Abdrakhmanov Rustam Iskandarovich

Research plan:

Introduction. The meaning of the image of Tatyana Larina in the system of images of the novel;

Main part.

1. Tatyana's confession of love for Onegin, 2. Onegin's confession of love to Tatyana.

3. Humility for an unhappy marriage.

4. The awakening of new, not yet known violent feelings, which Tatiana has already experienced.

5. Loyalty to marital duty.

Pushkin singles out Tatyana from many representatives noble society because it is superior to the environment in its development. The beauty of the surrounding nature, constant solitude, the habit of thinking independently, the natural mind formed inner world Tatyana, to which, with all his mind, Onegin has not grown up. She was alone in her family. Pushkin writes: "Wild, sad, silent, like a doe in the forest, timid, she seemed like a stranger to her family."

WITH early years she was dreamy, she lived a special inner life. The author emphasizes that the girl was devoid of coquetry and pretense - qualities that he did not like so much in women. Many lines in the novel are devoted to the role of books, which for Tatyana were a special world, shaped her worldview, spiritual qualities. So Pushkin brings us to the understanding that Tatyana is a poetic, high, spiritual nature.

The poet finds the most precise, most convincing words,

to explain how unhappily Yevgeny was brought up:

he does not know how to feel, suffer, rejoice.

But he knows how to "dissemble, seem, appear";

but, like many secular people, he knows how to get bored, to languish.

Met two people who can give each other happiness. We met - and noticed each other, and could fall in love. .. But Onegin pushes away this possibility: he doesn't believe in love, he doesn't believe in happiness, he doesn't believe in anything, he doesn't know how to believe...

And Tatyana can do it! And believe, and dream, and wait, and hope, and love:

Tatyana Larina and Eugene Onegin cannot be happy, as they have different views on life.

It seems to Tatyana, “And happiness was so possible, so close,” - this is not true. Previously, happiness was not possible, because Onegin did not know how to love. Happiness is possible only now, with the renewed Onegin, but ... too late.

A pure and whole person, Tatyana does not want and cannot deceive her husband, whom she respects. Leaving him for Onegin would mean destroying her own life (the world would not forgive such an act) and, most importantly, the life of another person who loves her - Tatyana does not consider herself entitled to sacrifice her husband's happiness for her own happiness.

Tatyana can only suffer. The former Eugene, indifferent and selfish, would not have understood her torment. Now he understands everything - Onegin is not able to continue to pursue the princess, nor to abandon her at all.

Tatyana, modest, silent, turned into "Stateful and careless

legislator of the hall." She transformed the "soulless world" into a "masquerade"

Petersburg, she brought her simplicity and naturalness.

A reasonable question arises: why the upper world, which we are accustomed to

far from disgusting Tatyana? Why did she fit in so well with him?

Is there a contradiction here?

Tatiana's life is wonderful

history of character development
which was created in the lessons of life

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Topic: Tatyana Larina is Pushkin's favorite heroine. Wholeness noble simplicity Tatyana's character The purpose of the research work: . 1) show the meaning of the image of Tatyana Larina in the system of images of the novel; understand author's attitude to the heroine 2) to show integrity, noble simplicity of Tatyana's character

Plan of my speech: Introduction. The meaning of the image of Tatyana Larina in the system of images of the novel; Main part. 1. Tatyana's confession of love for Onegin, 2. Onegin's confession of love to Tatyana. 3. Resignation to an unhappy marriage. 4. The awakening of new, not yet known violent feelings, which Tatiana has already experienced. 5. Loyalty to marital duty. Conclusion.

Pushkin distinguishes Tatyana from many representatives of the noble society, because in her development she is higher than the environment. The beauty of the surrounding nature, constant solitude, the habit of thinking independently, the natural mind formed Tatyana's inner world, to which, with all his mind, Onegin did not grow up. She was alone in her family. Pushkin writes: "Wild, sad, silent, like a doe in the forest, timid, she seemed like a stranger to her family." . There is no portrait of Tatyana, as if the author is trying to convey to the reader that external beauty is often devoid of life if there is no beautiful and a pure soul and therefore devoid of poetry.

