Poem nightingale garden block read. Analysis of the poem block nightingale garden

The hero of the poem - it is written in the first person - is a worker; he comes at low tide to the sea in order to earn his living with hard work - with a pick and a crowbar to chop layered rocks. The extracted stone is carried on a donkey to the railroad. It is hard for both animals and humans. The road passes a shady, cool garden hidden behind a high trellis. From behind the fence, roses reach out to the worker, somewhere in the distance one can hear “a nightingale humming, streams and leaves whisper something”, quiet laughter, barely audible singing is heard.

wonderful sounds torment the hero, he falls into thoughtfulness. Dusk - the day ends - increases anxiety. The hero imagines a different life: in his miserable shack, he dreams of a nightingale garden, fenced off from the accursed world by a high lattice. Again and again he recalls the white dress that he dreamed of in the blue twilight - it beckons him "by whirling and singing calls." This continues every day, the hero feels that he is in love with this "inaccessibility of the fence."

While the tired animal is resting, the owner, excited by the proximity of his dream, wanders along the familiar road, now, however, has become mysterious, since it is precisely this road that leads to the bluish twilight of the nightingale garden. The roses, under the weight of the dew, hang lower than usual because of the lattice. The hero tries to understand how he will be met if he knocks on the desired door. He can no longer return to dull work, his heart tells him that they are waiting for him in the nightingale garden.

Indeed, the hero's premonitions are justified - "I did not knock - she herself opened the impregnable doors." Deafened by the sweet melodies of nightingale singing, the sounds of streams, the hero finds himself in "an alien land of unfamiliar happiness." So the "poor dream" becomes a reality - the hero finds his beloved. "Scorched" by happiness, he forgets his past life, hard work and an animal that has long been his only companion.

So, behind a wall overgrown with roses, in the arms of his beloved, the hero spends time. However, even in the midst of all this bliss, it is not given to him not to hear the sound of the tide - “the nightingale autumn is not free to drown out the rumble of the sea!” At night, the beloved, noticing the anxiety on his linden, constantly asks her beloved about the cause of longing. He in his visions distinguishes a high road and a laden donkey wandering along it.

One day the hero wakes up, looks at the peacefully sleeping beloved - her dream is beautiful, she smiles: she is dreaming of him. The hero opens the window - the sound of the tide is heard in the distance; behind him, it seems to him, one can distinguish "an inviting plaintive cry." The donkey screams - drawlingly and for a long time; the hero perceives these sounds as a groan. He pulls the curtain over his beloved, trying to keep her from waking up longer, goes outside the fence; flowers, "like hands from a garden," cling to his clothes.

The hero comes to the seashore, but does not recognize anything around him. There is no house - in its place lies rusty scrap, covered with wet sand.

It is not clear whether he sees this in a dream, or whether it happens in reality - from the path trodden by the hero, "where the hut used to be / A worker with a pick began to descend, / Chasing someone else's donkey."

Have you read the synopsis of the poem? nightingale garden". We also suggest that you visit the Summary section to read the presentations of other popular writers.

There are two roads before the hero of the poem. One is labor, hard and monotonous. The other one is love beautiful woman, peace and charm of the nightingale garden. The hero leaves his miserable hut, the faithful helper of the donkey, and goes there, to the alluring nightingale garden. But very soon he realizes that happiness was there, on the rocky paths along which he walked with his donkey. The hero leaves a beautiful garden, a tender lover, but too late. There is no longer his hut, nor his donkey, and another man descends along the path trodden by his feet.
There are two themes in the poem. The first is everyday prose life, filled with content and action. The second is a heavenly life, without work and purpose. The text of the poem consists of seven chapters. From the very beginning, the first theme arises, which, echoing the second, continues for three chapters. Already from the fourth chapter, the hero comes across in the garden. Staying in the garden, the second theme, is devoted to only four stanzas. And then the first theme reappears, but this is no longer a life filled with content and action, but the result of being in the garden is loneliness, the meaninglessness of existence.
Behind the fence of the Nightingale Garden, the hero “breaks layered rocks”, his “mind is cloudy from knowing”, he “dreams of a different life”. And in the nightingale garden, the hero, "drunk with golden wine", "forgot about the stony path."
When the hero’s stay outside the garden fence is described, “heavy” words are used: “drags”, “pieces”, “starts to scream”. And to describe the hero’s stay in the garden, gentle, romantic expressions are used: “nightingale chant”, “streams and leaves whisper”, “streams sang”.
K. Chukovsky reproached A. Blok for the “excessive sweetness” of “The Nightingale Garden”. But it is possible to "justify" a poet. The description of the garden can only be precisely "excessively mellifluous." Because such a life cannot be portrayed in a different way, it cannot be described otherwise.
plays in the poem big role sea ​​image. The sea symbolizes everyday life, "rumble" is endless, hard work, noise, life. IN Garden of Eden there is no "curse of life", but there is no life itself. The hero is drawn back to the everyday life he abandoned, because a person cannot be happy without work and purpose. In the pink chains, something turned out to be hopelessly lost, the "rumble of the sea" the nightingale's song has no power to drown out.
The main idea of ​​the poem, I think, is precisely this.
To the question of the hero: "Is there punishment or reward, If I deviate from the path?" Block answers at the end of the poem. It is not for nothing that he gives the scene of a clash of crabs in the poem. This scene highlights the depth of the hero's loneliness, which came about because he deviated from the path.
The poem "The Nightingale Garden" is considered romantic. The period of writing this poem transition period in the work of the writer. The transition from symbolism to realism was reflected in the poem. There are many symbols here, even when describing real life, a lot of romance. But realism wins.

