definition of a play. More alive than life itself

17.02.2019

The same as a play, see this word. Dictionary foreign words included in the Russian language. Chudinov A.N., 1910. A play in general, literary or musical. work; in the strictest sense, a dramatic work. Dictionary of foreign words included in ... ... Dictionary of foreign words of the Russian language

- (French piece “thing”, “piece”) as a dramatic term is used for those works that are difficult to attribute to any of the genres already canonized by theory. Yes, in history French theater we meet the word "play" in ... ... Literary Encyclopedia

And (obsolete) play, play, wives. (French piece). 1. Dramatic work. Put new play. Translation play. “In dramatic plays… noble passions can excite in us.” Nekrasov. 2. Small musical composition(music).… … Dictionary Ushakov

PIECES, s, wives. 1. Dramatic work for theatrical performance. 2. A small musical instrumental lyrical or virtuoso composition. P. for button accordion. Explanatory dictionary of Ozhegov. S.I. Ozhegov, N.Yu. Shvedova. 1949 1992 ... Explanatory dictionary of Ozhegov

PIESA, play for women, French. dramatic, theatrical or musical composition. Dahl's Explanatory Dictionary. IN AND. Dal. 1863 1866 ... Dahl's Explanatory Dictionary

Exist., f., use. often Morphology: (no) what? plays for what? play, (see) what? play, what? play about what? about the play; pl. what? plays, (no) what? plays for what? plays, (see) what? plays, what? plays about what? about plays 1. The play is dramatic ... ... Dictionary of Dmitriev

play- PIECE, PIECE, PIECE s, f. piece f. 1. Essay (scientific); document. PPE. Since I know how much you love to read and are curious, for this I am enclosing one piece, which is written in such a way as better than that it is forbidden. 1744. M. P. Bestuzhev Ryumin. // AB 2 230 ... Historical dictionary gallicisms of the Russian language

play- uh. 1) Dramatic work for theatrical performance. [Treplev:] She... is against my play, because it is not she who is playing, but Zarechnaya. She does not know my play, but she already hates it (Chekhov). Synonyms: dra / ma 2) A small musical ... ... Popular dictionary of the Russian language

play- a literary work intended for stage performance. Heading: the structure of a dramatic work Part: an act Other associative links: dramatic genres A play, drama, comedy is the most difficult form of literature, difficult because ... Terminological dictionary-thesaurus in Literary Studies

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  • The play, G. Fauré. This book will be produced in accordance with your order using Print-on-Demand technology. Reprinted musical edition of "Pi?ce". Genres: Pieces; For treble instrument, piano; Scores featuring…

The play is the form literary work, written by a playwright, which usually consists of dialogue between characters and is intended for reading or theatrical performance; small piece of music.

Use of the term

The term "play" refers to both the written texts of playwrights and their theatrical performance. A few playwrights, such as George Bernard Shaw, showed no preference for having their plays read or performed on the stage. A play is a form of drama based on a serious and complex conflict.. The term "play" is used in a broad sense - regarding the dramatic genre (drama, tragedy, comedy, etc.).

A piece in music

A piece in music (in this case, the word is like Italian pezzo, literally "piece") - instrumental work, often small in volume, which is written in the form of a period, a simple or complex 2-3 partial form, or in the form of a rondo. In the title piece of music its genre basis is often determined - dance (waltzes, polonaises, mazurkas by F. Chopin), march (“March of the Tin Soldiers” with “ children's album" by P. I. Tchaikovsky), a song ("Song without words" by F. Mendelssohn).

Origin

The term "play" French descent. In this language, the word piece includes several lexical meanings: part, piece, work, excerpt. Literary form plays passed long haul development from ancient times to the present. Already in the theater Ancient Greece two classical genre dramatic performances - tragedy and comedy. Later development theatrical art enriched the genres and varieties of drama, and, accordingly, the typology of plays.

genres of the play. Examples

A play is a form of literary work dramatic genres, among which:

Development of the play in literature

In literature, the play was initially considered as a formal, generalized concept that indicated the belonging artwork to the dramatic genre. Aristotle (“Poetics”, sections V and XVIII), N. Boileau (“Message VII to Racine”), G. E. Lessing (“Laocoön” and “Hamburg Dramaturgy”), J. W. Goethe (“Weimar Court Theater” ) used the term "play" as a universal concept that applies to any genre of drama.

In the XVIII century. dramatic works appeared, in the titles of which the word “play” appeared (“A play about the accession of Cyrus”). In the 19th century The name "play" was used to refer to lyric poem. Playwrights of the 20th century sought to expand the genre limits of drama by using not only different dramatic genres, but also other types of art (music, vocals, choreography, including ballet, cinema).

The compositional structure of the play

The compositional construction of the text of the play includes a number of traditional formal elements:

  • title;
  • list actors;
  • character text - dramatic dialogues, monologues;
  • remarks (author's notes in the form of an indication of the place of action, the characteristics of the character of the characters or a specific situation);

The text content of the play is divided into separate complete semantic parts - actions or acts that may consist of episodes, phenomena or pictures. Some playwrights gave their works an author's subtitle, which denoted genre specifics and stylistic direction of the play. For example: “play-discussion” by B. Shaw “Marriage”, “play-parabola” by B. Brecht “ kind person from Sichuan.

