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Who owns the phrase theater begins with a hanger. "The theater begins with a hanger

Who owns the phrase theater begins with a hanger. "The theater begins with a hanger

09.04.2019

famous phrase became winged, it is passed from mouth to mouth (hello to folklore). The hanger is no longer separable from the image of the theater. But where did she come from? And did they really talk about it?

1. Who said?

It is believed that this phrase was first said by Konstantin Stanislavsky himself - the famous Soviet director. However, the hanger does not appear in the documents, nor do eyewitnesses remember him talking about it.

But the phrase could have been born from his letter to the cloakroom attendants of the Moscow Art Theater, where he noted: “Our Artistic theater differs from many other theaters in that the performance in it begins from the moment you enter the theater building. You are the first to meet the incoming spectators ... "

So maybe the theater should not begin with her?

2. The meaning and meaning of the phrase

The first thing that comes to mind is that Stanislavsky meant only gratitude to the wardrobe workers and nothing more. He did not put any sacred meanings into it.

However, as is often the case among the people, some joker added the word "hanger" and the quote rushed to the people, acquiring new meanings.

So, if you search on the Internet, you can stumble upon absolutely marvelous interpretations:

Wardrobe attendants set the tone and mood for everyone who comes to the “temple of arts”

Artists can work in the wardrobe, so theatrical performance will literally start at the hanger

Every little thing is important in the theater: even the stucco on the ceiling is an important part of the theater, and the wardrobe is even more so

The viewer should already be aware at the entrance that he enters the world of art and sublimity

Wardrobe workers are devoted people, ardent admirers of their work and the support of the entire theatrical "workshop"

Without a hanger, the path to the theater is blocked, because you can’t sit at the performance in outerwear

3. Theater begins with a hanger and ends?

You can reflect a lot on the topic of how the theater ends. There are many humorous versions, for example, "queuing for the wardrobe." And she is very a large share truth.

There are also options with a buffet, but this is how you look at it: someone likes to visit it before the performance, someone during the intermission. Or maybe there is a hidden subtext here: a bad theater buffet will not save even a well-functioning wardrobe and opera diva with a worldwide reputation.

But, I would like to believe that the queue is not the only thing that awaits the viewer after the performance: it is still a given mood, and impressions, and even reflections on certain topics. And, of course, the theater will end with insanely romantic night trips and walks home.

In fact, the famous phrase of the great teacher and director Stanislavsky about the hanger and the theater sounded quite different. In the original, the master wrote a rather long thank you letter to the wardrobe attendants of the Moscow Art Theater, who congratulated him on his anniversary. It contained words of recognition of the importance of their work, helping to create a special atmosphere for the audience long before the start of the performance.

Over time, this paragraph of the letter was transformed into the same thing for everyone famous expression about the theater that begins with a hanger. And the idea is firmly rooted in the minds of citizens that we are talking specifically about the hanger, which serves as a temporary shelter for jackets and coats. Like, it should be not only comfortable, but also beautiful, setting in a certain way.

And indeed it is! Hanger - one of the first items that meet the owners of the house and their guests. Therefore, to a large extent, it will depend on her how the entire interior of the room as a whole will be perceived.

For many, a hanger can be a very appropriate gift, if you approach the choice with care. Indeed, from the whole variety of such products, it is necessary to find a model that will harmoniously fit into the situation and will be distinguished by quality and reliability.

Types of hangers

There is no generally accepted strict classification of hangers. But according to their purpose, they can easily be divided into two large groups: hangers for storing things in the closet and for storing clothes, so to speak, outside of it.

The first group includes ordinary coat hangers, which are a curved bar with a hook in the middle. Thanks to them, things do not wrinkle during storage in the closet. The clothes are put on the bar, straightened out, and the whole structure clings to the crossbar in the wardrobe by the hook.

To make shirts, trousers and dresses look like freshly ironed, you should stock up on coat hangers different types. For example, for skirts and trousers, choose hangers with special clips. Stretch your favorite trousers around the waist, grab them with clothespins on the sides - and into the closet. It is much more convenient than using shoulder straps with a crossbar, from which transverse creases remain on the legs or skirt floors.

