II. Understanding stage

In the novel by Leo Tolstoy "War and Peace" the reader gets acquainted with many characters whose fates are completely different, whose actions are completely extraordinary. Summarizing the behavior of his heroes, the author tries to derive a certain moral formula that applied to all people of that time.

Incredibly exciting relationship main character- and the prince. When a girl learns about the injury of her beloved, about what to visit him in this moment it is impossible, all sorts of thoughts and plans appear in her head. When the groans reached Natalya, though not Andrei, but the same suffering person, she shed tears. Perhaps this was due to a feeling of deep compassion, or from helplessness, from inaction. Therefore, in spite of everything, the heroine was determined to visit Andrei.

She was waiting for her mother and Sonya to fall asleep. The hut was filled with incomprehensible knocks. It was the girl's heart beating with excitement. Natasha was not afraid to see the crippled people who were next to the prince. She was looking for native features in exhausted faces.

A week has already passed since Bolkonsky came to his senses. However, the doctor was completely unhappy with the state of his injuries. The wounds were very serious. The doctor admired how the prince endured such unbearable pain, and Andrei, in turn, also joked that he wanted to get a book for free reading. He tried to create an atmosphere of his own well-being. Only the gospel was the desired book. I think that Bolkonsky was also aware of the seriousness of his wounds and wanted to cleanse his soul before his death.

Andrey's meeting with Natasha calmed him down. The prince's heart was filled with real feelings. Now he was able to rethink the love for this girl in a new way. Of course, Natasha, all exhausted by torments and swollen with tears, did not look best light. However, Andrei paid attention only to his eyes sparkling with happiness.

From that moment on, Natasha did not leave the prince for a moment. The doctor was surprised by such an attraction to care for the wounded. The girl's mother did not resist the meetings of lovers. They were extremely happy!

This episode of the novel shows Natalya in best features. She is a loving, ready for anything, girl who tries in every possible way to help her beloved get out of trouble, get better and get back on her feet. And the prince, in turn, responds with mutual feelings and sincere love.

Throughout this episode, the reader can watch the growing up of the heroine. She knows how not only to love, but also to take care of the wounded Andrey. In such difficult situation Natasha shows all her kindness, tenderness and perseverance of character.

Theme of the lesson: "Favorite heroine of L.N. Tolstoy" Walks dark alley Bolkonsky, thoughtful, pale. pale. Natasha Rostova's window is wide open at midnight.... Unknown author And the girl rejoices and laughs. Embraced by the happiness of being. N. Zabolotsky Natasha Rostova. Artist K. I. Rudakov Watercolor.

Lesson type: analytical conversation with elements of integration. The purpose of the lesson: 1. Understand the complex character of the heroine. 2. Compare Natasha and other women in the novel. 3. Understand why the image of Natasha became Tolstoy's favorite. 4. Get to know Tolstoy's ideal women.

preliminary homework: Reread the episodes: Reread the episodes: 1. Acquaintance with Natasha (vol. 1, part 1, ch. 8, 10, 14-17; part 3, ch. 6; vol. 2, part 1, ch. . 2. Poetic nature of Tolstoy's heroine (vol. 2, part 3, ch. 12-17, 19). 3. National-natural in the character of Natasha (vol. 2, part 4, ch. 7; vol. 3, part 3, ch. 16). 4. Expensive price of trials (vol. 3, part 5 ch. 9-10, 13; vol. 3, part 5 ch. 6-22; vol. 4, part 4 ch. 2). 5. Natasha is the embodiment of love (vol. 3, part 3, ch. 32; vol. 4, ch. 14-16; vol. 4, part 4 ch. 1-3). 6. The happiness of Natasha Rostova (epilogue, part 1, chapter 16).

The author's search for a portrait of the heroine Tolstoy was looking for a portrait of the heroine for a long time. What is most striking What is most striking in her appearance? What does Natasha appear to us in the name day scene? What does Natasha appear to us in the name day scene? Rostov children. Artist D. A. Shmarinov Coal.

