The post contains a selection of tutorials on creating vector graphics. In my opinion, most of the materials will seem interesting for beginners who are just beginning to comprehend vector art. But I think that specialists will also be able to find useful lessons for themselves.
Tutorials are free, but almost everything is on English language. For convenience, they are divided into three categories: getting started, creating faces, character design, landscape and environment, and special effects.
So let's go:
This tutorial explains how to create vector illustrations using Adobe Illustrator. An explanation of key parameters and tools is provided, supplemented by expert advice.
In this comprehensive tutorial, you'll learn the basic terms, workflows, and techniques to get you started with vector graphics.
The pen tool is one of the main tools in the program's arsenal, it is especially important for the initial mastery of vector graphics. This detailed guide aims to introduce you to the features and methods of working with an indispensable tool from Adobe. And also with the most rational ways to use it.
This video tutorial is really valuable resource, which explains how to create vector graphics in Illustrator and the role that drawing plays in the process.
From using Bezier curve points to strokes, fills, and making vector graphics look more natural, these are just a few of the Illustrator tips in this tutorial that will greatly add to the beginner's arsenal.
Learn how to create simple organic shapes in Illustrator with this easy-to-follow tutorial from Veerle Pieters, graphic and web designer.
7. Adding Texture to Vector Illustrations
Adding texture is a great way to make your vector graphics more expressive and give them perspective. This is very available video Illustrator expert Alexandra Cecilio demonstrates how to do it.
This tutorial by Andrei Marius will help you create a vector line chart. Step by step, from a simple grid to guide lines, using only the Appearance panel (one of the most powerful tools in Adobe Illustrator), adding some simple text and fine shading.
Creation of faces
9. Create a vector eyeThis is very helpful video a tutorial that shows the process of creating a vector eye, as well as darkening the skin.
This is an in-depth video course that will help you master the art of creating vector portraits from photographs.
Another great tutorial on vector graphics. Ruslan Khasanov shows how to manipulate the work of vector lines and gradients to make the work more dynamic.
With the resurgence of the geometric trend, it's fair to say that WPAP can be represented in more different design aspects. This tutorial will show you how to create your own WPAP in Illustrator using the WPAP wizard.
Drawing hair in vector can be tricky. This tutorial shows step by step how to turn photo hair into vector hair.
In this tutorial, you will be able to create an illustrated self-portrait in geometric style. Your own photograph will be used as the basis for the illustration. She will help you sketch and then complete the rest of the work.
Illustrator and designer Yulia Sokolova shows you how to create a set of portraits that are perfect for social media or, for example, to represent different categories and professions on your website.
Jonathan Ball, Founder of Poked Studio, explains how to use Illustrator to geometric figures transform into unique, colorful characters.
In this tutorial, you will create a very simple stencil in an easy and fun way that can be used on a variety of surfaces (including t-shirts, walls, canvases). L. Carroll's fairy tale "Alice's Adventures in Wonderland" inspired the author to create a vector image and write a tutorial.
With this tutorial, Mary Winkler is going to show you how to draw a chibi character from scratch using the Shape Builder Tool (Shift-M), Pen Tool (P), transparent gradients, and many other Illustrator tools.
The guide describes the process of creating simple character anime from start to finish.
Learn how to create cute bunnies in this vector graphics tutorial. Training uses simple shapes and gradients that are easily applied to illustrations of other characters.
This tutorial introduces so many basic shapes to achieve a really slick illustration style. And then "revives" the yeti with a palette of cold colors.
Here you can see how video game characters are created. You will have the opportunity to review the work from the first sketch to the very end.
If you are an avid football fan, then this tutorial will come in handy. In the tutorial, Sergey Kandakov creates a vibrant illustration with a retro effect.
Landscape and environment
25. Creating a vector infographic
This tutorial from vector artist Andrei Marius shows you how to create a simple card design in Illustrator.
This tutorial shows how to create a spectacular environment landscape in llustrator. Basic knowledge about the tools of the program will be enough to complete the task.
A very simple and consistent tutorial from Diana Toma that shows you how to draw beautiful flowers using gradient meshes.
In that step by step guide You will learn how to create "electric" text in vector.
Tom Mac shows you how to create a drip-effect portrait in Illustrator using the Pen tool and some additional techniques.
In this tutorial, we will make a simple and beautiful oriental pattern in Adobe Illustrator, which will consist of various objects of Asian culture.