For dresses, tops and underwear, hangers are made with hooks or notches on the bar. Straps neatly cling to them or fasteners-loops specially sewn into some things, after which the hangers can be put away in the wardrobe.

Hangers of the second group, designed for storing things outside the closet, are furniture in themselves. These are wall, floor and even ceiling structures on which we hang jackets, coats and raincoats when we enter an institution or return home.

It is almost impossible to describe the variety of their designs. There are corner floor hangers with a chest of drawers, wall hangers with a shelf for hats, metal frames attached to the ceiling with hooks on them, and many others.

Entire turn-sliding systems appear. They consist of a rack with a wheel at the bottom and a crossbar that can move along the rails on the wall. The whole structure can be pressed against the wall and serve as a hanger for just two or three jackets. When guests arrive, the rack easily slides out into the middle of the hallway and outerwear is hung on hooks on both sides of the crossbar.

Materials and quality

In the materials from which modern hangers are made, there is the same variety as in the model range. This different kinds plastic, metal, wood and all sorts of combinations of them. You can choose any material: they all have their pros and cons.

For example, wooden hangers. Beautiful, natural, durable. You can hang light blouses-shirts and heavy jackets-jackets on them, they will not sag under them. But the slightest defect in the coating of wood over time can lead to the fact that it begins to dry, become rough and spoil delicate fabrics.

When choosing wooden wardrobe hangers, give preference to lacquered or painted models. Sanded, even as smooth as possible, it is better not to purchase. Before buying, run your fingers along the bar several times in one direction and the other. If the varnish or paint is applied with high quality, you will not feel the slightest bumps.

Plastic coat hangers will never leave any hooks on the fabric. But things often slip off their smooth surface. To avoid this, give preference to coat hangers equipped with silicone stoppers.

The same lining can be found on metal hangers. They usually do not have the disadvantages of wooden hangers, but may be too heavy for a closet bar. A fall will not threaten her if you hang some of the things on metal hangers, highlighting plastic or wooden ones for the rest.

Hallway hangers are most often made from combined materials. These formally include any similar products with a wooden frame and plastic or metal hooks.

By the way, both materials are smooth and clothes hung on them not by a special loop, but simply by the collar, will slide and fall. Therefore, it is better if the hooks are large, slightly curved. By the way, the number of hooks also matters. When there are too many of them, things hang close to each other or overlap, they wrinkle a lot. If the distance between the hooks is about 10 cm or a little more, the hanger will be much more convenient to use.

In all other respects, the choice of hangers for the hallway should be dictated by the quality of a single model, its design, the size of the place for it in the apartment of the future owner and the peculiarities of his taste. Someone prefers exquisite floor design designs made of bamboo, someone likes massive natural wood products, and someone dressing room Long time no mobile hanger.

But the main thing in choosing a hanger, of course, is its quality. This is furniture that will be constantly subjected to stress, which must be considered when buying. Therefore, carefully check all the joints and joints of the hanger, pull the hooks. If they give in, then they will unbend in the future, so move on to researching another model.

See how they are made decorative elements products, the quality of the varnish on them and the hanger itself. Load a simple floor model with hooks on all sides on one side and check for stability. Roll the mobile on the floor, and try to do this by using the locks on the wheels (if any). Rolled - go to check another instance. It is unlikely that it will be possible to foresee everything, but if the shortcomings are already noticeable when choosing, it is unreasonable to buy such a hanger.

Who to choose as a gift

Modern hangers can be practical, reliable and unexpectedly beautiful. The range is represented by models of the most different styles capable of becoming a real decoration of the interior. So they will be a worthy gift, especially for those who consider it inappropriate to give useless things.

A new retro wooden hanger might please conservative older relatives. A sliding structure made of metal and plastic with many retractable parts will not clutter up the space of small offices, but will accept all the clothes of employees. Children will appreciate the floor or bright wall hangers, decorated with figures of their favorite cartoon characters.

