Watercolors are artistic paints based on vegetable glue, soluble in water. She lies down in a thin translucent layer, which is her feature. Watercolor was first created in China in the 2nd century AD. Watercolors are painted on special watercolor paper, which differs from the usual thickness, density and texture; soft brushes are usually used - squirrels or columns. Before applying to paper, watercolors are diluted with water, after drying they can be stored for quite a long time.
WHAT IS THE ARTICLE ABOUT?
Composition of different colors
Do you know what watercolors are made of? For their manufacture, aniline, mineral and vegetable components are used. However, the aniline substance is used the least often, since it gives a stable saturated color, soaking through the paper without being washed out with water, which eliminates the most important feature watercolor paints - translucent application.
One of the most common components is mineral. Its advantage is strength and low cost. So for the manufacture of watercolors, crushed and mixed with water, color pigments are combined with binder and the resulting mass is packaged in a tube, cuvettes or pressed into the form of a cake.
As a binder, all components use fish or cherry glue, gum arabic, candy sugar, gelatin and others. The highest quality watercolors are made with the addition of gum Arabica, sometimes with an admixture of candy sugar (from 20 to 40%), as well as wood glue or dextrin in various proportions.
Different types of mineral substances correspond to a particular shade of watercolor.
Lead white with a large amount of heavy spar impurity give White color. The snow-white shade is obtained from lead white of the highest grade - Kremzerweiss.
Yellow is made from crown yellow - chromium-lead salt, and yellow carmine, ocher, cadmium sulphide, etc. are also used. These colors vary in shades from light yellow and lemon to rich orange and ocher. Peculiarity yellow paints- change in hue sunshine. If the watercolor is made on the basis of the crown, it should be noted that it cannot be combined with paints that contain sulfur, i.e. with blue hues.
Red shades are made from red lead - mineral paint, which has a bright red color, the highest grade is Minororange. The finished shade of the watercolor depends on the degree of grinding of the particles: the thinner, the brighter the color.
The red color is also obtained from carmine. However, its origin is not mineral, but animal, which gives such color specific property- insolubility in water.
Shades of blue are made from artificial ultramarine. Its shades range from sky blue to dark blue. More light color obtained from the mineral components of a thin fracture.
Also blue prussian blue is the basis of blue watercolor paints, its color is dark blue.
Indigo is a dark blue color with a copper-red tint, perhaps of mineral or vegetable origin.
Green shades are obtained by mixing blue and yellow paints or they are made from crown green, verdigris, cinnabar green, chrome green, ultramarine green, etc.
Manufacturing process
How is watercolor made? The process of making watercolors begins with the selection desired shade mineral paint. You can choose it from ready-made raw materials or by mixing several colors. If the shade is too saturated, it is weakened by adding white.
Most important point in production - careful grinding of mineral raw materials. Since mineral paints often do not dissolve in water, and coloring occurs due to the attachment of paint particles to the paper surface.
- Primary mineral raw materials are produced in lumps or powder of coarse grinding.
- Further, mineral paints are crushed in a paint grinder, runners, ball mills or a stone mortar if it is made by hand. The finer the resulting particles, the higher the grade of watercolor paint.
- Then the resulting mass is combined with a binder, for example, gum arabic. So for a red color made from carmine, only a candy solution is suitable, and a dextrin solution is used for emerald green and chrome color.
- The amount of binder depends on the mineral raw materials, so white and black colors require it least of all, and ocher shades most of all.
- After combining mineral paint with an aqueous solution of a binder, a clay-like dough is obtained and rolled out 5-8 mm thick, after which it is left to dry for 12-20 hours.
- If the watercolor is later packaged in a tube, then in addition to the binder, non-crystallizing liquid honey or glycerin is added.
- Depending on the form of release, liquid is packaged in a jar, semi-liquid watercolor - in a tube, solid - in a cuvette or tile.
- When the watercolor has sufficiently hardened, it is molded into the chosen shape. The finished mass is cut into appropriate pieces and glued to the tile with carpentry or fish glue.
The second cooking method
Glycerin is poured into the reactor with additional binding elements. Further, a coloring pigment is added to the bowl (special bowl), and the entire resulting mass certain time kneaded. Then, in a thin jet, the watercolor workpiece enters the paint machine, designed for a specific color, and is ground. Next, the mass enters the vats, from which it is poured through special hoses into a filling machine, where the colors are packed into ready-made containers for sale, and then the watercolor is dried for two days.
