Maxim sparrows biography. The value of Vorobyov's work

Vorobyov Maxim Yuryevich is a Russian businessman, investor, chairman of the board of directors and co-owner of the Russian Aquaculture company. In the business environment, he is known for large-scale projects in the fishing industry, including being recognized as the founder of the Russian Sea company.

First steps in business

Maxim Vorobyov was born in the suburbs of Krasnoyarsk. Was one of the best students in the class school years actively involved in sports for a long time attended the hockey section. After graduating from school, he entered Faculty of Economics Moscow Institute international relations Russian Foreign Ministry.

As part of one of his student practices, he joined his older brother, who several years earlier moved to Moscow and took his first steps in business. The brothers decided to supply fish from Norway, bordering Russia in the northwest: they began to carry small batches of mackerel and herring and distribute them to retail outlets. Interest in partnership with start-up businessmen grew rapidly among stores, as they relied on strict compliance with the agreements: they tried to organize the supply of fish ahead of the deadlines prescribed in the contract, at a fair price and of the best quality.

Being in the last year of the institute, Maxim Vorobyov combined study and work. The brother had agreements with Norwegian companies and ensured the supply of quality products, while Maxim had the organization of a well-functioning sales network and control over compliance with the terms of contracts with outlets buying products. Having started the business together, the brothers gradually expanded the team. Maxim, who actually worked as a sales manager, became a sales director, having received several managers as assistants. The brother served as the CEO. It was then that the business was named "Russian Fish Company".

As the sea of ​​possibilities expanded

A few years later, when the company acquired not only a staff, but even opened a branch in Voronezh, which supplied fish to the southeastern regions of Russia, it was decided to create a fish processing plant. Carrying out these plans, Maxim Vorobyov went to Spain, to the recognized international business school IESE, in order to improve his competencies in business management. Living in fact in two countries, Maxim graduated from this school a year later, receiving a Master of Business Administration (MBA) degree.

Meanwhile, his company began construction of a small plant in the city of Noginsk near Moscow, which began to produce salted fish and caviar. For these products, Maxim Vorobyov's team has developed trademark"Russian Sea", which very quickly entered all the largest retail chains and became popular with the consumer. By 2000, products under this brand were supplied to almost all regions of the country.

Gradually, the "Russian Fish Company" expanded the range of its products and the production itself, equipping it with new technological equipment. Sea delicacies, caviar, a variety of salted and baked fish appeared in the "Russian Sea" line. Meanwhile, Maxim's brother was gradually moving away from the fish business, and in fact, the management of the company passed to Maxim. He first became the executive director of the Russian Sea, then CEO, and after he bought back from his brother part of the shares of the Russian Fish Company, he became the chairman of the board of directors and sole owner business.

In 2010, Maxim Vorobyov decided to take the company through an IPO in order to raise additional funds for development by selling the company's shares on the stock exchange - at that moment the business was growing rapidly, and Maxim did not want to miss the chances for consolidation. The Russian Sea brand, which by that time had become famous and popular with Russians, was decided to be used as the name of the company. The Russian Fish Company became the Russian Sea Group of Companies.

Deep dive

The IPO, as Maxim Vorobyov supposed, made it possible, firstly, to expand production and increase the range of products, and secondly, opened up new segments for business. The company, in particular, took up aquaculture - fish farming, having bought several fish-breeding lake plots in Karelia and the rights to develop plots in the Barents Sea in the Murmansk region for this. In Karelia, "Russian Sea" began to grow trout, and in the Murmansk region - salmon. At the forefront was the idea of ​​using our own fish in the fish processing industry, and not purchased from other companies that catch or grow it.

At the same time, Maxim Vorobyov attracted partners to organize a fishing business: the Russian Sea - Production company was established, which brought together several small fishing companies from different coastal regions of the country. Having modernized the fishing vessels, "Russian Sea - Dobycha" started catching herring and pollock, as well as cod, greenling, lemon, squid.

The aquaculture direction required significant funds: Russia had no experience in this agricultural segment, here it was possible to focus only on the expertise of other countries. Fascinated by the development of this project, Maxim Vorobyov decided to sell the fish processing part of the business and allocate funds to the aquaculture sector. He often personally traveled to Norway, Chile, the Faroe Islands to learn from these states, which are considered world leaders in aquaculture.

And the Noginsk plant of the Russian Sea and the rights to use this brand in 2013 were transferred to another manufacturer of fish products; Maxim Vorobyov focused on commercial fish farming and fishing. The companies were named "Russian Aquaculture" and "Russian Fishery Company" respectively.

