Describe Ranevskaya. Description of the image of Ranevskaya in the play "The Cherry Orchard

Ranevskaya in the system of images of Chekhov's heroines

The play "The Cherry Orchard" became the swan song of A.P. Chekhov, taking long years stage of world theaters. The success of this work was due not only to its subject matter, which is controversial to this day, but also to the images that Chekhov created. For him, the presence of women in the works was very important: “Without a woman, a story is like a machine without steam,” he wrote to one of his acquaintances. At the beginning of the 20th century, the role of women in society began to change. The image of Ranevskaya in the play "The Cherry Orchard" became a vivid caricature of the emancipated contemporaries of Anton Pavlovich, whom he observed in in large numbers in Monte Carlo.

Chekhov carefully worked out each female image: facial expressions, gestures, manners, speech, because through them he conveyed an idea of ​​\u200b\u200bthe character and feelings that own the heroines. Appearance and the name also contributed to this.

The image of Ranevskaya Lyubov Andreevna has become one of the most controversial, and this is largely due to the actresses playing this role. Chekhov himself wrote that: “It is not difficult to play Ranevskaya, you just need to take the right tone from the very beginning ...”. Her image is complex, but there are no contradictions in it, since she is true to her internal logic behavior.

Ranevskaya's life story

The description and characterization of Ranevskaya in the play "The Cherry Orchard" is given through her story about herself, from the words of other characters and the author's remarks. Getting to know the central female character begins literally from the first lines, and the story of Ranevskaya's life is revealed in the very first act. Lyubov Andreevna returned from Paris, where she had lived for five years, and this return was caused by the urgent need to resolve the issue of the fate of the estate put up for auction for debts.

Lyubov Andreevna married "a barrister, a non-nobleman ...", "who made only debts", and also "drank terribly" and "died from champagne." Was she happy in this marriage? Unlikely. After the death of her husband, Ranevskaya "unfortunately" fell in love with another. But her passionate romance did not last long. Her young son died tragically, and feeling guilty, Lyubov Andreevna leaves forever abroad. However, her lover went after her "ruthlessly, rudely", and after several years of painful passions "he robbed ... abandoned, got together with another", and she, in turn, tries to poison herself. Seventeen-year-old daughter Anya comes to Paris for her mother. Oddly enough, but this young girl partly understands her mother and pities her. Throughout the play, the sincere love and affection of the daughter are visible. Having stayed in Russia for only five months, Ranevskaya immediately after the sale of the estate, taking the money intended for Anya, returns to Paris to her lover.

Characteristics of Ranevskaya

On the one hand, Ranevskaya is beautiful woman, educated, with a subtle sense of beauty, kind and generous, who is loved by others, but her shortcomings border on vice and therefore are so noticeable. “She is a good person. Light, simple,” says Lopakhin. He sincerely loves her, but his love is so unobtrusive that no one knows about it. Almost the same thing is said by her brother: “She is good, kind, glorious ...” but she is “vicious. It is felt in her slightest movement.

Absolutely everyone talks about her inability to manage money. characters, and she herself understands this very well: “I have always littered with money without restraint, like crazy ...”; “... she has nothing left. And my mother doesn’t understand! ”says Anya,“ My sister has not yet lost the habit of overspending money, ”Gaev echoes her. Ranevskaya is used to living without denying herself pleasures, and if her relatives try to cut down on their expenses, then Lyubov Andreevna simply does not succeed, she is ready to give her last money to a random passerby, although Varya has nothing to feed her household.

At first glance, Ranevskaya's feelings are very deep, but if you pay attention to the author's remarks, it becomes clear that this is only an appearance. For example, while waiting in excitement for her brother from the auction, she sings a lezginka. And this a prime example her entire being. She, as it were, distances herself from unpleasant moments, trying to fill them with actions that can bring positive emotions. The phrase that characterizes Ranevskaya from The Cherry Orchard: “You don’t have to deceive yourself, you need to look the truth straight in the eye at least once in your life,” says that Lyubov Andreevna is out of touch with reality, stuck in her world.

