The artist Alexander Mikhailovich Gerasimov stood at the origins of the new, Soviet pictorial art. His brush belongs to many official, "ceremonial" and informal, "everyday" portraits of the leaders of the first persons of the state, including Lenin and Stalin, representatives of the Bolshevik, communist intelligentsia. He captured and major events in the life of the country - the launch of the metro station, the round date of the celebration October revolution. A multiple laureate awarded with medals and orders, including the Honored Art Worker, the First President of the Academy of Arts, Alexander Mikhailovich, at the same time, did not consider these works to be the main ones in his work. His most expensive brainchild was a small canvas, very simple in plot, which, however, reflected the true soul great artist, Masters.
"Wet Terrace"
This is Gerasimov’s painting “After the Rain”, the second name of which is “ Wet Terrace". It is known to every schoolchild of which generation, is included in school curriculum as a teaching aid for writing essays. Reproductions from the canvas are placed in Russian language textbooks for grades 6-7 (various editions). The very same painting by Gerasimov “After the Rain” is in one of the exhibitions. It was painted in oil on canvas, the size of the work is small - 78 by 85 cm. Spectators invariably crowd in front of the canvas, carefully peer into the details, study, admire, absorb into themselves.
Best Creation
IN Soviet painting, especially the first half of the 20th century, there are very few works of this type, like Gerasimov's painting "After the Rain". Subtle lyricism, surprisingly accurate rendering of the poetically pure, fresh atmosphere of summer nature washed by rain, juicy color, special energy - all this makes the artist's work very special. No wonder the master of her and only her considered his best creation. Time has confirmed the prioritization. Of course, the bright talent of the author is clearly demonstrated in his other works. But it was Gerasimov's painting "After the Rain" that survived ideological storms and disputes and turned out to be out of time, out of the politicization of art, proving its real aesthetic value.
Creating a masterpiece
Let's fast forward to 1935. What is happening at this time in the USSR? Firstly, the 7th Congress of Soviets, significant for important state decisions. The congress of collective farm shock workers, at which the working peasantry reports to the government about their loyalty to the chosen course. The movement of multi-machine weavers begins. The first line of the Moscow metro is being launched. Being in the thick of events, Gerasimov responds to them with bright, original creativity. By 1935 he was moving to the forefront the best craftsmen socialist painting. However, the artist more and more clearly feels a certain spiritual breakdown, fatigue and a desire to abandon everything and go home, to the distant provincial town of Kozlov, in the Tambov region, to rest.
It was there that Gerasimov's painting "After the Rain" was painted. The history of the creation of the masterpiece has come down to us in the memoirs of his sister. The artist was delighted with the garden completely transformed after a heavy downpour, a wet terrace sparkling like a mirror with the extraordinary freshness and fragrance of the air, the most unusual atmosphere reigning in nature. In feverish impatience, taking up the palette, Alexander Mikhailovich in one breath, in just 3 hours, painted a canvas that entered the golden fund of Russian and Soviet landscape painting.
Starting to analyze the work (element of the lesson)
As already mentioned, in school course Gerasimov's painting "After the Rain" is analyzed. Writing on it helps develop coherent writing skills, Creative skills students, contributes to the formation of aesthetic taste, subtle perception of nature. Let's join the wonderful canvas. In what year Gerasimov's painting "After the Rain" was painted, we already know - in 1935, in the summer. In the foreground we see terraces. It is dazzlingly shiny, as if carefully polished and varnished. The heaviest summer rain has just ended. Nature has not yet had time to come to its senses, all alarmed and disheveled, and the last drops are still no, no, yes, and break down with a resounding thud on the wooden floorboards. Dark brown, with standing puddles, they reflect every object like a mirror. The breaking sun leaves its warm golden reflections on the floor.
Foreground
Than Gerasimov's "After the Rain"? The description of the canvas is difficult to do in parts, fragments. It has an amazing effect on the viewer as a whole. Every detail of Gerasimov's work is significant and harmonious. Here is the railing and the bench. Closer to the inside of the veranda, they are darker, since this part of the terrace is less lit. But where the rare sun still falls, there are more and more golden highlights, and the color of the tree itself is warm, yellow-brown shades.