Blue paint example
Prussian blue mineral paint is finely ground, combined with water and hydrochloric acid and then bring to a boil. After which the paint settles, excess fluid merges. Gum arabic, glue, which is previously dissolved in water, is added to the resulting mass, and heated at the measured temperature until a thick paste is obtained.
Few people know that for most types of paints, for example, watercolor, oil, gouache, tempera, the same material basis is used, which has not changed for many centuries.
We all probably remember our first paints on watercolor bases in round molds and long brushes. Many have tasted watercolor paints and could not help the habit of tasting the brush on the tongue like a pencil. But, alas, you can’t eat watercolor paint, despite the fact that it contains a certain amount of honey.
The main components of all paints are pigmented particles and binders.
Depending on which main component the paint will be mixed on, you can say what it will turn out to be, gouache or watercolor. Although the pigmented particles in all types of paints are the same, like water drops. Paints were invented in such deep antiquity that the name of the inventor simply disappeared into the flow of time.
Our ancient ancestors ground soot with burnt clay, mixed it with animal glue and created their immortal rock art. They painted the walls of their caves with clay and ocher paints, and these drawings have survived to this day!
Over time, the compositions of paints became more complicated. Man began to add mineral, stone, clay powders to them, invented many chemical additives. Despite the progress, there are artists who prefer to work with paints made using ancient technologies. These are modern icon painters and restorers. To recreate old icons and paintings, they need paints according to old recipes.
They grind the paints with their hands, in their workshops there is a lead mortar, in which for a transparent Green colour malachite is ground into dust, grape seed is ground for black color, red paint is extracted from the mercury mineral cinnabar, and blue from lapis lazuli.
The color variety of paints grew and multiplied with the invention of new technologies.
In modern paint and varnish production, pigmented particles are used on mineral and organic bases, bestowed on us by Mother Nature, or artificially derived materials. For example, natural ultramarine from a very expensive mineral lapis lazuli was replaced by its "namesake" of synthetic production.
People have been painting for more than a millennium. This can be seen by going to any exhibition ancient art or by studying the catalog of ancient rock paintings.
If there is a drawing, then there must be the paint with which it was drawn. But, like ancient people who decided to capture their complex, primitive life did you get it? However, the answer lies on the surface. Surely the ancient people noticed that many berry crops have a good coloring ability, and they decided to use this quality. In addition to the plant palette, primitive learned to use clay, carbon black, and the few mineral pigments available to him for his creative needs.
The first painter in human history experimented on a grand scale. His first and the main objective was to keep his work longer. Therefore, the paint must be resistant and durable. And for this you need a binder. This role can be assigned to clay, adhesives of animal origin, or to an egg. By the way, egg yolks are still used in the manufacture of paints as one of the connecting links of the paint system.
To diversify color scheme the first paints, people used ocher and umber.
Any paint consists of four fundamental components. It:
- Coloring pigmented particles.
- Main binder.
- solvent additives.
- Filling materials.
All of these components have their own unique effect on various paint parameters. Much has already been said about pigmented particles, so let's move on to the binder.
Often used as a binder:
- natural or animal glue,
- natural resin,
- hydrocarbon compounds soluble in liquid media,
- solid oil products
- polymer additions.
This whole gentleman's set serves as a film former in paints. It is they, as the paint material dries, due to their binding characteristics, that cover the treated surface with a durable layer that retains pigmented particles and fillers in the coloring material.
Solvent additives are needed to reduce the viscosity of the paint, which makes it easier to work with a brush and makes it easier to apply paint to the work surface. Solvents are chosen in conjunction with the binders used in a certain type of paint. Mainly:
- water,
- oil,
- alcohol,
- ketone,
- essential,
- other hydrocarbon compounds.
Filler materials are added to ink formulations to modify texture and enhance haze. It is impossible to imagine the production of heat-resistant paint without filler materials, which is used in pottery workshops and for various paintings.
tempera paint
It is based on a water-soluble emulsion, which replaced the yolk mixture used in the old days in traditional icon painting. With large volumes of tempera paint production, casein additives are used in combination with artificial polyvinyl acetate resins.
Tempera-based paints are distinguished by the fact that they dry extremely quickly, while changing the original tone and color parameters. However, its strength and durability are not subject to any doubts. Tempera paintings are an art created for more than one century.
