Art materials stamps CretacoloR from the Austrian company "Brevillier Urban & Sachs". Pencils, pastels, sets for artists.

Gilding

Transfer potal.

Catalog in the store: paints, pastes, sets for gilding and silvering and decorating various surfaces.

Pearl pigment - gold.

icon painting

Iconography and others artistic directions.

Scripture icons

The materials used in icon painting can be of vegetable (board), mineral (paint pigments) and animal (egg-based tempera, fish or skin glue) origin.

Tradition relates the creation of the first icons to apostolic times and is associated with the name of the Evangelist Luke. The oldest icons that have come down to us date back to the 6th century and are made using the encaustic technique on a wooden base, which makes them similar to Egyptian-Hellenistic art (the so-called Fayum portraits).

• High quality icon printing for individuals and organizations

  Today, icons on canvas are created both by professional icon painters and with the use of modern printing equipment.

  On large-format plotters designed for high-quality artistic printing, we can make a magnificent copy of any image, which will differ in color depth and clear detail of the picture. After printing, the canvas is varnished to give the final image durability and UV protection.
  

  Comments: 3, Catalog: 6

• Correction of the inventory and painting, margins, etc.

  At the end of the painting of the icon, all the lines of the inventory and painting of the dolitary are corrected or duplicated, and all the necessary corrections are made.

  The fields are usually painted over with the same paint as the light (background), or another, according to the taste of the master. Images of saints, lives (brands), patterns, inscriptions, and even entire troparia are sometimes written on the margins.

  On the edge of the husk or the border of the colorful surface of the icon, a line called "layering" is made in a neutral or white color. On the outer edge of the fields is carried out with dark paint - cinnabar or red ocher - a border, or "edge".

• Sanitation. Reception and processing of personal

  It is impossible not to pay attention to the amazing thoughtfulness, expediency and consistency of the methods of writing the icon. Indeed, everything here is foreseen and prepared for the fact that, having completed the secondary share, move on to the main, to the "personal".

  Starting with a dolichny, the master icon painter immediately solves the problem of color, giving movement to all parts of the icon and taking care of the balance of color ratios. Having processed all the surfaces of the local, he, as it were, seeks and predetermines the color of the personal.

• Dash cutting

  In the expression of the form of volume, that is, the highlighting of the lobar, there was and there is illumination by the created gold "iyokopyu", or "on an assist". On the prepared surface of the clothes or other parts of the doli icon painter applies strokes "in a pen" to the places of light with created gold, diluted with water. This name was probably due to the fact that the golden strokes, laid out broadly and richly in the light, were applied in the shadows with thinner and weaker strokes and this resembled a bird's feather.

  This technique of highlighting is [a] very painstaking work that requires good vision and skill. To be convinced of this, you need to carefully look at the samples of the ancient icon, with a golden cutting of the dolitic one.

• Processing of the share

  After the icon is opened, everything is processed. First, all the outer outlines of the colorful squares are outlined - this will be the "inventory of the dolichny", and then all the lines (gvents) of the internal drawing of these sites are written - this will be the "painting of the dolichny".

  All lines of inventory and painting were applied fine brush in the color of each square, but in a darker tone. And sometimes they were written on the entire icon in one color, called "exedra" (a mixture of black and red), and sometimes just black paint.

  Inventory and painting have the meaning of a graphic expression of volume in an icon. In revealing the latter, ancient icon painting has always strived for a special understanding of volume, different from understanding it in paintings.
  

• Personal letter

  palette composition: light and red ocher, titanium and zinc white, cadmium red (I don’t use cinnabar), chromium oxide, green earth Italian, burnt umber Italian, Kassel brown Italian, grape black Italian;

  sankir: light ocher + red ocher + chromium oxide (or green earth if miniature);

  I put the sankir very tightly and evenly so that the gesso does not shine through, then I write only with pure pigments;

  I restore the inventory with black (brown) pigment;

  I apply engines thickly with titanium white;

  I make highlighting with melts of zinc white, browning, shadow splashes;

  I fuse everything at the beginning of work with red ocher, at the end of work with light ocher, if a slightly icteric face is obtained, at the end I melt with red ocher;

Have you always wanted to paint icons but didn't know where to start? I bring to your attention detailed master class production of the icon of St. Irene. Mastery of icon painting very exciting and unusual view creativity. Please loved ones with an icon self made in which you invest not only diligence, talent, but also a piece of your soul.