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Analysis of Blok's poem "The Nightingale Garden"

All Blok's creations can be conditionally divided into realistic and romantic. But the poem "The Nightingale Garden" combines both directions. The plot is simple, but how deeply it makes everyone think. A man lived for himself, everyday hard work was familiar to him.

And suddenly fate offers heavenly forests with a carefree existence. And the hero of the poem, without hesitation, goes headlong into idleness, he forgets about the thorny path that he has been walking all his conscious life. Intoxicated with the wine of idle pastime, he does not live, but exists without a goal, without a concrete deed.

And yet, Blok showed us a real Man who is able to overcome the temptations of the “nightingale garden”. The hero understood all the depravity of the pink fetters into which he fell. Loneliness, a feeling of uselessness burdens the former workaholic. He lacks the roar of the sea, he is ready to break the layered rocks again and thus benefit society. With all his heart he wants to return to a life in which there was both meaning and content.

Not for long, only four stanzas from seven chapters, Blok's hero is in the garden with a sugary chant, where everything is presented in pink color. Realizing his mistake, he reproaches himself for the reckless act that he committed. Although, once, in a difficult reality, he dreamed of a different life, which he probably dreamed about. However, finding himself in seemingly ideal conditions, the person felt out of place, because he was "out of work."

Despite the fact that the nightingale garden is symbolic, the work itself is full of real experiences. Blok, through his hero, shows everyone how worthless life is if there is no specific goal in it that you strive for. At the same time, the author encourages us to think that life situations may be very different. A person stumbles, goes off the "right" path, looking for an "easy" life. But if " copper pipes”and the nightingale garden do not become native and their own for a person, which means it is not a dummy. Therefore, there is always the opportunity to return to the thorny, but your own path.

Surprisingly: years go by, centuries succeed each other, but the problems of humanity are still the same. It seems that Blok lives today, somewhere in a neighboring yard and talks about our contemporary. But how brilliantly the plot is conceived, how accurately the idea is presented, that even today an adequate reader interprets the author's idea absolutely accurately. I admire and pay tribute to the great Blok.

Analysis of Blok's poem by A.A. "Nightingale Garden"

"Nightingale Garden"

IN romantic poem"The Nightingale Garden" by A.A. Block draws two worlds opposed to each other. The first is characterized by heat, layered rocks and a muddy seashore. Ego ordinary world human existence filled with everyday hard work. And next to it is another world, magical, sublime and refined. This marvelous garden with coolness, nightingale trills and beautiful roses and songs. It is in him that the stubborn donkey of the hero of the poem strives to turn.

What does the sophisticated romantic image of the "nightingale garden" symbolize? The reader receives a more concrete answer to this question in the second chapter of the poem, where the image of a woman in white appears, who calls lyrical hero with its singing and beckoning whirling.

A.A. Blok shows how poor and monotonous the life of a lonely person is and how it can change when love settles in the heart of the hero. In the third chapter, the magical charms of the nightingale garden are already spreading beyond its fence. The “familiar, empty, rocky” path begins to seem “mysterious” to the lyrical hero of the poem, as it leads to an alluring fence. Roses from the Nightingale Garden are sinking ever lower. The heart tells you to enter the garden and become a welcome guest there.