One of the most common color systems. It has been produced for several tens of centuries, because the Chinese figured out how to make watercolor paint at the same time as paper. Europeans learned about it only at the beginning of the second millennium of our era.
The basis of watercolor paints are:
- Natural gum arabic.
- vegetable resins.
- plasticizers.
- Glycerin or granulated sugar.
Such basic materials give watercolors a unique lightness and transparency. In addition to these main components, antiseptic substances, the same phenol, are invariably included in watercolor, and that is why watercolor paint should not be part of our menu.
gouache paint
In terms of its constituent components, gouache paint is related to watercolor. In gouache main violin pigmented particles and a water-soluble adhesive-based component also play. But unlike watercolor, gouache is enriched with natural white. This makes it a little tighter. In addition, as it dries, the paint brightens and gives the surface a delicate velvety. Paintings painted in gouache or watercolor are particularly lively and reverent.
Such paint is kneaded on drying oil, mainly on linseed oil that has undergone a unique technological processing. The composition of the oil paint also includes alkyd resin additives and desiccant solvents, which provide the paint with the fastest possible drying. Oil-based paint appeared on the European continent in the very middle of the Middle Ages, but the name of the person who managed to invent it cannot be established.
The rest of the drawings made oil paint which was based on poppy and walnut oils found on the walls of the caves in which the first Buddhist monks lived, and boiled oil drying oil was used by residents in Ancient Rome. Paint on oil bases do not change color characteristics as they dry, and have an amazing depth and brightness of color.
If you press the pigments of linseed oil, you can get oil chalk. If the same pressing process is done with wax-based paint, we get a fine waxy chalk.
Pastel paint is also made by pressing, but no oils are added to it. New technological developments have made it possible to significantly expand the range of manufactured colorful products.
The color choice of paints has also diversified, today there are several thousand shades of all colors, which was impossible to achieve with the old methods of production. However, the pigmented system on mineral and organic foundations, developed many centuries ago, has remained virtually unchanged even in the face of rapidly developing technological progress.
related materials
Production for the production of metallic silicon by the Titan Group was previously planned to be organized in Omsk. Nevertheless, the population of the city defended the right to a safe environment. Today, residents of Novouralsk oppose the construction of this plant in the South Urals. More than 30,000 people signed the petition.
Today's manufacturers face a big challenge when developing paint products, and one of the reasons may be that paint samples simply give them the opportunity to evaluate the dispersion flow in the reaction vessel. Now researchers from Fraunhofer are collaborating with the Potsdam-based PDW Analytics GmbH for the first time to continuously monitor the production of varnishes, paints and adhesives in real time and thus design a more efficient method for developing paints.
Painting with watercolors attracts more and more emerging artists. Many of them argue that once you start doing it, then it’s hard to break away from it. exciting process. In addition, watercolor allows you to quickly achieve a tangible result and see the fruits of your creativity. She has one more feature: experienced artists they say that 50% of success in watercolor painting depends on the chosen material: paper, paints, brushes. Consider the types of materials and find out which of them should be preferred by a novice artist.
Paper
Paper is one of the most important materials for watercolor painting. From its quality, density, water resistance, relief depends on what the picture will turn out. Modern industry produces paper from both wood and textile fibers. Cotton paper is better quality, but also more expensive. If it is 100% cotton, then it is considered to be of the highest quality. There is also a composition of paper made from 100% linen, it is easy to make edits on such paper.
In order for the paper to withstand abundant wetting and not warp, a version of it is produced with sizing. High-quality paper is distinguished by the presence of embossed markings and watermarks.
Embossed paper is especially suitable for watercolor painting. It is called "grainy" and is divided into three types: coarse grain, medium and smooth.
Rough grain paper is ideal for large formats, medium grain is best for all types of work, smooth grain for miniatures.
The first rule when purchasing paper for watercolor is that it should not be smooth, but must be grainy. Textured paper creates grain.
The degree of paper density is another important factor to consider. Density is determined by the ratio of mass, which is calculated in grams, to the area, it is measured in square meters. The more grams per square meter, the denser the paper. The thickest paper is 250 g/m2 - 300 g/m2 or more. The thicker the watercolor paper, the better. There is a certain pattern when choosing paper of different sizes. The larger the sheet to be used, the denser it should be.