To the left of the viewer on the terrace is a table on elegant carved legs. The figured tabletop, dark in itself, seems completely black because the wood is wet. Like everything around, it sparkles like a mirror, reflecting both an overturned glass, and a jug with a bouquet, and the sky that is getting brighter after a thunderstorm. Why did the artist need this piece of furniture? It organically fits into the environment, without it the terrace would be empty, giving the impression of an uninhabited, uncomfortable. The table brings into the picture a hint of a friendly family, hospitable tea parties, a joyful, cordial atmosphere. A glass glass, turned upside down by a whirlwind and miraculously not falling, speaks of how strong the wind and downpour were. Disheveled flowers in a bouquet, scattered petals hint at the same. White, red and pink roses look especially touching and defenseless. But we can imagine how sweet and gentle they smell now, washed by the rain. This jug and roses in it look unusually poetic.
The background of the painting
And outside the terrace, the garden is noisy and rampant. From wet foliage, still large beads roll down rain drops. It is clean, dark green, bright, fresh, the kind that comes only after a refreshing downpour. Looking at the picture, you begin to very clearly feel the heady smell of wet greenery and sun-warmed earth, flowers from the garden and something else very dear, close, dear, for which we love nature. Behind the trees you can see the roof of the barn, in the gaps of the branches - the sky is whitening, brightening after a thunderstorm. Lightness, enlightenment, the joy of being, we feel, admiring the wonderful work of Gerasimov. And we learn to be attentive to nature, to love it, to notice its amazing beauty.
Description and analysis
A bouquet of flowers in the form of a contrasting bright spot is painted with accentuated wide pasty strokes, thanks to which the flowers in a vase look voluminous and natural.
Properly placed light accents also deserve attention. They make the image on the canvas alive and a little solemn. Light sources are located outside the plane of the canvas - somewhere behind the trees. The light in the picture is diffused, dim, it does not hit the eyes, which creates the effect of the summer sun peeping through the clouds, which has crossed the midday line and began to decline.
The trees depicted in the background seem to be woven from a huge number of stained-glass windows flickering with greenish hues. They are illuminated along the contour and thus distinguished from overall composition. In this case, Gerasimov successfully used a special technique called in fine art backlight - backlight reverse side Images.
The picture is dominated by a fresh high spirits. The artist managed to reliably convey the poetry and special charm of the most ordinary things.
The sincerity of feelings that Gerasimov managed to express in his work charges the viewer with a special energy of freshness. For this picture, the master was awarded the Grand Prix at an exhibition in Paris. Later artist recalled with what enthusiasm he worked on the creation of this canvas. Perhaps that is why the work turned out to be so delightful and truthful.
Description of the painting "After the rain" by A. Gerasimov
Famous works Soviet artist A. M. Gerasimov belong to realistic direction V fine arts. In his creative piggy bank there are many portraits, still lifes and landscapes. Gerasimov's landscapes are simple at first glance, but in each of them something is found that touches the soul and is remembered for a long time by the viewer. The painting "After the Rain" is different from other works of the artist.
Contemplation of the painting "After the Rain" gives rise to a feeling of invigorating novelty in the soul of every viewer. washed by the rain the world looks brand new and this one A New Look on familiar things allows you to discover the amazing not only in everyday reality, but also in your own soul.
Description and analysis
In 1935, Gerasimov went to rest and retire for creativity to his homeland in the city of Kozlov. This is where the much-loved painting was created.
The painting "After the Rain" was painted spontaneously, literally in one breath. However, it is not a momentary creation. The artist has been preparing himself for the creation of this work for a long time. He made sketches from nature of foliage, grass and various objects wet from the rain. Gerasimov's acquaintances admitted that this experience was especially good for him.
Sister Gerasimova in her memoirs described the process of creating a picture: that day a heavy summer rain began. After him, everything around looked especially picturesque and fresh - the water, shimmering with colors in the sun, sparkled on the floor of the veranda, foliage and paths; above the trees was a cloudless, rain-washed sky.
Delighted by the view that opened, the master grabbed the palette and stood at the easel. In a matter of hours, he painted a most picturesque canvas, which became one of his most successful creations. After exhibiting the picture at various opening days along with his other works, Gerasimov noted with some surprise that it was she who enjoyed special attention from the audience.
Why is this light poetic work so attractive to the average viewer? The painting depicts at first glance an ordinary landscape - a corner of a veranda with carved railings and a small bench along them.
On the right, slightly disturbing the compositional balance, the artist placed an old table and a vase of flowers. On the left plan we see the floor, as well as the bench and the railing of the veranda. Drops of water glitter and shimmer on all the objects depicted. Just beyond the veranda, a garden is visible, wet from a recent downpour.
