Plyushkin from where. The image of the hero in the work

22.03.2019

One of the most bright characters Gogol, literary hero, whose name has long become a household name, a character who was remembered by everyone who read " Dead Souls"- the landowner Stepan Plyushkin. His memorable figure closes the gallery of images of the landlords presented by Gogol in the poem. Plyushkin, who gave his name even to an official disease (Plyushkin's syndrome, or pathological hoarding), is in fact a very rich man who has led the vast economy to complete decline, and a huge number of serfs - to poverty and a miserable existence.

This fifth and last companion of Chichikov is a prime example how dead the human soul can become. Therefore, the title of the poem is very symbolic: not only directly indicates that we are talking O " dead souls ah" - as they called the dead serfs, but also about the miserable, deprived human qualities, devastated little souls of landowners and officials.

Characteristics of the hero

("Plyushkin", artist Alexander Agin, 1846-47)

The reader's acquaintance with the landowner Plyushkin Gogol begins with a description of the surroundings of the estate. Everything testifies to desolation, insufficient funding and the absence of a firm hand from the owner: dilapidated houses with leaky roofs and windows without glass. The sad landscape is enlivened by the master's garden, although neglected, but described in much more positive colors: clean, tidy, filled with air, with a "correct marble sparkling column." However, Plyushkin's dwelling again inspires melancholy, around desolation, despondency and mountains of useless, but extremely necessary rubbish for the old man.

Being the richest landowner in the province (the number of serfs reached 1000), Plyushkin lived in extreme poverty, eating scraps and dried crackers, which did not cause him the slightest discomfort. He was extremely suspicious, everyone around seemed to him insidious and unreliable, even his own children. Only the passion for hoarding was important for Plyushkin, he collected everything on the street that came to hand and dragged it into the house.

("Chichikov at Plushkin", artist Alexander Agin, 1846-47)

Unlike other characters, Plyushkin's life story is given in full. The author introduces the reader to a young landowner, talking about a good family, a beloved wife and three children. Neighbors even came to the zealous owner in order to learn from him. But the wife died eldest daughter ran away with the military, the son joined the army, which his father did not approve of, and the youngest daughter also died. And gradually the respected landowner turned into a man whose whole life is subject to hoarding for the sake of the very process of accumulation. All others human feelings, which did not differ even earlier in brightness, died out in it completely.

Interestingly, some professors of psychiatry mentioned that Gogol very clearly and at the same time artistically described typical case senile dementia. Others, for example, psychiatrist Ya.F. Kaplan, deny this possibility, saying that Plyushkin's psychopathological features do not show through to a sufficient degree, and Gogol simply illuminated the state of old age that he met everywhere.

The image of the hero in the work

Stepan Plyushkin himself is described as a creature dressed in unkempt rags, resembling a woman from afar, but the stubble on his face nevertheless made it clear that the main character is a representative of the stronger sex. With the general amorphousness of this figure, the writer draws attention to individual features of the faces: a protruding chin, a hooked nose, no teeth, eyes expressing suspicion.

Gogol - Great master words - with bright strokes shows us a gradual but irreversible change human personality. The man, in whose eyes the mind shone in previous years, gradually turns into a miserable miser who has lost all the best feelings and emotions. the main objective writer - to show how terrible the coming old age can be, how small human weaknesses can turn into pathological features under certain life circumstances.

If the writer wanted to simply portray a pathological miser, he would not go into the details of his youth, a description of the circumstances that led to the current state. The author himself tells us that Stepan Plyushkin is the future of a fiery youth in old age, that unsightly portrait, seeing which, a young man would jump back in horror.

("Peasants near Plushkin", artist Alexander Agin, 1846-47)

However, Gogol leaves a small chance for this hero too: when the writer conceived the third volume of the work, he planned to leave Plyushkin - the only one of all the landowners he met Chichikov - in an updated, morally revived form. Describing the appearance of the landowner, Nikolai Vasilyevich singles out the old man's eyes separately: "the little eyes have not yet gone out and ran from under high-growing eyebrows like mice ...". And the eyes, as you know, are the mirror of the human soul. In addition, Plyushkin, who seems to have lost all human feelings, suddenly decides to give Chichikov a gold watch. True, this impulse immediately goes out, and the old man decides to enter the clock in the donation, so that after death at least someone will remember him with a kind word.