From an early age, she was distinguished by dreaminess, lived a special inner life. The author emphasizes that the girl was devoid of coquetry and pretense - qualities that he did not like so much in women. Many lines in the novel are devoted to the role of books, which for Tatyana were a special world, shaped her worldview, spiritual qualities. So Pushkin brings us to the understanding that Tatyana is a poetic, high, spiritual nature. The poet finds the most precise, most convincing words to explain how unhappily Yevgeny was brought up: he does not know how to feel, suffer, rejoice. But he knows how to "dissemble, seem, appear"; but, like many secular people, he knows how to get bored, to languish.

Both Onegin and Tatyana are keenly aware of their alienation from the environment in which they are forced to live. This is expressed in the fact that Tatyana "in her own family seemed like a stranger girl", and in Onegin blues. So, Evgeny and Tatyana have features that bring them together. Dissatisfaction with the surrounding life plunges them into beautiful world books. Both of them have a penetrating mind and observation, their relationship is imbued with honesty and truthfulness. Possessing some similar features, Onegin and Tatyana are in many ways different from each other. Onegin's arrogance and selfishness is opposed generosity Tatyana. These qualities of heroes are most clearly manifested in love. Onegin with young years mastered the "science of tender passion", which replaced true feelings. How early could he be hypocritical, Hold hope, be jealous, Dissuade, make believe, Seem gloomy, languish, Be proud and obedient, Attentive or indifferent! Constant pretense became his second nature, drowned out in his soul the ability to sincerely and strongly love

Met two people who can give each other happiness. We met - and noticed each other, and could fall in love. .. But Onegin repels this possibility from himself: he does not believe in love, does not believe in happiness, does not believe in anything, does not know how to believe ... But Tatyana can! And believe, and dream, and wait, and hope, and love: For a long time her imagination, Burning with negligence and longing, Alkalo fatal food; For a long time, heartfelt languor Constricted her young breast; The soul waited... for someone, And waited... Eyes opened; She said it's him!

She "loves without art", "trustful", "endowed from heaven with a rebellious imagination, a living mind and will, and a wayward head, and a fiery and tender heart." Tatyana's letter is permeated with the same tremendous feeling that Pushkin has already told us about, and is expressed in the same bookish words that the poet has already shown us: "unfortunate fate", "souls of inexperienced excitement", "the advice in the highest is destined", "until the grave you are my keeper”, “you appeared to me in dreams”, “who are you, my guardian angel or the insidious tempter”... Tatyana is trying to break out of the circle familiar to a rural young lady. She is the first! writes a letter to Onegin. / Let's listen to a video of Tatiana's letter to Onegin / What prevented Onegin from surrendering to feeling? Everything that happened between Eugene and Tatyana was prepared by Onegin's previous life. The years lived in a false world were not in vain. "The eternal murmur of the soul" was replaced by indifference to both people and feelings. Now, when the feeling is ready to be resurrected, - he was frightened - he preferred cold rest.

Such a girl as Tatyana was once Onegin's ideal! But this ideal is “the former”, Onegin no longer believes in it; late, as it seems to him, he met Tatyana.. Hating and despising the world, he is nonetheless infected with its views, its prejudices: You will start to cry: your tears will not touch my heart, but will only infuriate it...

Having met Tatyana at a ball in Moscow, Onegin is already writing a letter to her. At that time she was already the wife of a general. It is difficult to write such a letter to a person whose love you have rejected. It is even more difficult to understand that this person does not know you at all and may not believe you, to see “the undertakings of despicable cunning where a painful and deep feeling boils ... Now he is even scared to think about those times when he rejected his beloved He cannot understand himself he cannot, as he was then, because now he is different.