Over the years, vintage illustrations and retro styling have become popular again in design. In this tutorial, developer Ben Steers shares his techniques to help you convert vector art to retro style.
With Illustrator, you can create flawless vector graphics. But sometimes illustrations are required that resemble artistic sketches made on hastily. The lesson shows how to draw a vector drawing in this style.
By following this tutorial you will be able to create a sparkle effect in Adobe Illustrator. The illustration is based on three effects: note paper, stained glass and torn edges. With the help of quick tracing, they turn into a shiny vector texture.
Halftone is a way to reproduce a monochrome image. It is based on the specifics of the perception of the picture by the human eye for which the image area filled with large dots is associated with darker tones. Conversely, an area filled with smaller dots is perceived as lighter. Artist Chris McVeigh shows you how to create a vector halftone.
In this tutorial, you will learn how to create a graphic Batman logo using simple shapes in Adobe Illustrator. Are used simple tools, like the Ellipse Tool (L) and the Shape Builder Tool (Shift + M).
36. Convert bitmap to vector
This Inkscape tutorial demonstrates how to convert a bitmap to a vector using the Trace Bitmap function.
Slider is a popular web design element. This tutorial shows how to create a slider in vector.
Ciara Phelan will show you how to combine vector images and photos you can create an amazing collage.
This tutorial from a design studio shows you how easy it is to draw and trace a photo. The example uses a simple gradient fill to create a realistic illustration.
This tutorial shows you how to create a cross stitch effect in Adobe Illustrator. For this, the Appearance panel and samples will be used.
1. Create a rectangle along the outline of the sheet. 2. Import the image, Place it behind the rectangle (Shift + Page Down).
3. Take the Bezier Curve tool and start tracing the main parts: face, neck, hair.
4. We begin to draw the details, since I like to draw eyes, I started with them. Outlined the eyelashes, filled the upper ones with black, and the lower ones a tone lighter.
5. Shading for proteins - gradient, from gray, yellowish and light blue shades. The pupil is black, the cornea is the color of the eyes, a small shadow is on top.
6. We draw contours of spots on cheeks, lips and shadows near lips.
7. Now let's move on to the nose, it is important to correctly convey the shape, draw spots of shadow and light.
8. Draw lips.
9. Add the ears.
10. Draw the neck.
11. We select the tone of the face and lips close to natural. We send to the back. You can move frequently used keys to the toolbar. To do this, go to the Tools / Manufacturing tab, find the necessary buttons and simply drag them to the workspace. Drag the next ones to the first one. Click OK. Place the panel wherever you like.
12. Make the main color of the neck a little darker than the face.
13. We paint the eyelids.
14. When in doubt about the choice of tone, stand on the main figure of the face, make it almost completely transparent using Interactive Transparency, look at the details of interest to you and when you find desired color for detail, make the face opaque again. To do this, select None from the Transparency pop-up list. 15. Add color to the cheeks and shadows around the mouth. Remember that the tone of all shadows and light should be repelled from the main one.
16. We take the shape of the nose and the area around the eyes.
17. Make voluminous lips.
18. We paint the transitions on the neck.
19. If necessary, make highlights on the light side of the face and neck.
20. Draw light and dark strands of hair depending on the lighting.
21. Add shadows and details on clothes, decorations. In this case, I drew only earrings. 22. When the drawing is ready, remove the image, group all the objects except for the rectangle. Fill the rectangle with the desired color.
23. In principle, this can be finished, but if you wish, you can add a frame with a pattern. To do this, again select the Bezier Tool and draw simple twigs and leaves.
24. And now with the help of Distortion (Distortion by twisting) we twist each object from the middle or edge. To do this, press and pull in the right direction until you like it, then release.
25. From these pieces we add a branch, fill it in the desired color.
26. Adding an Outer Path in One Step.
27. Insert the girl into the container of the rectangle. To do this, look in Effects - PowerClip - Place inside and point to the rectangle with an arrow.
28. We put a branch in the lower right corner of the picture, copy it and place it in the upper left, turn it 180 degrees.
29. Insert into the same container as the girl. It should turn out like this.
30. Draw a frame from a larger and smaller rectangle. We choose both. Click crop on the property bar. Fill with pattern color.
It should turn out like this.
That's all! I hope you liked the lesson.
The purpose of the lesson
In this tutorial we will learn how to create a vector style pop art. We will try to reproduce the style of one of the best representatives this trend of Roy Lichtenstein. To create a raster effect and fine-tune it, use the plugin for Adobe Illustrator - Phantasm CS. You can use any photo to complete this tutorial, so why not make your own Pop Art portrait?