Thus, if Stepan Plyushkin had not lost his wife, his life could have turned out quite well, and the onset of old age would not have turned into such a deplorable existence. The image of Plyushkin completes the gallery of portraits of degraded landlords and very accurately describes the lowest level that a person can slide into in his lonely old age.

In the person of the hero of Dead Souls, Plyushkin was brought out by Gogol as a miser-psychopath. He pointed out in this miserable old man the terrible consequences of the passion to "acquire" without a goal - when the acquisition itself becomes a goal, when the meaning of life is lost. In "Dead Souls" it is shown how, from a reasonable practical person, necessary for the state and family, Plyushkin turns into a "growth" on humanity, into some negative value, into a "hole" ... To do this, he only had to lose his meaning life. Before, he worked for the family. His ideal of life was the same as that of Chichikov - and Plyushkin was happy when noisy, joyful family met him returning home to rest. Then life deceived him - he remained a lonely, vicious old man, for whom all people seemed to be thieves, liars, robbers. A certain inclination towards callousness increased over the years, the heart became harder, the previously clear economic eye grew dim - and Plyushkin lost the ability to distinguish large from small in the economy, necessary from unnecessary - he directed all his attention, all his vigilance to household, for pantries, glaciers ... He ceased to engage in large-scale grain farming, and bread, the main basis of his wealth, rotted in barns for years. But Plyushkin collected all kinds of junk in his office, even stole buckets and other things from his own peasants ... He lost hundreds, thousands, because he did not want to give up a penny, a ruble. Plyushkin had completely lost his mind, and his soul, which had never been distinguished by grandeur, was completely reduced and vulgarized. Plyushkin became the slave of his passion, a miserable miser, walking in rags, living from hand to mouth. Unsociable, gloomy, he lived out his unnecessary life, tearing out of his heart even parental feelings for children. (Cm. , .)

Plushkin. Figure Kukryniksy

Plushkin can be compared with " miserly knight”, with the only difference being that in Pushkin “stinginess” is presented in a tragic light, in Gogol in a comic one. Pushkin showed what gold did to a valiant man, a big man - Gogol in "Dead Souls" showed how a penny perverted an ordinary, "average man" ...

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The image of Plyushkin from Gogol's poem "Dead Souls" is described in an unusual manner for the author - basically, Gogol widely uses elements of humor to characterize his heroes. For Plyushkin, there was no humor left - a realistic description of the stingy landowner and the consequences of his activities - that's what Nikolai Vasilyevich offers.

The symbolism of the surname

Gogol did not neglect symbolism in his works. Very often the names and surnames of the heroes of his works are symbolic. With the help of opposition to the characteristics of the hero or synonymy, they contribute to the disclosure of certain characteristics of the character.

Basically, the disclosure of symbolism does not require certain knowledge - the answer always lies on the surface. The same trend is observed in the case of Plyushkin.

The word "plyushkin" means a person who is distinguished by extraordinary stinginess and greed. The purpose of his life becomes the accumulation of a certain state (both in the form of finance, and in the form of products or raw materials) without a specific goal.

In other words, he saves in order to save. The accumulated good, as a rule, does not come true anywhere and is used with minimal expense.

This designation is fully consistent with the description of Plushkin.

Appearance and condition of the costume

Plyushkin is endowed with effeminate features in the poem. He has an elongated and unnecessarily thin face. Plyushkin did not have distinctive facial features. Nikolai Vasilievich claims that his face was not much different from the faces of other old people with emaciated faces.

hallmark Plyushkin's appearance had an exorbitantly long chin. The landowner had to cover him with a handkerchief so as not to spit. The image was complemented by small eyes. They had not yet lost their liveliness and looked like small animals. Plyushkin never shaved, his overgrown beard did not look the most attractive way and resembled a comb for horses.

Plyushkin had not a single tooth.

Plushkin's costume wants to look better. To be honest, it’s impossible to call his clothes a suit - they look so worn and strange that they resemble the rags of a tramp. Usually Plyushkin is dressed in an incomprehensible dress, similar to a woman's hood. His hat was also borrowed from the women's wardrobe - it was a classic cap of yard women.

The costume was in terrible condition. When Chichikov saw Plyushkin for the first time, he could not determine his gender for a long time - Plyushkin, in his behavior and appearance, was very reminiscent of a housekeeper. After the identity of the strange housekeeper was established, Chichikov came to the conclusion that Plyushkin did not look like a landowner at all - if he were near the church, he could easily be mistaken for a beggar.