Not a single fish

In parallel, Maxim Vorobyov invested in other projects, choosing areas that were interesting and understandable to him. In particular, he was involved in the development of several construction companies, among which one of the largest developers in the north-west of the country, Glavstroy-SPb, was also the owner of shares in a number of Russian banks and mining companies. In 2014-2015, he became a business angel and invested in a number of technology startups.

According to Maxim Vorobyov himself, he is attracted by science-intensive projects that require development from scratch. In the implementation of his projects, he is focused on the introduction of innovative technologies. I am convinced that "the success of a company depends not only on the volume Money directed to its development, but primarily on the level of intellectual capital that it has at its disposal. " He believes that "the basis of any promising project is the right idea, competent specialists and advanced technologies". He also believes that "real success is when you make the most of your potential: you should not rely on " goldfish"It's in you."

Maxim Vorobyov has been happily married for a long time and has four children. Still engaged in active sports, including hockey, loves to travel, reads a lot.

Education

MGIMO (Russia), IESE (Spain)

Companies

Russian Sea, Russian Aquaculture, Russian Fishery Company, Glavstroy-SPb, St. Petersburg Renovation, Bank St. Petersburg, SKIB Bank, etc.

In 2009, he was included in the personnel reserve of the President of Russia ("golden presidential thousand") as a manager managing large-scale projects.

MN Vorobyov was the son of a non-commissioned officer, who, after his resignation, was hired as a caretaker at the Academy of Arts. Here he was educated future artist: in 1798. He was enrolled in the architectural class, which was led by J. B. Thomas de Thomon, and graduated from the Academy of Arts in 1809 in the class landscape painting.

Vorobyov's life turned out well: in 1814 he became an academician, the next year he began teaching, in 1823 he received the title of professor, and in 1843 - honored professor.

Wide educated person, a subtle connoisseur of art, an outstanding violinist, Vorobyov early felt the need to abandon outdated forms and rules. The first works in which Vorobyov's originality manifested itself were drawings and watercolors made in the Nikolsky-Tversky estate of L. N. Lvov. In May 1812, on the way to Moscow, the young artist stopped at Lvov. Here, Vorobyov created many drawings that testified not only to his remarkable talent, but also to a new attitude towards the landscape genre.

He brought up several dozen students, among whom were many excellent landscape painters (I. K. Aivazovsky, A. P. Bogolyubov, L. F. Lagorio, G. G. and N. G. Chernetsov, and others); at the same time, he himself did not leave the brush all his life. Vorobyov wrote urban and seascapes, architectural monuments and views of nature, and sometimes episodes of war.

Vorobyov traveled a lot around Russia, repeatedly visited abroad and, based on the impressions of his trips, created new works. In 1813-14. the artist visited with Russian troops in Western Europe; the result of the trip was his canvas depicting a solemn prayer performed by the Russian clergy in Paris on the occasion of the victory. A little later, he performed a series of excellent views of Moscow, mainly painting the Kremlin.

Among famous paintings: "Entrance to the Church of the Resurrection of Christ in Jerusalem" (1822), " Interior view Church on Golgotha ​​in Jerusalem” (1824), “Internal View of the Armenian Church in Jerusalem” (1820s), etc. In the late 1820s. the artist also visited the theater of operations on the Danube. Based on the sketches and sketches made during the trip, landscapes of magnificent color were painted: “The Bosphorus”, “Seashore near Varna” (both 1829). Vorobyov's paintings were invariably a success with the public and critics, and he had to repeat many of them for customers.

Still, the most valuable part of the artist's legacy is the St. Petersburg landscapes, created mainly at the time of his creative flourishing, in the 1820-30s. The romantic image of St. Petersburg with its cool beauty appears in the landscapes “Sunset in the vicinity of St. Petersburg” (1832), “Neva Embankment near the Academy of Arts” (1835), “ Moonlight night Petersburg" (1839), "Construction of St. Isaac's Cathedral", " Peter-Pavel's Fortress"(both 1830s), etc.

Sunrise over the Neva View of Jerusalem Oak shattered by lightning
St. Isaac's Cathedral and a monument to Peter I Albano Alley View of a military telegraph near Varna
View of the city of Grodno View of the Palace Embankment in St. Petersburg View of Jerusalem
View from the window View of the Moscow Kremlin (from the Kamenny Bridge) View of the Moscow Kremlin from the Ustyinsky Bridge
View of Constantinople View of Rome View from the terrace of Yelagin
View of the Gruzino estate from the side of Volkhov Sunrise over the Neva Elagin island at night
Sunset in Rome Sunset in the vicinity of St. Petersburg Italian landscape
Moonlit night in St. Petersburg Neva embankment near the Academy of Arts Odessa
Autumn night in Petersburg. Pier with Egyptian sphinxes on the Neva at night Peter and Paul Fortress Visit of two Arab sheikhs
Seaside view in Smyrna, Italy

) - Russian painter; occupies a significant place in the history of Russian painting as an artist and as a mentor to a whole generation of Russian landscape painters.

