiful, like an element. And just as immoral. She strives in everything to reach the depth, to the limit, to the innermost essence, and the opinion of others is not interested in the heroine of the work "Easy Breath". Ivan Bunin wanted to tell us that in the actions of the schoolgirl there is neither a sense of revenge, nor a meaningful vice, nor firmness of decisions, nor the pain of repentance. It turns out that the feeling of fullness of life can be fatal. Tragic (like a classy lady) even unconscious longing for her. Therefore, every step, every detail of Olya's life threatens with disaster: prank and curiosity can lead to serious consequences, to violence, and a frivolous game with other people's feelings can lead to murder. To such philosophical thought Bunin brings us down.

"Light breath" of life

The essence of the heroine is that she lives, and not just plays a role in the play. This is also her fault. To be alive without observing the rules of the game means to be doomed. The environment in which Meshcherskaya exists is completely devoid of a holistic, organic sense of beauty. Life here is subject to strict rules, the violation of which leads to inevitable retribution. Therefore, the fate of Olya turns out to be tragic. Her death is natural, Bunin believes. "Easy breathing", however, did not die with the heroine, but dissolved in the air, filling it with itself. In the finale, the thought of the immortality of the soul sounds like this.

Ivan Alekseevich Bunin

"Easy breath"

The exposition of the story is a description of the grave of the main character. What follows is a summary of her history. Olya Meshcherskaya is a prosperous, capable and playful schoolgirl, indifferent to the instructions of the class lady. At the age of fifteen, she was a recognized beauty, had the most admirers, danced the best at balls and ran on skates. There were rumors that one of the high school students in love with her attempted suicide because of her windiness.

In the last winter of her life, Olya Meshcherskaya "went completely crazy with fun." Her behavior makes the boss make another remark, reproaching her, among other things, for dressing and behaving not like a girl, but like a woman. At this point, Meshcherskaya interrupts her with a calm message that she is a woman and the friend and neighbor of her father, brother of the boss, Alexei Mikhailovich Malyutin, is to blame for this.

A month after this conversation, an ugly Cossack officer shot Meshcherskaya on the station platform among a large crowd of people. He announced to the bailiff that Meshcherskaya was close to him and swore to be his wife. On this day, escorting him to the station, she said that she had never loved him, and offered to read a page from her diary, which described how Malyutin had seduced her.

It followed from the diary that this happened when Malyutin came to visit the Meshcherskys and found Olya alone at home. Describes her attempts to occupy the guest, their walk in the garden; Malyutin's comparison of them with Faust and Margarita. After tea, she pretended to be unwell, and lay down on the couch, and Malyutin moved to her, first kissed her hand, then kissed her on the lips. Further, Meshcherskaya wrote that after what happened next, she feels such disgust for Malyutin that she is unable to survive it.

The action ends at the cemetery, where every Sunday her classy lady, who lives in illusory world replacing reality. The subject of her previous fantasies was her brother, a poor and unremarkable ensign, whose future seemed to her brilliant. After the death of her brother, Olya Meshcherskaya takes his place in her mind. She goes to her grave every holiday, does not take her eyes off the oak cross for hours, recalls her pale face in the coffin among the flowers and once overheard words that Olya spoke to her beloved friend. She read in one book what beauty a woman should have - black eyes, black eyelashes, longer ordinary hand, but the main thing is light breathing, and she (Oli) has it: “... listen to me sigh, is there really?”

Meshcherskaya Olga was a noisy and cheerful high school student from a wealthy family. Very playful and careless. By the age of 15, she began to get prettier. Gorgeous hair, slender legs, a thin waist and the figure of a mature woman made her a beauty. Everything was easy and playful for her. Olenka danced best of all at balls, was a favorite of little first-year girls, skated superbly and was a real headache for the cool lady and boss.

One frosty winter morning she was recalled to the head of the gymnasium, and she began to reprimand her for pranks. For the fact that she already wears an adult female hairstyle, very expensive shoes, although she herself is still a girl. Olga Meshcherskaya objects to her, saying that she is no longer a girl and accuses a friend of her father, 56-year-old Malyutin Alexei Mikhailovich, of this.

In the summer, when Olga's parents and brother left and left her alone, the Cossack officer Malyutin came to visit her father. He was very annoyed that he did not find his friend, but Olga received him and entertained him. He joked with her a lot and said that he had been in love with her for a long time. After tea, when a little tired Olga lay down on the couch, he sat down beside her and began to shower compliments and kiss her hand. Olga covered her face with a handkerchief, and Malyutin kissed her on the lips through this handkerchief. Olga did not understand how what happened could happen, that she could be like that and that she now feels disgust for him.