Natasha's inner world What feelings overwhelm the girl What feelings overwhelm the girl (a night in Otradnoye, the first ball)? Why Tolstoy refers Why Tolstoy refers to internal monologue, to an internal monologue to convey the "dialectics of the soul" of your favorite heroine? What impression does Natasha make on the people around her? Natasha on the people around? What do family and friends appreciate about her? What do family and friends appreciate about her? The first ball of Natasha Rostova. Artist L. O. Pasternak Watercolor.

First meeting with Natasha Read the description of her behavior, portrait characteristic. Read the description of her behavior, portrait characteristics. Consider the illustration of the artist Shmarinov "Children of the Rostovs". Is Natasha pretty? Consider the illustration of the artist Shmarinov "Children of the Rostovs". Is Natasha pretty? (Tolstoy emphasizes many times that he is not) Did the artist manage to convey what the writer thinks about her? Did the artist manage to convey what the writer thinks about her? What, in your opinion, is the charm of the heroine, her charm? What, in your opinion, is the charm of the heroine, her charm? (Her charm is in her simplicity, naturalness, cheerfulness, immediacy). What do you think these arrows mean? What do you think these arrows mean? ? ? ?

The second meeting with Natasha “Night in Otradnoye” Reading the excerpt “Night in Otradnoye” (vol. 2, part 3, ch. 2) Natasha's indestructible thirst for life somehow influenced the people who were next to her. Natasha's indestructible thirst for life somehow influenced the people who were next to her. Natasha Sonya Andrei Reading to the music of Beethoven " Moonlight Sonata»

The third and fourth meeting with Natasha “At Uncle’s” (vol. 2, part 3, ch. 7) Reading the episode “At Uncle’s” (vol. 2, part 3, ch. 7) This episode reveals one of main ideas writer: in a person, his unity with other people, the need to love and be loved is valuable and beautiful. This episode reveals one of the main ideas of the writer: in a person, his unity with other people, the need to love and be loved is valuable and beautiful. "The essence of her life is love”- writes Tolstoy “The essence of her life is love” - writes Tolstoy Reading the episode “Natasha’s First Ball” (vol. 2 part 3) (Reading against the background of Natasha’s waltz from Sergei Prokofiev’s opera “War and Peace”) What became for Natasha her first score? This is the beginning of her and Prince Andrei's love. A love that has to end... Because of what? (Reading a poem by N. Kochetkov “Do not part with your loved ones”).

The ups and downs of Natasha Rostova Why is Natasha interested in Anatole Kuragin? Why is Natasha interested in Anatole Kuragin? How do you assess Natasha's act? Are we right to judge her? How do you assess Natasha's act? Are we right to judge her? Natasha at the bedside of the dying Prince Andrei. Natasha at the bedside of the dying Prince Andrei. After the death of Prince Andrei. What brings Natasha back to life? After the death of Prince Andrei. What brings Natasha back to life? The death of Petya. The death of Petya. What will bring Natasha back to life again? What will bring Natasha back to life again? Natasha's indifferent heart

Natasha and Helen How did Natasha endure separation from Prince Andrei? Is she the only one to blame for her betrayal? Do you agree with Tolstoy's opinion that "this is the most difficult place and knot of the whole novel"? How has Natasha changed after the moral shock and illness? What is the impact on inner world Natasha, does her acquaintance with the “vile Kuragin breed” affect her fate?

In the hour of grief, Natasha and the wounded Prince Andrei in Mytishchi. Artist L. O. Pasternak Watercolor. How does Natasha behave in a time of national disaster? Where did she find her happiness? How do you understand Tolstoy's words about Natasha: "The essence of her life is love"?