In the fourth chapter, the lyrical hero finally decides to open the doors that previously seemed impregnable. And, to his surprise, they open themselves for him. Heavenly bliss awaits the lyrical hero in the garden. The image of happiness is drawn in emphatically romantic tones: the coolness of lilies, the monotonous song of streams and the sweet trills of nightingales, the ringing of wrists and, finally, the feeling of intoxication with wine and golden fire. The lyrical hero forgets about his work, about the donkey left behind the fence.

However, in the fifth chapter, the author exclaims: “The nightingale’s song is not free to drown out the roar of the sea!” These lines emphasize the essence of Blok's understanding of happiness. none supreme pleasure(even love) cannot replace a person's sense of accomplishment, the understanding that he is on his way. The “nightingale song” in this context can be perceived as a symbol of a dream of personal happiness, love, and idle pleasures. "Sea" is the same as it is customary in classical literature, symbolizes life in a broad sense, an established world order. If in the first chapter of the poem, when the hero breaks the rocks and transports their pieces on a donkey to the railroad, the sea behaves favorably, peacefully, the tide begins to ebb, then in the fifth chapter it rumbles, trying to be heard. And the soul of the lyrical hero hurries to the sound of the surf.

In the sixth chapter, the hero leaves the sleeping beloved and goes to the mournful cries of the donkey and the measured blows of the waves. Only the thorns of beautiful roses, "like hands from a garden," try to hold him back.

In the seventh chapter of the hero of the poem, a heavy retribution awaits for the fact that he violated his duty: the tide of the sea destroyed his house on the shore. And his workplace occupied by another person. For short-term happiness, I had to pay with everything I had. This is the answer to the question posed in the third chapter of the poem: “Whether punishment awaits or reward. If I deviate from the path?

Thus, the main compositional device in the poem is the antithesis, which extends not only to the organization art space poems, but also on sound images. Along with the general philosophical interpretation of the poem in criticism, there is an opinion that it contains A.A. Blok with supporters of "pure art". In this regard, The Nightingale Garden can be understood as a refusal to depict the problems of historical reality, a withdrawal into some ideal space and a narrowing of the tasks of contemporary art for the author.

"The Nightingale Garden", analysis of Blok's poem

Brief history of creation. The poem "The Nightingale Garden" is dated January 6, 1914 - October 14, 1915. This was the period of Blok's stormy romance with Lyubov Alexandrovna Andreeva-Delmas, thirty-four opera singer. On January 12, 1914, he recorded his first meeting with Delmas. There is a mention of the fact that she was a singer:

“And in the garden someone laughs softly,
And then - will move away and sing.

Genre works - a romantic poem.

Subject works. Reflections on the meaning of life. They say that fate is a life-long road. The block symbolically divides life into two roads. One is routine work that provides food. And the other is idle idleness in "nightingale garden". where love reigns. The poet is tormented by doubts: what to choose?

Plot. Before us hard life simple worker. Every day he and his donkey have to do hard monotonous work. "We'll bring it to railway, Put it in a pile - and to the sea again. » There is a garden not far from the road. He beckons with his coolness and shadow and more "someone laughs softly". Maybe you should enter this garden? After all, there is a possibility “life is different - mine, not mine. » And he decides to enter the garden, forgetting "about the stony path, about your poor comrade". But life, devoid of the usual worries and anxieties, ceases to please. And now "To drown out the rumble of the sea, the nightingale's song is not free". He hurries to his real, earthly life, "where my house and donkey stayed". But only rusty scrap remained.

• poetic size. three-foot anapaest (the third syllable is stressed), scheme:

I / lo- / ma? - / yu / slo- / and? - / sty- / e / ska? - / ly
At the hour / from - / whether? - / wa / on / and? - / fox - / that / day ?,
And /tas-/ka?-/et o-/se?l/ mine/y-/hundred?-/ly
Their kus-/ki?/ on/ moss-/on?-/that/ back-not?.