It seems to Tatyana, “And happiness was so possible, so close,” - this is not true. Previously, happiness was not possible, because Onegin did not know how to love. Happiness is possible only now, with the renewed Onegin, but ... too late. A pure and whole person, Tatyana does not want and cannot deceive her husband, whom she respects. Leaving him for Onegin would mean destroying your own life (the world would not forgive such an act) and, most importantly, the life of another person who loves her - Tatyana does not consider herself entitled to sacrifice her husband's happiness for her own happiness. Tatyana can only suffer. The former Eugene, indifferent and selfish, would not have understood her torment. Now he understands everything - Onegin is not able to continue to pursue the princess, nor to abandon her at all. We came to the conclusion that Tatyana Larina and Eugene Onegin cannot be happy, as they have different views on life.

Tatyana, modest, silent, turned into a "Stateful and careless legislator of the hall." She transformed the "soulless world", she brought her simplicity and naturalness into the "masquerade" of St. Petersburg. A reasonable question arises: why is the high society, which we are accustomed to consider a false and hypocritical world, and there are good reasons for this, far from disgusting Tatyana? Why did she fit in so well with him? Is there a contradiction here?

Conclusion: Tatyana's life is wonderful story educating in oneself the character that was created in the lessons of life

1.V.G. Belinsky Works by A.S. Pushkin. Articles eight and nine. 2.N.G.Dolinina. Let's read Onegin together. M.-L., "Children's Literature", 1968. 3. A.S. Pushkin. "Eugene Onegin" Kharkov, Belgorod 2008 4. Internet resources. Information sources

Grade 10

Subject:Tatyana is Pushkin's favorite heroine. Integrity, noble simplicity of Tatiana's character.

Goals: 1) show the meaning of the image of Tatyana Larina in the system of images of the novel; help students understand the author's attitude to the heroine;

2) improve text analysis skills;

3) to cultivate the aesthetic taste of students

Lesson type: lesson-analysis of the work.

Equipment: textbook-reader for grade 9, portraits of the Pushkin era.

Methodical methods: scheduling, conversation, student messages, teacher comments, expressive reading, text analysis.

During the classes

Organizing time.

Checking homework.

An expressive reading of the "Letters" of the novel.

Drawing up a plan "The Image of Tatyana Larina"

1.Childhood and youth of Tatyana.

2. Meeting with Onegin and love for him.

3. Tatyana at the end of the novel.

III. Message from a student of "Sister Larina"

Questions to reinforce:

In what environment did Tatyana's childhood pass?

Does Tatyana have an inner intimacy with Olga?

What is the difference between them?

What role does her nanny play in Tatiana's life?

What was the meaning of books for Tatyana?

teacher's word

Next to the culture of the noble society, there was another culture born in the bowels of the Russian nation. It included the life, customs, folklore of the village common people, which enter the novel through the depiction of the Larin family, and above all Tatyana. Tatiana absorbed folk morality that colored her thoughts and feelings and manifested itself in her behavior. For Pushkin, the very name of Tatyana is "inseparable" from "remembrance of the old days or girlish ones." The fact is that this name was very rarely called noble girls. The name Tatyana became popular after Pushkin glorified him in his novel.

The image of Tatyana is accompanied folklore images. Here is this simple folk culture, expressing the warehouse of the Russian character and folk ideals, gradually shaped Tatyana's morality, her character. One can only guess why in one Larin family there were such different tempers- Olga and Tatiana.

Olga lives thoughtlessly, guided in her life by the views and habits established in the local life of the nobility. Her feelings do not differ in that depth and stability, like Tatiana's. But under Pushkin's pen, this image, although sketchy, acquired such artistic expressiveness, which influenced the creation of a number of female images in the works of later writers (for example, Marfinka in Goncharov's novel The Cliff),

V. Conversation on questions

Analyzing the life of Tatyana in her youth, her attitude. Belinsky wrote: “Tatyana's whole inner world consisted in a thirst for love; nothing else spoke to her soul, her mind was asleep. Is this true in your opinion?