Teenagers who are fond of sports can be presented with a special hanger for drying and storage. sportswear(especially true for younger hockey players). It is a cross between a mannequin and a traditional floor hanger. Similar designs have been developed for storing suits - this is just a godsend for the happy owners of a dressing room.

It is quite possible to give colleagues collapsible hangers that are convenient to take on trips, creative people- original designer hangers of the most different forms and sizes. These are letters with hooks (from which you can make up the name of the owner or a wish for him), and tree branches (wooden, forged, plastic), and hybrids with chairs, and much more. But deer antlers, which in the past were considered a chic and stylish hanger, should not be given as a bad omen, and beauty is dubious.

Of course, such a gift will be small for a birthday, but as a present for a professional holiday, a wedding anniversary (a wooden hanger for a wooden wedding, with wrought iron parts for a cast iron one, and so on) will do just fine. And for a housewarming gift, you just can’t think of a better gift! Beautiful, high-quality, reliable, chosen with attention, it will set the tone for the rest of the interior, already in the hallway creating an atmosphere of comfort. After all, not only the theater begins with a hanger!

Without exception, all theater workers are co-creators of the performance. One who, in one way or another, spoils common work and interferes with the realization of the main goal of art and theater, must be recognized as harmful.

If the theater is cold, dirty, disordered, the beginning is delayed, the performance goes on without proper enthusiasm, the mood of the audience falls and due to this the main thought and feelings of the poet, composer, artists and directors do not reach them, they had nothing to come to the theater for, the performance is spoiled, and the theater loses its social, artistic, educational value.

If, for one reason or another, the rehearsal turns out to be not productive, then those who interfered with the work harm the common, main goal. It is possible to create only in a correspondingly necessary environment, and whoever interferes with its creation is committing a crime against art and the society we serve. A spoiled rehearsal hurts the role, and a wounded role does not help, but interferes with the realization of the main idea of the poet, i.e. the main task of the theatre.

It is necessary to appreciate each person, regardless of what he does and what position he occupies. Every person wants to receive proper attention and respect. We need to remind people of their importance and thank them for their work and hard work.

It is necessary that the spectator, the actor and everyone related to the theater enter it with a special feeling of reverence. It is necessary that the spectator, opening the doors of the theater, be imbued with the appropriate mood, which helps, and does not interfere with the perception of the impression. How important for the performance is the mood behind the scenes and in the auditorium.

The most terrible and invincible thing is when the spectator makes noise, talks, walks and, especially, coughs during the action. In order to accustom the spectator to the discipline necessary for the performance, to force him to sit in his seats before the beginning, to be attentive, not to cough, it is necessary, first of all, that the theater deserves respect, so that the spectator feels how he should behave.

Anyone who spoils us earthly paradise- life in the theater, should be either removed or rendered harmless. And we ourselves must take care to carry only good, invigorating, joyful feelings to the theater from all sides. Here everyone should smile, because here they are doing what they love. Let this be remembered not only by the actors, but also by the administration, with its offices, warehouses, and so on. She must remember that this is not a barn, not shops, not banks, where people are ready to cut each other's throats because of profit.

The viewer feels everything that happens behind the closed curtain. Disorder, noise, screaming, knocking during the intermission, the hustle and bustle on the stage are transmitted to auditorium and the performance itself is heavy. On the contrary: order, harmony, silence there, behind the closed curtain, make the performance easy. Of course, intrigues, gossip, which the theater is famous for - it’s good without them, you can’t exclude a talented person because he has a bad character, because he interferes with the prosperity of others. Undoubtedly, everything is forgiven for talent, but its shortcomings must be neutralized by other artists. When such a microbe, dangerous for the whole organism, appears in the theater, the whole team must be vaccinated in order to develop a neutralizing antitoxin, in which the intrigue of a genius does not violate the general well-being of the theater life.

As you know, the theater begins with a hanger, than the theater ends idioms do not specify, but I think for many - a buffet. Let's talk today about the beginning and end of the Samara city theater of the beginning of the last century.

