Caravaggio Michelangelo (Caravaggio). Actually, full name Merisi da Caravaggio (Michelangelo Merisi da Caravaggio). Italian painter. Born September 28, 1573. Studied in Milan (1584-1588); worked in Rome (until 1606), Naples (1607 and 1609-1610), on the islands of Malta and Sicily (1608-1609). Caravaggio, who did not belong to a particular art school, already in early works contrasted the individual expressiveness of the model, simple everyday motifs (“Little Sick Bacchus”, “Young Man with a Basket of Fruit” - both in the Borghese Gallery, Rome) to the idealization of images and the allegorical interpretation of the plot, characteristic of the art of mannerism and academicism.
He gave a completely new, intimate psychological interpretation of traditional religious themes (“Rest on the Flight into Egypt”, Doria Pamphilj Gallery, Rome). The artist made a great contribution to the formation household genre(“Fortuneteller”, Louvre, Paris and others). mature works artist Caravaggio - these are monumental canvases with exceptional dramatic power (“The Calling of the Apostle Matthew” and “The Martyrdom of the Apostle Matthew”, 1599-1600, the Church of San Luigi dei Francesi in Rome; “The Entombment”, 1602-1604, Pinacoteca, Vatican ; "Death of Mary", circa 1605-1606, Louvre, Paris). The picturesque manner of Caravaggio in this period is based on powerful contrasts of light and shadow, expressive simplicity of gestures, vigorous modeling of volumes, saturation of color - techniques that create emotional tension, acute affectation of feelings. Emphasized "common people" types, the assertion of the ideals of democracy put Caravaggio in opposition to contemporary art doomed him to last years life on wanderings in southern Italy.
In later works of Caravaggio refers to the theme of human loneliness in a world hostile to him, he is attracted by the image of a small community of people united by kinship and warmth(“The Burial of Saint Lucia”, 1608, Church of Santa Lucia, Syracuse). The light in his paintings becomes soft and moving, the color tends to tonal unity, the manner of writing takes on the character of free improvisation. The events of Caravaggio's biography are striking in their drama. Caravaggio had a very quick-tempered, unbalanced and complex character. Starting from 1600, the time of the highest creative upsurge of Caravaggio, his name began to appear constantly in the protocols of the Roman police. At first, Caravaggio and his friends committed minor illegal acts (threats, obscene poems, insults), for which he was brought to trial. But in 1606, in the heat of a quarrel during a ball game, the artist committed murder and has since been forced to hide from the police.
After the murder, the artist fled from Rome to Naples. There he continued to work on large commissions; his art had a decisive influence on the development of the Neapolitan school of painting. In 1608 Caravaggio moved to Malta, where he painted a portrait of the Master of the Order of Malta and joined the Order himself. But soon Caravaggio had to flee from there to Sicily because of his quick temper. After living in Sicily for some time, the artist returned to Naples in 1609, where he was attacked in a port tavern and mutilated. At this time, Caravaggio was already ill with malaria, from an attack of which he died on July 18, 1610. The harsh realism of Caravaggio was not understood by his contemporaries, adherents of " high art". The appeal to nature, which he made the direct object of the image in his works, and the truthfulness of its interpretation caused many attacks on the artist by the clergy and officials. Nevertheless, in Italy itself there were many of his followers, who were called caravagists.
The creative manner of Caravaggio had a direct influence on the formation of the current of Caravaggism, an independent trend in European art of the 17th century. Caravaggism is characterized by democracy figurative system, an increased sense of real objectivity, the materiality of the image, the active role of light and shade contrasts in the pictorial and plastic solution of the picture, the monumentalization of genre and everyday motives. In Italy, where the tendencies of Caravaggism remained relevant until the end of the 17th century and were especially affected in the painting of Rome, Genoa and Naples, the most powerful and original interpretation of the legacy of Caravaggio was in the work of the Italian artist Orazio Gentileschi and his daughter Artemisia.