_ _ _?/_ _ _?/_ _ _?/_
_ _ _?/_ _ _?/_ _ _?/
_ _ _?/ _ _ _?/_ _ _?/_
_ _ _?/_ _ _?/_ _ _?/

Lyrical hero poems. The lyrical hero himself calls himself "poor destitute". His whole life is hard work, and all he has is a donkey, a pick and a hut. "Nightingale Garden" gives him the opportunity to live another life, where "no curses reach life". Every day he makes the same path, but the desire to enter the garden grows stronger. And what is there behind the fence: "Whether the punishment awaits, or the reward". Once behind the fence, the hero loses contact with the real world "I woke up at a misty dawn, I don't know what day". Life without constant movement loses its familiar meaning. Blok uses the image of the sea in his poem. It is a symbol of life. When the hero enters the garden, he stops hearing "roar of the sea". but when there is a desire to return to real life, he again hears "roar of the waves". Through symbolic images the author tried to convey the idea of ​​the triumph of the real over the illusory. Only real life may be complete.

Literary direction. In the mature poetry of Alexander Blok, there is a liberation from abstract mystical-romantic symbols. His works acquire vitality, concreteness. There is a transition from symbolism to realism. The first attempts to change direction are reflected in the poem "The Nightingale Garden". But even in the descriptions of real life there are still many symbolic images.

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Features of the composition of the poem by A. Blok "The Nightingale Garden"

Or am I lost in the fog?

Or is someone kidding me?

The subtle lyricist and master of composition Alexander Blok made a great contribution to Russian and world classical poetry. Paying tribute to romanticism and symbolism, the poet creates beautiful work- the poem "The Nightingale Garden". in which it ornately, beautifully and mysteriously speaks about the meaning of life and the place of man in it.

The work is built on Blok's favorite technique - antithesis. In the opening chapters, the poet describes a long and thorny path man's happiness. The narration is conducted according to the laws of the genre - out of time and space.

I break layered rocks

At low tide on a muddy bottom,

And my tired donkey drags

Their pieces are on a shaggy back.

Let's get to the railroad

Put it in a pile - and to the sea again

Hairy legs lead us

And the donkey starts screaming.

And very close by there is another world, a beautiful nightingale garden with blooming rose bushes and loudly murmuring streams. This unknown and mysterious world beckons the lyrical hero, makes you think about own life, its meaning. Why is he in a poor hut in a miserable environment, when very close Wonderland, one has only to reach out, push the gate of the garden and find yourself in another world, next to an affectionate and loving creature.

In the third chapter, Blok shows the confusion and doubt of the hero, whose soul is torn into a magical garden.

The tired donkey is resting,

A crowbar is thrown on the sand under a rock,

And the owner wanders in love

Behind the night, behind the sultry haze.

In the next chapter, the poet says that the experiences and fears of the hero were in vain, he did not have to overcome difficulties, making his way into the nightingale garden.

My heart spoke the truth

And the fence was not terrible,

I didn’t knock - I opened it myself

She is impregnable doors.

Once in Magic world, the hero enjoys its beauty and peace, but the nightingale's song cannot "muffle the rumble of the sea." This is the symbolic noise of life outside the garden, perhaps the roar of the crowd, the everyday life of the city, from which you cannot hide behind any walls. In the sixth chapter, Blok describes the struggle of the hero with himself, when, being in beautiful world, he strives "at will". to the former hard work and his companion - the donkey.

Yes, the hero did a monotonous job, but he was free to leave at any moment, and in the garden he is a prisoner - let it be love, but these are strong networks.

And, going down the stones of the fence,

I broke flowers oblivion.

Their thorns are like hands from a garden

They clung to my dress.

The seventh chapter is the most mysterious and interesting. The hero returns to his hut and does not recognize the previous situation, something subtly has changed around.

Or am I lost in the fog?

Or is someone kidding me?

No, I remember the outline of stones,

A skinny bush and a rock above the water.

Life does not tolerate emptiness. Already another worker replaced our lyrical hero. He does the same work going down to the sea.

And from the path that I have trodden,

Where the hut used to be

A worker with a pick began to descend.

Chasing someone else's donkey.

Life moves inexorably forward, to replace the departed rises new hero, and so on endlessly: the running of time cannot be stopped. Blok emphasizes this idea by using a ring composition in his poem, symbolizing the continuous passage of time. The poem "The Nightingale Garden" is mysterious and captivating. Blok was able to express in it his aesthetic and philosophical views. This work gives readers the opportunity to enjoy the beautiful Russian language, captivating with its sonority, harmony and beauty.