Plushkin's family and his past

Plyushkin was not always such a person when he was young, his appearance and character were absolutely different from the current ones.

A few years ago Plyushkin was not alone. He was a man who was quite happily married. His wife definitely had a positive influence on the landowner. After the birth of the children, Plyushkin's life also pleasantly changed, but this did not last long - soon his wife died, leaving Plyushkin three children - two girls and a boy.


Plyushkin hardly survived the loss of his wife, it was difficult for him to cope with the blues, so he moved more and more away from his usual rhythm of life.

We suggest that you familiarize yourself with the poem by Nikolai Vasilyevich Gogol "Dead Souls".

A picky and quarrelsome character contributed to the final discord - eldest daughter and the son, without the blessing of the father, left the father's house. The youngest daughter died some time later. The eldest daughter, despite the difficult nature of her father, tries to maintain relations with him and even brings him children to visit. I lost contact with my son a long time ago. How his fate turned out and whether he is alive - the old man does not know.

Personality characteristic

Plyushkin is a difficult person. It is likely that certain inclinations for the development of certain qualities were laid in him earlier, but under the influence family life and personal well-being, they did not acquire such a characteristic appearance.

Plyushkin was seized with anxiety - his concern and anxiety had long passed an acceptable measure and became a certain obsessive thought. After the death of his wife and daughter, he finally became callous in soul - the concepts of sympathy and love for others are alien to him.

This trend is observed not only in relation to strangers in the related plan of people, but also to the closest relatives.

The landowner leads a solitary life, he hardly communicates with his neighbors, he has no friends. Plyushkin likes to spend time alone, he is attracted by the ascetic way of life, the arrival of guests is associated with something unpleasant for him. He does not understand why people visit each other and considers it a waste of time - many useful things can be done during this time period.

It is impossible to find those who want to make friends with Plyushkin - everyone eschews the eccentric old man.

Plyushkin lives without a definite purpose in life. Due to his stinginess and pettiness, he was able to accumulate significant capital, but he does not plan to somehow use the accumulated money and raw materials - Plyushkin likes the accumulation process itself.

Despite significant financial reserves, Plyushkin lives very poorly - he is sorry to spend money not only on his relatives and friends, but also on himself - his clothes have long turned into rags, the house is leaky, but Plyushkin sees no point in improving something - his and so everything suits.

Plyushkin loves to complain and show off. It seems to him that he has only little - and he does not have enough food, and there is too little land, and even an extra tuft of hay cannot be found on the farm. In fact, everything is different - its food supplies are so large that they become unusable right in storage.

The second thing in life that brings pleasure in Plyushkin's life is quarrels and scandals - he is always dissatisfied with something and likes to express his dissatisfaction in the most unattractive form. Plyushkin is too picky person, it is impossible to please him.

Plyushkin himself does not notice his shortcomings, he believes that in fact everyone treats him with prejudice and cannot appreciate his kindness and care.

Plushkin's estate

No matter how Plyushkin complained about his employment with the estate, it is worth recognizing that as a landowner Plyushkin was not the best and most talented.

His large estate not much different from an abandoned place. The gates and the fence along the garden were utterly worn out - in some places the fence collapsed, and no one was in a hurry to close up the holes that had formed.

On the territory of his village there used to be two churches, but now they are in disrepair.
Plyushkin's house is in a terrible state - probably it has not been repaired for many years. From the street, the house looks like a non-residential one - the windows in the estate were boarded up, only a few were opened. In some places, mold appeared, the tree was overgrown with moss.

Inside the house does not look better - the house is always dark and cold. The only room in which natural light penetrates is Plyushkin's room.

The whole house is like a garbage dump - Plyushkin never throws anything away. He thinks that these things can still be useful to him.

Plyushkin's office is also in chaos and disorder. Here is a broken chair that can no longer be repaired, a clock that does not work. In the corner of the room is a dump - what lies in a pile is difficult to make out. From the general heap stands out the sole from old shoes and a broken shovel handle.

It seems that the rooms were never cleaned - there was cobwebs and dust everywhere. Plyushkin's desk was also out of order - there were papers mixed with rubbish.

Attitude towards serfs

Plyushkin owns big number serfs - about 1000 people. Of course, caring for and correcting the work of so many people require certain strengths and skills. However, there is no need to talk about the positive achievements of Plyushkin's activities.