We will need:

board, size 20 × 15, but any can be;
skin;
white acrylic primer paint;
gouache;
PVA glue;
glue moment;
varnish for wood, preferably matte, so that the icon does not glare;
rhinestones;
icon sample (Orthodox calendars, icons, electronic options icons).

Step 1. We carefully skin the board.

Step 2. We prime the surface of the board. To do this, stir the paint well, you can add a little water. Next, apply acrylic white paint in 2-3 layers. Grind with sandpaper zero. Wipe off the dust with a damp cloth.

Step.3. If your sample icon is taken from the Internet, it is better to print the version to the size of the board, it will be much easier to draw. Now we draw the icons with a pencil. To facilitate the work, you can use tracing paper: first transfer the drawing to it, and then to the board.

Step 5. We take ocher color paint, dilute it with water and paint over the board. In this case, the contour of the figure is visible to us. Don't forget to add glue to the paint.

Step 6. When the surface of the icon is dry, we begin to fill the outline with color. For example, let's start with the face (face). We take the most dark paint, because later we will highlight the face. We do the same with other fragments. We paint over with a dark tone, and at the next stage we highlight. For example, the clothes of the Saint are green, fill the outline with the most dark shade green, which is visible on the icon. When filling in the fragment, remember that there are no bright, open colors in icon painting. They are all muted. For example, red can be mixed with ocher and brown.

Step. 7. We have come to the most important stage of icon painting - the elaboration of fragments. It's better to start with the face. We need to give shape to each fragment, breathe life into it. On the this moment dark face of the Saint. We need to brighten it up. We take ocher-colored paint, you can add white and apply it on the cheekbones, forehead, chin. We achieve a smooth transition. We may have to work hard, apply 3-5 layers of paint. The face, like the rest of the fragments, must be flawless. Carefully draw all parts of the icon.

Step. 8. When the icon is completely ready, it is necessary to cover it with varnish. You can use spray varnish. We apply varnish evenly in 2-3 layers.

Step. 9. At the final stage, we will glue the rhinestones on the glue moment. To do this, you need to outline the places for the rhinestones, then carefully glue them onto the icon.

Our work is completed, it remains to correlate the icon to the temple and consecrate it. creative success and God's help.

The description was prepared by Maria Kruglova.

An unusual master class will open to everyone who wants to master this type of art the subtle world of icon painting with its own rules and regulations. To comprehend this skill is not so difficult, if you approach the matter with patience and love.

For creativity, we need materials:
- board (in this case 15*20 cm);
- skin;
- acrylic paint white color(as soil);
- gouache (it is better to purchase separate jars of gouache, including gold color);
- PVA glue;
- brushes of different sizes (preferably protein or columns);
- varnish for woodworking (matt or semi-gloss);
- icon or photograph, picture or orthodox calendar from which we will make a list of icons.

1. Before starting work, it is better to read a prayer or simply say: "Lord, bless." This way things will go faster and better. Now we need to sand the board. To do this, take the skin thicker and grind the surface in a circular motion. With a sandpaper - zero we bring the board to a smooth state.

2. acrylic paint superimposed on the surface of the board in two or three layers. If necessary, it can be diluted with water 1:1. Next, you need to sand the board to perfect condition.

3. The third stage is very responsible. We need to make a drawing of Jesus in pencil. Here you need to observe all proportions. If difficulties arise, use tracing paper - transfer the drawing to it, and then attach it to the board and circle it, it will be printed.