If there is none, write yourself. Imagine yourself a great critic and write about feelings, experiences, loneliness.

Listen to Blok's poem Nightingale Garden

Themes of neighboring essays

Picture for composition analysis of the poem Nightingale Garden

The short poem "The Nightingale Garden" (1915) is one of Blok's most perfect works. (It is no coincidence that Blok was often called the singer of the Nightingale Garden). It reflects the poet's constant thoughts about his place in life, in the social struggle. The poem helps to understand the "life turn" very important for Blok from individualism towards rapprochement with the people.

Schoolchildren are reading "The Nightingale Garden" with interest. What is the best way to organize the work on this poem? It is advisable to have a title for each chapter. This will allow you to see a very slender, well-thought-out composition of the poem.

The plan might be something like this:

1. Tiresome labor and heat.
2. Dreams about the "inaccessible fence" of the nightingale garden.
3. Desire to enter the garden.
4. "An alien land of unknown happiness."
5. "The nightingale's song is not free to drown out the roar of the sea!"
6. Escape from the garden.
7. Loss of a former home, job and friend.

After reading the poem, we offer the students a task: using the text of the first chapter (and partly of subsequent chapters), trace how the heavy working life hero and what is opposed to her in the poem. They will notice that the chapter is built on contrasts. The "poor destitute" lives "in a cramped hut", his work is exhausting ("a tired donkey", "it is gratifying" that he walks light even back"). And in the garden "the nightingale's melody does not stop, streams and leaves whisper something."

In the first chapter, built on contrasts, it is not difficult to find two opposite lexical layers. The prose vocabulary used to describe everyday work (carrying, furry back, hairy legs, etc.) is replaced by romantically upbeat speech, when he sings, talks about a nightingale garden. The content of the first chapter, which is an exposition, speaks naturally and logically, motivates the events of the second chapter, which forms the plot of the plot: a beautiful mysterious nightingale garden, opposed to bleak work, gives rise to dreams of a different life.

It is interesting to follow from the second chapter how the hero's dream of the "impregnable fence" of the garden develops. At the same time, attention should be paid to how Blok managed to convey the power of an unrelenting dream and reveal the spiritual world of the hero. Something extraordinary is happening to him. Thoughts about the possibility of another life cause dissatisfaction with one's fate ("And what am I, a destitute poor man, waiting for in this cramped hut:?"), a reassessment of one's usual work, which is now perceived as a "life of damnation". The incessant nightingale melody, "Her" "circling and singing", relentless dreams cause "hopeless languor" that filled the whole soul, crowding out everything else.

An important role in the second chapter is played by sketches of nature. They help to understand how the idea of ​​escaping from the "life of curses" into a calm and serene nightingale garden is born and matures. Dreams and languor appear in the evening hour, when "a sultry day burns out without a trace." The signs of the coming night are mentioned several times: "in the sunset fog", "twilight of the night", "in the blue twilight". In the sultry evening fog and then in the night twilight, clear outlines of objects are not visible, everything around seems unsteady, indefinite, mysterious. "In the blue twilight, a white dress" flickers like some ghostly vision. "Incomprehensible" is the name of the tune that is heard in the garden. With her "circling and singing" the girl beckons to herself, like a magical, fabulous power.

Everything connected with the nightingale garden is closely intertwined in the mind of the hero with relentless dreams of an unknown life. It is difficult for him to separate the real from the fictional, the fantastic. Therefore, the garden that attracts and alluring seems inaccessible, like a bright dream, like a pleasant dream. The poet shows very emotionally and psychologically convincingly the impossibility of getting rid of this languor. Therefore, it is not difficult to say what will happen in the future: the hero will inevitably go to the nightingale garden.

In the third chapter, the "dialectic" of a difficult mental struggle is revealed to the reader. The decision to go to the nightingale garden does not arise so suddenly, suddenly. Leaving the donkey and the crowbar, "the owner wanders in love," again comes to the fence, "the clock follows the clock." "And the languor is getting more and more hopeless" - it must be resolved soon. And it will probably happen today. A well-known road seems mysterious today. "And the thorny roses today fell under the dew" (Obviously, they will not delay the guest with their thorny thorns if he goes to the garden). The hero still only poses the question: "Is there a punishment waiting, or a reward if I deviate from the path?" But if we think about this question, we can say that the choice has already been essentially made. "And the past seems strange, and the hand does not return to work." The turning point in the hero's soul has already occurred, it is clear to us that he, not satisfied with his former life, will try to fulfill his dream.