Plyushkin treats his peasants uncomfortably and cruelly. They differ little in appearance from their master - their clothes are torn, their houses are dilapidated, and the people themselves are immensely thin and hungry. From time to time, one of Plyushkin's serfs decides to escape, because the life of a fugitive becomes more attractive than that of Plyushkin's serf. Plyushkin sells about 200 "dead souls" to Chichikov - this is the number of people who died and serfs who fled from him in a few years. Compared with " dead souls The rest of the landlords, the number of peasants sold to Chichikov looks terrifying.

We suggest that you familiarize yourself with the story of Nikolai Vasilyevich Gogol "The Overcoat".

Peasant houses look even worse than the estate of the landowner. In the village it is impossible to find a single house with a whole roof - rain and snow freely penetrate into the dwelling. There are no windows in the houses either - the holes in the windows are patched up with rags or old clothes.

Plyushkin speaks extremely disapprovingly of his serfs - in his eyes they are lazy and loafers, but in fact this is slander - Plyushkin's serfs work hard and honestly. They sow grain, grind flour, dry fish, make fabrics, make various household items from wood, in particular dishes.

According to Plyushkin, his serfs are the most thieving and inept - they do everything somehow, without zeal, besides, they constantly rob their master. In fact, everything is not so: Plyushkin so intimidated his peasants that they are ready to die of cold and hunger, but they will not take anything from their landowner's warehouse.

Thus, in the image of Plyushkin, the qualities of a greedy and stingy person were embodied. Plyushkin is not capable of feeling affection for people, or at least sympathy - he is hostile to absolutely everyone. He considers himself a good owner, but in fact this is self-deception. Plyushkin does not care about his serfs, he starves them, undeservedly accuses them of theft and laziness.

Characteristics of Plyushkin in the poem "Dead Souls": description of appearance and character

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In the poem "Dead Souls" N. Gogol depicted a gallery of Russian landowners. Each of them embodies negative moral qualities. And new hero turns out to be worse than the previous one, and we become witnesses to what extreme the impoverishment of human soul. The image of Plyushkin closes the series. In the poem "Dead Souls", according to the apt definition of the author, he acts as a "hole in humanity."

First impression

"Patched" - such a definition is given to the master by one of the peasants, from whom Chichikov asked the way to Plyushkin. And it is fully justified, one has only to look at this representative local nobility. Let's get to know him better.

Having passed through a large village, striking in wretchedness and poverty, Chichikov found himself at master's house. This one looked a little like a place where people live. The garden was just as neglected, although the number and nature of the buildings indicated that there had once been a strong, prosperous economy here. With such a description of the master's estate, Plyushkin's characterization begins in the poem "Dead Souls".

Acquaintance with the landlord

Having entered the yard, Chichikov noticed how someone - either a man or a woman - was arguing with the driver. The hero decided that it was the housekeeper and asked if the owner was at home. Surprised by the appearance of a stranger here, this "certain creature" escorted the guest into the house. Once in the bright room, Chichikov was amazed at the disorder that reigned in it. It looked like the rubbish from all over the area had been dumped here. Plyushkin really collected on the street everything that came to hand: a bucket forgotten by a peasant, and fragments of a broken crock, and a feather that no one needed. Looking closely at the housekeeper, the hero found a man in it and was completely stunned to find out that this was the owner. After that, the author of the work “Dead Souls” passes to the image of the landowner.

Gogol draws a portrait of Plyushkin like this: he was dressed in a worn, tattered and dirty dressing gown, which was decorated with some kind of rag around his neck. Her eyes were constantly moving, as if looking for something. This testified to the suspicion and constant alertness of the hero. In general, if Chichikov did not know that one of the richest landowners in the province was standing in front of him, he would have taken him for a beggar. In fact, the first feeling that this person evokes in the reader is pity, bordering on contempt.

Life story

The image of Plyushkin in the poem "Dead Souls" differs from others in that he is the only landowner with a biography. IN old days he had a family, often received guests. He was considered a thrifty owner, who had plenty of everything. Then the wife died. Soon the eldest daughter ran away with an officer, and the son entered the regiment instead of service. Plyushkin deprived both of his children of his blessing and money, and every day he became more stingy. In the end, he focused on one of his wealth, and after the death of his youngest daughter, all his former feelings finally gave way to greed and suspicion. Bread rotted in his barns, and to his own grandchildren (over time, he forgave his daughter and took her in), he regretted even the usual gift. This is how Gogol portrays this hero in the poem "Dead Souls". The image of Plyushkin is complemented by a bargaining scene.

