Nikolai Vasilyevich Gogol is a great Russian writer. His works are immortal: the typicality of Gogol's characters goes far beyond the time in which the writer lived and worked. One of these "eternal" works is the play "The Government Inspector". In the comedy, Gogol decided to laugh at what is "really worthy of the ridicule of the universal." In his play, he managed to "collect into one heap everything bad in Russia", which he then knew, all injustices. The theme of The Inspector General itself was of an acute political nature. But the most important thing that Gogol wanted to show was not vices. individual people, but the false concepts of duties inherent in most officials of that time. Due to this, a small provincial town, where arbitrariness reigns, where there is not even a police order, where the authorities form a group of swindlers and robbers, is perceived as a symbol of the entire Nikolaev system.
one more step
This fear is caused by the idea that you will have to go through the reception of the inspector again, that you again need to be afraid and fear the verdict of the auditor. And since chaos, disorder and bribery reigned in the city, the heroes of the county town were seriously frightened and crumpled with fear.
How masterfully N.V. Gogol describes the characters of the inhabitants of the city, who froze in place and turned to stone for a moment. Some of them bowed their heads, some froze like a pillar.
The judge from surprise and unexpected news sat down to the ground and barely moved his lips. The mayor threw back his head to the sky and thought about why all this fell on his shoulders.
Important
It is in the episode of the “silent scene” that the reader can examine in detail the image of each person present, because it is at such a moment that the most important character traits are exposed. In his work, N.V. Gogol vividly criticizes the Russian people.
Why does the comedy "The Inspector General" end with a "silent scene"?
He seems to be vigilantly seeing everything (this is “a very intelligent person in his own way”), thoroughly preparing the defense, but inadvertently omitting many things (for example, he forgot to order to put in order the hotel where the visitor should stay). The mayor wanted to, but forgot to warn about the neglected legal proceedings and about the court itself, where geese roam; he combined important instructions with minor ones, put on a paper case instead of a hat, ordered the workers to “pick up the street” and sweep the city. , being overweight and solid, bends before the “strong”, before the superior in rank, “although this is just a rag.”
Please why does the "inspector" end with a silent scene? need an essay..
Works › Gogol N.V. › Inspector General Ready Homework Gogol's comedy "The Inspector General" brought "Russian characters" to the stage. Prior to that, only translated foreign plays were played in theaters. Of the Russian works, only Fonvizin's "Undergrowth" and Griboedov's "Woe from Wit" could be named. The Inspector General ridiculed "our rogues", but, moreover, public vices and "social ulcers" were revealed, which were the product of the autocratic-feudal system.
Bribery and embezzlement, widespread among government officials, were shown with such clarity and persuasiveness by Gogol that The Inspector General became an accuser of the existing system not only of Gogol's time, but of the entire pre-revolutionary era. The plot for writing The Inspector General was suggested to the author by A.S. Pushkin.
Why does Gogol end the comedy The Inspector General with a silent scene?
The poet once found himself in a similar situation: in 1833, while collecting materials on the history of the Pugachev uprising, he was mistaken by the local governor for an auditor sent to examine the provincial administration. Laughing at the negative phenomena of life, Gogol makes you think about them, understand all their harmfulness and try to get rid of them. His "Inspector General" could not but play very big role in the development of social consciousness. The remarks concerning the curtain at the end of each act are extremely interesting.
The ending of the last act, which ends with the arrival of the gendarme, is especially expressive. Remarque reports that all those present were struck like thunder: "The sound of amazement unanimously emanates from the ladies' lips" and "the whole group, suddenly changing position, remains petrified."
The ghosts seemed to be frozen and petrified. The author's trial of them is complete. Closely related to the finale of the comedy is the epigraph to it: "There is nothing to blame on the mirror, if the face is crooked." It is the "crooked faces" of the main actors we see in the "silent scene".
Attention
In fact, the Governor, who combines scale and pettiness, the breadth of strategy and the narrowness of tactics, gives operational orders, widely covers the departments of city government at the time of formidable danger, orders to hastily sweep away the old fence and put up a straw milestone so that it looks like a planning. But at the same time, the hero follows a comical rule: "The more it breaks, the more it means the activities of the city governor."
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The climax of The Inspector General can be called the scene of Khlestakov’s boasting and lies, and the denouement is the “silent scene”, which is rightfully considered Gogol’s brilliant invention. This scene has special meaning. Outwardly, it is explained by fright from the appearance of a gendarme, who announces the arrival of a real auditor, replacing the imaginary one. However, Gogol did not show the result of the appearance important official, the reader does not know anything about the fact that the carriers of vice are severely punished by a representative of the highest authority. In the comedy The Inspector General, attention was focused on the very effect of the shock of literally all the characters, regardless of the degree of their “guilt” and participation in the events. On the stage, this was expressed by an extended mise-en-scène, or “silent scene”, which, in its duration (“almost a minute and a half” ) deviated from all accepted norms.