Biography

The son of a watchman of the Academy of Arts, at the age of ten he entered the Academy as a pupil, and showed great success in drawing, perspective, architecture (Professor Thomas de Thomon) and landscape painting; his mentors in the latter were F. Ya. Alekseev and, probably, the landscape painter M. M. Ivanov. The type of painting chosen by the young artist, or rather, assigned to him by the academic authorities, was architectural and landscape. He drew well and grouped human figures that brought his paintings to life. In the city of F. Ya. Alekseev, a landscape painter of a decorative direction, a member of an expedition to study the historical places of Central Russia, received young Vorobyov as an assistant to paint city views. To enliven these views with human figures, Alekseev decided to depict episodes of the sovereign visiting cities. This official task was carried out by him and Vorobyov with success. In - gg. Vorobyov was present at the main apartment in Germany and France, and in the city he made a trip to Palestine on behalf of the government, where he drew, measured and sketched everything major places revered by Christians. The difficulty of this undertaking lay in the fact that all measurements and drawings had to be done secretly from the supervision of the local Muslim authorities. In addition to temples, Vorobyov painted several landscape views of Jerusalem and the Dead Sea, and on the way to Palestine - views of Constantinople, the island of Rhodes, Smyrna, Jaffa, etc. All these materials for future paintings consisted of 90 sheets watercolor drawings some sketchy, some very finished. Vorobyov's trip to the Holy Places was arranged by Nikolai Pavlovich, then still the Grand Duke, who wanted to bring the Church of the Resurrection of Christ in New Jerusalem, in the vicinity of Moscow, into proper form.

Sunrise over the Neva, 1830

Upon his return to St. Petersburg, Vorobyov wrote "The Entrance of the Church of the Resurrection in Jerusalem" () and in the same year - "The Neva from the side of the Trinity Bridge in moonlight." Later - "The inside of the chapel of Golgotha ​​in the Church of the Resurrection" (the figures express the moment of the call to communion). In the city he wrote: “Sunrise over the Neva”, “Dead Sea”, “Evening at Abu Ghosh of the Arab Sheikh” (almost a genre picture), “View of Smyrna”. During the Turkish war in 1828, V. was with the retinue of the sovereign for drawing and writing sketches on the instructions of his majesty. The fruits of this time were, among other things: "View of the siege of Varna", "Explosion of Varna", "View of Odessa", "A ship during a storm, on which the sovereign was." Deeply preserved memories of Jerusalem were brought to life 16 years after the Palestinian journey (" General form Jerusalem”, as well as “View of Constantinople from the Asian coast”). From 1840, the sad period of Vorobyov's life begins; having lost his dearly beloved wife, he began to degenerate morally for the worse, fell into excesses, which developed in him a disease from which he died in the city; in the same period, his artistic activity also declined. The last years of his life, he was mainly engaged in Italian views, according to studies he made in the vicinity of Rome and Palermo, during his travels - Messrs.

The meaning of creativity

Oak shattered by lightning. Allegory on the death of the artist's wife. 1842

Contemporaries put Vorobyov very highly. N. V. Kukolnik, publisher of the Fine Arts magazine, spoke of the "View of Constantinople", indeed one of the best pictures Vorobyov, so: "this is not a picture, but an ode from water, earth and air." The best paintings of the same kind of open landscape with a distant horizon include: "Dead Sea" and some views of the Neva. The "night view of the Neva", which was mentioned above, is reminiscent in style french artist Joseph Berne. However, the image of water in motion, especially big waves, poorly succeeded our artist, whom main force consisted of linear and aerial perspective and in a reasonable understanding of the relationship between the forces of colors. If among the works of V. there were few purely artistic ones, then this should be attributed not to a lack of talent in him, but to the fact that for many years he, regarding the choice of plots and partly the methods of processing them, was dependent on extraneous instructions. Such, for example, are his paintings relating to the war, most of his perspective paintings of the shrines of Jerusalem, images of parades, solemn entries, etc., works in which unconditional fidelity to reality was the dominant requirement.