good deal

When Chichikov began the conversation, Plyushkin was annoyed at how difficult it was to receive guests these days: he had already had dinner himself, and it was costly to heat the stove. However, the guest immediately got down to business and found out that the landowner would have a hundred and twenty souls unaccounted for. He offered to sell them and said that he would bear all the costs. Hearing that it was possible to benefit from the no longer existing peasants, Plyushkin, who began to bargain, did not delve into the details and ask how legal it was. Having received the money, he carefully took it to the bureau and, pleased with the successful deal, even decided to treat Chichikov with breadcrumbs left over from the Easter cake brought by his daughter, and a glass of liquor. The image of Plyushkin in the poem "Dead Souls" is completed by the message that the owner wanted to give a gold watch to the guest who pleased him. However, he immediately changed his mind and decided to enter them in the donation, so that Chichikov would remember him with a kind word after his death.

conclusions

The image of Plyushkin in the poem "Dead Souls" was very significant for Gogol. His plans were to leave in the third volume of all the landowners one of them, but already morally reborn. Several details indicate that this is possible. First, the living eyes of the hero: remember that they are often called the mirror of the soul. Secondly, Plyushkin is the only one of all the landowners who thought about gratitude. Others also took money for dead peasants, but took it for granted. It is also important that at the mention of an old comrade, a ray suddenly ran across the face of the landowner. Hence the conclusion: if the hero's life had turned out differently, he would have remained a thrifty owner, a good friend and a family man. However, the death of his wife, the actions of the children gradually turned the hero into that “hole in humanity”, as he appeared in the 6th chapter of the book “Dead Souls”.

Plushkin's characterization is a reminder to readers of the consequences that life's mistakes can lead to.

A brief description of Plyushkin in the work "Dead Souls" is a realistic description of the old landowner, his character and lifestyle. The fact is that this character is presented by the author in an unusual manner for him - without humor.

Stepan Plyushkin - one of the landowners in the poem by N.V. Gogol "Dead Souls". This is one of the most significant and deep characters not only of the mentioned work, but of the whole domestic literature generally.

For the first time, the hero appears in the sixth chapter, when he comes to the landowner to buy "dead souls" from him.

The image and characteristics of Plyushkin in the poem "Dead Souls"

The landowner is distinguished by incredible stinginess and malevolence.

The hero symbolizes spiritual collapse strong man, drowned in the vice of boundless stinginess, bordering on rigidity: a huge amount of food is stored in the barns of the landowner, which no one is allowed to take, as a result of which the peasants go hungry, and the stocks disappear as unnecessary.

Plyushkin is rich enough, on his account - a whole thousand serfs. However, despite this, the old man lives like a beggar, eating bread and dressing in rags.

The symbolism of the surname

Like most characters in Gogol's works, Plyushkin's surname is symbolic. With the help of contrasting or synonymizing the surname in relation to the character of the corresponding character, the author reveals certain features of this personality.

The meaning of Plyushkin's surname symbolizes an unusually stingy and greedy person whose goal is to accumulate wealth without a specific purpose for their use. As a result, the collected wealth is not spent anywhere or is used in minimal quantities.

It is noteworthy that Plyushkin's name is practically never found in the text of the work. In this way, the author shows the callousness, detachment of the hero, the absence of even a hint of humanity in him.

The fact that the landowner's name is Stepan can be learned from his words about his daughter, whom he calls by her patronymic. By the way, ordinary peasants from other estates did not know such a surname at all, calling the landowner by the nickname “patched”.

Plushkin family

This character is the only one of all landowners who has enough detailed biography. The story of the hero's life is very sad.

In the plot narrative, Plyushkin appears before us as a completely lonely person leading a hermit's lifestyle. The wife who inspired him to display the best human qualities and made his life meaningful, left this world long ago.

In marriage, they had three children, the upbringing of which the father was very reverent and with big love. During the years of family happiness, Plyushkin was not at all like his present self. At that time, he often called guests to the house, knew how to enjoy life, had a reputation as an open and friendly person.

Of course, Plyushkin was always very economical, but his stinginess always had reasonable limits and was not so reckless. His clothes, although not shining with novelty, still looked neat, without a single patch.

After the death of his wife, the hero changed a lot: he became extremely distrustful and very stingy. The last straw that hardened Plushkin's temper was new problems in the family: the son lost a large amount cards, the eldest daughter ran away from home, and the youngest died.