Roy Lichtenstein (October 27, 1923 - September 29, 1997) - one of the most famous American artists working in Pop Art style. We will reproduce his style.
Step 1
We will use a photograph as a reference. I took a portrait of Marilyn Monroe. I enjoy working on a portrait beautiful woman. You can of course take your photo and create a self-portrait.
Place the photo in the document workspace (File > Place…), then click on the Embed button on the top toolbar
Let's lock the layer with the photo in the layers palette so as not to shift it during the work.
Step 2
Create a new layer above the first layer. In this layer we will work. Now take the Pen Tool (P) and create a face outline.
By doing these steps, you should convey the overall proportions of the face, you should not convey all the minor anatomical details of the image. Remember, we are creating a stylized portrait, not a copy of a photo.
Step 3
Using the Pen Tool (P) create the outline of the neck and hair.
Let's replace the stroke of the created objects with a fill and evaluate the harmony of the created shapes. I always do this after manually tracing a sketch or photo.
Continuing manual tracing, I again change the fill and stroke in places or turn off the visibility of the created objects in the layers palette.
Step 4
Let's start creating the eyes. Take the Pen Tool (P) and create a path that conveys the shape of the eye and the shape of the shadow around it (I filled this shape with red color just for clarity)
Creating eyes is the most responsible job, because human eyes we see every day, and any disproportion will be immediately noticeable. I advise in this work to rely more on your feelings than on photography. Take the Ellipse Tool (L) and create a filled circle blue color and black lining.
This circle will be the iris of the eye. Take the Scissors Tool (C) and cut the circle at points A and B, after which we delete the upper part of the circle.
Now let's connect points A and B using the Pen Tool (P) as shown in the image below.
Step 5
Using the same technique, create the pupil.
Take the Ellipse Tool (L) and create a speck of light on the surface of the eye.
Use the Pen Tool (P) to create the eyelashes, applying a triangular profile from the Stroke palette to the created curves.
In the same way we create the second eye.
Step 6
Based on the photo, create the elements of the mouth. The teeth are filled with a solid white color, such is the style of the work of Roy Lichtenstein. As in all work, simplify the outline, transferring only the main proportions.
I created the highlight on the lower lip with the Pen Tool (P) and applied a suitable profile from the Stroke palette to the line.
Step 7
With the Pen Tool (P) I created the eyebrows, nostrils, and with the Ellipse Tool (L) the mole on the cheek.
Now let's create skin folds near the eyes and nose using the Pen Tool (P) and profiles from the Stroke palette.
Create shadows on the neck.
All elements of the face are ready.
Step 8
Let's start creating stylized hair. This is not an easy task, since Marilyn has a rather complicated hairstyle. In this work, the main thing is to separate (differentiate) curls of hair and understand their direction. I printed out some portraits of Marilyn and tried to create some pencil sketches.
Of course, you can not do this if you do not have such a complicated hairstyle. After these exercises, I confidently took the Pen Tool (P) and created curved lines that convey the direction of the hair.
Now group all the lines and lock the group in the layers palette. We will use this group as a template. Take the Pen Tool (P) and create new lines using the template and apply different profiles to them, setting their width in the Stroke palette.
The template can now be removed.
Step 9
A characteristic feature of the work of Roy Lichtenstein is an exaggerated imitation of the raster. With Phantasm CS at our disposal, we can easily repeat this effect and even experiment a little. Copy the shape of the face and neck and paste them in front (Cmd/Ctrl + C; Cmd/Ctrl + F), fill them with burgundy color and combine them into one shape by pressing the Unite button from the Pathfinder palette.
Move the burgundy shape in the layers palette so that it occupies correct position as shown in the figure below.
Step 10
Keeping this object selected, go to Effect > Phantasm CS > Halftone…. The dialog box contains many options to fine-tune the effect.
To imitate Roy Lichtenstein's style, I set the Grid Angle to 45 degrees and the point shape to circle. The DPI parameter affects the detail of the image, Scale, as you might guess, on the size of the dots. You can watch the effect change by changing the parameters in the dialog box, which is very convenient.
You probably noticed that the dots protrude beyond the contour of the neck, let's hide this effect. Copy the burgundy shape and paste it in front (Cmd/Ctrl + C; Cmd/Ctrl + F), remove the Halftone effect from the Appearance palette.