“Oh, my garden! After a dark, rainy autumn and a cold winter, you are young again, full of happiness, the angels of heaven have not left you ... ”- with these words, Ranevskaya welcomes the garden after a long separation, a garden without which she“ does not understand her life ”, with which linked her childhood and youth. And it seems that Lyubov Andreevna loves her estate, and cannot live without it, but she does not try to make any attempts to save it, thereby betraying it. Most of the play, Ranevskaya hopes that the issue with the estate will be resolved by itself, without her participation, although it is her decision that is the main one. Although Lopakhin's proposal is the most realistic way to save him. The merchant foresees the future, saying that it is quite possible that "the summer resident ... will take care of the household, and then your cherry orchard will become happy, rich, luxurious", because on this moment the garden is in a neglected state, and does not bring any benefit, nor has it been nailed to its owners.

For Ranevskaya, the cherry orchard meant her inseparable connection with the past and her ancestral attachment to the Motherland. She is part of him, just as he is part of her. She is aware that the sale of the garden is an inevitable price for past life, and this can be seen in her monologue about sins, in which she realizes them and takes them upon herself, asking the Lord not to send big trials, and the sale of the estate becomes their kind of atonement: “My nerves are better ... I sleep well.”

Ranevskaya is an echo of the cultural past, thinning literally before our eyes and disappearing from the present. Perfectly aware of the perniciousness of her passion, realizing that this love is pulling her to the bottom, she returns to Paris, knowing that "this money will not last long."

Against this background, love for daughters looks very strange. Stepdaughter, dreaming of going to a monastery, gets a job as a housekeeper to her neighbors, since she does not have at least a hundred rubles to donate, and her mother simply does not attach any importance to this. native daughter Anya, left at the age of twelve in the care of a careless uncle, in the old estate is very worried about the future of her mother, and is saddened by the imminent parting. "... I will work, help you..." - says a young girl who is not yet familiar with life.

The further fate of Ranevskaya is very unclear, although Chekhov himself said that: "Only death can calm down such a woman."

Characteristics of the image and description of the life of the heroine of the play will be useful for students of grade 10 when preparing an essay on the topic “The Image of Ranevskaya in the play “The Cherry Orchard” by Chekhov”.

Artwork test

The Cherry Orchard is one of his the best works. The action of the play takes place on the estate of the landowner Lyubov Andreevna Ranevskaya, on an estate with a cherry orchard surrounded by poplars, with a long alley that "goes straight, straight, like an outstretched belt" and "glistens in moonlit nights". This garden is going to be sold because of the numerous debts of L. A. Ranevskaya. She does not want to agree that the garden should be sold for summer cottages.

Ranevskaya, devastated by love, returns to her estate in the spring. In the cherry orchard doomed to bidding - "white masses of flowers", starlings sing, above the garden - blue sky. Nature is preparing for renewal - hopes for a new, pure life awaken in the soul of Ranevskaya: “All, all white! O my garden! After a dark rainy autumn and cold winter again you are young, full of happiness, the angels of heaven will not leave you ... If only I could remove a heavy stone from my chest and shoulders, if I could forget my past! And for the merchant Lopakhin, the cherry orchard means something more than an object of a profitable commercial deal. Having become the owner of a garden and a manor, he experiences an enthusiastic state ... He bought an estate, which is more beautiful than anything in the world!

Ranevskaya is impractical, selfish, she is petty and went in her love interest, but she is also kind, sympathetic, her sense of beauty does not fade. Lopakhin sincerely wants to help Ranevskaya, expresses genuine sympathy for her, shares her passion for the beauty of the cherry orchard. The role of Lopakhin is central - he is a gentle person.

It was not given to Ranevskaya to save the garden from destruction, and not because she was unable to turn the cherry orchard into a commercial, profitable one, as it was 40-50 years ago: “... It used to be that dried cherries were carted and sent to Moscow and Kharkov . There was money!

When they only talk about the possibility of a sale, Ranevskaya "tearing the telegram without reading it" when the buyer is already called - Ranevskaya, before breaking the telegram, reads it, and that's when the auction took place - Ranevskaya does not tear the telegrams and, accidentally dropping one of them, confesses her decision to go to Paris to the man who robbed and abandoned her, confesses her love for this man. In Paris, she is going to live on the money that Anina's grandmother sent to buy the estate. Ranevskaya turned out to be below the idea of ​​a cherry orchard, she betrays her.

Comedy "The Cherry Orchard" is considered vertex product Chekhov. The play reflects such a socio-historical phenomenon of the country as the degradation of " noble nest”, the moral impoverishment of the nobility, the development of feudal relations into capitalist ones, and behind this - the emergence of a new, ruling class of the bourgeoisie. The theme of the play is the fate of the motherland, its future. "The whole of Russia is our garden." The past, present and future of Russia, as it were, rises from the pages of the play "The Cherry Orchard". The representative of the present in Chekhov's comedy is Lopakhin, the past - Ranevskaya and Gaev, the future - Trofimov and Anya.