How did the novels she read influenced Tatiana? Chardson and Rousseau? ( They instilled in her soul a thirst for love. Love in these novels was portrayed as a feeling of exaltation.new, pure, source of great joys and great sufferingny and victims. Tatyana received from such novels not only the idea of ​​love as the greatest joy of life, but also the idea of ​​the nobility of a woman, the sublimity and strength of her feelings.)

How does the reading circle characterize the heroine?(Novels to her "deputytook everything." Dreamy, alienated from her friends, so unlike Olga, Tatyana perceives everything around her.It’s like a novel that hasn’t been written yet, she imagines herself as the heroine of her favorite books.)

How does Tatyana appear in the second - fifth chapters of the novel?

(True feelings and sensitivity coexist in Tatyana, inspired by sentimental novels. Tatyana did not fall in love with any of the nobles around her, but Onegin was immediately noticed and singled out by her.)

How does Tatyana Onegin perceive? What is the behavior of the heroine

after meeting him?(Tatyana saw in Onegin precisely the hero of the novel.The behavior of Tatyana in love is based on the novel models known to her.Her letter, written in French, is an echo of the love letters of the heroines of the novels.)

- What qualities of Tatyana are revealed in her letter? ( The letter is imbued with “a living mind and will” and “a fiery and tender heart”.)

- Do you think that the meeting in the garden of Tatiana with Onegin is the most difficult moment in her life? What kind of person shows Onegin? (Explanation with Onegin wears tragic character and defines later life Tatyana, stayingsamam the greatest grief in her life. These terrible moments, this pain, Tatiana did not forget at the end of the novel: remembering the first meeting with Onegin, she feels that her blood "freezes")

- What happens to Tatyana after Onegin's departure? What feelings does she have for him? How does her perception of Onegin change?(There is a revolution in the fate of Tatyana.She was convinced of her "optical" deception.Restoring Onegin according to the “traces” left in his estate, she realized that her lover was an utterly mysterious, strange person, but not at all the one she took him for.)

- When it comes new stage inner life Tatyana? (She understood that there are interests for a person, there are sufferings and sorrows, besides the interest of suffering and the sorrow of love.With this new step in internal development Tatiana is indebted to Onegin. Now she understands him better and even moreloves:

And in the cruel loneliness

Her passion burns stronger

And about distant Onegin

Her heart speaks loudly.)

Through diary entries Onegin's heroine learned about his thinking about fate modern man and was struck by the sharpness of the "embittered" mind, forced to live in inaction, in a contradictory combination of good and evil. She opened the soul of a man living a busy life, seeking truth, truth. Tatyana's deep loneliness, her indifference to the petty interests of the people around her helped to keep her love for Onegin as the most precious feeling. The main result of Tatyana's "research" was love not for a literary chimera, but for a genuine Onegin. She completely freed herself from bookish ideas about life.

- Why did Tatiana get married?(Not hoping for the reciprocity of her lover, Tatyana makes a decisive moral choice: agrees to go to Moscow and get married.This free choice a heroine for whom "all lots are equal".She loves Onegin, but voluntarily submits to her duty to her family.)

Has Tatyana changed? If yes, in what?(Stanzas.XXVII-XXVIIIthe eighth chapter: "trendsetter", "Ravno-hearted princess "remained inthe depths of the soul of the former - serdechnoy, sincere and simple Tatyana.She is oppressed by the situationnew luxury, among which she now lives:

And to me, Onegin, this splendor,

hatefultinsel life,

My progress in a whirlwind of light

What's in them? Now I'm happy to give

All this rags of masquerade

All this brilliance, and noise, and fumes ...)

The recent, but now irrevocably distant past is still dear and close to her. Onegin and the nanny were always in her memory. The nanny died, and Onegin was the only person dear to her:

And happiness was so possible

So close, but my destiny

Already decided...

Why did Tatyana reject Onegin's love if she still loves him?

Work on stanzas XLIV-XLV of the eighth chapter.