But even more significant was the influence of Caravaggio's work outside of Italy. No one major painter of that time did not pass by the passion for caravagism, which appeared milestone on the path of European realistic art. Among the European masters of caravagism outside of Italy, the most significant are the works of the Utrecht caravagists in Holland (Gerrit van Honthorst, Hendrik Terbruggen, etc.), as well as Jusepe de Ribera in Spain and Adam Elsheimer in Germany. Peter Paul Rubens, Diego Velasquez, Rembrandt van Rijn, Georges de Latour passed through the stage of caravaggism. The impact of individual techniques of caravagism is also felt in the works of some masters of academicism (Guido Reni, Sebastiano Ricci in Italy and William-Adolf Bouguereau in France) and baroque (Karel Shkret in the Czech Republic and others)
Outstanding italian artist Caravaggio (1571-1610) is known not only for being the founder of realism in painting. The fact is that at sunset arose, the most prominent representative which was Michelangelo Merisi da Caravaggio (not to be confused with).
Portrait of Caravaggio by Ottavio Leoni, 1621
If you like Interesting Facts, Then short description life master of genius with his incredible adventures will definitely bring you pleasure.
It must be said right away that the paintings of Caravaggio are truly impressive even for those who are not strong in art. The fact is that the artist used the “chiaroscuro” technique, which consists in a sharp opposition of light and shadow. It was due to this technique that the maestro emphasized the emotions and experiences of his heroes in a special way.
An interesting fact is that Caravaggio, in his short life (and he lived only 38 years), did not leave a single drawing or sketch. In other words, he is all his own, even the most complex ideas, implemented immediately on the canvas, without any preliminary steps.
Young Caravaggio
Born in the small Italian town of Caravaggio, which is located near Milan, Michelangelo Merisi at the age of 13 years goes by in the workshop of Peterzano. There he got acquainted with the art of painting, and by the age of 20, the young artist Caravaggio showed great promise.
However, his extremely blunt and short-tempered nature prevents him from building a career. Constant scandals, fights and imprisonment accompanied him throughout his life. From Milan, he was forced to urgently leave for Rome after card game ended in scandal and murder.
Life in Rome
Here, the observation of the Italian priest Borromeo, who, having met Caravaggio, described him as follows, is very remarkable:
"An uncouth and rude man, always wandering the streets and sleeping wherever he can, he draws vagabonds, beggars and drunkards, and seems to be a completely happy person."
The first works of Caravaggio were made under the noticeable influence of and. An interesting fact is that it was in Rome that Michelangelo Merisi received the nickname "Caravaggio" after the name of the city in which he was born. Since then, in art, he has been known precisely under him.
After another fight, Caravaggio again ends up in prison, where he meets with Giordano Bruno. In 1593, he was on the verge of life and death for several months, as he became seriously ill with Roman fever (malaria). At the stage of recovery, he writes his first self-portrait. The painting is called "Sick Bacchus".
Most of all, he was brought fame by paintings on biblical stories. It is not clear how Caravaggio managed to connect them with wild life and constant scandals. He indiscriminately threw his sword at anyone who spoke badly of his works of art.
Flight from Rome
In 1606, the maestro was outlawed by Pope Paul V (his portrait is below). And this meant that any person could not only kill him, but also receive a reward for it. Of course, the Pope had reasons for such a serious decision.
It so happened that during the ball game a fight broke out between the two companies. One was led by Caravaggio, and the other by Ranuccio Tomassoni. Ultimately, Ranuccio Tomassoni was killed and the artist was charged with the crime.
Having succumbed to the run, he hides in the Colonna estate, where he paints gloomy paintings "St. Francis in Meditation" and "Supper at Emmaus".
After that, he moves to Naples, and a year later - to Malta. But here he again becomes involved in some kind of scandal, and again ends up in prison. They put him in the so-called stone bag, but he somehow managed to escape from there.
In 1608, Caravaggio sailed to Sicily in the city of Syracuse. Moving around the Sicilian cities, he writes his famous paintings.
Death and pardon
After a few years, Cardinal Gonzaga begins to negotiate with Pope Paul V to pardon Caravaggio. Hoping for a positive decision, the artist plans to secretly move closer to Rome.
However, having sailed from Naples, he disappears, and nothing is known about his further fate. There is only information that not all historians trust that he was allegedly detained in the fortress of Palo, and then went on foot to Porto Ercole.
It was there that on July 18, for unknown reasons, the master died at the age of 38. And already on July 31, a decree was issued to pardon Caravaggio. In parallel with it, a message about the death of the artist was also published.
As we have already said, Caravaggio had a tremendous impact on art in general, and on the work of many outstanding artists in particular. However, his violent and incredibly quick-tempered character has become a byword.