Starting from the first act of the play, the rottenness and worthlessness of the owners of the estate - Ranevskaya and Gaev - are exposed. Lyubov Andreevna Ranevskaya, in my opinion, is a rather empty woman. She does not see anything around her but love interests, she strives to live beautifully, carefree. She is simple, charming, kind. But her kindness is purely external. The essence of her nature is in selfishness and frivolity: Ranevskaya distributes gold, while poor Varya, out of "savings, feeds everyone with milk soup, in the kitchen they give old people one pea"; arranges an unnecessary ball when there is nothing to pay debts. Reminisces about dead son, speaks of maternal feelings, love. And she herself leaves her daughter in the care of a careless uncle, does not worry about the future of her daughters. She resolutely tears telegrams from Paris, at first without even reading them, and then she goes to Paris. She is saddened by the sale of the estate, but rejoices at the possibility of going abroad. And when he talks about love for the motherland, he interrupts himself with the remark: “However, you must drink coffee.” For all her weakness, lack of will, she has the ability for self-criticism, for disinterested kindness, for sincere, ardent feeling.

Gaev, Ranevskaya's brother, is also helpless and lethargic. In his own eyes, he is an aristocrat of the highest circle, "rough" smells interfere with him. He does not seem to notice Lopakhin and tries to put "this boor" in his place. In Gaev's language, vernacular is combined with lofty words: after all, he loves liberal rantings. His favorite word is "whom"; he is addicted to billiard terms.

The present Russia in Chekhov's play "The Cherry Orchard" is represented by Lopakhin. In general, his image is complex and contradictory. He is resolute and compliant, prudent and poetic, truly kind and unconsciously cruel. Such are the many facets of his nature and character. Throughout the play, the hero constantly repeats about his origin, saying that he is a peasant: “My father, however, was a peasant, but here I am in a white vest and yellow shoes. With a pig’s snout in a kalashny row ... But now he’s rich, there’s a lot of money, but if you think and figure it out, then a peasant is a peasant ... ”Although, it seems to me, he still exaggerates his common people, because he already came from the family of a village kulak-shopkeeper. Lopakhin himself says: “... my late father - he then traded here in the village in a shop ...” Yes, and he himself is currently a very successful businessman. According to him, it can be judged that things are even going very well with him and there is no need to complain about his life and his fate in relation to money.

In his image, all the features of an entrepreneur, a businessman, personifying the present state of Russia, its structure are visible. Lopakhin is a man of his time, who saw the real chain of development of the country, its structure and was drawn into the life of society. He lives for today.

Chekhov notes the kindness of the merchant, his desire to become better. Ermolai Alekseevich remembers how Ranevskaya stood up for him when his father offended him as a child. Lopakhin recalls this with a smile: “Don’t cry, he says, little man, he will heal before the wedding ... (Pause.) Little man ...” He sincerely loves her, willingly lends Lyubov Andreevna money, not expecting to ever receive them. For her sake, he tolerates Gaev, who despises and ignores him. The merchant strives to improve his education, to learn something new. At the beginning of the play, he is shown with a book in front of the readers. Regarding this, Yermolai Alekseevich says: “I was reading a book and did not understand anything. Read and fell asleep.

Yermolai Lopakhin, the only one in the play busy with business, leaves for his merchant needs. In one of the conversations about this, you can hear: "I now, at five o'clock in the morning, go to Kharkov." He differs from others in his vitality, diligence, optimism, assertiveness, practicality. One he offers real plan saving the estate.

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Homework on the topic: Description of the image of Ranevskaya in the play " The Cherry Orchard» .

Lyubov Andreevna Ranevskaya.

General conclusion.