Foyer of the theater

Until 1930, the Samara theater did not have its own troupe. The building and property of the theater were leased to entrepreneurs who brought their troupes and scenery to Samara.

Hanger

The hanger and sideboard were leased by the council under a separate contract and served as a very good source of replenishment of the city budget. So in 1908, the city received from the peasant of the Ryazan province Anton Yakovlevich Nikashin for renting a hanger in the theater 7428 rubles. So how did Anton Yakovlevich make money renting hangers? Spectators of the stalls and the amphitheater paid 10 kopecks for the handed-over dress. per person, visitors to lodges from 30 to 50 kopecks, depending on the prestige of the lodge. There was more than one hanger in the theater, in addition to the usual dressing room in the basement, there was also a hanger on the fourth floor, for the gallery, and the cost of services in it was, accordingly, only 5 kopecks. This is the cost of services for simple and benefit performances, for daytime performances the price was halved.

Signs familiar to the locker rooms of some modern establishments - "the administration is not responsible for the items handed over" - were simply impossible. The administration, or rather the tenant of the hanger, was responsible, and what! All contracts concluded with the city government were secured by a pledge, and the contract for the rental of a theater hanger was no exception. The tenant left 500 rubles in the city cash desk. In case of loss, the victim received compensation from this amount, and unconditionally and without litigation.

It was the responsibility of the tenant of the hanger to pay for the electricity and heating of the cloakrooms. He was required to hire at least 6 servants for each dressing room and could very well lose his contract for various infractions, such as extorting tips from spectators by servants.

You should not think that the audience paid for the hanger directly when undressing, no, these sums, in agreement with the entrepreneur, were included in the ticket price. The exception was the performances that took place after May 1, here those who came in an overcoat already paid directly on the hanger, and those who came lightly saved 10 kopecks.

Theater buffet

Another source of income for the city treasury. The Samara tradesman Platon Petrovich Sergeev signed a contract with the city government for the lease of the buffet in the city theater for three seasons - from 1908 to 1911. The rent was 3005 rubles. per year, and a fee to the excise department for the sale of alcohol up to 600 rubles.

In the theater, the buffet was intended for: a room between the vestibule and the pantry, the pantry itself, two rooms in the basement. In addition, Sergeev was to arrange a buffet in the tea room for the sale of tea, fruit, sweets and soft drinks, and a buffet in a specially designed room on the fourth floor for the sale of strong alcohol. He was also granted the right to sell tea, ice cream and soft drinks in the large foyer and living rooms.

The tenant of the canteen was required to keep clean all the areas of the canteens and the tea room, the men's water closet and the ladies' restroom with a specially hired maid, and keep the fire in the wood-burning fireplace between the pantry and the lobby.

So what did they treat the Samara visitors to in the theatrical buffet? Let's start with drinks: a glass of plain purified vodka of the established sample with a capacity of 1\200 buckets (61.5 gr.) - 10 kopecks, the same glass of special vodkas - 15 kopecks, a glass of cognac 1\400 buckets -15 kopecks. Moreover, an appetizer of herrings, smoked meats, pickles, sausages, butter, radishes, radishes, cheeses, in any case, at least 5 varieties, is served free of charge.
Seltzer water - 15 kopecks. per bottle, local gasses lemonade - 20 kopecks, imported -25, a bottle of Lanen water -75, local beer - 20 kopecks, metropolitan - 25.
Wines at the prices of Egorov, Zhukov, Zhuravlev shops, for a bottle worth up to 2 rubles. with a surcharge of 50%, over - 40%. Tea with lemon or cream - 10 kopecks. cup.
Sandwiches -10 kopecks, with fresh caviar - 15,
Pies of all varieties -10 kopecks.
Any cold appetizers are not more expensive than 75 kopecks.
Ice cream of any kind - 30 kopecks.
Cake of all varieties - 5 kopecks.

The buffet began to work before the start of the performance, was not closed to visitors during the action, and continued to work for another hour after the end of the performance.

