TOLSTOY LEV NIKOLAEVICH (BIOGRAPHY)
TOLSTOY Lev Nikolaevich, count, Russian writer.
TOLSTOY Lev Nikolaevich - count, Russian writer, corresponding member (1873), honorary academician (1900) of the St. Petersburg Academy of Sciences. Starting with the autobiographical trilogy "Childhood" (1852), "Boyhood" (1852-54), "Youth" (1855-57), the study of the "fluidity" of the inner world, the moral foundations of the individual became the main theme of Tolstoy's works. Painful search for the meaning of life moral ideal, hidden general laws of being, spiritual and social criticism, revealing the "untruth" of class relations, run through all his work. In the story "The Cossacks" (1863), the hero, a young nobleman, is looking for a way out in familiarizing himself with nature, with the natural and integral life of a simple person. The epic "War and Peace" (1863-69) recreates the life of various strata of Russian society during the Patriotic War of 1812, the patriotic impulse of the people that united all classes and led to victory in the war against Napoleon. Historical events and personal interests, the ways of spiritual self-determination of a reflecting personality and the elements of Russian folk life with its "swarm" consciousness are shown as equivalent components of natural-historical being. In the novel "Anna Karenina" (1873-77) - about the tragedy of a woman in the grip of a destructive "criminal" passion - Tolstoy exposes the false foundations of secular society, shows the collapse of the patriarchal way of life, the destruction of family foundations. To the perception of the world by an individualistic and rationalistic consciousness, he contrasts the inherent value of life as such in its infinity, uncontrollable changeability and material concreteness (“mystery of the flesh” - D.S. Merezhkovsky). From con. 1870s experiencing a spiritual crisis, later captured by the idea of moral improvement and “simplification” (which gave rise to the “Tolstoy movement”), Tolstoy comes to an increasingly irreconcilable criticism of the social structure - modern bureaucratic institutions, the state, the church (in 1901 he was excommunicated from Orthodox Church), civilizations and cultures, total way of life"educated classes": the novel "Resurrection" (1889-99), the story "Kreutzer Sonata" (1887-89), the dramas "The Living Corpse" (1900, published in 1911) and "The Power of Darkness" (1887). At the same time, attention is growing to the themes of death, sin, repentance and moral rebirth (the stories “The Death of Ivan Ilyich”, 1884-86, “Father Sergius”, 1890-98, published in 1912, “Hadji Murad”, 1896-1904, published in 1912). Publicistic writings of a moralizing nature, incl. "Confession" (1879-82), "What is my faith?" (1884), where Christian teachings about love and forgiveness are transformed into a preaching of non-resistance to evil by violence. The desire to harmonize the way of thinking and life leads to the departure of Tolstoy from Yasnaya Polyana; died at Astapovo station.
“Joyful period of childhood”
Tolstoy was the fourth child in a large noble family. His mother, nee Princess Volkonskaya, died when Tolstoy was not yet two years old, but according to the stories of family members, he was well aware of “her spiritual appearance”, some of her mother’s features (a brilliant education, sensitivity to art, a penchant for reflection) and even a portrait resemblance Tolstoy gave to Princess Marya Nikolaevna Bolkonskaya (“War and Peace”). Tolstoy's father, a participant in the Patriotic War, remembered by the writer for his good-natured and mocking character, love for reading, for hunting (served as the prototype for Nikolai Rostov), also died early (1837). The education of children was carried out by a distant relative T.A. Ergolskaya, who had a huge influence on Tolstoy: "she taught me the spiritual pleasure of love." Childhood memories have always remained the most joyful for Tolstoy: family traditions, the first impressions of the life of a noble estate served as rich material for his works, were reflected in the autobiographical story “Childhood”. Kazan University. When Tolstoy was 13 years old, the family moved to Kazan, to the house of a relative and guardian of the children, P.I. Yushkova. In 1844 Tolstoy entered Kazan University in the Department of Oriental Languages of the Faculty of Philosophy, then transferred to the Faculty of Law, where he studied for less than two years: classes did not arouse a lively interest in him and he passionately indulged in secular entertainment. In the spring of 1847, having filed a letter of resignation from the university “due to poor health and domestic circumstances”, Tolstoy left for Yasnaya Polyana with the firm intention of studying the entire course of legal sciences (in order to pass the exam as an external student), “practical medicine”, languages, agriculture, history, geographic statistics, write a dissertation and “achieve the highest degree excellence in music and painting.
“The turbulent life of the youthful period” After a summer in the countryside, disappointed by the unsuccessful experience of managing on new, favorable conditions for serfdom (this attempt is captured in the story “The Morning of the Landowner”, 1857), in the fall of 1847 Tolstoy left first for Moscow, then for St. Petersburg to keep candidate exams at the university. His way of life during this period often changed: either he prepared for days and passed exams, then he devoted himself passionately to music, then he intended to start a bureaucratic career, then he dreamed of becoming a cadet in a horse guard regiment. Religious moods, reaching asceticism, alternated with revelry, cards, trips to the gypsies. In the family, he was considered “the most trifling fellow”, and he managed to repay the debts made then only many years later. However, it was these years that were colored by intense introspection and struggle with oneself, which is reflected in the diary that Tolstoy kept throughout his life. At the same time, he had a serious desire to write, and the first unfinished artistic sketches appeared.