Now select both burgundy shapes and press Cmd/Ctrl + 7 to create a Clipping Mask.
The Pop Art portrait is ready.
Step 11
Phantasm CS allows you to create a more complex Halftone effect. Let's play with it a little more. Turn off the visibility of the Halftone effect obtained in the previous step, skin folds and shadows on Marilyn's neck.
Move the photo in the layers palette so that it occupies the position indicated in the figure below.
With Phantasm CS you can adjust the levels of a raster image directly in Adobe Illustrator without pre-processing in Photoshop. In addition to being convenient, there is another advantage, which will be discussed a little later. Select the photo and go to Effect > Phantasm CS > Levels…, leave the effect parameters unchanged for now and click on the OK button in the dialog box.
Step 12
12. Now go to Effect > Phantasm CS > Halftone… and set the effect parameters in the dialog box.
Of course, you should not stick to my parameters, because you can create your own unique effect. For example, instead of round dots, you can use squares, lines, Characters, and even Symbols if you have previously saved them in the Symbols palette.
After setting the parameters of the May effect, the work looks like this.
Step 13
Now we can adjust the levels of the bitmap. Open the Appearance palette (Window > Appearance). We can see that our object has two Phantasm CS effects applied to it, which we can customize. Open the Phantasm CS Levels dialog box by clicking on its name in the Appearance palette, control the layer sliders and watch the changes taking place. We got a good result, click on the OK button
Step 14
Let's hide the points that go beyond the outline of the head using the Clipping Mask technique described in step 10.
Step 15
In my opinion, we need to fix some places in our portrait. In the figure below, arrows show problem areas.
Select the object with the effects and go to Object > Expand Appearance
As a result of these actions, the raster image has turned into a group of vector circles that we can edit (reduce or enlarge) in the usual ways. After editing, the portrait looks like the image below.
Step 16
We just need to create a background. We will use a paper bitmap texture as the background. You can download these textures here (link). Paste the texture into the document field (File > Place…) and set the Multiply Blending Mode for it in the Transparency palette.
Works for you!
Tuts+ is proud to present you with a vector tutorial from a true legend, Wedha Abdul Rasyid.
Wedha, originally from Indonesia, created his work in the early 1990s traditional methods, and then, in the early 2000s, switched to computer graphics. Vector was the obvious choice for such a vibrant geometric style.
Since then, it has gained a lot of popularity in Indonesia, with communities dedicated to creating and displaying WPAP style portraits having been formed with over a thousand members! With the resurgence of the geometric trend, it is fair to say that WPAP could take Indonesia to new level in several aspects of design.
Below is a tutorial on creating a WPAP (Wedha's Pop Art Portrait) portrait in Adobe Illustrator by the WPAP master himself!
1. Introduction to the WPAP Process
The main goal of WPAP is to present familiar faces in a new, unfamiliar style, but at the same time it should still be easily recognizable. Unusual in the sense that it's more unique, more dynamic, more striking and, of course, I hope more visually appealing.
With that in mind creative process WPAP is based on two parts; splitting the image into faces and the coloring process. I do these two processes at the same time when creating a new portrait.
Breaking into Edges
Analyzing the image, I break the face into edges. Each facet (plane) is formed based on varying degrees of dark and light areas of the original photo. Each face is formed from straight lines instead of curved ones. The reason is that the edges formed by straight lines appear more expressive than those formed by curved lines.
Before we begin, we need to first see a person's face as a shape made up of many flat surfaces, like the sphere in the picture below. This is the best way to describe the faceting process.
Dyeing Process
In coloring for expressiveness, I use only solid colors instead of gradients. Although the colors look like they blend into each other, you need to try to make the image three-dimensional.
Specialists classify colors into groups. There are groups of hot, warm and cold colors. Think of color in terms of dark and light tones, ignoring their actual hue. Think about the colors of the highlights, midtones, and shadows. The contrast of these groups helps us get a three-dimensional composition. If you have chosen a color from correct group, then you will get the expected result. It is very important to experiment with color.
2. Preparing Your Document
Step 1
The faceting process is based on the outline of the photo. The choice of photograph is very important, because a good high quality photo with a sharp image, good lighting and resolution will help you create a great WPAP portrait.
Choose a photo with even lighting, without an excess of shadows and lights. Also make sure the photo is in focus. For this tutorial, I will be creating a portrait of my beloved granddaughter, Ola.