We have put together for you a list of watercolor papers that we think are the best for watercolor. But varieties of watercolor paper a large number of, in gluing, in separate sheets, different texture.
To do a review on watercolor paper, you need a separate article, but for now, our short list to help you get started:
- Canson Montval watercolor paper is 100% made from high quality pulp. The paper is suitable for all "wet" techniques: watercolors, gouache, acrylic paint. These properties make this paper particularly suitable for beginners;
- Canson Moilin du Roy watercolor paper is made from 100% natural white cotton. Watercolor pigments on such paper are well preserved and look brighter. Moulin du Roy is free of acids and bleaches, making it strong and durable;
- Arches watercolor paper, 100% cotton. This paper has three surface types: Hot Cast Paper (Satin), Hot Cast Paper (Satin), Hot Cast Paper (Satin). The uniform distribution of the fibers makes the paper the most resistant to deformation. This allows the watercolor to spread evenly on it. The unique gelatin impregnation technology used on Arches watercolor paper allows it to withstand scraping and best preserve the brightness of the colors;
- hot pressed watercolor paper. Density - 300 g / m2. Manufactured by Fabriano;
- rough watercolor paper size 56x76 cm. Density 300 g/m2. Manufactured by Saunders, Cotman, Fabriano.
In stores, you can buy paper both in the form of separate sheets, and in the form of blocks or notebooks. The advantage of notepads is that you do not need to use a tablet. And individual sheets are most often offered to buyers in folders, where they are packed in a certain size and quantity. The most common sheet sizes are from 20x30 to 40x50.
brushes
A selection of watercolor brushes also has great importance. Which variety you choose will determine whether the stroke is somewhat blurry or sharper. Well, the type of stroke depends on your creative task.
The defining features of the classification of watercolor brushes are their shape, size and what pile they are made of. Brushes are made from both synthetic hair and natural material. For example, you can purchase mustel or squirrel fur brushes. They absorb water well and are very soft. If you wet a squirrel brush, even if it is very thick, it still forms a very thin tip. This brush is also great for painting. small parts, and for covering large areas of the painting with paint.
Kolinsky brushes do not pick up as much water as squirrel brushes, they are drier, but also more elastic. They have a stiffer pile. Working with them, the stroke is clearer, not as blurry and less “wet” than a brush stroke made of squirrel fur.
The set of brushes should consist of small, large and medium brushes. According to their shape, they are divided into round and flat.
Among the manufacturers of watercolor materials, brushes are particularly successful:
- German company da Vinci. They are diverse, the best pile samples are used for their manufacture. One of the most popular series of brushes from this company are MAESTRO kolinsky brushes;
- by Rubloff. These are domestic manufacturers, their brushes are also of high quality.
The work of our teacher in watercolor and sketching
Watercolor paints
The variety of colors for watercolor is so great that when faced with a choice for your palette, you can even get confused by their number. For the initial palette, it is better to stop at a few of them, and then gradually add other colors.
Basic watercolor palette:
- cadmium yellow,
- light ocher,
- iron oxide red,
- Orange,
- cadmium red (scarlet),
- carmine (kraplak),
- purple,
- green,
- emerald,
- ultramarine,
- bright blue,
- burnt umber.
Watercolor paints High Quality Produced by the company "White Nights". They are produced in three sets "Leningrad", "St. Petersburg". "White Nights".
Among foreign manufacturers, it is worth paying attention to the Van Gogh company.
The work of our teacher in watercolor and sketching
Pencil
Using a regular pencil, sketches are made. Sometimes shadows are obscured by them. A thin pencil line can be an outline watercolor drawing. HB or B pencils are suitable for sketching. The main thing is to sharpen it.
Palettes
Palettes can be made of plastic or porcelain. Plastic palettes are cheaper, but also not very durable. They absorb color over time, it becomes difficult to use them and you need to purchase a new one. It is better to use a white porcelain plate. So that the color of the paint is not a surprise for you on the sheet, then try the paint on paper. It is convenient to squeeze paints from tubes onto the palette. Traces of paint left after washing the palette can be easily removed with liquid detergents.
The work of our teacher in watercolor and sketching
Eraser
Erasers are hard and soft. Hard erasers can damage the paper and should be used with care. They perfectly erase pencil lines and dried layers of paint. But still, it is better to use them only in case of emergency. Soft erasers ruin paper less, they are also used to erase pencil lines.