Why the comedy inspector ends with a silent scene
ingenious gogol comedy written in St. Petersburg in the autumn of 1835 - in the winter and spring of 1836. It is believed that the plot of the play was suggested to Gogol by A.S.
Pushkin, and is also based on real facts Russian reality, in which cases with “imaginary” auditors were not uncommon. The author based the play on an anecdotal situation, but at the same time he deeply generalized it, showing a broad picture of modern reality using its example. The plot of the comedy social character; everyday phenomena that demonstrate the main aspects of life modern Russia, came to the fore; not personal clashes and "private interests", but the general "fear of retribution" that struck the city became the center of the conflict. Gogol presented a group of city rulers at an “emergency” moment, when events sharply escalated, confirmed by rumors, letters, dreams, and signs. Composition plays an important role in understanding the meaning of the play.
Why Gogol's comedy inspector ends with a silent scene
In The Inspector General, the silent scene is the climax, and it should be the most eloquent. Fading in an expressive pose (while the poses of all the characters are different, which emphasizes their individual personal qualities) is a real pantomime.
The mayor, members of his family, the postmaster, Strawberry, Luka Lukich - all of them become mimes for some time, actors in the "theater of facial expressions and gestures." And words are not needed here, maybe even superfluous. Posture, facial expression can express an incomparably greater surge of emotions than words. Moreover, the silent scene in The Inspector General is also a mass one - everyone is standing as if struck by thunder, and this circumstance once again emphasizes how shocking and stunning the news has become for all the characters that "... an official who arrived by personal order from St. Petersburg demands you this very hour.”
An essay on why the comedy auditor ends with a silent scene
The image is motionless, static, but at the same time, the faces of the people depicted in the picture, their figures, the poses they take, testify to their internal state better than any words. The eloquence of static scenes, their expressiveness - these are the properties that were subtly noticed by N.
V. Gogol and later successfully used by the writer. After all, the "Inspector" is far from the only work writer, in which there is a "silent scene" (in another extremely popular work- the story "Viy" - the author also uses this technique).
If we consider artistic techniques, used by N.V. Gogol, in more detail, one can notice a certain pattern: the technique of "death", a kind of "petrification" is the basis for the image of many characteristic Gogol characters (for example, the same landowners in " Dead souls»).
Home / Works on Russian literature / Gogol N.V. / Why does Gogol end the comedy The Inspector General with a silent scene? The comedy by Nikolai Vasilyevich Gogol "The Inspector General" is a world masterpiece, because it has become famous and popular not only in Russia, but throughout the world. In the text of a comedy, we come across a huge number of comical scenes that, on the one hand, amuse readers, and, on the other hand, speak of a rather bitter and difficult situation in society.
The episode at the end of the work, which was called a “silent scene”, confirms the author’s talent, because in a small passage, Gogol, without using the verbal expressions of his characters, gives detailed description their actions. After the unexpected news that a real auditor had arrived in the city, the assembled persons fell into horror.
The ingenious Gogol comedy was written in St. Petersburg in the autumn of 1835 - in the winter and spring of 1836. It is believed that the plot of the play was suggested to Gogol by A. S. Pushkin, and is also based on real facts of Russian reality, in which there were often cases with “imaginary” auditors.
The author based the play on an anecdotal situation, but at the same time he deeply generalized it, showing by its example a broad picture of modern reality. The plot of the comedy has a social character; the phenomena of everyday life, demonstrating the main aspects of the life of modern Russia, came to the fore; not personal clashes and "private interests", but the general "fear of retribution" that struck the city became the center of the conflict. Gogol presented a group of city rulers at an “emergency” moment, when events sharply escalated, confirmed by rumors, letters, dreams, and omens.
Composition plays an important role in understanding the meaning of the play. Main character comedy "Inspector General" Khlestakov is not present in either the first or the last acts. Thus, the reader's attention is transferred to the mores and orders that prevail in the city. Since the mayor, out of caution, violating the regulations, offers the postmaster to print letters from outsiders, he does this with obvious willingness and zeal, which produces a stunning effect at the end of the comedy. The news of the auditor's arrival in the first apparitions and his true appearance at the end of the comedy create a circular composition. At the same time, we guess that the mayor will behave in the usual way and there will be no surprises with the meeting of the auditor. Everything will return to the order established for decades.