Step 2
Open Adobe Illustrator and create New document ( File > New). Set the size and other settings as shown in the figure below.
Step 3
Go to menu File > Place and place your original photo in the working field of the program. Fasten photo layer and then Create a New Layer over it. Here we will make our edges.
3. Creation of the First Forms
Step 1
I usually start the process of stroking the areas with the most pronounced separation of dark and light tones. This will make it easier to draw. I start with small areas. In this case, these will be the eyes and the areas adjacent to them.
By using Rectangle Tool(M) I circle the blurred highlight in the photo in the iris zone of the eye. This shape will only be filled with color, no stroke. All faces will be in this style.
Step 2
In the original photo, the edges of the iris, pupil, and eyelids have dark color, and it is quite easy to determine the boundaries of this region. I will outline this area, this time using Pen Tool (P).
Step 3
Of course, the highlight you painted earlier will now be hidden under the new layer. To make it visible while the iris and eyelid are selected, you will need to go to Object > Arrange > Send to Back. At this stage, the white of the eye has clear edges, so you can easily create a facet of the desired shape. Further it will be more difficult.
4. Creating More Complex Shapes
Step 1
Now we will trace the nearest areas next to the previous objects. Unfortunately, there are no clear boundaries between dark and light areas. This will make it difficult to create forms for the portrait.
In this case, you will need to intuitively determine the boundaries for the form. Good knowledge anatomy human face and a high-quality source image will become indispensable helpers here.
Create your shape with straight borders at the corner of the eyelid, overlapping the edge of the eye so that there are no gaps between them. Just as before, distribute the forms in place using Object > Arrange > Send to Back.
Step 2
We ran into the same problem again; lack of clear boundaries. You will again have to create them yourself. Notice how I created a slightly less square shape this time and positioned it so that the lash shadow is more visible. You will find similar shapes with the same creation method throughout the tutorial.
Step 3
You will encounter this problem more and more often. This will be a boring and tedious process, but it's the only way to create a proper WPAP portrait. You might consider using Posterizing or Live Trace, but I don't use them because they don't work.
Step 4
We will still find fuzzy and invisible borders for each shape. The best way overcoming this problem is the numerous experience of creating portraits in this style.
The process is the same:
- Draw a plane with Pen Tool (P) using only straight lines.
- Fill it with a suitable color, taking into account the effect of light.
- Plane selection and reorganization Object > Arrange > Send to Back.
All portraits will use different forms planes, so I'll only show the ones I used for Ola's portrait. I start by drawing shapes around the eye.
Step 5
Then I work on the shapes for the second eye and nose. Then I connect these parts with edges and add white edges for especially lit places.
Step 6
I use larger shapes for less detailed areas like the cheeks and neck.
Step 7
I begin to draw hair with thin, almost parallel, planes located diagonally. Remember to avoid curved lines at any cost.
As you can see, I like to make faces with vertical and horizontal sides. It fixes overall composition and style. I prioritize portrait likeness, which is the most important element.
5. Play With Color
This is what my final work looks like after a few tweaks. most difficult part WPAP process is right choice colors. If this is your first time working with this style, then this can be a big problem for you.
Step 1
Start coloring in shades of gray, so you can easily see which areas are dark and which are light. After that, you can add colors in the process, however, if you do not use the full color spectrum, then the portrait will not turn out to be expressive.
Step 2
We can try playing with color to create contrast. Use Illustrator's Recolor Artwork to experiment with different color combinations.
Great Job, Wedha!
We'd like to thank Wedha for his wonderful tutorial and for sharing his unique style of portraiture. He is a great example of how traditional direction in art is transferred to vector format and has a big impact on our vector communities. We are extremely inspired!
Did you create a portrait in this style? If so, please share your creation with us!
In this tutorial, Spanish artist Daniel Caballero will explain how he created the portrait in vector style based on a normal photo.
Final result:
Step 1
For your work, it is better to take pictures of your relatives or friends. This is the easiest way to get the right pose. I will use my sister's photo (Photo.png).
Create a new document (Ctrl + N) in A4 format in portrait mode. Insert a photo into this document and remove the background, for example, with the tool Eraser(Eraser Tool) (E). As a background in our drawing, you can use some kind of pattern.
Step 2
We will create a vector portrait by overlaying several blocks of skin, lines and other details. Create a new layer(Ctrl + Shift + N) and name it "Skin". For the base of the skin, select the color #FAE0AF. Tool Feather(Pen Tool) (P) draw a path around the edge of the girl's silhouette.