Does Tatyana judge correctly about Onegin, about her love, are her reproaches fair?

Why did Onegin and Tatyana not find ways to each other?

Onegin is not exhausted by the books he has read. "Lord Byron's portrait" and "a column with a cast-iron doll" (Napoleon), of course, are Onegin's symbols of faith, but not the gods he worships. Onegin has no gods at all, he is too skeptical to worship and respects himself too much to subordinate his life to someone else's rules. But Tatyana did not understand this and lost faith in love and her hero.

At the same time, Onegin is undergoing a new stage in spiritual development. He is being transformed. Nothing remains of the former cold and rational person in him - he is an ardent lover. He experiences for the first time a real feeling, but it turns into a drama for him.

About what Tatyana's monologue testifies? ( ABOUTthat she has retained her former spiritual qualities, she is true to her love for Onegin, but also true to her marital duty.)

What does Tatyana think about the current Onegin? ( Onegin's Lesson is full of unfair remarks and absurd assumptions. Tatyana does not understand the feelings of the hero, seeing in his love only secular intrigue, a desire to drop her honor in the eyes, societies,accusing him of self-interest.)

What is Onegin's love for Tatyana?(Onegin's love for her is "little", "a petty feeling", and in him she sees only a slave of thisfeelings. Again, as once in the village, Tatyana sees and "does not recognize" the real Onegin.)

What is the reason for such misunderstanding of Onegin by Tatyana?

(Her misrepresentation about him was generated by the world, that “oppressive dignity”, the methods of which, as the Author noted, she “soon adopted”)

VI. Final word

The image of Tatyana herself is free from predestination: she is not the embodiment of vices and not a “perfect model”. Tatyana is a living person and therefore the Author's "sweet ideal". IN folk performances about happiness, Tatyana found the ideal of moral duty, indestructible marital fidelity, so vividly outlined in folk tales and songs. Pushkin created her image so exhaustively and deeply that we can easily imagine Tatyana in any life situation.

(Examples: stanzas XV, XXXI, XXXVII from the third chapter; stanzas XXIII, XXIV from the fourth chapter; stanzas V, LV from the seventh chapter; stanza L from the eighth chapter.)

Homework

Prepare for writing.

Summing up the lesson, grading.

The problem of duty and happiness is the most important problem of the novel in verse "Eugene Onegin".

Tatyana appears in the novel as a seventeen-year-old girl:

Dika, sad, silent,

Like a forest doe is timid,

She is in her family

Seemed like a stranger girl.

She grows up, changes outwardly, but for her the concept of honor and duty, which is the dominant of this female image, remains unchanged.

In the opening chapters of the novel, Tatyana appears as an internally contradictory person. Genuine feelings and sensitivity coexist in her, inspired by sentimental novels, which “replaced everything” for her. Tatyana imagines herself to be the heroine of her favorite books and expects "someone" like Grandison or Malek-Adel, therefore, when she met Onegin, Tatyana saw in him the embodiment of all best qualities favorite heroes. There was something romantic in her, not without reason Lensky compares her with Svetlana Zhukovsky.

The behavior of Tatyana in love is based on the novel models known to her. Her letter was written in French (“she knew little Russian”), letters from the novels she had read served as a model. The author translates it, releasing the true feelings of the heroine from the captivity of book templates. The fact that Tatyana enters into correspondence with an unfamiliar young man and is the first to confess her love to him makes her act impossible from the point of view of social decency.

A revolution in Tatyana's fate takes place in the 7th chapter. External changes in her life are only a consequence of the complex process that went on in Tatyana's soul after Onegin's departure. Once in his estate and trying to understand her hero from the books left there, she realized that her lover was an utterly mysterious person:

What is he? Is it an imitation

An insignificant ghost, or else

Muscovite in Harold's cloak...

And again, Tatyana sees not the real Onegin, but the one whom her imagination suggested.