The fourth chapter, which tells about the achievement of a cherished dream, is logically clearly separated from the previous one and at the same time is naturally connected with it. The "bridge" connecting them is the phrase: "The heart knows that I will be a welcome guest in the nightingale garden:". The new chapter begins with the continuation of this thought: "My heart spoke the truth:". What did the hero find behind the impregnable fence of the garden?

Along the cool road, between the lines,
Streams sang in unison,
They stunned me with a sweet song,
The nightingales took my soul.
Alien land of unknown happiness
They opened their arms to me
And rang, falling, wrists
Louder than my poor dream.

Why did the poet consider it necessary to reveal to the reader all the charm of this heavenly bliss?

The dream did not deceive the hero, the "alien land of unfamiliar happiness" turned out to be even more beautiful than it was in the lover's dreams. He reached the pinnacle of his bliss and forgot everything else. The situation in which the "poor destitute" found himself is able to charm and captivate everyone. Few would be able to resist the temptation to surrender to this wonderful, almost heavenly life, to refuse the opportunity to experience happiness. And it is quite natural that the hero, having reached the pinnacle of bliss, "forgot about the stony path, about his poor comrade."

This phrase leads us to a new "tonality", a new chapter, a new thought. Is it possible to forget your friend, your work, your duty? And did the hero of the poem really forget about all this?

Let her hide from the valley of grief
A wall drowned in roses,
Silence the roar of the sea
Nightingale song is not free!

"The roar of the sea", "the roar of the waves", "the distant sound of the tide" turn out to be much stronger than the nightingale's song. This is quite true in terms of simple likelihood. Let's remember something else at the same time. The nightingale and the rose are traditional images of tender love in world lyrics. For many poets, the sea acts as a symbol; it can be said that Blok affirms the need to subordinate personal interests to public ones.

In spite of everything, "the distant sound of the tide can no longer be heard by the soul." The next, sixth chapter speaks of the flight of the hero of the poem from the nightingale garden. Let's ask students questions:

What is the role of the sixth chapter of the poem?

Could it have been done without it?

Why not simply write that the hero left the garden as soon as he realized that it was necessary to do so?

The sixth chapter gives the reader a sense of how difficult it was to leave the garden. After all, the hero was fascinated not only by the coolness, flowers and nightingale songs. With him was a beauty who discovered "an alien land of unfamiliar happiness."

She is not an evil sorceress, a temptress, who lures her victim in order to destroy. No, it's caring, passionate loving woman, childishly gentle, sincere and trusting.

C pit she, smiling like children, -
She had a dream about me.

She is worried, noticing some kind of anxiety in the soul of her lover. It is difficult for the hero to leave the garden, not only because he deprives himself of bliss. It is a pity to leave such a pure, trusting, loving being, to destroy "her" happiness. And you need to have great spiritual strength in order to leave the beautiful garden in spite of everything, responding to the call of life. Without seeing these difficulties, without learning about the happiness that the hero of the poem is forced to give up, readers would not be able to understand and appreciate his act.

What new thought is connected by the seventh, last chapter? It would seem that, leaving the nightingale garden, the hero will continue his work as before. But in the same place there was neither a hut nor a donkey, only a rusty, sand-covered crowbar was lying around. An attempt to break the stone with a "familiar movement" meets with resistance. The "Agitated Crab" "rose up, opening its claws wide", as if protesting against the return to work of one who had already lost the right to it. Another has now taken his place.

And from the path that I have trodden,
Where the hut used to be
A worker with a pick began to descend,
Chasing someone else's donkey.

An attempt to get away from the "life of curses" in a serene nightingale garden did not go unpunished. The seventh chapter of the poem leads us to such a thought.

After getting acquainted with the content of all the chapters, the students conclude what significance the "Nightingale Garden" had in disputes about the role and purpose of the poet. With his poem, Blok argues that the poet should actively participate in public life and fulfill his civic duty, and not take refuge in the serene garden of "pure art."

We will invite students to name the poets of "pure art", Blok's predecessors and teachers. Remembering the literary tastes and hobbies of the author of "The Nightingale Garden", schoolchildren will name, along with other poets, A.A. Fet, whose poems Blok knew and loved well. The teacher will read A. Fet's poem "Key".