A month after Olga was recognized as her head of the gymnasium, the brave Cossack officer Aleksey Mikhailovich Malyutin shoots Olga on the station platform. During judicial trial Malyutin said that Meshcherskaya lured him that she was with him intimate relationships and promised to marry him, and at the station she said that she had never loved him and all the talk about marriage was just a mockery of him.

In the cemetery, on a clay embankment, there is a cross with a convex medallion pressed into it with a photograph of Olga Meshcherskaya. Every Sunday and on holidays, Olga's classy lady comes. He remembers her and that conversation between Olya and her friend, which she once overheard. Olga shares her impressions of the book she read, taken from her father. It describes what should be beautiful woman. In addition to describing external qualities, it was written there that a beauty should have easy breathing, and she had it.

The story "Light Breath" Bunin wrote in 1916. In the work, the author touches upon the themes of love and death, characteristic of the literature of this period. Despite the fact that the story is not written in chapters, the narrative is fragmentary and consists of several parts arranged in non-chronological order.

Main characters

Olya Meshcherskaya- a young schoolgirl, was killed by a Cossack officer, because she said that she did not love him.

Head of the gymnasium

Other characters

Cossack officer- shot Olya because of unhappy love, "ugly and plebeian appearance."

Cool lady Olya Meshcherskaya

“In the cemetery, over a fresh earthen mound, there is a new cross made of oak.” A convex porcelain medallion with a photographic portrait of the schoolgirl Olya Meshcherskaya "with joyful, amazingly lively eyes" is embedded in the cross.

As a girl, Olya did not stand out among other gymnasium students, she was "capable, but playful and very careless to the instructions" of the class lady. But then the girl began to develop, "bloom". At the age of 14, “with her thin waist and slender legs, her breasts and forms were already well outlined. "At fifteen, she was already known as a beauty." Unlike her stiff girlfriends, Olya "was not afraid - no ink stains on her fingers, no flushed face, no disheveled hair." Without any effort, "grace, elegance, dexterity, a clear gleam of eyes" came to her.

Olya was the best dancer at balls, she ran on skates, she was looked after the most at balls, and she was most loved by the younger classes. “Imperceptibly she became a girl,” and there was even talk about her windiness.

“Olya Meshcherskaya went completely crazy with fun during her last winter, as they said in the gymnasium.” Once, at a big break, the boss called the girl to her and reprimanded her. The woman noted that Olya is no longer a girl, but not yet a woman, so she should not wear a “female hairstyle”, expensive combs and shoes. “Without losing simplicity and calmness,” Meshcherskaya replied that madame was mistaken: she was already a woman, and the father’s friend and neighbor, brother of the boss, Alexei Mikhailovich Malyutin, was to blame for this - “it happened last summer in the village.”

"And a month after this conversation," a Cossack officer shot Olya "on the platform of the station, among a large crowd of people." And Olya's confession, which stunned the boss, was confirmed. “The officer told the judicial investigator that Meshcherskaya lured him, was close to him, swore to be his wife,” and at the station she said that she did not love him and “gave him to read that page of the diary that spoke about Malyutin.”

“On the tenth of July last year,” Olya wrote in her diary: “Everyone left for the city, I was left alone.<…>Alexey Mikhailovich arrived.<…>He stayed because it was raining.<…>He regretted that he did not find dad, was very animated and behaved like a gentleman with me, he joked a lot that he had been in love with me for a long time.<…>He is fifty-six years old, but he is still very handsome and always well dressed.<…>We sat at tea on the glass veranda, he smoked, then moved over to me, again began to say some courtesies, then looked at and kissed my hand. I covered my face with a silk handkerchief, and he kissed me several times on the lips through the handkerchief ... I don’t understand how this could happen, I went crazy, I never thought that I was like that! Now there is only one way out for me ... I feel such disgust for him that I can’t survive this! .. ”

Every Sunday, after mass, a little woman in mourning comes to the grave of Olya Meshcherskaya - the cool lady of the girl. Olya became the subject of "her relentless thoughts and feelings". Sitting at the grave, the woman recalls the pale face of the girl in the coffin and the conversation she accidentally overheard: Meshcherskaya told her friend about what she had read in her father's book, that supposedly the main thing in a woman is “light breathing” and that she, Olya, has it.

“Now that light breath has been scattered again in the world, in this cloudy sky, in this cold spring wind.”

Conclusion

In the story, Bunin contrasts the main character Olya Meshcherskaya with the head of the gymnasium - as the personification of rules, social norms, and the cool lady - as the personification of dreams that replace reality. Olya Meshcherskaya is a completely different female image- a girl who has tried on the role of an adult lady, a seductress, who has neither fear of the rules nor excessive daydreaming.

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