Not hoping for new meeting and the reciprocity of her lover, Tatyana makes a decisive moral choice: she agrees to go to Moscow. She loves Onegin, but voluntarily submits to her duty to her family.

And in last episode novel, in the last monologue (“But I am given to another; / I will be faithful to him for a century”) Tatyana confirms the choice made earlier. Onegin's Lesson is full of unfair reproaches and remarks. Tatyana does not understand the feelings of the hero, sees in his love only a secular intrigue, a desire to drop her honor. Again, as once in the village, Tatyana does not see the real Onegin.

Tatyana's monologue reflects inner drama. Loving each other, they will never be together. Tatyana is sure that happiness cannot be built on the misfortune of another, therefore Tatyana Larina is a heroine of conscience, and not a love heroine.

The meeting of heroes is a non-meeting in time.

Onegin and Lensky, upbringing and culture cut off from the people, Pushkin opposes Tatyana Larina. Tatyana for Pushkin is a "cute ideal"!

What did Pushkin value in Tatyana, why did he draw this image with such warmth?

First of all, Tatyana is a whole person. (This material will help to write competently on the topic The image and character of Tatyana in the novel Eugene Onegin. Summary does not make it clear the whole meaning of the work, so this material will be useful for a deep understanding of the work of writers and poets, as well as their novels, stories, short stories, plays, poems.) Belinsky explains this way: “Tatyana’s nature is not complex, but deep and strong. Tatyana does not have those painful contradictions that too complex natures suffer from; Tatyana was created as if all from one whole piece without any additives or additives. Her whole life is imbued with that integrity, that unity, which in the world of art is the highest dignity. artwork. Passionately in love, a simple village girl, then a secular lady, Tatyana is always the same in all situations of her life. Her moral rules firm and permanent.

She is naturally gifted

rebellious imagination,

Mind and will alive,

And wayward head

And with a fiery and tender heart.

Onegin’s actions are guided by a “sharp, chilled mind”, Lensky’s is a feeling, Tatyana’s “rebellious imagination” is moderated and directed by a “living mind and will”.

There are traits in Tatyana's character that make her related to both Onegin and Lensky_. JB Onegin Pushkin emphasizes "inimitable strangeness", Tatyana's nature is striking in originality, originality; Onegin - “unsociable”, lives as an “anchorite” (hermit) / Tatyana “in her own family seemed like a stranger girl”, she feels lonely both in the village and in high society.-Disappointed in secular society and in social and political life, Onegin falls into a spleen and melancholy. Dissatisfaction environment evokes a feeling of melancholy in Tatyana. Just like Onegin, Tatyana saw and understood all the vulgarity and emptiness of not only the estate, but also Moscow and St. Petersburg noble society.

But there are features in her that bring her closer to Lensky: dreaminess, love of nature, romantic faith in forebodings and predestinations.] Like Lensky, who “believed that his soul should unite with him,” Tatiana writes to Onegin:

S That in the highest council is destined. .. That is the will of heaven: I am yours; My whole life has been a pledge j Faithful Goodbye with you. . .

But with all the similarities of individual features, Tatiana is deeper than Onegin and Lensky.

^Attract and her moral qualities: spiritual simplicity, sincerity, artlessness ^ Tatyana also has a huge advantage: Tatyana is close to national and popular soil. Already by the very name of her heroine, common at that time mainly in common people, Pushkin wants to emphasize Tatyana's closeness to the masses. Russian soul ", according to the poet, Tatyana loved native nature and folk customs. / Through the yard girls and especially through the nanny, she met folk poetry and loved her. Tatyana "thinks about the villagers", helps the poor.

She wants to arrange her life not according to the customs accepted in the landowner's environment. She wants to decide her own fate, to determine her own life path. "/ Tatyana wants to choose her own life partner] She will not choose Petushkov, Buyanov or hussar Pykhtin as her husband; she dreams of such a person who would bring into her life high content, would be similar to the heroes of her favorite novels... Such a person, it seemed to her, she found in Onegin.