Functions of the play in art

The play had a strong influence on the development of art forms. World-famous artistic (theatrical, musical, cinematographic, television) works are based on the plots of the plays:

  • operas, operettas, musicals, for example: W. A. ​​Mozart's opera "Don Giovanni, or the Punished Libertine" is based on the play by A. de Zamora; the source of the plot of the operetta "Truffaldino from Bergamo" is the play by C. Goldoni "The Servant of Two Masters"; the musical "West Side Story" - an adaptation of W. Shakespeare's play "Romeo and Juliet";
  • ballet performances, for example: the ballet Peer Gynt, based on the play of the same name by G. Ibsen;
  • cinematographic works, for example: the English film "Pygmalion" (1938) - film adaptation play of the same name B. Shaw; Feature Film Dog in the Manger (1977) based on the play of the same name by Lope de Vega.

Modern meaning

Until our time, the interpretation of the concept of a play as a universal definition of belonging to dramatic genres, which is widely used in modern literary criticism and literary practice. The concept of "play" is also applied to mixed dramatic works that combine the features of different genres (for example: the comedy-ballet introduced by Molière).

The word play comes from French piece, which means piece, part.

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Play
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A play (French pi; ce) is a dramatic work, usually classical style, created for staging any action in the theater. This is a general specific name for works of drama intended to be performed from the stage.
The structure of the play includes the text of the characters (dialogues and monologues) and functional author's remarks (notes indicating the place of action, interior features, appearance of the characters, their behavior, etc.). As a rule, the play is preceded by a list of actors, sometimes with an indication of their age, profession, titles, family ties, etc.
A separate complete semantic part of the play is called an act or action, which may include smaller components - phenomena, episodes, pictures.
The very concept of a play is purely formal, it does not include any emotional or stylistic meaning. Therefore, in most cases, the play is accompanied by a subtitle that defines its genre - classical, main (comedy, tragedy, drama), or author's (for example: My poor Marat, dialogues in three parts - A. Arbuzov; Let's wait and see, a pleasant play in four acts - B. Shaw, The Good Man from Sezuan, parabolic play - B. Brecht, etc.). The genre designation of the play not only performs the function of a "hint" to the director and actors in the stage interpretation of the play, but helps to enter the author's style, the figurative structure of the dramaturgy.
AT musical art the term play, as a rule, is used as a generic name for works instrumental music.
Play

Literary Encyclopedia
Play

PIECES (French piece - “thing”, “piece”) - as a dramatic term, it is used for those works that are difficult to attribute to any of the genres already canonized by theory. So, in the history of the French theater we meet the word "play" in the repertoire fair theaters, which, under the influence of persecution from the Comedie Francaise and Comedie Italienne, create the most curious genres - “piece a ecritaux”, “piece a ariette”, etc. These are small everyday scenes, the tradition of which was picked up by the Jacobin revolutionary theater, who created the genre of topical political performance - "piece a circonstance". The word "P." also found in Diderot's treatise De la poesie dramatique. Diderot in P. does not see any particular genre - P. he calls any dramatic. work written in household theme, so in its scale dramatic. Diderot P. does not insert genres.
P. is greatly spreading in connection with the development of a real-everyday theater - a theater that, by its main goal considered the exact reproduction of empirically known reality in the form of a kind of "piece of living life." Being the most general, universal designation dramatic works and having the ability to combine all the dramatic genres, the play leveled each of them and thereby lost its individual properties. The most characteristic feature of bourgeois P. is the ordinariness and mediocrity of everything that takes place in it. There are no strong dramatic conflicts, no heroic tension, no sharp and evil laughter. The bourgeois play is entirely within the bounds of empirical and socially compromised, liberal art.
In Soviet dramaturgy, the traditional "P." begins to undergo significant changes towards the typification of images and the activation of means of influence. So. arr. The development of Soviet dramaturgy does not lead to the consolidation of drama as a genre, but, on the contrary, to the creation of a whole series of new genres that have a relief individual outline and are devoid of the amorphousness and hybridity that constitute the essence of drama.

Drama is one of the three main genres of literature, which is simultaneously correlated with three types of art - literature, theater and music.

Dramaturgy is mainly associated with the theater as the main form of performing arts. On its stage, all the "three unities" that underlie any dramatic work are realized. Their specific concept, intended for performance from the stage, has long been called plays. The very word "play" is of French origin and literally means "excerpt", "part", "work". Otherwise, a play can be called any dramatic work intended for staging in the theater, as well as for radio and television performances.

In the art of music, a piece is understood primarily as a generic name for works of instrumental music. However, there are other meanings, for example, a complete piece of music or a small instrumental lyrical composition.

Building a play

It should be noted that the very concept of a play is purely formal and does not carry any genre or stylistic load. However, as a rule, the title of the play explains or indicates its genre identity: comedy, tragedy, drama, tragicomedy, etc.