There is a classic expression that “the theater begins with a hanger…” Our studio literally began with enthusiasts! After graduation, I managed to attract 25 people! Then, in the 80s, the amateur theatrical movement in the country was in full swing! Studios were created in workers' and student groups, and since there were not enough premises, everything was mastered - from doorways to cellars and roofs! My talented guys and I dreamed of our own "corner" and that it would be the Experimental Youth Theater-Studio. In incredible agony, he was born, but "lived" (despite the indifference of officials) only 7 years ... Then came the 90s ...
I dedicate to my distant dream...

When was THEATER born? Theatre, translated from Greek, is a place for spectacles, or spectacular view art, which is a synthesis various arts- literature, music, choreography, vocals, visual arts and others, and having its own specifics: a reflection of reality, conflicts, characters, as well as their interpretation and evaluation, the approval of certain ideas, which occurs through dramatic action, the main carrier of which is the actor.

The ancient Greek theater was born from the mysteries dedicated to the gods - the patrons of agriculture, primarily to Dionysus: during the festivities dedicated to him, the choir of "satirs" dressed in goat skins sang songs (dithyrambs), the content of which was the myths of the Dionysian circle. The theater consisted of: ORCHESTRA - a round platform on which the choir dances took place, located in the center of the theater, which got its name from the verb orcheomai - to dance. In the middle of the orchestra was an altar of Dionysus;
SKEN BUILDINGS - a stage building with rooms for actors. The wings of the skene were paraskenia, between which performances of actors took place in front of the skene; AUDITORIAL HALL, having the form of a sphere, truncated by two planes, surrounding 2/3 of the orchestra.

In those days, there were only two genres of plays - tragedy and comedy. They were written most often in mythological or historical plots. All roles were played by men. The actors performed in huge masks and koturnas. There were no decorations. Women (excluding hetaerae) were not always and everywhere allowed to perform, especially to comedy, and sat, as a rule, separately from men. In Greece, the profession of an actor was considered prestigious, and in Rome it was shameful (that's why Nero's performances so shocked his entourage).

After the fall of the Roman Empire antique theater was forgotten: the early ideologists of Christianity condemned hypocrisy, and not only actors, musicians and "dancers", but also all "obsessed with a passion for the theater" were excluded from Christian communities. medieval theater in fact, it was born anew, from folk rites and religious holidays - dramatizations of church services.

Roman theater

In the field of literature and theatrical art the Romans often borrowed ready-made forms at the Greeks. However, one cannot see only borrowings in Roman culture. It also has many original features dating back to ancient times. In addition, much borrowed from the Greeks was subjected to radical processing in accordance with the needs and tastes of Roman society.

The Renaissance theater was born in Italy, where the liturgical drama existed longer than in other countries, and relatively late, only in the middle of the 15th century, the Italian analogue of the mysteries appeared.

Commedia dell'arte. Troupe "Gelosi" Flemish painter end of the 16th century

Comedy del arte (Italian commedia dell "arte), or comedy of masks - a type of Italian folk (areal) theater, the performances of which were created by improvisation, based on a script containing a brief plot scheme performances, with the participation of actors dressed in masks.

With the spread of the mysteries in Italy, the appearance of the first theater groups- at the turn of the 15th-16th centuries, at first in the form of amateur communities, which eventually turned into semi-professional ones: artisans and intellectuals gathered a troupe when there was a demand for performances, showed them for a fee in rich houses and returned to their former occupations when there was demand there was no show.

Interior of the Covent Garden Theater

Royal Theater in Covent Garden - a theater in London that serves as a venue for opera and ballet performances, the home stage of the London Royal Opera and the London Royal Ballet. It is located in the Covent Garden area, after which it received its name. In 1808 the first theater in Covent Garden was destroyed by fire. The new theater building was erected in the first nine months of 1809 according to the design of Robert Smork and opened on September 18 with a production of Macbeth.

