How does this analysis of the episode differ from the retelling? What task did the author of the essay set, was it solved and how?
The role of the episode of the death of Petya Rostov
in the novel by L.N. Tolstoy "War and Peace"
The episode of the death of Petya Rostov is located at the end of the third part last volume epic, in fact, the latter, since in the fourth part Tolstoy sums up the story. The death of Petya Rostov on one of last pages novel emphasizes Tolstoy's thought about the senselessness, inhumanity of war, which kills the young, charming, cheerful young man. At the same time, in this episode, the idea of popular patriotism in this war, thanks to the image of a young hero who voluntarily left at the age of sixteen to fight for his homeland.
The episode of Petya's death is preceded by a series of events that help to understand the state of the young man before the battle. At first, Petya, together with Dolokhov, goes on reconnaissance to the French camp and returns already in an excited state. This is manifested in the way he behaves with Dolokhov ("let's kiss"). Without falling asleep, Petya goes for a walk around the camp, on the way he meets a Cossack and enters into a conversation with him, in which he tries to show himself not as a youth, but as an experienced warrior: “And that the flints in the pistols went astray ... That's why I'm used to doing everything carefully. Others somehow do not prepare and regret. I don't like that." Tolstoy with great skill draws the state of Petya, who wants to look older, but in fact is still just a child. Therefore, everything real around him seems magical to him: “No matter what Petya sees, nothing would surprise him. He was in magical kingdom where everything was possible."
The most important ideological and compositional role is played by Petya's dream, "Petya's music". He hears the sound of a harmonious choir, in which each instrument merges with the other "in a sweet solemn anthem”, and even everything that surrounded the boy during sleep (“drops dripped, and the saber whistled, and the saber whistled, and again the horses fought and neighed”) - did not break the chorus, but entered it.
This dream reflects not only Petya's tense state, but also contains a deep philosophical meaning is a hymn to the beauty and harmony of life. He anticipates the appearance of a "ball of drops" in Pierre's dream.
The next morning, during the detachment's speech, Petya's state and behavior contrasts sharply with environment. While the infantry, "slapping with a hundred feet, went forward along the road ... his face, especially his eyes, burned with fire, chills ran down his back, and something in his whole body trembled quickly and evenly."
The author emphasizes that during the move this trembling intensifies, and it seems to Petya that at the moment of the shot, the signal to attack, everything blossomed, “like the middle of the day.” He rushes forward, not seeing the surrounding reality. Petya himself is looking for his death, fearing to be late, striving to be in the thick of things. On the one hand, his act can be explained by his youth, on the other hand, we see in his actions irresponsible courage, which Tolstoy does not consider real heroism. Therefore, the picture of death is described casually and simply: “Petya fell heavily on the wet ground. The Cossacks saw how quickly his arms and legs twitched, despite the fact that his head did not move. The bullet went through his head."
Tolstoy splendidly depicts the denouement of the episode. We see how battered warriors take the death of a boy hard. Despite the fact that they hide their feelings, it is clear how deeply shocked Dolokhov and Denisov are. The first orders "no prisoners to be taken", expressing shock with these words. This death simply knocked Denisov down: “And the Cossacks looked with surprise at the barking of dogs, with which Denisov quickly turned away.”
Anticipating the news of Petya's death in the Rostovs' house, Tolstoy talks about the bitterness of the loss of a loved one: "... but when the dying person is close person, and a beloved person ... then a gap and a spiritual wound, which sometimes heals. But it always hurts." The writer very touchingly describes the emotional experiences of loved ones about the loss of Petya. “Ne .. Petya ... Go, go, she, she is calling ... - he, sobbing like a child quickly seeding with weakened legs, went to a chair and almost fell on it, covering his face with his hands.” Something terrible hit her in the heart, and it seemed to her ... that she was dying. There is no consolation for parents who have lost their son.
The episode of Petya's death is very important in the novel and is closely connected with ideological sense the whole work. This episode reflected one of the most important ideas - the idea of a family. And also the thought of the people, since Petya is a participant in the partisan war, and the partisan movement, according to Tolstoy, is a vivid manifestation of patriotism.