Students will note what makes the poem "The Nightingale Garden" related to Fet's poem. Fet managed to convey the charming and alluring charm of "refreshing moisture", a shady grove and a nightingale's call. Blok's nightingale garden is depicted just as attractively. The lyrical hero of the poem "The Key" strives for that bliss that, as we saw, the hero of "The Nightingale's Garden" found behind the "wall drowned in roses". Blok's poem resembles the poem "Key" with its rhythm, melodiousness, similar images-symbols.

It should be noted that literary critics in their studies drew attention to the subtext of "The Nightingale Garden", to the polemical orientation of this poem by Blok in relation to A. Fet's poem "Key". This idea was first expressed by V.Ya.

No matter how attractive the "nightingale garden" may seem, no matter how difficult it is to part with it, the poet's duty is to go into the thick of life, responding to her calls. Therefore, it was especially important for Blok to show life in the nightingale garden as charming and captivating. And it was necessary to talk about it in the same captivating, sweet-sounding verses.

From the drafts of the poem, one can see that it was originally built as a third-person story. Subsequently replacing the face of the narrator, Blok made the narrative more emotional, close to the reader, introduced autobiographical elements into it. Thanks to this, readers perceive the poem not as a story about the sad fate of some poor man, but as an excited confession of the narrator about his experiences, about his spiritual struggle. The meaning of "The Nightingale Garden" cannot therefore be reduced only to a polemic with Fet or other supporters " pure art". This poem, concludes V. Kirpotin, was not only "a response to a multi-branched and noisy dispute about the appointment of the writer and the ways of the Russian intelligentsia." In his work, Blok "created an answer in which he said goodbye to his own past, or, or rather, with much of his own past. "" The polemic with Fet, - writes L. Dolgopolov, - developed into a polemic with himself."

C this process was false for Blok. He does not hide difficult, painful experiences from readers, he opens his soul to us. Ultimate sincerity and frankness, the ability to convey the subtlest shades mental life- this is perhaps the strongest side of Blok's poetry. The poem "The Nightingale Garden" helps to see that hard way, along which the poet walked to his main feat of life - to the creation of the poem "The Twelve".

Literature.

1. Blok A.A. "Lyric" - M.: Pravda, 1985.
2. Gorelov A. "Essays on Russian Writers". L., Soviet writer, 1968.
3. Fet A.A. " complete collection poems "L., Soviet writer. 1959.
4. Questions of Literature. 1959, No. 6, p. 178-181
5. Dolgopolov L.K. "Poems of Blok and the Russian poem of the late 19th and early 20th centuries", M. - L., Nauka, 1964, p. 135-136.
6. Serbin P.K. The study of the work of Alexander Blok. - K .: Radianska school, 1980.

The protagonist of A. Blok's poem "The Nightingale Garden" is a poor worker who sees nothing in his life but hard work, accustomed to his bleak life. All his property is an old house and a donkey, a faithful companion in life.

Every day the hero walks along the same path past the wonderful garden. From there one hears someone's lovely laugh, the murmur of a stream, the trills of a nightingale. The hero understands that there, behind the impregnable fence, there is a completely different life, not like his gray existence. The garden attracts the poor man, but he does not dare to go there. He is tormented by the question, will he not be punished if he leaves his usual path and looks into the garden?

Once he nevertheless opened the gate and found himself in the desired place. splendid garden, magic singing nightingale, hitherto unknown sensations made him forget his former life. She meets him there, surrounds him with affection and love. The hero has lost track of time. He spends time in the garden without worries and sorrows. Sometimes through the wonderful sounds of the garden comes a rumble sea ​​waves reminding him of life outside the garden, but he brushes those thoughts aside.

At some point, the hero came to his senses. He thought he heard the cry of a donkey calling him. He managed to escape from the sweet shackles and returned home. But back to your habitual life he could not. He never saw his house or the old donkey again. Someone else was already doing his work, and another donkey was helping him. Intoxicated sweet life, empty dreams, the hero lost everything he had in real life. So, at the end of the poem, he received an answer to his question about a possible punishment.

The meaning of the poem is that hobbies, no matter how strong they may be, are temporary, and work and service to one's calling are permanent. Without labor, life has no meaning; sooner or later, idleness begins to burden a person.