Eyewitnesses say that when he painted the painting "The Resurrection of Lazarus", he needed real images. Being a fan of his work, he ordered that a recently murdered man who was dug out of the grave be brought to the workshop.
Two hired sitters flatly refused to pose, along with the corpse that had begun to decompose. Without thinking twice, Caravaggio drew a dagger and forced them to submit to his own will.
Paintings by Caravaggio
Below are the most famous paintings Caravaggio. Pay attention to them amazing realism, a stunning play of light and shadow, as well as accuracy in conveying the slightest emotions. It seems that the heroes of the stories live their own lives, and only for a moment froze.
"Rounders" (1594) 
"Boy with a Basket of Fruit" 
"Sick Bacchus" (detail) (1593) 
"Fortuneteller" (1594) 
"Fruit Basket" (1596) 
Lute Player (Hermitage) 
"The Calling of the Apostle Matthew" (1600) 
"The Boy Bitten by the Lizard" 
"Cupid the winner", (c. 1603) 
Portrait of Pope Paul V by Caravaggio. The same dad who outlawed the artist. Michelangelo Merisi da Caravaggio was born in 1571 in Italy in Lombardy. It is still unknown where this was born. outstanding person nor his date of birth. Scientists suggest that he could have been born in Milan, or in a small town near Milan - Caravaggio. Michelangelo was the eldest son in the family. He had three brothers and a sister who was the youngest of all. Their father was a construction worker and had a good salary and education.
When the plague broke out in 1576, the Michelangelo family had to move from Milan again to Caravaggio. In 1577, his father died, and then some problems began in the family. Nothing more is known about this period. Biography of Michelangelo Merisi.
The next date, 1584, interrupted this period. Michelangelo became a student of the Milanese artist Simone Peterzano. After studying with this unfairly forgotten painter, Michelangelo was supposed to receive the title of an artist, but, unfortunately, no supporting facts about this have been preserved.
In 1592, the Caravaggio family again experienced another tragedy - the mother died. After this incident, the entire inheritance of the parents was divided among the children. Michelangelo received good share, which was enough to leave his hometown and move to Rome. According to some reports, Michelangelo did not just escape from Milan. Many biographers believe that he killed a person, or seriously injured him, therefore, he needed to move.
At first, Michelangelo Merisi da Caravaggio had difficulty finding work in the capital of Italy, but soon he got a job as an apprentice with Giuseppe Cesari, who was considered at that time one of best artists Italy. But their collaboration was short-lived. Caravaggio ended up in the hospital due to the fact that he was hit very hard by a horse. After his recovery, he decided to work on his own.
Then, on the path of Michelangelo, Cardinal Francesco del Moite met. He got several paintings by Caravaggio and liked them very much. Wash was educated and cultured person, appreciated art and was friends with Galileo. In 1597, the cardinal took the young artist into his service, providing him with a good salary. So another 3 years passed from the biography of Michelangelo, and they were not in vain. The artist was noticed, and he began to receive more and more orders. It was at this time that he painted such paintings as “The Calling of the Apostle Matthew” and “The Martyrdom of the Apostle Matthew”, as well as “The Crucifixion of the Apostle Peter”.
Caravjo's contemporaries were amazed by his talent. He painted very realistically, his paintings were filled with drama and were very original. He painted contrary to the religious standards that existed at the time. Of course, there were also opponents of his work, who believed that he portrays saints in a very mundane way. So, his painting "Saint Matthew and the Angel" was rejected by the ministers of the church as unworthy. It was this painting that the famous collector of that time, Marquis Vincenzo Giustiniani, bought more than 15 paintings from Caravaggio. Michelangelo rewrote the painting rejected by the church.
By 1604, Michelangelo Merisi da Caravaggio had become the most famous artist Italy of his time, but not only that, he was also known as the most scandalous artist, because heated debates always flared up around his paintings. But the name of Caravaggio was also associated with notoriety, the glory of the offender. His name appeared more than 10 times in the list of those breaking the law with his careless antics. Of these, one can list such as carrying knives without permission (Caravaggio carried a huge dagger with him), throwing a tray in the face of a waiter, breaking glass in the house. The artist even spent some time in prison. May 28, 1606 Michelangelo Merisi da Caravaggio killed a man. If earlier, when he was still living in his homeland, this fact was not confirmed, then this time it is known for certain. After a fight that arose during a ball game, this misfortune happened. Michelangelo had to flee. The remaining 4 years of his life he had to spend in exile.