Avoid areas of clothing or hair that extend beyond the body. Separate layers will be allocated for them. Then go to Path Palette, select a work path and click on the fill icon (it's marked in the screenshot below). After that, hide this fill layer so we can work on the lines.
Step 3
Create a new layer "Skin lines" and choose dark brown as the base color. Choose a tool Brush(Brush Tool) (B) and set the size to 3 px. We'll use the outline of the "Skin" layer to create all the lines on the body and facial features. In the Palette, click on the icon Stroke the path with a brush(Stroke path with brush). This icon is to the right of the fill icon.
Using the tool Feather(Pen Tool) (P) and the function of stroking the contour with a brush draw lips, nose, eyes, jaw, eyebrows, and other facial features. To make the stroke lines thinner, you need to lower the brush size. Tool Eraser(Eraser Tool) (E) with hard edges, erase the extra parts of the lines.
Step 4
Tool Feather(Pen Tool) (P) draw the hair and fill it with black. To create individual curls, use a thinner brush.
Step 5
Create a new layer below the "Skin line" layer. Draw lips and eyes. Then lower the opacity of the brush and paint some freckles.
Step 6
Create a new layer on top of the rest and name it "Wear". Tool Feather(Pen Tool) (P) draw the girl's shirt with color #E31F40. Create lines for the T-shirt on a separate layer "Wear line". For lines, you need to set up a brush in advance: set its color to white and a size of a few pixels.
Around the shirt, create a stroke with a black brush. Also, do not forget about the folds, otherwise the T-shirt will not look realistic.
Step 7
Go to the "Skin" layer, then press Ctrl + Shift + N to open the menu for creating a new layer. Check the box for features Use previous layer to create clipping mask(Using Previous Layer to Create Clipping Mask), name the layer "Skin Shadow" and set the Blending Mode to Multiplication(Multiply). Click OK and a new layer will appear in the layers palette. It will be limited to the limits of the body. We will draw shadows on it.
Choose the color that the skin of the body has. Draw vector shadows with the tool Feather(Pen Tool) (P). Position the light source in the same place as it is in the original photo. I worked with light coming from the right.
Step 8
Create a new layer "Wear Shadow" and create the dark areas of the shirt. If they seem too dark to you, you can lower the Opacity of the layer.
Step 9
Extract all files from this archive. Open the "Logo.png" file in Photoshop in a separate document. Tool moving(Move Tool) (V) transfer it to the main document and place it under the "Wear Shadow" layer. A clipping mask will automatically be created for the logo.
If you do not like my logo, then you can add any other of your choice.
Step 10
Above the "Wear line" layer, create a new layer and use the Feather(Pen Tool) (P) draw the light areas of the shirt and body. Use the original photo to define the light source, just like we did when creating the shadows. Install Opacity(Opacity) of this layer by 40%.
Step 11
Paste the tattoos into our document and place them on the girl's body above the "Wear" layer. Set Tattoo Overlay Mode to Multiplication(Multiply). Tool Eraser(Eraser Tool) (E) Erase the areas of the tattoos that extend beyond the body.
Step 12
Create a copy of the "Body" layer (Ctrl + J). Select the original layer and go to correction Hue/Saturation(Image> Corrections> Hue / Saturation) (Image> Adjustments> Hue / Saturation). Lower Brightness(Lightness) to -100 to turn the girl's body into a black silhouette.
On the black silhouette layer, activate the Free Transform Tool (Ctrl + T), right-click and select mode Distortion(distort). Reshape the shadow so that it falls on the back wall. Press Enter to apply the changes. After that apply the filter Gaussian blur(Filter> Blur> Gaussian Blur) (Filter> Blur> Gaussian Blur) with a value of 35 pixels. Lower the Opacity of this layer to 20%.
Note: If the correction Hue/Saturation ( Hue/Saturation) won't open, you probably need to rasterize the layer.
Step 13
Create a new layer with 40% opacity on top of the others. Choose a tool Gradient Gradient Tool (G) and fill the canvas with the usual black and white gradient from left to right (white should be on the right). As a result, we get natural lighting.
Step 14
Above the black and white gradient layer, create another layer and fill it with a red to yellow gradient to create a warm color atmosphere. Lower the layer's opacity to 35%.
Step 15
On top of all layers create Hue/Saturation adjustment layer(Hue/Saturation). Lower the Saturation parameter to -18%.