The first remark of the Governor is the beginning of the conflict: "I invited you, gentlemen ...". This is an invitation and communicated to officials " bad news” produce the effect of an exploding bomb and set everything in motion. The culmination of The Inspector General can be called the scene of boasting and lies of Khlestakov, and the denouement - the "silent scene", which is rightfully considered a brilliant invention of Gogol.
This scene has a special meaning. Outwardly, it is explained by fright from the appearance of a gendarme, who announces the arrival of a real auditor, replacing the imaginary one. However, Gogol did not show the result of the appearance of an important official, the reader does not know anything about the fact that the carriers of vice are severely punished by a representative of the highest authority. In the comedy The Inspector General, attention was focused on the very effect of the shock of literally all the characters, regardless of the degree of their "guilt" and participation in the events.
On the stage, this was expressed by an extended mise-en-scène, or “silent scene”, which, in its duration (“almost a minute and a half”), deviated from all accepted norms. Thanks to this, the silent scene contains a plurality of meanings, up to highest value- Divine Judgment on all mankind. This meaning was specifically emphasized in “The denouement of the Inspector General”: “Whatever you say, the auditor who is waiting for us at the door of the coffin is terrible. Nothing will hide before this auditor…” But it is possible that no retribution will happen at all and the vice will not be punished. Officials will come to their senses and, after a stupor, will agree again on how to “swindle” the newly-minted “guardian of order”. Moreover, the auditor does not intend to go around the city and all its offices and state places, but demands officials to himself, to his apartments. But the finale of the play, created by Gogol, is shocking with a sharp, unexpected contrast between laughter, malice, the hustle and bustle of the end of Act V, that is, living mobility - and the sudden deathly silence and sculptural stillness.
In The Inspector General, - Gogol later recalled, I decided to collect in one heap everything that was bad in Russia, which I then knew, all the injustices that are done in those places and in those cases where justice is most required of a person, and for one ...
Nikolai Vasilyevich Gogol's comedy The Inspector General was a resounding success with a democratically minded public and a sharp rejection of those who saw themselves in the characters. Nikolai Vasilyevich Gogol managed to create true images of almost real-life heroes....
Gogol warned more than once: Khlestakov is the most difficult character in the play. Let's see what this hero is. Khlestakov is a petty official, an insignificant person, despised by everyone. Even his own servant Osip does not respect him, he can be dragged away by the whirlwinds ...
Ivan Alexandrovich Khlestakov, a petty Petersburg official, in the words of his servant Osip, “a simple Elistratishka” (that is, he has the rank of a collegiate registrar, the lowest in the table of ranks), heading from northern capital"to the Saratov province, ...
The comedy of Nikolai Vasilyevich Gogol "" is a world masterpiece, because it has become famous and popular not only in Russia, but throughout the world. In the text of a comedy, we come across a huge number of comical scenes that, on the one hand, amuse readers, and, on the other hand, speak of a rather bitter and difficult situation in society.
The episode at the end of the work, which was called a "silent scene", confirms the talent of the author, because in a small passage, Gogol, without using the verbal expressions of his characters, gives a detailed description of their actions.
After the unexpected news that a real auditor had arrived in the city, the assembled persons fell into horror. This fear is caused by the idea that you will have to go through the reception of the inspector again, that you again need to be afraid and fear the verdict of the auditor. And since chaos, disorder and bribery reigned in the city, the heroes of the county town were seriously frightened and crumpled with fear.
How masterfully N.V. Gogol describes the characters of the inhabitants of the city, who froze in place and turned to stone for a moment. Some of them bowed their heads, some froze like a pillar. The judge from surprise and unexpected news sat down to the ground and barely moved his lips. The mayor threw back his head to the sky and thought about why all this fell on his shoulders.
It is in the episode of the “silent scene” that the reader can examine in detail the image of each person present, because it is at such a moment that the most important character traits are exposed.
In his work, N.V. Gogol vividly criticizes the Russian people. He, one of the first in the history of Russian literature, touched upon the theme of the Russian man in the lines of comedy. Before that, writers often created stories about foreign citizens, about other states. In The Inspector, everything is completely different. The author reveals to the reader all the vices of that society, with its inhabitants, villages and cities.