4. At the fourth stage, you need to dilute the ocher-colored paint with water and PVA glue and paint over the board in one or two layers. This is done so that the tones of the future icon are not too bright and open. pencil drawing should shine through, so we apply the paint in transparent layers. Now brown paint outline the drawing. To do this, take the thinnest brush.

5. At the fifth stage, you can relax a bit and remember your childhood. Now we will do something like what children do in coloring books. Fill the icon with color. Each fragment will be filled with the most dark color, (be sure to add a little PVA glue to the paint) which is on the icon. For example, the face, it has darker and bright hues. So, we need to take the darkest tone and fill the face with color. In this case, dark Brown color. This is done in order to highlight the fragments at the next stage.
We do the same with other parts of the drawing - clothes, hair, etc. We apply paint in two or three layers. At this stage, the main thing is accuracy. Remember that the colors in the icon should not be bright, so you can muffle them with ocher. The background is painted with gold paint.

6. The sixth step is the most time-consuming and responsible. We need to add volume to the drawing by highlighting the fragments. Let's start with the face. We take ocher-colored paint, mix it with white and gradually lighten the cheekbones, forehead, and nose areas. Achieving a smooth transition will not work all at once. We will highlight until the face takes on a three-dimensional shape. We also add volume to the folds on clothes and other fragments. Do not forget to add glue to the paint so that the previous layers do not wash away.

8.Now you need to apply varnish to the icon. Choose from a matte or semi-matt wood finish. So the icon will not glare. Apply varnish in two or three layers, dry. Be sure to consecrate the icon in the temple. God help!

The icon should not depict obese or attractive people, and each color has its own meaning.

Rare minerals, gold, platinum, water consecrated at Baptism, egg yolk, beer malt, bread, animal fat - this is what the icons of the master create, striving to follow the ancient tradition in everything.

To learn more about this, we go to the icon-painting workshop "Heaven on Earth" by priest Sergei Pavelko in Nikolaev. Here the artists work in the same way as in the 17th century.

“We don’t start work without prayer,” says Maria Pavelko, the artist. “Father Sergius holds a prayer service before each working day. And in the process of work, we stop to pray. Father Sergius reads the time aloud Holy Bible. Because it is God who controls the creation of the icon, and we are only his tools."

Icons are painted here on a board - from linden or alder.

“We glue pavolok on the board - a special canvas,” Maria explains. “We use gesso in our work, like icon painters of the 17th century. We apply from four to fifteen layers of the base, which is prepared on the basis of chalk and gelatin. Each layer of soil dries for two or three days And when all the layers are applied, they should be well aligned. And then you can already paint. "

It is very important to maintain the style of the image of a person on the icon.

“An icon painter must distance himself from sensual images,” explains Taras Timo, a teacher of theology, an expert in the theory of icon painting. “You can’t depict a young woman according to the standards of earthly beauty - then there will be no tuning for prayer. We will never see an obese person on the icon, on the contrary, the figures are elongated standing. This demonstrates asceticism, as well as attachment to fasting, self-discipline. "

The sizes of the head and face have a certain disproportion - the characters of the icons are depicted with high forehead. Even if they draw Jesus as a two-year-old child, they show him with a serious, uncharacteristic face for a baby. An adult Christ sometimes has bags under his eyes or wrinkles on his forehead - this is a symbol of wisdom, passion.

Each of the Christians felt the gaze of the icon on himself when he prayed in the church. From which side would not - the eyes seem to be looking at you. For this, icon painters have their own technique.

“When they depict the apple of the eye, they put a very small white speck in a certain place - it reflects the direction of the gaze. Even in the photo you can see it,” Taras Timo explains. “In the icon, the iris of the eye is drawn in circles, from light to dark. looking at a certain point, no. visual effect as if the icon is constantly looking at us."

Each color in the icon is a symbol. Crimson is a sign of suffering, blue is paradise, heaven, and Judas is depicted in yellow, since this is the color of treason.

Paints in the workshop "Heaven on Earth" are made by hand - they will not lose their quality on canvas for centuries. On the tables we see small mortars, pieces of glass, stones.