• Lyubov Andreevna Ranevskaya- landowner, one of the mistresses family estate. Once she was rich, littered with money. Generals and barons danced at her evenings. A blooming cherry orchard for her is a symbol of a beautiful past life.
• However, that time has long passed. Her husband drank, dying from this, she went abroad for her lover, but he robbed her. At the beginning of the play, the author showed how she and her daughter Anya return to their native estate. But he is about to be sold for debts.
• The heroine has two daughters - Anya, she is 17 years old, and Varya, her adopted daughter, her 24 years old.
• She is very happy to return, everything in the house is dear to her, because it reminds her of her childhood, her parents, her dead son Grisha. It seems to her that she is able to start a new life.
• There are many in Ranevskaya attractive features: kindness, charm, enthusiasm, love for nature, music, emotionality.
• However, Ranevskaya is not capable of decisive action. So, she doesn’t want to hear about Lopakhin’s proposal to sell the estate to summer residents. He continues to waste money: he eats in an expensive restaurant, orders musicians, distributes money to a passer-by and peasants. Ranevskaya, like her brother Gaev, it seems that everything will somehow be decided by itself, that something will happen and the estate will again belong to them.
• She is very frivolous, even helpless in deciding domestic problems. Someone has to decide for her.
• By nature, she is a kind, considerate woman. It is no coincidence that Lopakhin recalls all his life how she reassured him as a child after his father's beatings. Peasants, servants love her, everyone regrets when she goes abroad again.
• However, she does not undertake anything serious in the fate of her loved ones. Ranevskaya leaves the children (Anya will study, work, Varya entered the service of the landowners), did not complete the deal with Firs, because he was never admitted to the hospital. So many unfinished business, and she's leaving. This is indifference, love is only ostentatious, external, in the foreground is her interests and feelings.
• Ranevskaya is selfish, she lives with feelings. It is no coincidence that her brother calls her "vicious."
• Attitude towards the heroine is ambiguous. She evokes sympathy, because fate was sometimes so cruel to her. At the same time, she herself is largely to blame for her situation: inability to work, idle life, inability to live, some indifference to the fate of people, although kindness to them - all this cannot cause sympathy. The author showed that the time of the nobility, as an estate that is not able to keep up with the times, has already gone. You have to change, otherwise you just end up with nothing. Namely, this is what awaits Ranevskaya through certain time when the money runs out.

The material was prepared by: Melnikova Vera Alexandrovna.

Past Ranevskaya

Noblewoman. landowner. At one time, "she married a barrister, not a nobleman" and, according to Gaev, "behaved, it can not be said that she was very virtuous."

Six years ago, her husband died (“he drank terribly”), she fell in love with another person. A month later, the seven-year-old son Grisha drowned. Ranevskaya could not bear it, she left. “Mom couldn’t bear it, she left, left without looking back.”

Her new lover went after her. Lived abroad for five years. I bought a cottage near Menton. He fell ill there, she took care of him for three years. Then she went bankrupt, sold her dacha, and left for Paris.

He robbed her and went to another. His love, according to her own confession exhausted her. She tried to poison herself. “My soul has dried up,” she says of herself.

Anya tells Varya: “We are coming to Paris, it’s cold there, it’s snowing. I speak French terribly. Mom lives on the fifth floor, I come to her, she has some French, ladies, an old priest with a book, and it's smoky and uncomfortable. I suddenly felt sorry for my mother, so sorry, I hugged her head, squeezed her hands and could not let go. Mom then caressed everything, cried ... "

What a contrast this French dwelling of Ranevskaya looks like in comparison with her estate: some people, smoky, uncomfortable. And in the middle of it all, a priest!

Let's think about it: Ranevskaya lost her son and, unable to bear it, as Anya says, she left. But we note that she left her twelve-year-old daughter, leaving her in the care of nineteen-year-old Varya.

Having lost one child due to circumstances, she leaves the second own will. She leaves the girl practically an orphan. From twelve to seventeen, Anya grows up alone. Whereas it is at this age (and not only at this age) that a girl needs a mother! Did Ranevskaya think about this?

It is believed that Ranevskaya, returning to Russia, runs away from her unhappy love, as she once ran away from her from Russia. But she doesn't come by herself! Behind her (and for what else?) Her daughter went. Would Ranevskaya return to this house, to this garden so beloved in words, if Anya had not gone to her (follow her) herself? Maybe, after all, there, in smoky rooms, with a series of familiar and unfamiliar faces, she was not so bad as it might seem now?

Maybe Varya is so unhappy because the whole house is left on her? She did her duty (it sounds too high), she helped Anya grow up, and who will help her? She was not accustomed to rely on anyone, only on herself. And to God. Maybe that's why she became so pious that there was no help from people.

What about uncle? Did he help? Why was the estate ruined? No answer. But, on the other hand, it is on the surface. Who took care of him? Who needed it? Varya was unable to do so.