"War and Freedom"
In 1851, his elder brother Nikolai, an officer in the army, persuaded Tolstoy to travel together to the Caucasus. For almost three years, Tolstoy lived in a Cossack village on the banks of the Terek, traveling to Kizlyar, Tiflis, Vladikavkaz and participating in hostilities (at first voluntarily, then he was hired). The Caucasian nature and the patriarchal simplicity of the Cossack life, which struck Tolstoy in contrast with the life of the noble circle and with the painful reflection of a man of an educated society, provided material for the autobiographical story The Cossacks (1852-63). Caucasian impressions were also reflected in the stories "The Raid" (1853), "Cutting the Forest" (1855), as well as in the late story "Hadji Murad" (1896-1904, published in 1912). Returning to Russia, Tolstoy wrote in his diary that he fell in love with this "wild land, in which two most opposite things - war and freedom - are so strangely and poetically combined." In the Caucasus, Tolstoy wrote the story “Childhood” and sent it to the journal “Sovremennik” without revealing his name (published in 1852 under the initials L.N.; together with the later stories “Boyhood”, 1852-54, and “Youth”, 1855 -57, compiled an autobiographical trilogy). The literary debut immediately brought real recognition to Tolstoy.
Crimean campaign
In 1854 Tolstoy was assigned to the Danube Army in Bucharest. Boring staff life soon forced him to transfer to the Crimean army, to the besieged Sevastopol, where he commanded a battery on the 4th bastion, showing rare personal courage ( awarded the order St. Anna and medals). In the Crimea, Tolstoy was captured by new impressions and literary plans(I was also going to publish a magazine for soldiers), here he began to write a cycle of “Sevastopol stories”, which were soon published and had a huge success (Even Alexander II read the essay “Sevastopol in December”). Tolstoy's first works struck literary critics with their courageous psychological analysis and a detailed picture of the "dialectics of the soul" (N.G. Chernyshevsky). Some of the ideas that appeared during these years make it possible to guess in the young artillery officer the late Tolstoy the preacher: he dreamed of "founding a new religion" - "the religion of Christ, but purified from faith and mystery, a practical religion."
In the circle of writers and abroad
In November 1855, Tolstoy arrived in St. Petersburg and immediately entered the Sovremennik circle (N.A. Nekrasov, I.S. Turgenev, A.N. Ostrovsky, I.A. Goncharov, etc.), where he was greeted as a “great hope of Russian literature” (Nekrasov). Tolstoy took part in dinners and readings, in the establishment of the Literary Fund, became involved in disputes and conflicts of writers, but he felt like a stranger in this environment, which he later described in detail in Confession (1879-82): “These people disgusted me, and I disgusted myself.” In the autumn of 1856, after retiring, Tolstoy went to Yasnaya Polyana, and at the beginning of 1857 went abroad. He visited France, Italy, Switzerland, Germany (Swiss impressions are reflected in the story “Lucerne”), returned to Moscow in the fall, then to Yasnaya Polyana.
folk school
In 1859, Tolstoy opened a school for peasant children in the village, helped set up more than 20 schools in the vicinity of Yasnaya Polyana, and this activity fascinated Tolstoy so much that in 1860 he went abroad again to get acquainted with the schools of Europe. Tolstoy traveled a lot, spent a month and a half in London (where he often saw A.I. Herzen), was in Germany, France, Switzerland, Belgium, studied popular pedagogical systems, which basically did not satisfy the writer. Tolstoy outlined his own ideas in special articles, arguing that the basis of education should be “the freedom of the student” and the rejection of violence in teaching. In 1862 he published the pedagogical journal Yasnaya Polyana with books for reading as an appendix, which became in Russia the same classic examples of children's and folk literature as those compiled by him in the early 1870s. "ABC" and "New ABC". In 1862, in the absence of Tolstoy, a search was conducted in Yasnaya Polyana (they were looking for a secret printing house).
“War and Peace” (1863-69) In September 1862, Tolstoy married the eighteen-year-old daughter of a doctor, Sofya Andreevna Bers, and immediately after the wedding, he took his wife from Moscow to Yasnaya Polyana, where he completely devoted himself to family life and household chores. However, already in the autumn of 1863, he was captured by a new literary idea, which for a long time was called "Year 1805". The time of the creation of the novel was a period of spiritual uplift, family happiness and quiet solitary work. Tolstoy read the memoirs and correspondence of people of the Alexander era (including the materials of Tolstoy and Volkonsky), worked in the archives, studied Masonic manuscripts, traveled to the Borodino field, moving slowly in his work, through many editions (his wife helped him a lot in copying the manuscripts, refuting the fact the very joke of friends that she is still so young, as if playing with dolls), and only at the beginning of 1865 did he publish the first part of War and Peace in Russkiy Vestnik. The novel was read avidly, caused a lot of responses, striking with a combination of a wide epic canvas with a subtle psychological analysis, with a lively picture privacy organically inscribed in history. Heated debate provoked the subsequent parts of the novel, in which Tolstoy developed a fatalistic philosophy of history. There were reproaches that the writer “entrusted” the intellectual demands of his era to the people of the beginning of the century: the idea of the novel about the Patriotic War was indeed a response to the problems that worried Russian post-reform society. Tolstoy himself characterized his idea as an attempt to “write the history of the people” and considered it impossible to determine its genre nature (“it will not fit into any form, neither a novel, nor a short story, nor a poem, nor a history”).