At first he was near Rome. He still hoped that he would be pardoned. Realizing that this was impossible, he went to Naples. And even there he found customers. After living for 9 months, he moved to Malta. In Malta, Caravaggio worked very productively, and for services to the Order of Malta, Michelangelo Merisi da Caravaggio was knighted. But everything could not be so smooth, the temper of the artist made itself felt. After another skirmish with a high-ranking adviser of the order, Michelangelo ended up in prison, from which he escaped to Sicily.
By the end of the artist's life, the authorities were no longer looking for him, now he had another danger - the revenge of the hospitallers. In the autumn of 1609, Michelangelo was badly injured, his face was mutilated. In 1610, irony played bad joke with the artist, he went to jail, but by mistake! He was released soon after. But having contracted malaria, he died on July 18, 1610 at the age of 39.
The great artist Michelangelo Merisi, known to us as Caravaggio, had many troubles and misadventures. Fate was not kind to him. Either because of his temperament, quick temper, lifestyle, or because of his talent, the makings of which were already noticeable by the age of eleven.
He was born, according to some sources, on September 28, 1571 in Lombardy, in northern Italy in the small town of Caravaggio, in the family of a well-to-do architect of local marquises, signor Fermo Merisi. In 1577 he dies of the plague. In 1584, the boy was sent to Milan to study art with the well-known then artist Simone Peterzano from Bergamo, who promises to teach him by the age of fifteen.
In 1590 his mother died. Having shared with his brother the inheritance left after the death of his parents, which allowed Michelangelo to live comfortably for several years, in 1592 he leaves his native city. Addicted to gambling, noisy drunken companies soon shook his well-being, and he ends up in Rome already without money, hungry and ragged. From day to day he works on unpretentious handicrafts in the workshop of a certain Lorenzo.
Siciliano. Of course, the young artist, who had already shown the ability to do something better, could not be satisfied with this state of affairs. Disappointment, poverty, lead Caravaggio to illness, he ends up in a hospital for the poor. After his recovery, he is taken to his studio by Giuseppe Cesari d'Arpino. He is well versed in the preferences of customers, knows the market situation, is resourceful enough and he always has clients. Need briefly recedes from Caravaggio.
But here again there is trouble. The artist is hit by a horse, and he again ends up in the hospital. After recovering, Caravaggio decides to work on his own. At this time, one after another, the most famous paintings of his first period of creativity appear. "Fortune Teller", "Rest on the Flight into Egypt", "Penitent Magdalene", "Young Man Bitten by a Lizard".
But, despite the fact that with these works he declared himself as a talented artist, the public remains indifferent to him. And only by the will of fate, several works get to the connoisseur of painting, Cardinal Francesco del Monte, who takes him into his service with quite a decent salary.
According to contemporaries, the artist's patron was not distinguished by piety and chastity. At his feasts, "women were never invited, but young boys dressed in women's clothes danced there." Well, since Caravaggio directly depended on the desire of the customer, erotica with a homosexual inclination also appeared in ego paintings.
Unfortunately, very little reliable information has been preserved about Caravaggio. He was not married, but female gender was not indifferent. “A minx living in the Banka district”, “Laura and her daughter and her daughter Isabella, because of which the process arose”, “Maddalena, the wife of Michelangelo, who lives near Piazza Navona”, broken windows of a jealous husband - all this is only from small notes of biographers, informants observing progressive trends by order of the Inquisition artistic life those years.
Thanks to Cardinal del Monte, Caravaggio receives the first major commission for the Contarelli Chapel of the Roman church of San Luigi dei Francesca "The Calling of the Apostle Matthew" and "The Martyrdom of the Apostle Matthew". This certainly affected his authority, the artist begins to receive prestigious orders.