OSK Natasha Rostova OSK Natasha Rostova In the center is Natasha herself. She is like a spring pure water in a swamp - everything rotten, unhealthy pushes to the shore: Berg - immediately; Anatole Kuragin intrudes into her fate for some time, but he is also doomed ... Boris Drubetskoy, brother Nikolai, Princess Marya do not make a difference in her life, but they are next to her. They feel good around her. Boris wanted to forget Natasha, but he saw after separation and could not; brother Nikolai admires her Russian nature all her life; she is pleasant to Mary. The dependence of the princess on Natalia is stronger, therefore the orbit of the arrow denoting her is assumed to be larger, for Nikolai it is smaller, Boris generally loses in comparison with everyone .... Andrei and Pierre, with the help of Natasha, are revived, get back on their feet, helping her fontanel to grow stronger. For real, Natasha is happy with Andrei, Pierre. Her path with Andrei is not so long, the mutual influence interrupts his death, so the bend of the arrow is shorter compared to the line of Pierre, who goes through life with her to the end.

Russian character of Natasha Rostova Dance of Natasha. Dance of Natasha. Admiration for uncle's singing. Admiration for uncle's singing. Attitude towards householders. Attitude towards householders. Attitude to the customs of Russian antiquity. Attitude to the customs of Russian antiquity. Natasha's excitement during Sonya's reading of the tsar's manifesto. Natasha's excitement during Sonya's reading of the tsar's manifesto. Requirement of return for the supply of the wounded Requirement of return for the supply of the wounded Natasha's attitude to nature, her simplicity, kindness, naturalness Natasha's attitude to nature, her simplicity, kindness, naturalness Natasha corresponds to the criteria that Tolstoy evaluates his heroes. They are living people, not frozen mummies with beautiful masks instead of faces. This is exactly what Rostov is like.

Other female images of the novel "War and Peace" Helen Helen Vera Vera Marya Marya A.P. Sherer A.P. Sherer M.D. Akhrosimova M.D. Akhrosimova Julie Karagina Julie Karagina Book. Drubetskaya Prince. Drubetskaya Princess Katish Princess Katish Liza Bolkonskaya Lisa Bolkonskaya Mademoiselle Bourienne Mademoiselle Bourienne Sonya What do you remember about other female characters? Why did the union of Andrei and Natasha not work out, but the family of Nikolai and Prince. Mary? What is Sonya's role in the novel? Why does Tolstoy not give her family happiness? Family unions are whole "worlds". Which one do you find the most attractive? Natasha

The image of Natasha in the epilogue. Disputes about the ending of the novel Many critics did not accept the image of Natasha in the epilogue. Many critics did not accept the image of Natasha in the epilogue. L.N. Tolstoy argued with them: "A woman is the better, the more she discards personal aspirations to position herself in a mother's calling." L.N. Tolstoy argued with them: "A woman is the better, the more she discards personal aspirations to position herself in a mother's calling." Talented Writer In the 60s of the 19th century, Tsebrikova (Nikolaeva) in the article “Our grandmothers” reproached Natasha Rostova for complete indifference to the problem of women's liberation, emancipation. Who is right: the author of the novel or the critic? The talented writer of the 60s of the 19th century Tsebrikova (Nikolaeva) in the article "Our grandmothers" reproached Natasha Rostova for complete indifference to the problem of women's liberation, emancipation. Who is right: the author of the novel or the critic? Fet believed that “there was no need to stress that she had become a slob. This may be true, but this is an intolerant naturalism in art. Do you agree with Fet? Fet believed that “there was no need to stress that she had become a slob. This may be true, but this is an intolerant naturalism in art. Do you agree with Fet?

Conclusions on the image of the heroine What did the heroine come to? What happened to the heroine? What have you achieved in life? What have you achieved in life? Natasha has been through a lot. Mental suffering, of course, changed her appearance, feelings have become deeper, their manifestation is more restrained. Yes, the woman who appears before us at the end of the novel is indifferent to the problem of female emancipation. L.N. Tolstoy showed us Natasha in a wonderful period of her life, when nothing is more important for her than a child. What about her relationship with her husband? She did not understand everything in Pierre's activities, but for her he is the best, most honest and fair. But Pierre, who entered into secret society, perhaps, will come out, “joining hand with those who love good,” to Senate Square. And we have no doubt that Natasha, leaving everything, will follow him to Siberia. And although we do not fully agree with Tolstoy in interpreting this female image, which was his ideal, but we can say with confidence: many generations will learn from Natasha Rostova her ability to do good, the ability to live, love, feel the beauty of the world, to be faithful wife, a loving mother, to raise worthy sons and daughters.