The last fight of Petya Rostov - the hero of the novel by L. N. Tolstoy "War and Peace"
In this excerpt from Leo Tolstoy's novel "War and Peace" we get to know Petya Rostov. Petya is still just a boy, and therefore he has a special attitude towards the war. He does not understand that war is, first of all, death. For him, war is heroism, adventure, testing oneself. Tolstoy writes: "Petya was in a constantly happy excited state of joy that he was big, and in a constantly enthusiastic haste not to miss any case of real heroism." This condition led to his death.
Petya's death is meaningless. But using the example of this hero, Tolstoy shows not only the cruelty of war, but also the fact that even in war one can not lose human qualities.
Denisov is trying to save Petya from this war, recalling his "crazy act in the battle of Vyazemsky." But Petya does not want to listen to anyone and does these “crazy things”, as if he is playing his own game.
Petya wants to seem like an adult in everything and especially tries to imitate Denisov and Dolokhov, to be worthy of their company. The boy tries to be on a par with them: "He can, and I can!" It is impossible not to notice that he is especially worried about Petya Denisov, who does not even sleep the whole night, waiting for his return from the French camp. Denisov asks him only one thing: "... obey me and don't meddle anywhere," but Petya dreams of being in command!
The boy lives in his own world, "in a magical kingdom in which nothing was like reality" and "everything was possible." In this world, he dreams of heroism, and a "solemnly sweet hymn" sounds to him.
When reading this passage, you worry about Petya all the time. And the lines about his death are especially heavy. Even for Denisov, who saw more than one death in the war, this death was a special blow.
One senses Tolstoy's great sympathy for this hero. Petya is a very kind, sincere person, a true patriot. Probably, if every person was like that, then there would be no wars. After all, war destroys the world, and in this case it destroyed a special, magical, children's world.
The huge epic canvas of Leo Tolstoy's novel "War and Peace" is inhabited by dozens of the most diverse heroes. Some of them appear only occasionally, in episodes, while others are devoted to entire chapters and parts. This, of course, is not unusual: the larger the action of the work, the more characters it contains. But Tolstoy's characters are all wonderful and interesting. How to determine who is your favorite hero in such a variety? What is important here is the impression of what is read, the reader's value system and ... probably, the case. Because many re-read this wonderful novel several times, but it is human nature to change.
What did the fat boy dream about?
I have always been inspired by the image of Petya Rostov. Yes, my favorite hero of the novel "War and Peace" is an incorrigible romantic who paid for it with his life. Yes, he is a child who experienced the horrors of war and never had time to grow up. But he is so bright and so beautiful in his purity ...
The reader meets Petya Rostov at the very beginning of the epic novel. This fat one a little boy starts an argument with Natasha about the fact that at the birthday dinner he will ask a cheerful, but completely incompatible with a good upbringing question about a cake. He was spinning under the feet of Nikolai and Denisov when they arrived on vacation. Cute, small and yet inconspicuous.
However, children tend to grow. Growing up, my favorite hero of War and Peace enthusiastically indulged in the game of an adult man: from childhood he wanted to become a hero, he wanted to go to war. The war seemed to Petya some adult game, adventure, test of masculinity. Until the very end this pure soul the boy did not understand that war is, first of all, death, dirt and grief.
Young Defender of the Motherland
Reaching right age, Petya declared to his parents with delight and anticipation: “Well, now, dad, I will resolutely say - and mother too, as you wish, - I will resolutely say that you will let me into military service, because I can’t ... that's all ... ”- and went to the army.
And now the dream of the young defender of the Motherland came true: he got to the front. Petya knows absolutely nothing about the war. He rushes into the thick of the fight, as if they were handing out ice cream. It seems to him that somewhere out there, not far away, the same heroic thing is happening, which he, Petya, lacks so much for happiness.
Older, beaten by life soldiers and officers, as best they can, try to save Petya from dangers. The general, for whom the boy serves as an orderly, sending him to Denisov, forbade Petya to participate in any sorties of the latter. But what kind of sixteen-year-old boy listens to sensible and boring adults when this happens around him?