The colors in the picture are crystal clear and major - the juicy green of wet foliage, the dark bronze of wet wood, the sky blue reflected in the puddles spilled on the floor of the veranda. A bouquet of flowers in a vase is highlighted with a separate color accent - intense pink color successfully combined with green and white strokes.
The picture does not cause a feeling of far-fetchedness. The images created by the artist are fresh and truthful, distinguished by ease and purity - they feel the virtuosity of the painter's brush. What is the cause of such amazing authenticity?
When working on the painting, Gerasimov used a highly refined technique of reflexes. This pictorial technique involves careful study of small, but important details compositions.
In the case of the painting “After the Rain”, the key points, thanks to which a special state of freshness and purity is achieved, are reflections of light and reflections: juicy green strokes on the walls of the veranda are reflections of green foliage; the pink and blue spots on the table are reflections left on a wet surface by a bouquet of flowers.
All painting as if permeated with intricate weaves of light and shadow. At the same time, the shadow areas do not cause an oppressive feeling in the viewer, since they are made in many colors and colorfully. There are a lot of silver and mother-of-pearl shades in the picture - in this way the artist conveys numerous sun glare on damp foliage and wet surfaces of objects. While working on creating the pictorial effect of wet surfaces, the artist applied the glazing technique. In the process of using this technique, the paint is applied to the canvas in several layers. The first stroke is the main one, the subsequent ones are light translucent strokes. As a result, the surfaces depicted appear shiny, as if varnished. This is especially noticeable when considering the fragments of the picture, which depict sections of the plank floor, a bench, a table top.
Looking at Gerasimov's painting "After the Rain", one can feel the smell of a fresh summer downpour, one can hear drops hitting the leaves of trees. The entire terrace is flooded with light and the extraordinary purity of rain-washed nature. Reflections of objects in rainwater give the picture a special atmosphere of mystery, romance and comfort. I so want to stay on this terrace, immersed in this atmosphere of serenity, inhale Fresh air and at least for a moment forget about all the problems.
How realistic the artist conveys the beauty of wet surfaces: floors, tables, railings, benches. Basically the creator uses dark colors, but through the branches of trees bent under the weight of the water, the sky is visible, on which the last clouds are scattered. The rays of the peeping sun play merrily and sparkle in the drops of water. This gives the picture some kind of mysterious glow. Deep behind the trees, in the background, you can see buildings. Their roof literally shines.
In a transparent vase on a table, which is located on the left side of the terrace, there is a bouquet of beautiful garden flowers. They look so real that when you look at them, it seems that you are about to feel a subtle, delicate aroma emanating from them. Separately, I would like to note how the artist displayed the transparency of the glass from which the vase and glass are made.
It is impossible to unequivocally establish the genre of this picture. On the one hand, it depicts a landscape, because quite most paintings are occupied by garden trees, the consequences of a natural phenomenon in nature. But on the other hand, we see this beautiful bouquet of flowers, a table on which fallen petals lie, a glass that has fallen under the onslaught of heavy drops of water.
This picture is impressive and makes you think about the high. I think no one can remain indifferent after viewing this picture.
Composition based on the painting by Gerasimov Grade 6
Alexander Gerasimov is a versatile artist. IN different time(pre-war and post-war periods) he painted portraits of the first persons in the Soviet state, as well as the depiction of natural phenomena interested the master. The theme of rain and the renewal of nature after it is not new, not only in general in art, but also in the work of Gerasimov. As a student, he depicted the roofs of houses and road surfaces after rain. But this canvas stands apart from them.
The impression of the painting
The impression of the picture is contradictory. We see the image of the terrace after the rain. This phenomenon of nature itself can be interpreted in two ways - it is not only the renewal of nature with the hope of its revival, but also a kind of heavenly "tears". This is an element that a person cannot cope with, he can only contemplate, hiding in a secluded place and waiting out the bad weather. The artist is just in such a place - we see the image through his eyes from the opposite corner of the veranda.
In general, rain brings a sense of discomfort to a given space. But this discomfort is “experienced” by a person and the objects created by him - we see how the puddles on the bench of the veranda glisten - now you can’t sit on it; a table located at the entrance, as if meeting guests, on this moment cannot gather them around him; a glass that fell from a raging element - all this is a confirmation of a person’s powerlessness in front of natural phenomena. Only the trees, saturated with life-giving moisture, shine, reflecting the sun's rays gradually coming out from behind the clouds. There is a change of cycles, one phenomenon replaces another, and it has always been and will be, and nature will continue to live and triumph no matter what.