En War and Peace is a 1956 film directed by King Vidor. Screen adaptation famous novel Lev Tolstoy. " /> melodrama
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"War and Peace"(en War and Peace) is a 1956 film directed by King Vidor. Screen version of the famous novel by Leo Tolstoy.

Plot

AT early XIX century Napoleon ruled for the most part Europe. Russian army, one of the few European countries, not conquered by the great commander, is preparing to fight him in Austria. Among the Russian officers are Nikolai Rostov and Prince Andrei Bolkonsky.

Pierre Bezukhov, a friend of Prince Andrei, is not interested in wrestling. He is attracted by the sister of Nikolai Rostov, Natasha, but he marries the mercantile princess Helen. The marriage quickly ends when Pierre realizes his wife's true nature.

Bolkonsky is captured by the French, he is later released. His wife dies in childbirth.

Prince Andrei falls in love with Natasha Rostov, but his father demands that the marriage be postponed for a year. While Bolkonsky is in Poland with the army, Natasha is carried away by Anatole Kuragin, a scoundrel and a libertine. Pierre Bezukhov reveals Anatole's past to Natasha before she elopes with him.

Napoleon's army invades Russia. Pierre visits Prince Andrei before the battle and watches the battle. Shocked by the massacre, he vows to personally kill Napoleon.

Cast

• Audrey Hepburn - Natasha Rostova
• Henry Fonda - Pierre Bezukhov
• Mel Ferrer - Andrey Bolkonsky
• Vittorio Gassman - Anatole Kuragin
• Herbert Lom - Napoleon Bonaparte
• Oskar Homolka - Kutuzov
• Anita Ekberg - Helen Kuragina
• Helmut Dantin - Dolokhov
• Barry Jones - Count Rostov
• Leah Seidl - Countess of Rostov
• - Nikolay Rostov
• Sean Barret - Petya Rostov
• May Brit - Sonya
• Tullio Carminati - Prince Kuragin
• Wilfrid Lawson - Prince Bolkonsky
• Anna Maria Ferrero - Marie Bolkonskaya
• Milly Vitale - Lisa Bolkonskaya
• Patrick Crean - Denisov
• John Mills - Platon Karataev
• Gertrude Flynn - Maria Peronskaya

inaccuracies

Frame Sequence

• AT battle scene near Austerlitz, Prince Andrei dismounts to take the flag from a falling wounded soldier. In the next frame, the shot soldier falls to his knees for the second time when Prince Andrei runs up to him.
• After the opera, when Anatole and Natasha meet, he comes up behind her and puts left hand on the shoulder. The next frame shows them at a short distance from each other.
• When Natasha sits at the bedside of the dying Prince Andrei, both of her hands are on her knees. In the next frame, when Kolya enters the room, her right hand located at the top of the bedpost.