The personality of Petya Rostov
Once in the partisan detachment, Petya reveals himself as a person. Telling Denisov about his participation in the battle near Vyazma, Petya mentions “how one hussar distinguished himself there”, silent about his (real, fictional, but his) exploits. And this is not quite usual for a sixteen-year-old teenager, agree?
Petya desperately wants to look older, stronger and tougher, but cannot control his own good heart and a keen love for the truth. Giving his saber to the Cossack to sharpen it, the boy wanted to say “blunted”, but he could not lie and squeezed out: “it has never been sharpened.” And when a French boy, the same age as young Rostov, is captured by them, Petya takes pity on him and, stepping over own wish seem strong and tough, asks if it is possible to feed the prisoner ...
Having become better acquainted with this hero of the novel "War and Peace", you begin to believe that this world still has a future. Petya is so kind, so open and pure! He believes in everyone, considers everyone his friends; even a sutler who "pulls" at exorbitant prices, he considers very, very honest.
To fully reveal the personality of the hero, Lev Nikolaevich uses the technique of an internal monologue. It is from Petya's reflections that the reader will learn how great his love for the whole world and people is, how much this boy wants to serve his country and become a hero. The same strongly reveals the hero's "external" dialogue. The speech characteristic gives out in Petya the impulsiveness and romanticism characteristic of all teenagers: the guy speaks in short, capacious phrases, often switching from one to another.
Senseless death...
Petya does not stop playing the hero until the very moment of his death. This boy lives in an imaginary world where there are no horrors of war, but only a “solemnly sweet anthem” that sounds for him, for the hero. But, despite all his romance, the kid fights like a man: he does an excellent job with a trip to the French camp.
I would like to finish the essay on the topic “My favorite hero of the novel“ War and Peace ”by describing the episode of the death of Petya Rostov. Petya's death is a vivid illustration of the senseless cruelty of any war. Was foggy morning, the horses seemed to be gliding in a haze. Denisov rode in silence - and then he saw how a Frenchman threw himself under the feet of Petya's horse. And then Petya himself fell to the ground, and his limbs twitched quickly, quickly, while his head remained motionless. Forever. Denisov was taken aback: he immediately understood what had happened, but nevertheless exclaimed: “Killed?”. But this old soldier has seen many deaths! But, perhaps, only standing over the body of the boy Rostov, he realized that each death closes forever one small world ...
Artwork test
Roman L.N. Tolstoy's "War and Peace" is a huge epochal canvas. Destinies are shown before the reader individual heroes and entire families, for example, the Rostov, Bolkonsky, Kuragin families. Any novel consists of separate episodes, plot-related. Each episode is important for the disclosure of a particular character, plot relationship, the fate of the hero. Let us turn to the analysis of an episode from the 4th volume of "War and Peace", which tells about Petya's first impressions in a partisan detachment.
Petya is the youngest in the Rostov family, his mother's favorite. He enters the war very young, and the main objective for him - to accomplish a feat; become a hero: "... Petya was in a constantly happy excited state of joy that he was big, and in a constantly enthusiastic haste not to miss any case of real heroism."
He is a romantic, the war through the eyes of Petya is just an adventure, an opportunity to test yourself.
He is not afraid: in a war, Petya must be at the center of events, on the front line, in order to fulfill his cherished dream- accomplish a feat heroic deed. But "the general forbade Petya to participate in any of Denisov's actions." Can a romantic agree with this? And yet, the order for the military - the law.
The kindness that surrounded the boy in the family made him sensitive, responsive, capable of compassion. "Petya was in an ecstatic childish state tender love for all people and, as a result, confidence in the same love for yourself of other people. And this feeling is sincere. He loves all fellow soldiers, tries to please them: he offers his knife, treats him with raisins. In the partisan detachment, the fighters love Petya, treat him like a father. But Rostov strives to look older than his years, to prove to others that he is already an adult and independent. And at the same time, in this episode, he is childishly naive, although he is embarrassed by this.