View of Jerusalem, 1821

Most of V.'s activity was service and artistic, and only in rare cases did he freely give himself up to an artistic mood, and he conveyed not only general impressions from wide spaces, but also engaged in the peaceful life of nature, as can be seen in some views of Pargolov. His most original artistic attempt, however, more daring than successful, is the “Thunderstorm” (lightning strikes a tree), with a human figure hiding from terrible phenomenon, an optical task almost impossible for painting. The technique of Vorobyov's paintings is full of knowledge, thought out and finished, but for all that it is free. V.'s artistic nature showed itself even in his music lessons: he was an excellent violinist.

Financially, V. was supported by the orders of the Sovereign and other high-ranking persons, a life-long pension for the successful fulfillment of the Palestinian assignment; in addition, he painted pictures for Count A. X. Benckendorff, Prince M. S. Vorontsov, and he often made repetitions of some of his best paintings at their request. However, in the end, many of his works were not acquired by anyone, so that the artist had a whole museum of his paintings, which went from hand to hand only after his death, being played in a lottery that did not have much success.

The main paintings of V. are in palaces, on the estate of Fall Count Benckendorff and in a few private collections. The Hermitage houses the Calvary Chapel. At present, they cannot serve as a guide and model, but in his time V. taught a lot and many not only landscape painters, but even genre painters and architects. He, like no one else, could not create talents, so in long list his students meet more workers (for example, the brothers G. G. and N. G. Chernetsov) than talents; nevertheless, among the latter there are such names as the untimely deceased Lebedev, L. Lagorio and M. K. Klodt; A. P. Bogolyubov, I. I. Shishkin were at first students of V., as well as the brothers Goravsky and Gine, Dorogov. For a detailed biography of V., see the Bulletin of Fine Arts, 1890, article by Petrov.

Links

• Vorobyov, Maxim Nikiforovich in the library "Prospector"

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See what "Vorobiev, Maxim" is in other dictionaries:

- (1787, Pskov 1855, St. Petersburg), painter. He studied at the St. Petersburg Academy of Arts (17981809) at. He was in Moscow in 1812, capturing the appearance of the city that had not yet suffered from the city in a number of drawings and the painting created on their basis “View from the side ... ... Moscow (encyclopedia)

- (1787 1855), Russian painter. representative of romanticism. landscapes architectural views Moscow, Saint Petersburg but combine the accuracy of perspective with a variety of lighting effects, subtle nuances of states natural environment creating a special ... ... encyclopedic Dictionary

- (1787 1855), Russian painter. He studied at the St. Petersburg Academy of Arts (1798 1809) with F. Ya. Alekseev; taught there (since 1815). In 1809 12 and 1817 18 he sketched views of Russian cities, was seconded to the Russian army in Germany and France (1813 14) ... Art Encyclopedia

Russian painter. Son of a soldier. Studied at the St. Petersburg Academy of Arts (1798–1809) under F. Ya. Alekseev, taught there from 1815 (professor from 1823). In 1809‒12 and 1817‒18 he sketched views of Russian cities, was ... ... Great Soviet Encyclopedia

Wikipedia has articles about other people with that surname, see Vorobyov. Maxim Nikiforovich Vorobyov ... Wikipedia

Vorobyov, Maxim Nikiforovich Works at Wikimedia Commons Maxim Nikiforovich Vorobyov (August 6 (17), 1787, Pskov August 30 (September 11), 1855, St. Petersburg) Russian painter; occupies a significant place in the history of Russian painting as an artist and ... ... Wikipedia

) - Russian painter; occupies a significant place in the history of Russian painting as an artist and as a mentor to a whole generation of Russian landscape painters.

Biography

The son of a chief officer, who served as a watchman at the academy, entered the academy at the age of ten (1797), and showed great success in drawing, perspective, architecture (Professor Thomas de Thomon) and landscape painting; his mentors in the latter were F. Ya. Alekseev and, probably, the landscape painter M. M. Ivanov. The type of painting chosen by the young artist, or rather, assigned to him by the academic authorities, was architectural and landscape. He drew well and grouped human figures that brought his paintings to life.