Klyachki - a kind of very soft, easily crumpled erasers. They can take off the tone, remove a little dirt on the paper. In addition to their direct purpose, nags are used to relieve stress, for this you just need to crush them in your hands. It helps a lot if suddenly something does not turn out the way we would like. You need to take a short break, mash the nag, and everything will be fine.
We hope these little tips will help you master the beautiful art of watercolor faster!
The work of our teacher in watercolor and sketching
Term Watercolor(French aquarelle, English painting in water colours, Italian aquarelle or aqua-tento, German Wasserfarbengemalde, Aquarellmalerei; from Latin aqua - water) has several meanings.
Firstly, it means painting with special water-soluble (i.e., freely soluble in ordinary water) paints. And in this case, it is customary to talk about the watercolor technique (i.e., a certain process of creativity in the visual arts).
Secondly, it is used, in fact, to directly refer to the water-soluble (watercolor) paints themselves. When dissolved in water, they form a transparent aqueous suspension of fine pigment, which is the basis of the paint, thanks to which it is possible to create a unique effect of lightness, airiness and subtle color transitions.
And, finally, thirdly, it is customary to call the works themselves, made in this technique with watercolors. Them distinctive features consist mainly in the transparency of the thinnest paint layer remaining on paper after the water has dried. In this case, white is not used, since their role is played by the white color of the paper, translucent through the paint layer or not painted over at all.
In all the variety of existing paints, watercolor paints are rightfully considered to be one of the most ancient and beloved artists of the most different schools and directions.
Scholars know examples of watercolors contemporary to Egyptian papyrus and hieroglyphs. AT Byzantine art with the help of watercolors decorated church liturgical books. Later it was used for coloring drawings and underpainting on boards. Renaissance masters made sketches for their easel and fresco works in watercolor. Many drawings have survived to this day, shaded with a pencil and then painted with watercolors. Among them are the works of such great artists as Rubens, Raphael, Van Ostade, Lessuer and others.
Thanks to comparative simplicity their use and relative availability, watercolor paints are very widely used in the visual arts.
Composition of watercolors.
The basis of the composition of watercolors is a finely ground pigment, to which a small amount of various glues of vegetable origin (gum arabic, dextrin, tragacanth, cherry glue, etc.) is added as a binder. Also, the composition in certain proportions also includes honey (or sugar, glycerin), wax, some types of resins (mainly balm resins), due to the addition of which paints acquire hardness, softness, plasticity, and other necessary qualities.
As a rule, watercolor is solid - in the form of tiles placed in special small containers (cuvettes) or soft - in tubes.
Russian manufacturers of watercolors
Of the largest and most famous manufacturers of watercolors in Russia currently existing, two should be singled out. These are the Moscow OJSC "Gamma" and the St. Petersburg ZKH "Nevskaya Palitra". Both companies produce high quality paint, both for professional artists, and for amateurs, students, schoolchildren.
The best quality watercolors among Gamma products can be called the Studio series (available both in cuvettes, 2.5 ml., and in tubes, 9 ml.).
At the "Nevskaya Palitra" there is no doubt best watercolor is the White Nights series (also available in cuvettes, 2.5 ml. and in tubes, 18 ml.). Personally, I prefer to work with these paints (I mainly use cuvettes), but each artist, of course, has his own tastes and preferences.
In addition to the "White Nights" ZKH "Nevskaya Palitra" produces watercolor series "Sonnet" and "Ladoga", but both are noticeably inferior to the first.
As an example, I will give samples of the full palette (painting) of the Moscow "Studio" and the St. Petersburg "White Nights".
Painted Watercolors by JSC "Gamma" (material taken from the site "Gamma")
Painting of Watercolors ZKH "Nevskaya palitra" (material taken from the site "Nevskaya palitra")
In addition, ZKH "Nevskaya Palitra" also produces a series of paints "Sonnet". Their quality is slightly worse than the aforementioned watercolors, and the palette is not as rich, but they are cheaper.
Foreign manufacturers of watercolors
Many well-known foreign manufacturing companies in the world artistic paints produce watercolors. As a rule, each company presents its products in two lines. Usually one of them is expensive, high-quality watercolors made from natural pigments for professional artists. Such a palette contains a large number of colors and shades, and the paints themselves are very durable and lightfast. Another line is for students, students, art lovers. These paints can be made on the basis of synthetic substitutes, their characteristics are close to natural paints, but still inferior to them in quality, due to which it is much cheaper and more accessible. They are less durable and lightfast. The palette contains a correspondingly smaller number of colors (shades).