For Prince Andrei, seven days have passed since he woke up at the dressing station in the Borodino field. All this time he was almost in constant unconsciousness. The fever and inflammation of the intestines, which were damaged, in the opinion of the doctor who was traveling with the wounded, must have carried him away. But on the seventh day he ate with pleasure a piece of bread with tea, and the doctor noticed that the general fever had decreased. Prince Andrei regained consciousness in the morning. The first night after leaving Moscow was quite warm, and Prince Andrei was left to sleep in a carriage; but in Mytishchi the wounded man himself demanded to be carried out and to be given tea. The pain inflicted on him by being carried to the hut made Prince Andrei moan loudly and lose consciousness again. When they laid him down on a camp bed, he lay for a long time with eyes closed motionless. Then he opened them and whispered softly: “What about tea?” This memory for the small details of life struck the doctor. He felt his pulse and, to his surprise and displeasure, noticed that the pulse was better. To his displeasure, the doctor noticed this because, from his experience, he was convinced that Prince Andrei could not live, and that if he did not die now, he would only die with great suffering some time later. With Prince Andrei they carried the major of his regiment Timokhin, who had joined them in Moscow, with a red nose, wounded in the leg in the same Battle of Borodino. They were accompanied by a doctor, the prince's valet, his coachman and two batmen. Prince Andrei was given tea. He drank greedily, looking ahead with feverish eyes at the door, as if trying to understand and remember something. scary place. The doctor was very dissatisfied with something, altered something differently, turned the wounded man over so that he again groaned and, from pain during the turning, again lost consciousness and began to rave.
When he woke up, Natasha, that very living Natasha, whom, of all the people in the world, he most of all wanted to love with that new, pure divine love that was now revealed to him, was kneeling before him. He realized that it was a living, real Natasha, and was not surprised, but quietly delighted. Natasha, on her knees, frightened, but chained (she could not move), looked at him, holding back her sobs. Her face was pale and motionless. Only something fluttered in the lower part of it. Prince Andrei sighed in relief, smiled and held out his hand. - You? - he said. - How happy! Natasha with a quick but careful movement moved towards him on her knees and, carefully taking his hand, bent over her face and began to kiss her, slightly touching her lips. - Forgive me! she said in a whisper, raising her head and looking at him. - Forgive me! - I love you, - said Prince Andrei. - Forgive me ... - What to forgive? - asked Prince Andrei. - Forgive me for what I did, - Natasha said in a barely audible, intermittent whisper and began to kiss her hand more often, slightly touching her lips. - I love you more, better than before, - said Prince Andrei, raising her face with his hand so that he could look into her eyes. Those eyes, filled with happy tears, looked at him timidly, compassionately and with joyful love. Natasha's thin and pale face with swollen lips was more than ugly, it was terrible. But Prince Andrei did not see this face, he saw shining eyes that were beautiful. Behind them they heard a conversation. Peter the valet, now completely awake from sleep, woke the doctor. Timokhin, who could not sleep all the time because of the pain in his leg, had long seen everything that was being done, and, diligently covering his undressed body with a sheet, huddled on the bench. - What is this? said the doctor, rising from his bed. - If you please go, madam. At the same time, a girl was knocking on the door, sent by the countess, missing her daughter. Like a somnambulist who was awakened in the middle of her sleep, Natasha left the room and, returning to her hut, sobbing fell on her bed. From this of the day, during the entire further journey of the Rostovs, at all rests and overnight stays, Natasha did not leave the wounded Bolkonsky, and the doctor had to admit that he did not expect from the girl either such firmness or such skill in walking after the wounded. No matter how terrible the idea seemed to the countess that Prince Andrei could (very likely, according to the doctor) die during the journey in the arms of her daughter, she could not resist Natasha. Although, as a result of the now established rapprochement between the wounded Prince Andrei and Natasha, it occurred to me that in the event of recovery, the former relations between the bride and groom would be resumed, no one, still less Natasha and Prince Andrei, spoke about this: the unresolved, hanging question of life or death was not only over Bolkonsky, but over Russia obscured all other assumptions.

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Presentation on the topic "The image of Natasha Rostova in the novel "War and Peace" is a set of images with the main character of the novel "War and Peace", Natasha Rostova. Natasha likes Russian customs, mores ordinary people. She listens with pleasure to her uncle's singing, and devotes herself to Russian dance with all her heart.

1. Children of the Rostovs
2. Meeting in Otradnoe
3. On the hunt
4. Uncle
5. Dance of Natasha
6. Passion for Kuragin
7. After the death of Prince Andrei

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pptx (powerpoint)

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slide 1

The image of Natasha Rostova in L. Tolstoy's novel "War and Peace"

Natasha Rostova

in L. Tolstoy's novel

"War and Peace"

slide 2

Children of the Rostovs

Children of the Rostovs

slide 3

Meeting in Otradnoe

Meeting in Otradnoe

slide 4

Night in Otradnoe

Night in Otradnoe

slide 5

On the hunt