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Block - Nightingale Garden. Picture for the story

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Blok Alexander

nightingale garden

Alexander Blok

NIGHTINGALING GARDEN

I break layered rocks At low tide on a muddy bottom, And my tired donkey drags Their pieces on a shaggy back.

Let's carry it to the railroad, Let's put it in a heap - and again hairy legs lead us to the sea, And the donkey starts screaming.

And he shouts and trumpets, - it is gratifying, That he goes light even back. And by the road itself - a cool And shady garden spread out.

Along the high and long fence Of extra roses, flowers hang down to us. The nightingale's melody does not stop, Streams and leaves whisper something.

The cry of my donkey is heard Every time at the garden gate, And in the garden someone laughs softly, And then - he will move away and sing.

And, delving into the restless melody, I look, urging the donkey, How the blue haze descends on the rocky and sultry shore.

The sultry day burns down without a trace, The twilight of the night creeps through the bushes; And the donkey is surprised, the poor one: "What, master, have you thought about it?"

Or the mind is troubled by the heat, Did I dream in the twilight? Only more and more relentless dreams Life is different - mine, not mine ...

And why in this cramped hut Am I, a destitute poor man, waiting, Repeating an unknown chant, In a nightingale ringing garden?

Life's curses do not reach In this walled garden, In the blue twilight a white dress Carved flickers behind a lattice.

Every evening in the sunset fog I pass by these gates, And she, light, beckons me And whirls and calls to singing.

And in the inviting whirling and singing I catch something forgotten, And I begin to love languishing, I love the inaccessibility of the fence.

A weary donkey is resting, A crowbar is thrown on the sand under a rock, And the owner wanders in love Behind the night, behind the sultry haze.

And the familiar, empty, stony, But today - the mysterious path Again leads to the shady fence, Running away into the blue haze.

And the languor is getting more and more hopeless, And the hours go by, And the prickly roses today Have fallen under the dew.

Is there a punishment, or a reward, If I deviate from the path? How would one knock on the door of a nightingale garden, and is it possible to enter?

And the past seems strange, And the hand does not return to work: The heart knows that I will be a welcome guest in the nightingale's garden ...

My heart spoke the truth, And the fence was not terrible. I did not knock - she herself opened the impregnable doors.

Along the cool road, among the lilies, The streams sang monotonously, They deafened me with their sweet song, The nightingales took my soul.

Alien land of unfamiliar happiness They opened their arms to me, And the wrists rang as they fell, Louder than in my impoverished dream.

Drunk with golden wine, Golden scorched by fire, I forgot about the stony path, About my poor comrade.

Let the wall drowned in roses shelter from the valley's grief, To drown out the rumble of the sea The nightingale's song is not free!

And the alarm, which entered into singing, The roar of the waves brought me to me ... Suddenly - a vision: big road And the tired step of the donkey...

And in the fragrant and sultry haze hot hand She repeats uneasily: "What is the matter with you, my beloved?"

But, staring into the darkness lonely, Breathe in bliss in a hurry, The distant sound of the tide Already the soul cannot help but hear.

I woke up at a hazy dawn. It is not known what day. She sleeps, smiling like children, She had a dream about me.

How, under the morning twilight, a bewitching face, transparent with passion, is beautiful!

I threw open the blue window, And it seemed as if there had arisen Behind the distant growl of the surf An inviting plaintive cry.

The cry of the donkey was long and long, Penetrated into my soul like a groan, And I quietly drew the canopy, To prolong the enchanted dream.

And, going down the stones of the fence, I broke the oblivion of the flowers. Their thorns, like hands from a garden, Cling to my dress.

The path is familiar and previously short This morning is flinty and heavy. I enter the deserted shore, Where my house and donkey are left.

Or am I lost in the fog? Or is someone kidding me? No, I remember the shape of the stones, The skinny bush and the rock above the water...

Where is the house? - And with a sliding foot I stumble over the abandoned crowbar, Heavy, rusty, under the black rock Dragged in wet sand ...

Swinging with a familiar movement (Or is it still in a dream?), I hit with a rusty crowbar On the layered stone at the bottom ...

And from where the gray octopuses Swayed in the azure crack, A crab clambered agitated And crouched on the sandy shallows.

I moved, - he got up, Opening his claws wide, But immediately I met another, They fought and disappeared ...

And from the path trodden by me, Where the hut used to be, A worker with a pick began to descend, Chasing someone else's donkey.