Real Ranevskaya

So, Ranevskaya returned home after a five-year absence. I am glad to see my home again, because here she spent her childhood. “I slept here when I was little ... And now I’m like a little ...” (Laughs.) I want to jump, wave my arms ... I can’t sit still, unable to ... (Jumps up and walks in great excitement.)

He speaks joyfully, through tears; cries, kisses Varia, brother, Dunyasha.

Her estate is ruined, auctions are scheduled for August 22, but she does nothing to save it. Moreover, despite the fact that she is ruined, Ranevskaya squanders money. He gives Pishchik a loan, gives a hundred rubles to a stranger.

Anya says: “I also didn’t have a penny left, I barely got there. And my mom doesn't understand! We sit down at the station to dine, and she demands the most expensive thing and gives the lackeys a ruble for tea. Varya: "If she had the will, she would have distributed everything."

The symbol of Ranevskaya and her life is coffee. Expensive, refined drink. Symbol of prosperity. She is broke, but she cannot refuse coffee. And he doesn't want to.

Ranevskaya about the garden

“What an amazing garden! White masses of flowers, blue sky…”; “The garden is all white. Oh my childhood, my purity! I slept in this nursery, looked at the garden from here, happiness woke up with me every morning, and then it was exactly like that, nothing has changed. (Laughs with joy.) All, all white! O my garden! After a dark rainy autumn and a cold winter, you are young again, full of happiness, the angels of heaven have not left you ... If only I could remove a heavy stone from my chest and shoulders, if I could forget my past!

The garden for Ranevskaya is the last outlet, the last refuge, the last happiness, all that she has left. Ranevskaya cannot cut down the garden and destroy the house! Let's remember how she reacts to Lopakhin's proposal: “Knock it out? My dear, I'm sorry, you do not understand anything. If there is anything interesting, even remarkable, in the whole province, it is only our cherry orchard.

Let's pay attention to the symbolism of color: the garden is all white. White - pure, untouched, spiritual, immaculate. " White color symbolizes purity, spotlessness, innocence, virtue, joy. It is associated with daylight ... The idea of ​​\u200b\u200bexplicit, generally accepted, legal, true is associated with whiteness.

Looking at the garden, Ranevskaya exclaims: “Oh my childhood, my purity!” The White Garden is a symbol of childhood and purity of the heroine, a symbol of happiness. But the last part of Ranevskaya's monologue sounds tragic. She talks about the autumn and winter that the garden has experienced. After autumn and winter, awakening inevitably comes in nature, spring comes.

Leaves reappear, flowers bloom. “You are young again, full of happiness.” And the man? Man, unfortunately, is arranged differently. And we will never be able to say: “I am young again. Childhood, youth cannot be returned. The past is impossible to forget. Misfortunes and sorrows cannot leave without a trace. Absolutely since clean slate a person cannot, probably, begin to live. That's why he's a man. And the last exclamation of Ranevskaya is confirmation of this.

It's a pain that childhood is gone, youth is gone, more that is life passed, and not the most in the best way. And when did it happen? How, where and with whom did life pass?

Ranevskaya, on the one hand, is very sorry. Especially at the moment when Petya Trofimov ruthlessly throws in her face: “Whether the estate is sold today or not sold, does it matter? It has long been finished with him, there is no turning back, the path is overgrown. Calm down, dear. Do not deceive yourself, you must at least once in your life look the truth straight in the eye.

The garden for her is childhood, youth, happiness, and she cannot cross out these memories, she cannot so easily abandon her garden. “After all, I was born here, my father and mother lived here, my grandfather, I love this house, without cherry orchard I don’t understand my life, and if you really need to sell it, then sell me along with the garden ... (Hugs Trofimov, kisses him on the forehead). After all, my son drowned here ... (Crying.) Have pity on me, good, kind person.

But at the same time, Peter is right! Ranevskaya is too dependent on her memories, on her past. She does not want to face the truth, does not want to understand, for example, that the garden has long been a memory, and her lover is a scoundrel.

Of course, Trofimov is harsh. But he tells the truth, which Ranevskaya does not want to listen to.

Does that mean there is no way out? There is an exit. You just need to stop and think, rethink your life, your actions, listen to yourself and make some effort on yourself.

I also recall the words of Gaev that his sister is vicious ... What is Ranevskaya in reality? Why does her brother talk about her like that? Some details can only be guessed at.