Creative activity William Shakespeare, which lasted last decade XVI century and the first decade of the XVII century, refers to the era of the late English Renaissance. At this time, England, having achieved impressive political power, was acutely experiencing a crisis of transition from feudal public relations to the bourgeois. Social life was extremely intense. IN major cities theater was of great importance.

The theater of the Shakespeare era was still a celebration, a carnival performance on the square. However, at that time, the ever-increasing interest in theatrical art led to the formation of permanent professional troupes instead of the previously existing temporary amateur associations. Special buildings were erected for theatrical performances. The accessibility of the theater for all segments of the population made it popular and led to the creation of a diverse repertoire. All these features were of great importance for the development of English drama.

Grand Theatre, 1856

Significant phenomenon cultural life Russia first half of XIX V. theater became. The popularity of theatrical art grew. In January 1825, the Bolshoi Theater opened with a performance of The Celebration of the Muses. S. Aksakov’s memories of this discovery have been preserved: “The Bolshoi Petrovsky Theater, which arose from old, burnt ruins ... amazed and delighted me ... A magnificent huge building, exclusively dedicated to my favorite art, already with its appearance alone led me into joyful excitement.”

OPERA

Opera is a genre of musical and dramatic art in which the content is embodied by means of musical dramaturgy, mainly through vocal music. Literary basis operas - libretto. The word "orera" in translation from Italian literally means work, composition. In that musical genre merged into a single whole poetry and dramatic art, vocal and instrumental music, facial expressions, dancing, painting, scenery and costumes.

Borrowed from Italy, in France it flourishes as a magnificent solemn spectacle - court ballet. Musical basis the first ballets were court dances, which were part of the old suite. In the second half of the 17th century, new theatrical genres appeared, such as comedy-ballet, opera-ballet, in which a significant place is given to ballet music, and attempts are made to dramatize it.

A classical ballet performance is based on a certain plot, a dramatic idea, a libretto; in the 20th century, a plotless ballet appeared, the dramaturgy of which is based on the development inherent in music. The main types of dance in ballet are classical dance and characteristic dance character dances include folk and national dances reworked for performance in a ballet performance).

Enlightenment - the era of discovery, the main line of this era was the fight against feudalism in Europe. European Society rebelled against the rule of the aristocracy, their customs, ideology and against the feudal way of life. The Enlightenment is also the era of the new motto of mankind: "God created man imperfect, the task of man is to improve himself."

In the theater, the Enlightenment played a huge role. The "Educational Theater" appears, the task of which was to free people's minds from old prejudices and inspire them with new, enlightened ideas, true morality. Theater becomes not only a place for entertainment. It becomes mainly a school. School of reason, morality and civic virtue.

ALEXANDRINKA

The colloquial name of the Alexandrinsky Theater is the oldest state Russian drama theater, named in 1832 Alexandrinsky in honor of the wife of Emperor Nicholas I, Alexandra Feodorovna. For the first time the troupe of the theater was created in 1756 by the decree of Empress Elizaveta Petrovna "to present comedies and tragedies." IN famous building, erected according to the project of the architect K.I. Rossi, the theater has been operating since 1832. In 1919, the theater was awarded honorary title academic. In 1937, when the centenary of the death of A.S. Pushkin, the theater was named after the great poet who loved Alexandrinka and often visited there.

PANTOMIME

Pantomime originated in Ancient Greece, where it was part of the repertoire of mimes. IN Ancient Rome in the era of August became a full-fledged theatrical genre. In the Middle Ages, the Church forbade pantomime, but itinerant actors continued to use elements of pantomime. The commedia dell'arte included wordless interludes. Pantomime was an important element of harlequinade, comic pieces, where the main actor was Harlequin. In France, the harlequinade has become a favorite genre of farcical theater.

In 1702, pantomime in the form of a theatrical ballet was staged at the Drury Lane Theater in London. In the 18th century, pantomime was staged in the theater as interludes in tragedies and comedies. Baptiste Debureau laid the foundation for lyrical poetic pantomime, thanks to him classic hero pantomime became Pierrot.