Painting colors
The color scheme that Gerasimov chose is not very diverse, but there is a lot of sense in its conciseness. We see natural, naturally occurring colors. However, they oppose each other in saturation, in the presence of life in them. The table and wooden extension have dark brown shades, and the cut flowers in the vase "dilute" this gloom with their freshness, albeit the former: white, pink, subtle delicate shades, but the greens (leaves and stems of flowers) are darker than natural, lively ones. And mourn for former life in the bosom of nature, flowers are shown with fallen petals on the table.
But in the end, life wins - the picture is planned to be divided into two parts - the foreground with a terrace (the world of people) and the back (the world of nature), where greenery of various shades prevails, proving that in nature ""there is no bad weather", which everything in it is harmonious.The sun is about to come out and there will be no trace of the rain...
6th grade.
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/ Album Gerasimov Alexander Mikhailovich Alexander Gerasimov
Posted by: Ivasiv Alexander
"After the Rain (Wet Terrace)"
1935 Oil on canvas 78 x 85
State Tretyakov Gallery, Moscow
For this picture in 1937 the artist received the Grand Prix world exhibition in Paris.
A.M. Gerasimov recalled: “At my exhibition“ 25 years of creativity ”there was a sketch known under the double name“ Wet Terrace ”and“ After the Rain ”(now it is in Tretyakov Gallery). I did the sketch in an hour and a half. It happened like this: I wrote on the terrace group portrait my family. The sun was hot, bright spots scattered across the greenery. And suddenly ... a gusty wind, tearing off the petals of the roses and scattering them on the table, overturned a glass of water. The rain poured down, ... I was seized indescribable delight from fresh greenery and sparkling streams of water that flooded the table with a bouquet of roses, the bench and the floorboards ... I feverishly began to write ...
I did not give somehow special significance this sketch, and only at the exhibition, not without chagrin, I noticed that many viewers pay more attention to the sketch "Wet Terrace" than to the huge painting "The First Horse" ... "
(Quoted from the ed.: Gerasimov A.M. Life of an artist. M., 1963. S. 157-158).
______________________
By 1935, having painted many portraits of V.I. Lenin, I.V. Stalin and other Soviet leaders, A.M. Gerasimov became one of the greatest masters of socialist realism. Tired of the struggle for official recognition and success, he went to rest in his native and beloved city of Kozlov. This is where the "Wet Terrace" was created.
The artist's sister recalled how the painting was painted. Her brother was literally shocked by the sight of their garden after one unusually heavy rain. “Nature was fragrant with freshness. The water lay in a whole layer on the foliage, on the floor of the gazebo, on the bench and sparkled, creating an extraordinary picturesque chord. And then, behind the trees, the sky cleared and whitened.
- Mitya, rather a palette! - Alexander shouted to his assistant Dmitry Rodionovich Panin. The picture, which my brother called "Wet Terrace", appeared with lightning speed - it was painted within three hours. Our modest garden arbor with a corner of the garden received a poetic expression under the brush of my brother.
At the same time, the picture that arose spontaneously was not painted by chance. The picturesque motif of nature refreshed by rain attracted the artist during his studies at the School of Painting. He succeeded in wet objects, roofs, roads, grass. Alexander Gerasimov, perhaps without knowing it himself, went to this picture long years and implicitly wanted to see firsthand what we now see on the canvas. Otherwise, he could simply not pay attention to the rain-drenched terrace.
There is no tension in the picture, there are no rewritten pieces and an invented plot. It is indeed written in one breath, as fresh as the breath of green foliage washed by rain. The image captivates with spontaneity, it shows the lightness of the artist's feelings.
The artistic effect of the painting was largely predetermined by the high painting technique, built on reflexes (See fragment). “Juicy reflections of garden greens lay on the terrace, pinkish, blue ones on the wet surface of the table. The shadows are colorful, even multicolored. Reflections on the boards covered with moisture cast silver. The artist used glazes, applying new layers of paint over the dried layer - translucent and transparent, like varnish. On the contrary, some details, such as garden flowers, are written pasty, emphasized with textured strokes. A major, uplifted note is brought into the picture by backlighting, the reception of lighting from behind, at point-blank range, tree crowns somewhat reminiscent of flickering stained-glass windows ”(Kuptsov I.A. Gerasimov. After the rain // Young artist. 1988. No. 3. S. 17.).