Petya is worried about the fate of the French boy who was taken prisoner. He is the same age as Rostov, just as young and inexperienced. “We are fine, but what about him? Where do you share it? Have you fed him? Didn't you offend?" - internal monologue shows Petya's benevolent attitude towards the prisoner. For him, Vincent Boss is not an enemy, but a very young soldier in trouble, and he just needs help. Petya asks Denisov to invite Vincent to dinner with the partisans. After all, even prisoners must be treated humanely. The French boy sees in Rostov a friend who is ready to help anyone in Hard time.
Petya's nobility comes from the heart, but he is embarrassed by his act. Perhaps some of the fighters will find it cowardice that Petya Rostov took pity on the enemy: “When the drummer entered the hut, Petya sat further away from him, considering it humiliating to pay attention to him. He only felt the money in his pocket and was in doubt whether he would not be ashamed to give it to the drummer. The author makes fun of his hero. To be so sensitive, sincere, benevolent towards the enemy - this is real kindness and love for people.
To reveal the character of the hero, the author uses the technique internal dialogue. It is through internal reflections Peter the reader sees how great his desire to accomplish a feat at all costs, and how great was his love for people. great place in this episode takes up dialogue. Through speech characteristic we get to know the hero better. Petya's phrases are jerky, he quickly switches from one to another. Surrounded experienced fighters Rostov feels awkward and shy. Petya tries to appear older than his years, and when he fails, he blushes. People around him should accept him the way Petya was brought up in the family: timid, trusting, shy, kind, romantic. This immediacy is his charm, for this the fighters love Petya, although sometimes in their hearts they laugh at his actions.
I think that after reading this episode, any reader will fall in love with Petya for his spiritual warmth, philanthropy, childish naivete, romantic dreams. This is characteristic not only of him, but of all Rostovs. Let's remember the fate of Natasha, Nikolai. They are just as open, sensitive, sweet, compassionate people as their younger brother. Parents were able to educate in their children best qualities, this is exactly what Tolstoy appreciates in the Rostov family. And it's a pity that dear Petya, following his romantic dream- perform a feat, then dies. And it hurts the reader a lot to read about it. I think that a noble officer and a wonderful person would grow out of Petya.
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While most of the works demonstrate the decline of the aristocracy, L.N. Tolstoy actively depicts a different picture for us - in the world high society not so sad - there are still true aristocrats who reject the pretense and the game in public. In the mosaic of all the images of the epic novel, the Rostov family stands out noticeably - almost all family members (with the exception of eldest daughter Rostov - Vera) can serve as an example to follow. True, they do not always manage to fully correspond to the status of an ideal, but nevertheless, in many things, members of the Rostov family can serve as an example to follow.
Family and relationships within the family
One of bright characters both the novel as a whole and the Rostov family is younger son Count Ilya Andreevich and Countess Natalya.
In addition to Peter, his five children were brought up in the family. With three of them, Peter is in close consanguinity - Vera, Nikolai and Natalya. Three more children were taken by the Rostovs to be raised. Sonya was a distant relative of the Rostovs, she moved into the house of the Rostovs after she became a complete orphan. Two more boys, Boris and Mitya, were not related to the Rostovs, they were brought up in view of the difficult situation in their families.
We offer you to get acquainted with the characteristics of the members of the Kuragin family in the novel by Leo Tolstoy “War and Peace”.
Relations within the family were not tense. In general, a calm and positive atmosphere prevailed. Children often spent time together, they were very friendly with each other. The only exception was Vera - the eldest of the Rostov children, who was the absolute opposite - rude and tough, she did not like herself. Because of this, the children made fun of her and even came up with her offensive nickname.
On our website you can get acquainted with the characteristics of Dolokhov in Leo Tolstoy's novel "War and Peace".
Since Peter was the youngest in the family, everyone turned a blind eye to his childish pranks - the relatives understood that he was naughty without the intention of harming anyone - he was guided by curiosity. Despite the fact that many of his pranks were forgiven with impunity, Petya did not grow up spoiled or selfish. The Rostovs turned out to be talented educators and were able to protect their son from the appearance of such unattractive qualities in his character.
Appearance of Petya Rostov
Since Tolstoy's novel covers a significant time period, the reader has the opportunity to trace the features of the characters' age-related changes. This trend can be traced in the case of the image of Peter Rostov.