“But Onegin, although he was “touched” by Tatyana’s letter, did not respond to her love. Tatyana’s dreams of happiness collapsed! [Her love brought her nothing but suffering^

1-Tatiana's tragedy was that she met a man who was an "egoist", although "suffering", a "sad eccentric", who could not bring into her life what she dreamed of.

Three years later, Tatyana met Onegin again. By this time, she was already married, became a secular lady, a princess, she meets universal respect and admiration in the "high society". But how does she relate to the luxury that surrounds her, to her success in the world?

And to me, Onegin, this splendor,

Hateful life tinsel,

My progress in a whirlwind of light

My fashion house and evenings

What's in them? give away now

I'm glad All this masquerade rags.

All this brilliance, and noise, and fumes

For a shelf of books, for a wild garden,

For our poor home. .

These are extremely sincere words Tatyana expresses all her contempt for vulgarity secular society, to his idle and empty life.

In the scene last date Tatyana and Onegin reveal her high spiritual qualities even more fully: moral impeccability, truthfulness, fidelity to duty, determination.)

The fate of Tatyana is no less tragic than the fate of Onegin, but her tragedy is different. Life has broken, distorted Onegin's character, turned him into "smart uselessness" (in the words of Herzen). Tatyana's character did not change, although life brought her nothing but suffering and she did not find what she was striving for with her exalted soul.

Pushkin tells in detail about the conditions under the influence of which the character of Tatyana was formed. "Yuna shared the passion of the noble intelligentsia, fashionable at that time, Western European sentimental and romantic literature! But reading this literature did not tear her away from her native soil, since the influences that came from the people, from the village, from rural nature were much stronger. Proximity to the peasants, the strong influence of the nanny, the prototype of which was the wonderful Arina Rodionovna, brought up in Tatyana simplicity, sincerity, solid foundations of morality, devotion to duty and democratic moods.

If in Pechorin and in many other heroes of Turgenev's novels we will see Onegin of the subsequent decades, then Tatyana Larina begins a gallery beautiful images Russian woman, morally impeccable, faithful to duty, looking for a deeply meaningful life. Such are Olga Ilyinskaya in Goncharov's novel Oblomov, the heroines of Turgenev's novels: Natalya from Rudin, Elena from On the Eve, the wives of the Decembrists, sung by Nekrasov.

The image of Tatyana Larina
in the novel by A.S. Pushkin
"Eugene Onegin"

Performed
9th grade students
middle th
general education
school №32
Maksim ova Daria
Scientific adviser:
Vyazmi on Irina Yurievna

Rybinsk 2008

Content

Chapter 1
About Tatyana throughout the novel "Eugene Onegin".

1.1 . About Tatyana. …………………………………………….. 5

1.2. Dream of Tatyana. …..…………………………………….... 7

Introduction

The novel "Eugene Onegin" is one of the major works in the work of A. S. Pushkin, the creation of which the poet devoted about nine years.
A.S. Pushkin’s novel “Eugene Onegin” revealed to his contemporaries the type of young man of the 20s of the 19th century, but Belinsky put the poet’s even greater merit in being the first to “reproduce the image of a Russian woman in the person of Tatyana.”
In this novel, Pushkin succeeded in accomplishing a great and difficult task - a complete reproduction of contemporary life in Russia for the poet. It is no coincidence that the famous critic V.G. Belinsky called Pushkin's creation "an encyclopedia of Russian life." Indeed, the poet, with the help of visual artistic means, a wonderful system of images and apt observation, managed to poetically show Russia in the historical space.
Some of the images created by Pushkin in the novel "Eugene Onegin" were completely new types in Russian literature of the nineteenth century and required reflection.

Goals:
Describe the image of Tatiana.
Tasks:

Analyze the character of Tatyana and determine the main features
Determine what shaped the character of the heroine
Compare the characters of the two sisters:

- Tatyana

- Olga

Follow the evolution of the character of the heroine from the beginning to the end of the novel
Reveal the author's attitude to the heroine.