Caravaggio in his works always had a passion for painting from life. He carefully wrote down every detail, trying to bring it closer to the original. It was Caravaggio who introduced a new genre for Rome - still life as such. If from his genre works remove whether it be figures of people, fruits, appliances, leftovers from dinner, musical instruments, all these details still continue to live their lives, being an almost independent center of gravity. There was only one desire in Caravaggio's inclination for naturalism - to reflect the object, setting, characters as accurately as possible, up to the use of a mirror as an image transmission screen independent of the retina and a powerful light flux in modeling objects. With the help of sharp chiaroscuro, which was not previously welcomed by the masters of the Renaissance, Caravaggio achieves extraordinary tension in the freeze frame of his work. At the same time, it is very difficult to determine what is more important than a mirror or a light that strikes like a spotlight on the most significant parts of the body, accurately indicating to the viewer the essence of the idea for which the canvas was conceived. The naturalism of Caravaggio is not a soulless clone, but a visual transmission of internal emotions taking place here and now. The images of his heroes do not fit into the idealized standards of the then dominant directions of mannerism and academism. He writes them from real ordinary people from the crowd, regardless of the plot of the picture.
But in Rome, it was not a resemblance to nature that was required, but the sublimity and piety of plots, actions, and certainly not the earthiness of holy characters. Therefore, the church very often did not accept the work of Caravaggio. He made new works based on the canons of the customer. And the rejected canvases were acquired by collectors who knew a lot about painting. Church functionaries quite often refused his canvases. Caravaggio became scandalous artist. Michelangelo's popularity grew. And in 1604, the rumor about him spread throughout Northern Europe.
Along with the fame of the artist, the cases of his participation in scandalous incidents also increased. More and more manifested the features of his character as a quick-tempered, self-centered person living one day. One of the informants who observed the trends in the artistic life of those years wrote about Caravaggio: “His disadvantage is that he does not pay attention to constant attention work in the workshop - after working for two weeks, he indulges in monthly idleness. With a sword at his side and a page behind his back, he goes from one gambling house to another, always ready to enter into a quarrel and grab hand-to-hand, so that it is very unsafe to walk with him.
Frequent trips to a tavern with friends, throwing a tray in the face of a waiter, noisy antics at night, clashes with rivals, broken windows in a jealous owner of the house, carrying a weapon without permission, insulting the police, days spent in jail - all this created a reputation for him in the eyes of authorities as an unreliable person.
In May 1606, during a quarrel, Caravaggio killed Ranuccio Tommasoni. The artist himself was wounded and taken out by friends from Rome. The court sentenced him to death penalty and there was a reward for his capture.
In 1607 he moved to live in Malta. There, in 1608, the artist became a knight of the Order of Malta. And again there is a quarrel with a noble knight, whom he wounded. Then prison, escape, expulsion from the knightly order, Sicily. Caravaggio becomes aware that the knight wounded by him sent assassins to him. The artist returns to Naples, he is haunted by fear, he even sleeps with a dagger. But in the fall of 1609, the mercenaries, having overtaken Caravaggio on the threshold of the tavern, stabbed him in the face with daggers.
Tired of all the misadventures, the artist dreams of returning to Rome. But the death sentence has not yet been abolished. Rumors reach him that thanks to influential patrons, including Cardinal Gonzago, the abolition of the death sentence will soon be signed. From Naples, he goes to the Port of Ercole to wait there for more definite news. But even here, in last time misadventures fall on his head. Mistakenly mistaken for a bandit and arrested, he is then released. In order to return his belongings left in the weather vane, he returns to the shore infected with malaria, falls ill, and dies on July 18, 1610 at the age of 37, without knowing that on July 31, an amnesty was announced by the papal rescript of Caravaggio.
Caravaggio - biography
The great Italian artist Michelangelo Merisi da Caravaggio was born on September 29, 1571 in Milan. In 1576, his father died of the plague, and his mother and children moved to Caravaggio, a town not far from Milan. Here Michelangelo lived until 1591. The first genre scenes and portraits painted in Milan have not been preserved.
Michelangelo had a fiery temper. Fights and imprisonment became companions of his life. In 1591, the artist was forced to flee from Milan to Venice, and then to Rome.
Here Caravaggio (as they began to call him, as was customary among artists, according to his place of birth) met prominent artists and patrons, such as Jan Brueghel the Velvet, and also studied the works of Leonardo, Giorgione and Titian. The first of the paintings that have come down to us by Caravaggio himself is “Boy Peeling Fruit” (1593).
Nearly dying of a fever (1593), Caravaggio creates, perhaps, an autobiographical painting "Sick Bacchus". In the same year he painted his first multi-figure paintings, opposing the degenerate mannerism and the emerging academicism with lively realism. The heroes of Caravaggio are people from the street crowd, beautiful and cheerful. In 1594-96, Caravaggio experienced a fruitful period, working for his patron, the enlightened Cardinal Francesco del Monti, in his villa (many paintings from that time have survived to this day).