At the beginning of the novel, Petya is 9 years old. Little is known about his appearance at the time. The only mention of Tolstoy is tied to the boy's complexion, indicating that at the age of 9 Petya was full.
The next mention refers to the age of 13. At that time, Perth Rostov was handsome teenager who began to enter the pubertal period of his physiological development.
At the age of 15, Petya became very similar to his sister Natasha. Petya was snub-nosed, he had expressive black eyes and a blush on his cheeks.
His pubertal period has not yet ended - his voice has not yet completely changed, so from time to time Petya spoke in a squeaky childish voice.
military life consistently displayed on appearance Petit - he finally left adolescence and got angry. Despite the fact that Petya had to face the most unattractive reality and cruelty on the battlefields, his eyes did not lose their childish cheerfulness, and his cheeks were blushed.
Childhood
Petr Rostov is one of central characters novel, but still its action is short-lived - premature death became the cause. Based on this, there are not too many episodes in the novel with a detailed description of situations that allow a deep characterization of his image.
Most of the memories of Petya are relentlessly connected with the period of childhood.
When Petya was a child, his every day began and ended with a prank - Petya constantly broke something. However, he always managed to escape punishment. He was very active child and tortured all family members with his antics. Naturally, like all children, Petya adored sweets and never deprived himself of the opportunity to enjoy something delicious.
Of all the members of the family, Petya made friends with Natalya the most - the reason for this was quite likely her patient character and an insignificant (compared to other children) age difference.
Personality characteristic
Petya was always cheerful and cheerful. Even in the most difficult situations, he managed to maintain these qualities.
He is a kind and sympathetic person. Petya always treated other people's grief with emotion, he is ready to support a person who has fallen into difficult situation.
Like all children, he wants to become an adult as soon as possible. It was then, according to Petya, that his life would become easier, because those around him would not make fun of his actions, attributing childishness to them.
Rostov was always sincere, he did not know how to dissemble or lie. Petya was always filled with the desire to make the world a better place. A wealthy and comfortable life did not cause him to have negative qualities: Petya never treated people with prejudice because of their financial position or social status. For him, the essence of man is important, his inner world.
Petya did not have a craving for science, but at the same time he was not stupid. Rostov was too restless - the need to work on books for a long time with concentration was an unthinkable task for him.
He was always patriotic and treated Alexander I with special trepidation. It was the feeling of patriotism, incited by youthful maximalism, that caused his death.
Military service of Peter Rostov
public position father and brother became the cause of Petya's fanatical sense of patriotism. That is why, on the eve of military events, he decides to start military service.
This decision was a blow to the whole family - relatives believed that this type of activity was not suitable for Petya and could even become disastrous for him - according to relatives, he was still too young for such a thing, but Peter was too stubborn and adamant - in the end, relatives I had to come to terms with his choice - Petya delivered an ultimatum - he was going to run away from home, in the event that his relatives interfere with his intention. Relatives, having tried all attempts to dissuade Petya, agreed that the only way out of this situation would be to accept Petya’s position and allow him to go to the service of defending the Fatherland and, with undisguised fear, follow his first successes in the field military service.
Of course, the Rostovs did not finally indulge Petya's whims and found him the safest place to serve.
However, Petya's soul was torn on the battlefield - he needed to accomplish a feat at all costs. He set himself this as a goal, but it was difficult to achieve it if you do not take part in military battles.
Participation in the military events of 1812
The desire to perform a heroic deed did not leave Peter Rostov and, in the end, became obsessive thought. Therefore, he always tries to be on the front line - in the very center of military battles. Soon such an opportunity will appear.
Pyotr Rostov finds himself in Denisov's detachment. A young man with enthusiasm perceives everything around. It seems to him that he ended up in the place where the fate of people is decided and the most insane feats are performed.
Petya is still a child in his soul and others notice this, they do not ridicule his childishness and childish impulses - for people hardened by battles, such an emotional perception seems unusually sweet.
And so Petya's dream came true - he takes part in the military battle near Vyazma, but he acts extremely recklessly: he violates the order and jumps not where it was necessary, but under the fire of the French, firing several times from a pistol in the direction of the enemy. After this incident, he is banned from taking part in hostilities.
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