“This is malachite, and this is Brazilian rock crystal,” Maria shows. “Here is Ukrainian black tourmaline, kerchenite. To make paint, we grind them in mortars, and then again in a glass palette. egg yolk and consecrated water. This paint dries slowly and long and forms, as it were, a fossil.

Thin gold leaf is attached to the image with the help of beer malt. To obtain a mixture of the desired concentration, beer is boiled for about a day. Even the lacquer with which the paint layer is covered is made by craftsmen with their own hands. Shop not suitable - natural paints dark under it.

The icons, in which every detail is made by hand, cost approximately five thousand dollars. Others, when the artist works only on painting, and buys the rest of the materials, are much cheaper - from $ 300 for a classic prayer icon measuring 30 by 40 centimeters.

Julia Kuriy, "Express" No. 40.

Complete collection and description: prayer hand drawing in pencil for the spiritual life of a believer.

Icons are painted images of various saints. Icons adorn all churches and temples. The parishioners pray to the saints on the icons, asking for their urgent needs. Correctly draw icons are taught in special art schools. You can try to learn how to draw the icon of the Virgin with the baby Jesus Christ, which we will do in this lesson.

Stage 1. Draw an oval on the entire sheet of paper. In it we begin to draw the outlines of the figure of the Virgin: we show the line of the play, neck, head and face.

How to draw a hand, palm?

The hand is the hardest to draw. What are the rules for drawing hands?

It is very easy to draw a child's hand-cam. In fact, we simply take a circle as a basis and draw fingers in it. The baby's hand turns out to be very pretty, plump.

a little more hand you can draw like this. For the palm, we use a blank - a circle. Next, draw from a circle of different lengths (like fingers) straight lines in the amount of five pieces. Then we add volume to the fingers and palms with additional lines. You can look at your hand to accurately convey the shape of the fingers and palm.

Of course, there is also a very simple option for creating a pen / palm. We put, for example, a children's pen on a landscape sheet and circle it with a pencil. Next, remove the pen and draw lines in the palm of your hand (each has its own). You can dilute pink paint with orange and color the picture.

The geometry of the drawing is very important, which cannot be explained on the fingers - it is instilled only with experience.

If we need a whole arm, starting from the shoulder, such a drawing scheme will come in handy.

We proceed to the detailed drawing and the imposition of shadows. The hand is shown separately:

Here are the hands in action, very lively sketches:

And here is a step-by-step explanation for the drawing, which depicts a palm in full face and profile:

And here are the most diverse positions of the hands (for me personally, the most difficult thing is to draw hands clasped in a lock, because all ten fingers are visible at the same time and it is very incorrect to depict them as different, you need to work more carefully on the ratio and size):

How to draw a hand with a pencil, I will now tell you in detail, and I will show you. It is not so difficult. But what can I say, for starters, look at your brush. Die her, wiggle your fingers in different sides, take a closer look at the hands, and then start drawing the hands.

When depicting hands, one should always sketch parallel lines-arcs. It is they who will help you draw evenly hands and fingers.

To correctly draw a human hand, you need to know the anatomy. Without knowledge of anatomy, you will not get a "real" hand. It will look like it was carved from a tree, but not like a living one.

Start small. I propose to see a detailed master class on how to draw a hand, human hands. It details all 5 stages of drawing.

and final result:

Draw a hand or palm it is not so easy that it really looks like a hand. This part human body has many joints thanks to the fingers, as a result of which the hand can take a different "pose".

I offer one option out of many possible, which I personally liked:

To draw a hand, you need to know its anatomy. I suggest you practice by drawing pictures of hands. Here is a woman's hand in different positions.

But various options male hand:

I think that looking at the drawings, drawing a hand will not be very difficult - the main thing is to practice more.