Despite outstanding successes in 1596 Caravaggio was refused admission to the Academy of St. Luke. In the same year he created the first pure still life in history. Italian painting"Fruit Basket"
In subsequent years, the artist receives many orders for the decoration of churches, but not all customers are satisfied with the work performed.
In 1601, Caravaggio finally removes his own workshop, he has students. His Entombment (1603) was copied by many artists (including the great Rubens).
The creation of masterpieces was interspersed with Caravaggio's wild life, fights, conclusions. On May 26, 1606, Caravaggio was accused of killing a man in a fight. Outlawed, the artist flees to Naples, then to Malta and continues to paint. His life here is full of adventures (in 1608 he even becomes a knight of the Order of Malta), but his health was already undermined. In the town of Porto d "Ercole, Caravaggio dies of a fever on July 18, 1610. The papal decree for pardon was published after his death.
Caravaggio - the great reformer European painting founder of realism in the 17th century. His method is characterized by a sharp opposition of light and shadow.
The significance of Caravaggio turned out to be unheard of, because none other than he was the first in history European art proclaimed the essence artistic images vital concrete phenomena, people for their characteristic occupations, things that surround them in reality. The innovation of Caravaggio's concept lay in the brutal directness with which painting became the literal reproduction of life. Moreover, the creative attitudes of the master, as well as his numerous followers in different European countries, the so-called "caravagists", did not change even when they turned to religious subjects.
The influence of Caravaggio on all subsequent art is so huge that there is simply nothing to compare it with: even the influence of Jan van Eyck, Leonardo da Vinci, Raphael, Titian and Michelangelo was not so comprehensive. To mention at least a few names of those who experienced his significant or even decisive influence, comments will already be superfluous: Ribera, Zurbaran, Velazquez and Murillo in Spain, Rubens and Jordaens in Flanders, Rembrandt and Vermeer in Holland, Georges de La Tour, brothers Le Nain, partly even Poussin in France. In Italy itself in the 17th century, it seems, there was not a single painter who did not become, to one degree or another, a “caravagist”.
From now on, art was no longer focused primarily on the ideal, but saw in nature, as in life itself, the simultaneous presence of opposite principles. In this sense, the aforementioned “Fruit Basket” by Caravaggio has become very indicative, where, along with ripe and juicy fruits and leaves, there are also rotten and withered ones, as a result of which the picture becomes not a proud statement of nature and life, but a sad reflection on the essence of our being ...
Caravaggio Michelangelo Merisi da (1573-1610), Italian painter.
Born September 28, 1573 in the town of Caravaggio in Lombardy (Northern Italy). He received his art education in Milan. He moved to Rome around 1590. The first years of his life here he earned by painting flowers and fruits in the paintings of other artists. Then he began to create genre works and still lifes. The main thing in the works of Caravaggio is the characteristic types of people. The painter asserted the superiority of direct reproduction of the surrounding world, the simplicity and naturalness of everyday life (“Girl with a Lute”, 1595).
He often chose religious themes.
The amazing concreteness and materiality of forms, the bold interpretation of biblical characters, which the artist endowed with resemblance to the common people - all this brought him scandalous fame. Often, Caravaggio interpreted religious subjects as genre scenes (The Calling of Matthew, 1597-1601; Conversion of Paul, 1601; Unbelief of Thomas, 1603). The saints and martyrs in his paintings are strong, full-blooded people. Caravaggio knew the life of the people very well and made him the hero of his works.
From picture to picture, the dramatic nature of perception intensifies, an increasing inclination towards monumentality is manifested, tragic force images (“The Entombment”, 1604; “The Assumption of Mary”, 1605-1606, etc.).
The harsh realism of Caravaggio was not understood by his contemporaries, causing attacks from the clergy and officials. But the artist all his life remained faithful to his convictions, internal independence, perseverance in achieving the goal. A man of violent temperament, he aggravated his situation with his temper. After he killed his opponent during a ball game, Caravaggio fled Rome.
The last years of his life were spent in wanderings. He died on July 8, 1610 in Port Erco-le (Grand Duchy of Tuscany, now in Central Italy).
Caravaggio was the largest representative realistic direction in italian art XVII century, which had a huge impact on the development of the entire realistic painting Europe