In Russian painting Soviet period there are few works where the state of nature would be so expressively conveyed. I guess it's best picture A.M. Gerasimov. The artist has lived long life, painted many canvases on various subjects, for which he received many awards and prizes, but at the end of the journey, looking back at the past, he considered this particular work to be the most significant.
Composition based on the painting by A. M. Gerasimov “After the rain”
Alexander Mikhailovich Gerasimov is a famous Russian painter. He was born on July 31, 1881 in the town of Kozlov, into a merchant family. The artist's childhood and youth were spent in this provincial town, surrounded by Russian nature. The young man knew how to see beauty in the simplest everyday things. And this became the basis of many of his future works.
Only for real talented artist can notice the most imperceptible, at first glance, details environment. We see it in his paintings. And we can't help but admire it.
In his youth, the artist was attracted by impressionism. But then he became an adherent of socialist realism, a new artistic direction. Gerasimov painted portraits of political leaders of that time - Lenin, Voroshilov, Stalin and other Soviet leaders. The artist was considered a recognized master of socialist realism, he was Stalin's personal artist. Gerasimov's works were considered canonical at that time.
However, Alexander Mikhailovich himself, already in the mid-thirties, was tired of the constant desire for official recognition. And he decides to go on vacation to his hometown Kozlov. It was then that the artist created amazing picture"After the rain".
This work is strikingly different from all the paintings that were created by the artist. He himself believed that this best work of all that he created in his lifetime.
The sister of Alexander Mikhailovich recalled that the artist literally shook the garden after the rain. It was an amazing sight that Gerasimov definitely wanted to capture on canvas. “Nature was fragrant with freshness. The water lay in a whole layer on the foliage, on the floor of the gazebo, on the bench and sparkled, creating an extraordinary picturesque chord. And then, behind the trees, the sky cleared and whitened. The artist immediately demanded a palette from his assistant.
The picture was painted very quickly, in a few hours. This testifies to how great the artist's admiration for the amazing beauty of nature was.
In fact, the creation of this picture was not accidental. Even in his youth, Gerasimov was attracted by the motive of nature after the rain.
The rain seemed to symbolize renewal. And the surrounding world took on a different shape, became brighter and fresher. When the artist studied at the School of Painting, he painted wet roofs, roads, objects.
In the picture "After the Rain" there is no carefully thought out plot. It was created in one breath. The work cannot leave the audience indifferent, it has sincerity and lightness.
Juicy reflections of garden greenery are reflected on the terrace. Multi-colored reflections are reflected on the wet surface of the table, here they are blue, pink. The shades are multicolored and colorful. Moisture-covered boards show silvery reflections. The state of nature is conveyed extremely expressively. This simple picture remembered by everyone who saw it.
A rain-drenched terrace appears before us along with a corner of the garden. Water covers the foliage, floor, benches and railings. The water, together with the sun that illuminates the terrace, is a truly mesmerizing sight. The water sparkles in sunlight acquires a special character, sophistication and clarity.
On the left side of the terrace we see round table on carved legs. They are also reflected in the puddles. There is a glass jug on the table, in which there is a bouquet of garden flowers.
Garden flowers are amazing, they do not have deliberate splendor and luxury. They are gentle, but at the same time invisible. Flowers are so real that you want to touch them. It seems that you are about to feel their delicate aroma. A glass lies on its side next to the vase. A strong gust of wind must have knocked him over. As if in a mirror, a glass and a vase are reflected in the surface of the table, flooded with rain.
After the rain, there is a special atmosphere in the garden. Everything around looks extremely beautiful and harmonious. The picture gives good mood. It is impossible to be sad and sad while admiring such a beautiful painting.
A corner of the house opens into the garden, we can see how beautiful the garden is after the rain. The leaves shine in the sun. A lilac branch leans over the bench. The sky is already brightening. The gloomy clouds are about to disappear. And the rays of the gentle sun will rush down.
In the depths of the garden you can see the roof of an old barn. Every detail is simple and unpretentious. But taken together, they take on a completely different meaning. This real life the beauty of which we sometimes do not notice. We are busy with other things. And our attention is unlikely to attract the garden after the rain, unremarkable, familiar and simple. Only a true artist is able to notice all the splendor of colors and shades of an ordinary everyday landscape.