Any play in the construction of its composition obeys the laws of the "three unities", which belong to the pen of Aristotle - the unity of time, place and action.

The logical sequence of action is always written in the following order of the elements of the play:

  1. The exposition is the setting in motion of the play. It contains the arrangement of actors, describes how circumstances develop, reveals the reasons for which it begins to unfold plot outline. As a rule, the exposition is located before the beginning of the action.
  2. The plot - here the main conflict of the play begins to unfold.
  3. Rise of action - a chain of events originating from the conflict of the play.
  4. The climax is the peak of the main conflict.
  5. The denouement of the action is mainly provoked by the climax, we find out what the heroes end up with: someone loses, wins, and someone dies.

The structure of the play is presented

  • dialogues and monologues of heroes;
  • author's remarks, where the author wants to emphasize, for example, some features of the behavior of the hero or the situation;
  • a list of characters, which is given at the very beginning of the play, indicating the profession or family ties of the characters;
  • acts - the semantic parts of the play, which in turn are divided into smaller ones - episodes, pictures, phenomena.

Features and genre originality

The main difference between the play and others dramatic works is that it was created exclusively for performances in the theater.

The play also has a certain chain of plot development, which we talked about a little higher: exposition - plot - escalation of conflict - climax - denouement. It should be noted that this state of affairs prevailed in the European theater until the middle of the 19th century, when the Norwegian playwright Henrik Ibsen reformed the canons of the play. With Ibsen, the dramatic production began to carry an ideological overtone, and where it usually ended (denouement), everything was just beginning for him. The replicas and dialogues of the characters began to play a more significant role in the development of the idea and the plot. human voice became the leader in the play, and the psychology of the hero began to emerge more clearly in the dramaturgy.

The play, as mentioned earlier, is not special kind or the genre of drama, however, it can be staged in any genre, for example, in the genre of comedy, where the humorous overtones are driving force plays. Or, on the contrary, a tragedy production where the plot inevitably moves to a catastrophic denouement of the action: someone dies or someone is killed. Genre originality helps the viewer to enter the author's style of building the play.

You may also be interested in the following articles on this topic.

To understand what a play is, it is necessary to know why and for what purpose the play itself exists. literary word in human culture why is it more important than that definition, which is formulated logically, precisely and clearly. And why is this bare and irrefutable logic perceived by a few, and literary fabrication - by millions, if not billions.

Man is an emotional being

Human nature, it turns out, is this: a thought that is not colored by intense emotion is not able to enter the information space of most specific individuals. After all, the same mathematics, as a system of certain knowledge, even purely formally much easier topics nevertheless, the Queen of all Sciences is truly understood by a few, and what Romeo and Juliet tells about is perceived by everyone. And then there is no need to explain what a play is.

Leo Tolstoy's work is indicative in this respect. As an example, he clearly and clearly described the character of the same Natasha Rostova on many pages, but this description did not linger in the minds of people for a moment. And suddenly we see her dancing to the guitar of her distant relative, enthusiastically looking at the night native and Russian sky, absorbing with all her awakening feminine nature the views of men thrown at her body ... And every person instantly understood her, because the poetic perception of the world woke up. This is what the transmission of a clot of information about anything through the emotional channels of human consciousness into its information field is like.

A play is a composition for stage, radio and television plays.

People who have never worked literary creativity, having read the title of this section, they will not even be interested in the meaning of what has been said. They will not remember that actors are walking around the stage, and each of them has its own unique character. inner world; they will not think how hard the director, playwright, artist, props, stage technicians worked on a particular performance ... But these are all - worlds, worlds, worlds that come together in order to create an artificial Universe in which important thoughts should come to life. And when everything works out, then not a single answer to the question "what is a play" is able to accommodate the action that unfolds for two or three hours before the eyes of the audience.

An important formality

And yet, what is a play? The term is a very set of characters' dialogues that they pronounce as the story progresses. But in the case when the author, albeit unconsciously, adjusts the speeches of fictional characters to his understanding and vision of what is happening in the world in which he lives, then the truth of life dies, and the words sound empty. Through the speeches of the heroes of the work, it is necessary to show exactly what the character himself, and not the author, sees. There is no place in the play to explain something further, to tell the viewer more, as it is done in novels and poems. That is why writing dramatic works is the most complex view word art.

More alive than life itself

Once Gogol was asked what the play "Inspector General" is. At first, the writer became gloomy and closed off, and after an hour or two, when the questioner forgot to think about his question, the genius replied that this is something that is more alive than life itself, because not years, but minutes flow. And he is infinitely right, because everyone plot twist, the appearance of new characters is a multidimensional allegory, and each individual phrase is like a revelation. This definition is the essence of what a play is. After all, the viewer, even an inexperienced one, instantly cracks through the deceit, and the written masterpiece, not being born, dies. For all time in Russian Empire over 20,000 plays were written, but very few live on the stages of the world to this day - only 7. The mystical number of perfection ...



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