so that those passing by and everyone noble people no harassment ... Khlestakov (at first he stutters a little, but towards the end of the speech he speaks loudly). But what can I do?.. It's not my fault... I really will cry... They will send me from the village. Bobchinsky looks out of the door. He is more to blame: he gives me beef as hard as a log; and the soup - he the devil knows what he splashed there, I had to throw it out the window. He starved me for whole days... The tea is so strange: it stinks of fish, not tea. Why am I... Here's the news! Mayor (timid). Sorry, it's not my fault. I always have good beef in the market. Kholmogory merchants bring them, sober people and good behavior. I don't know where he gets this from. And if something is wrong, then ... Let me suggest that you move with me to another apartment. Khlestakov. No I do not want to! I know what it means to - another apartment: that is - to prison. What right do you have? How dare you?.. Yes, here I am... I serve in St. Petersburg. (Invigorates.) I, I, I ... Mayor (aside). Oh my God, you're so angry! I learned everything, the damned merchants told me everything! Khlestakov (bravely). Yes, here you are even here with your whole team - I won’t go! I'm going straight to the minister! (Bangs his fist on the table.) What are you? What do you? Mayor (stretching out and trembling all over). Have mercy, do not lose! Wife, little children... don't make a man unhappy. Khlestakov. No I do not want! Here's another! what do I care? Because you have a wife and children, I have to go to prison, that's fine! Bobchinsky looks out the door and hides in fright. No, thank you very much, I don't want to. Mayor (trembling). Inexperience, by golly, inexperience. Insufficiency of the state ... If you please, judge for yourself: the state salary is not enough even for tea and sugar. If there were any bribes, then just a little: something on the table and for a couple of dresses. As for the non-commissioned officer's widow, engaged in the merchant class, whom I allegedly flogged, this is slander, by God, slander. My villains invented this: they are such a people that they are ready to encroach on my life. Khlestakov. What? I don't care about them. (Thinking.) I don’t know, however, why you are talking about villains and some non-commissioned officer’s widow ... A non-commissioned officer’s wife is completely different, but you don’t dare to flog me, you are far from that ... Here's another! Look what you are!.. I will pay, I will pay money, but now I don't have any. I'm sitting here because I don't have a penny. Mayor (aside). Oh, subtle thing! Ek where tossed! what a fog! Find out who wants! You don't know which side to take. Well, give it a try. (Aloud.) If you definitely need money or something else, then you are ready to serve this minute. My duty is to help passers-by. Khlestakov. Give, lend me! I'll pay off the innkeeper right away. I would only like two hundred rubles, or at least even less. Mayor (bringing papers). Exactly two hundred rubles, though don't bother counting. N.V. Gogol "Inspector"
N. V. Gogol's comedy "The Inspector General" at one time became one of the most innovative works of dramatic art. Many of the techniques used by the author have never been used by playwrights before and have not been implemented on theater stage. These innovative techniques include the aforementioned “silent scene”, which ends the final part of the comedy “The Government Inspector”. What did the author want to achieve by completing the work with a silent scene? What effect did you expect?
It is believed that the silent scene that ends the comedy The Inspector General was introduced into the work by the writer under the impression of famous painting Russian artist Karl Bryullov "The Last Day of Pompeii". It is this picture that strikes the person considering it with the strength and expressiveness of a frozen emotion. The image is motionless, static, but at the same time, the faces of the people depicted in the picture, their figures, the poses they take, testify to their inner state better than any words. The eloquence of static scenes, their expressiveness - these are the properties that were subtly noticed by N.V. Gogol and later successfully used by the writer. After all, The Inspector General is far from the only work of the writer in which there is a “silent scene” (in another extremely popular work - the story “Viy” - the author also uses this technique). If we consider the artistic techniques used by N.V. Gogol in more detail, we can notice a certain pattern: the technique of "death", a kind of "petrification" is the basis for the image of many characteristic Gogol characters (for example, the same landowners in "Dead Souls"). In The Inspector General, the silent scene is the climax, and it should be the most eloquent. Fading in an expressive pose (while the poses of all the characters are different, which emphasizes their individual personal qualities) is a real pantomime. The mayor, members of his family, the postmaster, Strawberry, Luka Lukic - all of them become mimes for some time, actors in the "theater of facial expressions and gestures." And words are not needed here, maybe even superfluous. Posture, facial expression can express an incomparably greater surge of emotions than words.
Moreover, the silent scene in The Inspector General is also a mass one - everyone is standing as if struck by thunder, and this circumstance once again emphasizes how shocking and stunning the news has become for all the characters that “... Petersburg official demands you this very hour to himself.
Gogol was the first Russian playwright to use the pause technique, which was successfully used by many directors, screenwriters and writers after him. Today, the pause technique is one of the most commonly used dramatic techniques.
I would like to argue with Maxim Maksimych, who, pitying Bela, said: “No, she did well that she died. Well, what would have become of her if Grigory Alexandrovich left her? And it would have happened sooner or later!”
Bela is a whole and strong nature. Her suffering would have been strong if Pechorin had left her. But Bela could suffer with dignity, as she could love with dignity. “The graceful image of a captivating Circassian woman,” as V. G. Belinsky wrote about Bel, touches and delights at the same time, as it combines the unrestrained youthful impulse and the maturity of high feelings.