Surprisingly, nevertheless, glimmers of light sometimes illuminate the dark nooks and crannies of the dead soul of the landowner. Having sold Chichikov's "souls" and reflecting on the issue of drawing up a bill of sale, Plyushkin recalls his school friend. At that moment, a faint reflection of feeling appeared on the old man's "wooden face".

This fleeting manifestation of life, according to the author, speaks of the possibility of reviving the soul of the hero, in which, as if at dusk, the dark and light sides mixed with each other.

Description of the portrait and the first impression of Plyushkin

When meeting with Plyushkin, Chichikov at first mistakes him for a housekeeper.

After talking with the landlord, main character horrified to realize that he was wrong.

In his opinion, the old man is more like a beggar than a rich owner of the estate.

All of it appearance, such as: a long chin closed with a handkerchief; small, colorless, mobile eyes; dirty, patched dressing gown, - says that the hero is completely out of touch with life.

Appearance and condition of the costume

Plyushkin's face is strongly elongated and at the same time it is distinguished by excessive thinness. The landowner never shaves, and his beard has become like a comb for horses. Plyushkin had no teeth at all.

The hero’s clothes can hardly be called such, they look more like old rags - the robe looks so worn and untidy. At the time of the story, the landowner is about 60 years old.

The character, demeanor and speech of the landowner

Plushkin is a man with difficult character. Probably, the negative features that so clearly manifested themselves in him by old age also took place in previous years, but their bright appearance was smoothed out by family well-being.

But after the death of his wife and daughter, Plyushkin finally broke away from life, became impoverished spiritually, and began to treat everyone with suspicion and hostility. The landowner experienced such an attitude not only towards strangers, but also towards relatives.

By the age of 60, Plyushkin had become very unpleasant due to his difficult nature. The people around him began to avoid him, his friends visited him less and less, and then completely stopped all communication with him.

Plyushkin's speech is jerky, concise, caustic, loaded with colloquial expressions, for example: “Ditka, byut, ehva !, the actress, already, has puffed up.”

The landowner is able to notice any little things and even the most insignificant mistakes and shortcomings. In this regard, he often finds fault with people, expressing his remarks with shouting and swearing.

Plyushkin is not capable of good deeds He became insensitive, distrustful and cruel. He does not even care about the fate of his own children, and the old man in every possible way suppresses his daughter's attempts to establish relations with him. In his opinion, the daughter and son-in-law are trying to get close to him in order to get material benefits from him.

It is noteworthy that Plyushkin absolutely does not understand the true consequences of his actions. He actually imagines himself to be a caring landowner, although, in fact, he is a tyrant, an incredible miser and a miser, a rude and grouchy old man who destroys the fate of the people around him.

Favorite activities

Joy in Plyushkin's life consists of only two things - constant scandals and the accumulation of material wealth.

The landowner likes to spend time all alone. He sees no point in hosting or acting as such. For him, this is just a waste of time that can be spent on more useful activities.

Despite large financial savings, the landowner leads an ascetic life, denying literally everything not only to relatives, servants and peasants, but also to himself.

Another favorite hobby Plushkin - to grumble and show shame. He believes that the stocks that are stored in his barns are not enough, there is not enough land and even not enough hay. In fact, the situation is quite the opposite - there is plenty of land, and the amount of reserves is so huge that they deteriorate right in storage.

Plyushkin loves to make scandals for any reason, even if it is an insignificant trifle. The landowner is always dissatisfied with something and demonstrates it in the most rude and unsightly form. A picky old man is very hard to please.

Attitude to the economy

Plyushkin is a rich but very stingy landowner. However, despite the huge reserves, it seems to him that they are not enough. As a result, a huge number of unused products become unusable without leaving the storage.

Having at his disposal a large fortune, including 1000 serfs, Plyushkin eats breadcrumbs and wears rags - in a word, he lives like a beggar. The landowner has not been keeping track of what is happening in his household for many years, but at the same time he does not forget to control the amount of liquor in the decanter.

Plushkin's life goals

In short, the landowner does not have a specific goal in life. Plyushkin is completely absorbed in the process of accumulating material resources without a specific purpose for their use.

House and room interior

Plyushkin's estate reflects the spiritual desolation of the character himself. The buildings in the villages are very old, dilapidated, the roofs have long since worn out, the windows are clogged with rags. Ruin and emptiness reigns all around. Even the churches look lifeless.