Such an important part of the human body is quite easy to draw, especially if you draw in stages. First you need to sketch out the "skeleton" of the hand, then draw the fingers and lines on the hands, using hatching to give them a real look. This is what it should ideally look like:

I always, as far as I can remember, liked to draw the palms and hands of a person. All my school notebooks were painted with these drawings. For a phased detailed drawing human hand I can suggest the following:

Lots of options. For now, I'll post this diagram, and then I'll somehow add the rest of the options, angles, views, forms, and so on. In general, try to copy and nature, it's difficult, but if you learn, you will be happy.

How to draw a person's palm or his hand is pretty easy. The main thing here is to observe the edges and sizes of the fingers. You can look at the picture in more detail and thoroughly in order to draw a picture without problems.

How to draw a hand with a pencil step by step?

Painting like great artists is not given to everyone. But you can learn to draw if you make an effort.

A lot can be said about a person by their hands. It is very difficult to depict them on paper. But the task of how to draw a hand can be solved with work and diligence.

Anatomy to the rescue

A complex system is the human body. The hands alone consist of several dozen elements. And in order to draw them correctly, you need to know the structure of the hands. Conventionally, the hands can be divided into three main parts: the wrist, metacarpus and fingers.

• The wrist is the part of the hands closest to the forearm. It is responsible for the movement of the brush, but all its elements work as a whole.
• The pastern is the widest part of the hand - the palm.
• The fingers are mobile due to the phalanges. Four fingers (index, middle, ring and little fingers) have 3 phalanges, but the thumb consists of only two phalanges.

Knowing the basics of anatomy will allow you to correctly draw the hands in stages, so that they turn out to be “talking”.

It will be easier to draw if, while sketching, you decide what the subject of the image looks like - something simple, even primitive. Agree that the human hand is similar to a shovel, not only in appearance, but also in functionality? With this, you can start a sketch - draw a contour similar to a shovel: the wrist is the stalk of a shovel, and the contour of the palm with fingers is its canvas. It is difficult to immediately decide how to draw a hand with a pencil in stages, which is why it is worth starting with an elementary sketch.

The key is proportions.

In order to correctly and beautifully draw any object or detail, it is necessary to observe proportions - the ratio different parts together. This rule also applies to the image of a person.

So, how to draw a hand? We start by determining the correct proportions. The ratio of the length of the metacarpus and fingers is on average 1:1. Naturally, this ratio different people will vary slightly, because someone has long fingers, and someone does not. But on average, the proportions will be equivalent.

Depending on the length of the fingers, the contour of the palm will be either more elongated or square. With thin lines (even before drawing the hand), draw the outline of the brush according to the proportions. The thumb does not fit into the overall silhouette, it is always somewhat away from the other four “brothers”.

Draw fingers

The fingers are mobile and flexible due to their articular structure, each of the three or two phalanges, if we are talking about the thumb, fastened together with the help of joints and tendons. The bones of the phalanges, located one after the other, become shorter and thinner, so the fingers gradually become thinner.

Ideally, each phalanx is 2/3 the length of the previous one. These proportions are called the golden ratio - it is perceived by the eye as the most perfect.

Again, when drawing details, you need to make allowances for individual characteristics- not every person's hands have harmonious proportions. It should also be remembered that the fingers are not the same in length: the longest finger is the middle, index and ring fingers are approximately the same and shorter than the middle finger, the smallest are the little finger and thumb. Although the big one is rather the thickest. Its length corresponds to the length of the little finger.

Lines are the basis of certainty

Before you draw a human hand, analyze again what parts the hand consists of. Remember that the contours of the palm and fingers, taking on concrete forms in the drawing, become more and more rounded. For example, the line connecting the fingers and the palm has the shape of an arc, as well as the contour of the brush itself - different length fingers allows you to get a semicircle when drawing fingers squeezed together. The thumb is somewhat turned in relation to the rest of the palm, its contour will not be straight, but somewhat rounded.

Small details matter

We sketched out the contour of the palm, then we begin to deal with the details. So, how to draw a hand reliably? This is not possible without drawing small parts- folds, thickenings, fold lines, the contour of the nail plate on each finger. These seemingly minor touches will make the drawing more realistic.