Dutch watercolors
The most famous manufacturer of watercolors in Holland is Old Holland, which dates back to the middle of the 17th century. Her watercolor is represented by the richest palette of 160 colors.
Another, no less famous, watercolor manufacturer is Royal Talens, founded in 1899. Its products on the modern market are represented by two lines:
"Rembrandt" (80 colors palette)
"Van Gogh" (40 colors palette)
English watercolors
One of the famous manufacturers of watercolors in England is Winsor & Newton, founded in 1832 in London. At the moment, her watercolor is represented by two lines:
"Artists Water Color" (96 colors palette)
"Cotman Water Color" (40 colors palette)
Another English watercolor manufacturer is Daler-Rowney. Its products are also represented by two lines:
"Artists" Watercolour" (80 colors palette)
"Aquafine" (37 colors palette)
Italian watercolors
The most famous Italian manufacturer of watercolors is Maimeri. At the moment, her watercolor is represented by two lines:
"Maimeri Blu" (72 colors palette)
"Venezia" (36 colors palette)
French watercolors
The famous French manufacturer "Pebeo", the company was founded in 1919. To date, its product range includes two lines of watercolors:
"Fragonard extra fine watercolor" (36 colors palette)
To date, the market various materials for creativity is represented by such a huge variety that even the choice of ordinary paint for school-age children often confuses parents. In this article, we want to talk about the criteria for choosing one of the most popular paints for drawing, which every student should have, namely watercolors. So, let's find out which watercolor to choose for a child and how ordinary watercolors differ from honey counterparts.
Watercolor paints: general information
Watercolor paints are a whole group of adhesive water-soluble paints, which include pigments and some kind of binder. The purpose of the binder is to hold the pigment particles together and bind them firmly to the working surface: paper, canvas, etc.
Traditional watercolor in tubes is a professional type of paint.
There are several types of watercolor paints, they differ among themselves precisely in the type of binder, which can be gum arabic (water-soluble vegetable glue), starch, swelling clay, dextrin or honey. Here is the answer to the question “Why is watercolor honey?”. Because in this type of paint, the binder is precisely natural honey, or rather not quite honey, but one of its components, for example, fructose, which is not subject to crystallization ( important factor in ensuring paint quality).
Watercolor paints, regardless of the type, are very delicate and transparent, filled with light and air, with their help you can create beautiful light paintings without being a professional artist.
When buying watercolors, you should also think about purchasing an easel or a special tablet in which you can firmly fix a sheet of paper. The fact is that watercolor, being a water-soluble paint, dries for a long time, as a result of which a loose sheet may warp, and the picture will deteriorate.
Which watercolor is better: honey or regular?
Thinking about which watercolor to choose, we, of course, want to purchase the best option, high-quality paint that will not disappoint us with its properties. At the stage of choosing paints, many people often have the question: “Which watercolor is better: classic or honey, which has recently become increasingly popular?”. Such a formulation of the question is not entirely correct, since both types of paint have their own purpose, features, and advantages. Traditional watercolor based on gum arabic is considered more professional, its main advantages include:
- The ability to create complex color compositions with many shades and halftones;
- More colors in the set.
Honey watercolor is perfect for beginner artists
Honey watercolor refers to the so-called "amateur" paints, it is somewhat easier to use, lays evenly and uniformly on paper, has a more saturated bright color. An important advantage of honey watercolor is its increased resistance to fading under the influence of direct ultraviolet rays, which is due to the presence of honey in the composition of the paint.
Another important fact is that the difference in the cost of traditional and honey watercolors is very significant, professional paints are at least ten times more expensive. So if you are buying a watercolor “to try”, it is better to purchase an inexpensive, but no less high-quality honey analogue.
So what can we conclude? It cannot be said that honey watercolor is better or worse than its classical counterpart, just that each of these colors has its own purpose. If you are buying watercolors for a child who draws occasionally (at school, sometimes at home), feel free to take honey watercolor. With its help, the student will be able to easily master the technique of drawing, learn to mix colors to obtain the necessary shades and, quite possibly, begin to paint at a professional level.
In the event that you need watercolor for a more serious level of study ( art school, professional painting), we advise you to purchase traditional watercolor compositions with a large assortment of colors.