The estate seems to be falling apart, which indicates the loss of the hero from real life: instead of the main things, empty and meaningless tasks are in the center of his attention. It is not for nothing that this character is practically devoid of a name, patronymic - it is as if he does not exist.

Plyushkin's estate is striking in its appearance - the building is in a terrible, dilapidated state. From the street, the house looks like an abandoned building in which no one has lived for a long time. It is very uncomfortable inside the building - it is cold and dark all around. Natural lighting enters only one room - the owner's room.

The whole house is littered with junk, which is becoming more and more every year - Plyushkin never throws away broken or unnecessary things, because he thinks that they can still come in handy.

The landlord's office is also in complete disarray. The view of the room embodies real chaos. Here is a chair that cannot be repaired, as well as a clock that has stopped a long time ago. In the corner of the room there is a landfill - in a shapeless pile you can see an old shoe and a broken shovel.

Attitude towards others

Plyushkin is a picky, scandalous person. Even the most insignificant reason is enough for him to start a quarrel. The hero shows his dissatisfaction in the most unsightly way, descending to rudeness and insults.

The landowner himself is completely sure that he is behaving caringly and kindly, but people simply do not notice and do not appreciate this, because they are biased towards him.

Probably due to the fact that his son once lost at cards and did not return home, Plyushkin treats officers with prejudice, considering them all to be spendthrifts and gamblers.

Plyushkin's attitude towards the peasants

Plyushkin treats the peasants cruelly and irresponsibly. The appearance, clothes and dwellings of serfs look almost the same as those of the owner. They themselves go half-starved, skinny, exhausted. From time to time, escapes happen among the peasants - existence as a serf Plyushkin looks less attractive than life on the run.

The landowner speaks negatively about his serfs - in his opinion, they are all loafers and loafers. In fact, the peasants work honestly and diligently. It seems to Plyushkin that the serfs are robbing him, and that they are doing their job very badly.

But in reality, things are different: the landowner intimidated his peasants so much that, despite the cold and hunger, they in no case dare to take anything from the master's storage.

Did Plyushkin sell "Dead Souls" to Chichikov

The landowner sells about two hundred "souls" to the main character. This number exceeds the number of "peasants" that Chichikov purchased from other sellers. In this, Plyushkin's desire for profit and hoarding can be traced. When entering into a deal, the hero understands perfectly well what it is and how much profit he can get for it.

Quote characteristic of Plushkin

Plushkin's age “… I live in my seventh decade!…”
First impression “... For a long time he could not recognize what gender the figure was: a woman or a man. The dress on her was completely indefinite, very similar to a woman's hood, on her head a cap, which village yard women wear, only one voice seemed to him somewhat hoarse for a woman ... "

“... Oh, woman! Oh, No! […] Of course, baba! ... "(Chichikov about the appearance of P.)

“... From the keys hanging from her belt and from the fact that she scolded the peasant with rather obnoxious words, Chichikov concluded that this must be the housekeeper ...”

Appearance “... it was more like a housekeeper than a housekeeper: […] his entire chin with the lower part of his cheek looked like an iron wire comb, which is used to clean horses in a stable ...”

“... he [Chichikov] has never seen anything like this. His face was nothing special; it was almost the same as that of many thin old men, only one chin protruded very far forward, so that he had to cover it with a handkerchief every time so as not to spit; small eyes had not yet gone out and were running from under high-growing eyebrows like mice ... "

“... Plyushkin muttered something through his lips, because there were no teeth ...”

Cloth “... Much more remarkable was his outfit: no means and efforts could have got to the bottom of what his dressing gown was concocted from: the sleeves and upper floors were so greasy and shiny that they looked like yuft *, which goes on boots; behind, instead of two, four floors dangled, from which cotton paper climbed in flakes. He also had something tied around his neck that could not be made out: whether it was a stocking, a garter, or an underbelly, but not a tie ... "

“... if Chichikov had met him, so dressed up, somewhere at the church doors, he would probably have given him a copper penny. But before him stood not a beggar, before him stood a landowner ... "

Personality

and character

“... he has eight hundred souls, but he lives and dine worse than my shepherd! ...”

“... A scammer […] Such a miser as it is difficult to imagine. In prison, the convicts live better than he: he starved all the people to death ... ”(Sobakevich about P.)

“... human feelings, which were not deep in him anyway, became shallow every minute, and every day something was lost in this worn-out ruin ...”