Let's start with the fold lines on the fingers. As already mentioned, the wrist, palm and fingers are made up of many elements. They allow the fingers to perform the functionality for which they are given to a person. How to draw a hand so that it looks as natural as possible? With the help of drawing all the nuances. In places where the bones are connected by joints, there will definitely be folds both from the inside and from outside palms. If the hand is drawn from the inside, it is necessary to draw the so-called “life lines” - deep enough grooves in the places where the joints of the palm work.

Each finger at the end is protected by a fingernail - a hard plate that must be drawn to make the image realistic. The nail plate is another important element in solving the problem of how to draw a hand. Nails may have different shape- from elongated almond-shaped to almost square.

Fingers indicate a person's age. Children's fingers are rounded, with a uniform thinning along the entire length. How older man becomes, the more clearly traces of time appear on the hands. For example, in older people, the thickness of the fingers will be uneven - the joints become more and more swollen with age, many years of work and illness affect. Also, the joints are very visible in thin people.

How to draw a hand in different positions?

Hands not only gradually participate in the conversation, but often they themselves serve as a “language”, for example, in sign language. Palms and fingers will clearly tell what a person is thinking about at a given moment in time, what his mood is, what he is doing. How to draw a hand so that it truthfully reveals all the secrets?

Always when depicting the human body, it is necessary to rely on the basics of anatomy. Hands are no exception. The size of the fist, for example, is determined by the length of the bones of the metacarpus and fingers. And the rule of the golden section will be important in any position of the fingers, even clenched into a fist. When drawing an open palm, special attention should be paid to drawing the lines of the metacarpus and slightly bent fingers.

And how to draw a hand on the side? In this case, it will be important to draw the viewer's attention to the fact that from the back the palm and fingers will be drawn in almost straight lines, but from the inside, both the fingers and the palm itself have pads, which must be drawn round, smooth lines.

Step by step drawing human hands, with a systematic transition from a sketch to drawing small details, however, like any other object, it will allow you to get a realistic drawing.

Draw hands

This is enough difficult lesson, so it may take a lot of effort for you to repeat it. If the first time you didn’t manage to draw hands, don’t despair and try again. Try your best to complete this lesson. If, nevertheless, it doesn’t work out, you can try to complete the lesson “How to draw a spider”. But I believe that you will succeed.

What you need

In order to draw hands, we may need:

• Paper. It is better to take medium-grained special paper: it will be much more pleasant for novice artists to draw on this particular paper.
• Sharpened pencils. I advise you to take several degrees of hardness, each must be used for different purposes.
• Eraser.
• Stick for rubbing hatching. You can use plain paper rolled into a cone. She will rub the shading, turning it into a monotonous color.
• A little patience.
• Good mood.

Step by step lesson

Different parts of the body and human organs should be drawn with a certain degree of realism. This is required academic drawing. Also, he strongly recommends drawing hands from nature or, in extreme cases, from a photograph. This is the only way to achieve high realism and elaboration.

By the way, in addition to this lesson, I advise you to pay attention to the lesson “Drawing a fish”. It will help improve your mastery or just give you a little pleasure.

All complex drawings must be created with forward thinking and vision. The subject should not only be a form on a sheet. You must draw it in volume, that is, creating from simple geometric bodies as if they are on top of each other: here is a ball on a cube, and here are two balls side by side. Of these primitive forms and consists of everything living and non-living on earth.

Tip: sketch with as light strokes as possible. The thicker the strokes of the sketch, the more difficult it will be to erase them later.

The first step, or rather zero, is always to mark a sheet of paper. This will give you an idea of ​​where exactly the drawing will be. If you place the drawing on half of the sheet, you can use the second half for another drawing. Here is an example of a sheet layout in the center:

Well-drawn hands always ennoble the whole illustration as a whole. Some artists specifically include hands in their subjects.