Is Ranevskaya ready to change, is she ready to realize why she needs all this? I think not. Varya, for example, says about her: "Mommy is still the same as she was, has not changed at all."

Can the house in which she spent her childhood and the garden help Ranevskaya find peace, restore lost happiness? Let's pay attention to how she reacts to telegrams coming to her from Paris.

"Varya. Here, mommy, two telegrams for you ...
R a n e in with ka I. This is from Paris. (Tears the telegrams without reading them.) It's over with Paris.

He doesn't read the telegram. Is the past over?

Thus, whatever the result of the auction, Ranevskaya would have left anyway. This decision was made, as we see, much earlier than the sale of the estate. Neither "the whole white garden" nor anyone else would help her find happiness. She returned to her garden, but it is impossible to return to her youth and start all over again.

Does Ranevskaya have a choice? Undoubtedly. A person always has a choice. Live as before (with a villain who robs and tortures her), or stay here. Yes, the garden will be sold (if she decides to do so), but something more important will remain. For example, daughter.

But, stopping at a certain point, she did not move towards her happiness, but went in the same circle: Paris, he, rude love with betrayal, betrayal, scenes of jealousy, tears, a desire to commit suicide, “some French, ladies, an old priest with a book, and smoky, and uncomfortable. After that, who to blame for your failed life?

The future of Ranevskaya

Everything is clear with the future of Ranevskaya. But what future does Ranevskaya prepare for her daughter Anya, still so young, open and naive? Some remarks make you think that Anya is very similar to her mother.

Probably the same dreamy, enthusiastic, wanting to fly and enjoy life. Ranevskaya, like her daughter, dreamed of happiness, love ... And she didn’t think about the bad, and it seemed that there would never be troubles and hardships ... Where did it all go if Ranevskaya was exactly like that? Did she think life would turn out that way?

Chekhov's play "The Cherry Orchard" combines several key ideas and thoughts - the conflict of generations, the end of the Russian nobility, attachment to home and family. In the center of the story is a cherry orchard owned by the landowner Lyubov Andreevna Ranevskaya. heavy financial situation makes her go to the sale of the garden, to which Ranevskaya herself is strongly attached by soul. For her, this place is the personification of family, comfort, calm, measured life without change.

Chekhov paid great attention to female images in his works. The character of Ranevskaya in the productions of The Cherry Orchard is one of the brightest Chekhov's images, around which critics are constantly arguing. Despite the external complexity of this heroine, there are no contradictions in her, she is true to her thoughts and principles.

Lyubov Andreevna was married to a "sworn attorney" of non-noble origin. The husband had huge debts, drank a lot, from which he died soon. Not experiencing happiness in marriage, but experiencing the loss of a spouse, Ranevskaya starts an affair with another. However, a woman has to experience a new grief - tragic death little son, after which Ranevskaya tries to escape from her grief in Paris. The lover goes with her, but instead of support and sincere sympathy, Lyubov Andreevna receives only a waste of her fortune, after which she remains alone. Then the landowner returns home.

The characterization of this heroine is dual: on the one hand, Lyubov Andreevna is well educated, has an excellent upbringing, she is true to her convictions, kind to others and generous. On the other hand, the depravity of Ranevskaya, her inability to think rationally, is clearly visible. A woman loves to live for her own pleasure, without denying herself anything, which eventually leads to a sad end: the need to sell the garden.

Ranevskaya herself speaks of her inability to manage money and her habit of littering them. Despite this recklessness and even viciousness, others love this woman, are drawn to her. In the situation with the garden, there is also a duality in the character of Lyubov Andreevna: she is very attached to this place, therefore she is very worried about the need to sell it, but she tries to disguise her feelings with ease of behavior. Ranevskaya sings melodies and throws a ball at the estate before the auction. And in these actions - the whole essence of Ranevskaya.

The reluctance to sell the cherry orchard, the fear of change is not a reason to take any action for Lyubov Andreevna. Lopakhin offers several real ways save the site, but Ranevskaya prefers to express her suffering only in words, without putting the merchant's ideas into practice. The landlady is somewhat detached from real world, she lives in her fantasies, and this isolation more than once leads to a sad ending. Cultured, educated, sensitive Ranevskaya is a bright representative of a disappearing aristocratic society, literally in front of her eyes, being forced out by people of a new formation - active and down to earth.