In the 20th century, the Carnot group was engaged in pantomime, in which Charlie Chaplin, Max Reinhardt, Jean-Louis Barrault, Marcel Marceau and others first performed.

PUPPET SHOW

The art of puppeteers is very old - in different countries their own, which later became traditional, types of puppets and types of performances arose. The Petrushka Theater was especially beloved by the people. In the 19th century, the Petrushka theater was the most popular and widespread type of puppet theater in Russia. The theater of Petrushka did not know the scenery. The puppeteer, accompanied by a musician, usually an organ grinder, went from court to court and gave traditional performances about Petrushka. He could always be seen during festivities, at fairs.

The first news of the existence of a puppet theater in Russia dates back to 1636, recorded by the German traveler Adam Olearius. In 1700, the first tour of puppeteers in Russia took place: one troupe traveled through the cities of Ukraine, and the second through the cities of the Volga to Astrakhan.

Sergey Vladimirovich Obraztsov

Academic Central Theater puppets was created on the initiative of the House Artistic Education Children on September 16, 1931. Initially, 12 people worked in it, and from the first day of its creation it was headed by an outstanding figure of Russian art - Sergey Vladimirovich Obraztsov.

Anton Pavlovich Chekhov reads the play "The Seagull" to the actors (1898)

Moscow Art Theater - Theatre of Drama, founded in 1898 by K. S. Stanislavsky and Vl. I. Nemirovich-Danchenko. It opened on October 14 (26), 1898 with the first production of Alexei Tolstoy's tragedy "Tsar Fyodor Ioannovich" on the Moscow stage. On December 17, 1898, the legendary premiere of Chekhov's "The Seagull" took place.

Moscow Taganka Theater (1977)

Moscow Taganka Theater- created in 1964 on the basis of the troupe of the Moscow Drama and Comedy Theater (organized in 1946), which included graduates Theater School them. Schukin. Main directors: Y.P. Lyubimov (1964-1984), A.V. Efros (1984-1987), N.N. Gubenko (1987-1989), Y.P. Lyubimov (since 1989). Each of these names is associated with its own, stormy and dramatic period in the history of the theater.

The Taganka Theater gave rise to the huge popularity of its actors. Many of them began to act in films a lot (V. Zolotukhin, L. Filatov, I. Bortnik, S. Farada, A. Demidova, I. Ulyanova, etc.). The fate of Taganka has never been easy. Taganka also gave lessons in history and civic fearless thinking; gave the maximum of what the theater was capable of in conditions of lack of freedom, serving as a pulpit and tribune, the realm of the arts - and a meeting place for people. Therefore, such a powerful and dense layer of friends surrounded her - from among those that are commonly called the color of the nation: scientists, public figures, artists.

Theater "Russian Ballet" on the stage of the Aurora Palace Theater in St. Petersburg

The famous Russian Ballet Theater was founded in 1990 by the family professional artists and soloists Mariinsky Theater, belonging to the dynasty which is over a hundred years old. For 20 years, the troupe has been successfully presenting the art of Russian ballet to residents of the city and foreign guests at best scenes Petersburg, mainly on the stage of the Imperial Hermitage Theatre. Colorful scenery, magnificent costumes, the highest level performance classical ballets do not leave indifferent any spectator who has visited the performances of the Theater.

Moscow theater "School of modern play"

Theater "School of Modern Play" was born in 1989 on the first wave of perestroika. Having accumulated strength in an environment torn to creative freedom Russian intelligentsia late 80s, this wave washed ashore a considerable number of experimental studios, "basement" theaters and creative laboratories, most of which lasted a short century. The "School of the Modern Play" turned out to be among those few who withstood the competition and stood on a par with Russian theaters that had long and glorious biographies.

As soon as modern directors manage to show something “of their own”, which is not included in the already established theatrical norms, a small rebellion begins. staging classic dramas in a modern way cause criticism, misunderstanding and accusation of violating values. Eternal struggle two generations. Such is he modern theater. Classics with amazing favorite actors, and new, risqué productions from young directors.