Most important fact- the fact that the hands are concave from the side of the palm and convex from the back. The bulges are so arranged around the circumference of the palm that you can even hold liquid in it. hand served primitive man cup, and by cupping his two palms together, he was able to eat food that he could not hold with his fingers alone. large muscle thumb- one of the most important in the brush. This muscle, in interaction with the muscles of other fingers, provides a grip so strong that it allows you to keep your own weight in a suspended state. This powerful muscle can hold a club, a bow, a spear. We can say that the existence of animals depends on the muscles of their jaws, and the existence of man depends on his hands.

It is worth paying attention to the powerful tendon attached to the base of the hand and how the tendons of the fingers are grouped on the back of the hand. These tendons can control both all fingers together, and each individually. The muscles that pull these tendons are located on the forearm. Luckily for the artist, the tendons are mostly hidden from view. In children and young people, the tendons on the back of the hand are not visible, but become more visible with age.

The bones and tendons on the back of the hand are close to the surface, but those around the palm and inside the fingers are hidden from view. There is a pad at the base of each finger. It protects the bones lying inside and creates a grip with the object being held.

Next important thing- This is a curved arrangement of fingertips and knuckles. Two fingers lie on both sides of a line drawn through the middle of the palm. The tendon of the middle finger bisects the back of the hand. Also important is the fact that the thumb moves at right angles to the movement of the other fingers. The knuckles are located slightly in front of the folds below them on the inside of the palm. Pay attention to the curves along which the knuckles are located and that the curve gets steeper the closer the knuckles are to the fingertips.

The middle finger is the key finger that determines the length of the palm. The length of this finger to the joint is slightly more than half the length of the palm. The width of the palm is slightly more than half of its length on the inside. Forefinger almost level with the base of the nail of the middle finger. ring finger almost the same length as the index. The tip of the little finger is almost on the same level with the last joint of the ring finger.

The figure shows how to correctly determine the position of the palm cavity. Also notice the curve of the back of the hand. Hands will not look natural, capable of grasping until the artist has mastered these details. The hands in the figure are depicted as if they were holding some kind of object. The loud sound of applause is produced by a sharp compression of air between the hollows of the two palms. Poorly drawn hands will look incapable of applauding.

Women's hands differ from men's mainly in that they have smaller bones, less pronounced muscles and a large roundness of the planes. If a middle finger make the size at least half the length of the palm, the hand will be more graceful and feminine. Long fingers, oval in shape, add charm.

Children's hands - on their own good exercise in drawing. The main difference from adult hands is that the palm is much thicker compared to small fingers. The muscles of the thumb and the base of the palm are very voluminous, even small children can support their own weight. The knuckles on the back of the hand are hidden by the flesh and visible through the dimples. The base of the palm is completely surrounded by folds; it is much thicker than the pads under the fingers.

Hands of children and teenagers

The proportions are basically the same. Aged elementary school the difference between the hand of a boy and a girl is small, but in youth there are big changes. The boy's arm is larger and stronger, showing the development of bones and muscles. Girls' bones remain smaller, so they never develop as big knuckles as boys. The base of the palms also develops more in boys, in girls it is much softer and smoother. In boys, the nails, as well as the fingers, are slightly wider.

Children's hands are a cross between the hands of a baby and the hands of a teenager. This means that the muscles of the thumb and the base of the palm are proportionately thicker than in an adult, but thinner in comparison to the fingers than in an infant. Fingers in relation to the palm are the same as in adults. The arm as a whole is smaller, slightly fuller, dimpled, and the knuckles are certainly more rounded.

Old people's hands

Having mastered the design of hands, you will enjoy drawing the hands of older people. In fact, they are easier to draw than the hands of young people, because the anatomy and construction of the hand is more noticeable. The fundamentals of the design are still the same, but the fingers are getting thicker, the joints are bigger, the knuckles are protruding more strongly. The skin becomes wrinkled, but this wrinkling needs to be emphasized only in a close-up view.

Drawings of hands in painting

It's not hard to guess whose pens they are 🙂

In terms of colors, it is worth noting that the fingers and palms are slightly redder than the general skin tone of the hands.

The material was collected from various sources.

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