The meaning of creativity

Contemporaries put Vorobyov very highly. N. V. Kukolnik, publisher of the "Journal of Fine Arts", spoke of "View of Constantinople", indeed one of Vorobyov's best paintings, like this: "this is not a picture, but an ode from water, earth and air." The best pictures of the kind of open landscape with a distant horizon include the Dead Sea and some views of the Neva. The "night view of the Neva", which was mentioned above, is reminiscent in style of the French artist Joseph Vernet. However, the image of water in motion, especially large waves, was poorly succeeded by our artist, whose main strength was in a linear and airy perspective and in a reasonable understanding of the relationship between the forces of colors. If among the works of Vorobyov there were few purely artistic ones, then this should be attributed not to a lack of talent in him, but to the fact that for many years he, regarding the choice of plots and partly how they were processed, was dependent on extraneous instructions. Such, for example, are his paintings relating to the war, most of his perspective paintings of the shrines of Jerusalem, images of parades, solemn entries, etc., works in which unconditional fidelity to reality was the dominant requirement. Most of Vorobyov's activities were service and artistic, and only in rare cases did he freely give himself up to an artistic mood, and he conveyed not only general impressions of wide spaces, but also engaged in the peaceful life of nature, as can be seen in some types of Pargolov. His most original artistic attempt, however, more daring than successful, is the “Thunderstorm” (lightning strikes a tree), with a human figure hiding from a terrible phenomenon, an optical task almost impossible for painting. The technique of Vorobyov's paintings is full of knowledge, thought out and finished, but for all that it is free.

Vorobyov's artistic nature showed itself even in his music lessons: he was an excellent violinist.

Financially, Vorobyov was supported by the orders of the emperor and other high-ranking persons, a life-long pension for the successful fulfillment of the Palestinian assignment; in addition, he painted pictures for Count A. X. Benckendorff, Prince M. S. Vorontsov, and he often made repetitions of some of his best paintings at their request. However, in the end, many of his works were not acquired by anyone, so that the artist had a whole museum of his paintings, which went from hand to hand only after his death, being played in a lottery that did not have much success.

Vorobyov's main paintings are in palaces, on the Fall estate of Count Benckendorff and in a few private collections. The Hermitage houses the Calvary Chapel. At present, they cannot serve as a guide and a model, but at one time Vorobyov taught a lot and many not only landscape painters, but even genre painters and architects. He, like no one else, could create talents, so that in the long list of his students there are more workers (for example, brothers

(1787 – 1855)

One of the leading Russian landscape painters of the first half of the 19th century, the author of the city and sea views in the style of soft romanticism, which enjoyed great success. During his lifetime, he was called "the most famous of Russian painters" and considered the "father of Russian landscape painting."

A student of Fyodor Alekseev, Mikhail Vorobyov was a master of the urban landscape. In his best canvases, he reached great emotional heights, this especially applies to his views of St. Petersburg at night. And his eastern series of 1820-1821 dug up in domestic art theme of Orientalism.

No less important for Russian painting is the importance of Mikhail Vorobyov as a teacher. At the Academy of Arts, he led the "class of landscape and perspective painting." He trained dozens of students, many of whom famous artists- brothers Chernetsov, Lebedev, Aivazovsky, Bogolyubov, Lagorio and others.

Mikhail Nikiforovich Vorobyov was born on August 6 (17), 1787 in the city of Pskov in the family of a soldier who in 1796 entered the service of the Academy of Arts "to teach music to pupils." He studied at the Academy from 1798 to 1809 in the class perspective painting by J.Thomas de Thomon and F.Ya. Alekseev.

In 1809 he was awarded a large gold medal, received a certificate of the 10th degree for the title cool artist and, in view of the Napoleonic Wars, left at the Academy as a pensioner. In 1814 he received the title of academician and from 1815 began to teach architecture and perspective in the painting class, as an assistant to Fyodor Alekseev.

In 1820-1821, as part of diplomatic mission DV Dashkova went on a trip to the Middle East, visited Constantinople, Smyrna, Jerusalem, Bethlehem and other cities of Palestine. The result of the trip was a unique series of sketches and sketches, which brought an "oriental" flavor to Russian art.

In 1823 he received the title of professor of perspective, from 1824, after the death of F. Alekseev, he led the perspective class, from 1826 - the class of painting landscapes and perspectives.

In 1828 during Russian-Turkish war was seconded to the Headquarters of the 2nd Army on the Danube. After spending the summer and autumn near Shumla, Varna and other locations of Russian troops, he executed numerous drawings and watercolors, which later served as material for paintings.

IN last years During his life he worked mainly on Italian views based on sketches made during his travels in 1845-1846 in Italy, Switzerland and Germany.

5. Vorobyov Maxim “Parade on Palace Square in St. Petersburg" 1817 Oil on canvas 47.5x64.5 State Russian Museum 6. Maxim Vorobyov "View of the Moscow Kremlin (from the Ustinsky bridge)" 1818 Oil on canvas 42.5x67.7 State Tretyakov Gallery

7. Maxim Vorobyov “View of the Moscow Kremlin (from the side of the Stone Bridge)” 1818 Oil on canvas 42.6x65.5 State Tretyakov Gallery 8. Maxim Vorobyov “View of the Moscow Kremlin (from the side of the Stone Bridge)” 1818 Oil on canvas 63.5x100 State Russian Museum