"... the miser Plyushkin […] of what feeds people poorly? .." "... he, for sure, people die in in large numbers? ... "(Chichikov)

“... I don’t even advise you to know the way to this dog! Sobakevich said. “It’s more excusable to go to some obscene place than to him ...”

“... does not like officers due to a strange prejudice, as if all military gamblers and motishes ...”

“... Every year the windows in his house pretended to be, finally only two remained ...”

“... every year […] his small glance turned to the pieces of paper and feathers that he collected in his room...”

"... this is a demon, not a man ..." (opinion of buyers about P.)

"... the word "virtue" and "rare properties of the soul" can be successfully replaced by the words "economy" and "order" ... "(Chichikov about P.)

Plushkin's house “... This strange castle looked like some kind of decrepit invalid, long, unreasonably long ...”

“... a house that now seemed even sadder. Green mold has already covered the shabby wood on the fence and gates…”

“... The walls of the house slitted bare stucco grating in places and, apparently, suffered a lot from all sorts of bad weather, rains, whirlwinds and autumn changes. Of the windows, only two were open, the rest were covered with shutters or even boarded up ... "

“... my kitchen is low, nasty, and the pipe has completely collapsed: you start to heat, you will still make a fire ...”

Plushkin's room “... he finally found himself in the light and was struck by the resulting disorder. It seemed as if the floors were being washed in the house and all the furniture was piled up here for a while ... ”(Chichikov’s impression)

“... It would have been impossible to say that a living being lived in this room, if the old, worn cap that lay on the table did not announce its presence ...”

Village

and Plyushkin's estate

“... He noticed some special dilapidation on all village buildings: the log on the huts was dark and old; many roofs blew through like a sieve; on others there was only a ridge at the top and poles on the sides in the form of ribs ... "

“... The windows in the huts were without glass, others were plugged with a rag or zipun; balconies under the roofs with railings […] squinted and turned black, not even picturesquely…”

“... A crowd of buildings: human, barns, cellars, apparently dilapidated, filled the courtyard; near them, to the right and to the left, gates to other courtyards were visible. Everything said that farming here had once flowed on a vast scale, and everything looked cloudy now. Nothing was noticeable to enliven the picture: no doors opening, no people coming out from somewhere, no living troubles and worries at home! ... "

Plyushkin's peasants “... Meanwhile, income was collected on the farm as before: the peasant had to bring the same amount of quitrent, every woman was taxed with the same bringing of nuts; the weaver had to weave the same number of sets of canvas - all this fell into the storerooms, and everything became rotten and torn, and he himself finally turned into some kind of torn on humanity ... "

“... After all, my people are either a thief or a swindler: they will rob me in such a way that there will be nothing to hang a caftan on ...” (P. about his peasants)

Plushkin

about the past

“... But there was a time when he was only a thrifty owner! he was married and a family man, and a neighbor came to him to dine, listen and learn from him housekeeping and wise stinginess ... "

“... The owner himself appeared at the table in a frock coat, although somewhat worn, but neat, the elbows were in order: there was no patch anywhere ...” (Plyushkin in the past)

"... two pretty daughters […] son, broken boy..."

"... the good mistress died ..." (about Plyushkin's wife)

Plushkin's greed “... Plyushkin became more restless and, like all widowers, more suspicious and stingy. […] In the owner, stinginess became more noticeable […] Finally last daughter[…] died, and the old man found himself alone as a watchman, custodian and owner of his wealth ... "

“... Why would Plyushkin, it would seem, need such a death of such products? in his whole life he would not have had to use them even on two such estates that he had - but even this seemed to him not enough ... "

“... hay and bread rotted, stacks and haystacks turned into clean manure, even plant cabbage on them, flour in the cellars turned into stone, and it was necessary to chop it, it was terrible to touch cloth, canvas and household materials: they turned into dust. He already forgot how much he had what ... "

Conclusion

The image of Plyushkin and the characteristics of his essence serve good example how much a person can sink morally and physically. It is no coincidence that the author calls this hero "a hole in humanity."

Plushkin is not interested in spiritual development his personality, he is indifferent to his own inner world. The landowner is characterized by pettiness, stinginess and a complete absence of deep feelings. He has no shame, no conscience, no sympathy.

Plyushkin's name has become a household name. It denotes pathological greed, pettiness and stinginess. IN modern world the so-called "Plyushkin syndrome" is quite common and characterizes those people who strive for the aimless accumulation of material resources.



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