About Tatyana.

This is the image of Tatyana: for the first time in her face, Pushkin reproduced the type of Russian woman in a realistic work.
From the first meeting, the heroine captivates the reader with her integrity, spiritual beauty, the absence of pretense, affectation, that artificial touch that the girls "brought up in the "light" received.
The poet gives his heroine a simple name: "Her sister's name was Tatyana." Tatyana is a simple provincial girl, she is not beautiful and does not strike the imagination with an abundance of contrasting features in her character. Living in the countryside, Tatyana leads a natural lifestyle, getting up early and walking around the estate. The heroine lives in harmony with herself, but not with others: "no one understands her", so the heroine loves solitary walks, during which she dreams of the future, "absorbs" the surrounding beauty without fuss, learns to understand the true values ​​​​of life. Thoughtfulness and daydreaming distinguish her among the local inhabitants, she feels lonely among people who are not able to understand her spiritual needs.

Dika, sad, silent,
Like a forest doe is timid,
She is in her family
Seemed like a stranger girl.

Tatyana's only real pleasure and entertainment were books: she read a lot and indiscriminately.

She liked novels early on;
They replaced everything for her.
She fell in love with deceptions
And Richardson and Rousseau.

These romantic book heroes served as an example for Tatyana to create the ideal of her chosen one. “The whole inner world of Tatyana consisted in a thirst for love,” V. G. Belinsky rightly described the state of a girl who was left to her secret dreams all day long.
She is a “maiden of the forests”, communication with nature taught Tatyana the natural manifestation of feelings, is it not for this reason that the heroine so easily fell into the nets that Onegin does not want to set up.

For a long time her imagination
Burning with grief and longing,
Alkalo fatal food;
Long hearted languor
It pressed her young breast;
The soul was waiting ... for someone
And waited. Eyes opened
She said it's him!

It is clear that when meeting with Onegin, who stood apart from all her acquaintances and represented a complete secret for Tatyana, she sees her long-awaited hero in him. She sincerely believes in what her fantasy has created; love for her is not a game, but the true content and meaning of life: "She does not know deceit and believes in her chosen dream."
In a fit of heart, Tatyana decides to write a letter to Onegin - a revelation, a declaration of love. It is imbued with sincerity and naive-romantic faith in the reciprocity of her feelings.
However, Onegin was unable to appreciate the full depth and integrity of the passionate, loving nature Tatyana and reads her a harsh rebuke, which led the girl into complete frustration and mental confusion.

Tatyana's dream

The snow is loose up to her knees;

That long bitch around her neck

Hooks suddenly, then out of the ears

Golden earrings will vomit by force ...

She looks quietly into the crack,

And what does he see? ... at the table

The monsters sit around

One in horns with a dog muzzle.

Another with a cock's head..

The integrity of Tatiana

But Tatyana does not stop loving Onegin even after he killed Lensky in a duel, which forced the hero to leave the village.
A visit to Onegin's village house makes Tatiana think differently about her subject. She begins to better understand Onegin's actions. From that moment on, a turning point is made in Tatyana's life: she changes outwardly, her inner world is completely closed from prying eyes. She marries, seeing no other lot.
In Moscow, Onegin is met by a cold society lady, the mistress of the famous salon, in which people from high society. In her, Eugene hardly recognizes the former timid Tatyana and falls in love with her.
But Tatyana does not believe in the sincerity of Onegin's feelings, because she cannot forget her deceived dreams of possible happiness.

Why do you have me in mind?

Is it not because in high society

In Tatyana, offended feelings speak: it is her turn to reprimand Onegin for not having time to see in her the whole depth of her soul.
Tatyana is unhappy in her marriage, fame and fortune do not bring her satisfaction, but she is a whole nature, incapable of deceit. That is why firmness sounds in her decision to be a faithful wife.

And to me, Onegin, this splendor,
Hateful life tinsel,
etc.................