Born into a noble family of Maria Nikolaevna, nee Princess Volkonskaya, and Count Nikolai Ilyich Tolstoy in the Yasnaya Polyana estate in the Krapivensky district of the Tula province as the fourth child. The happy marriage of his parents became the prototype of the characters in the novel "War and Peace" - Princess Marya and Nikolai Rostov. Parents died early. Tatyana Alexandrovna Yergolskaya, a distant relative, was engaged in the upbringing of the future writer, education - tutors: the German Reselman and the Frenchman Saint-Thomas, who became the heroes of the writer's stories and novels. At the age of 13, the future writer and his family moved to the hospitable house of his father's sister P.I. Yushkova in Kazan.
In 1844, Leo Tolstoy entered the Imperial Kazan University in the Department of Oriental Literature of the Faculty of Philosophy. After the first year, he did not pass the transitional exam and transferred to the Faculty of Law, where he studied for two years, plunging into secular entertainment. Leo Tolstoy, naturally shy and ugly, gained a reputation in secular society as "thinking" about the happiness of death, eternity, love, although he himself wanted to shine. And in 1847 he left the university and went to Yasnaya Polyana with the intention of doing science and "achieving the highest degree of perfection in music and painting."
In 1849, the first school for peasant children was opened on his estate, where Foka Demidovich, his serf, a former musician, taught. Yermil Bazykin, who studied there, said: “There were about 20 of us boys, the teacher was Foka Demidovich, a courtyard man. Under father L.N. Tolstoy, he acted as a musician. The old man was good. He taught us the alphabet, counting, sacred history. Lev Nikolaevich also came to us, also worked with us, showed us his diploma. I went every other day, every other day, or even every day. He always ordered the teacher not to offend us ... ".
In 1851, under the influence of his older brother Nikolai, Lev left for the Caucasus, having already begun to write Childhood, and in the fall he became a cadet in the 4th battery of the 20th artillery brigade stationed in the Cossack village of Starogladovskaya on the Terek River. There he completed the first part of Childhood and sent it to the Sovremennik magazine to its editor N.A. Nekrasov. On September 18, 1852, the manuscript was printed with great success.
Leo Tolstoy served three years in the Caucasus and, having the right to the most honorable St. George Cross for bravery, "conceded" to his fellow soldier, as giving a lifelong pension. At the beginning of the Crimean War of 1853-1856. transferred to the Danube army, participated in the battles of Oltenitsa, the siege of Silistria, the defense of Sevastopol. The then written story "Sevastopol in December 1854" was read by Emperor Alexander II, who ordered to take care of a talented officer.
In November 1856, already recognized and famous writer leaves military service and leaves to travel around Europe.
In 1862, Leo Tolstoy married seventeen-year-old Sofya Andreevna Bers. In their marriage, 13 children were born, five died in early childhood, the novels War and Peace (1863-1869) and Anna Karenina (1873-1877) were written, recognized as great works.
In the 1880s Leo Tolstoy survived a powerful crisis, which led to the denial of official state power and its institutions, the realization of the inevitability of death, faith in God and the creation of his own doctrine - Tolstoyism. He lost interest in the usual aristocratic life, he began to have thoughts of suicide and the need to live right, be a vegetarian, engage in education and physical labor - he plowed, sewed boots, taught children at school. In 1891, he publicly renounced the copyright to his literary works written after 1880.
During 1889-1899. Leo Tolstoy wrote the novel "Resurrection", whose plot is based on a real court case, and scathing articles about the system of government - on this basis, the Holy Synod excommunicated Count Leo Tolstoy from the Orthodox Church and anathematized in 1901.
On October 28 (November 10), 1910, Leo Tolstoy secretly left Yasnaya Polyana, setting off on a journey without a specific plan for the sake of his moral and religious ideas of recent years, accompanied by doctor D.P. Makovitsky. On the way, he caught a cold, fell ill with lobar pneumonia and was forced to leave the train at the Astapovo station (now Lev Tolstoy station in the Lipetsk region). Leo Tolstoy died on November 7 (20), 1910 in the house of the head of the station I.I. Ozolin and was buried in Yasnaya Polyana.
✍ Tolstoy Lev Nikolaevich(August 28 (September 9), 1828, Yasnaya Polyana, Tula province, Russian Empire - November 7, 1910, Astapovo station, Ryazan province, Russian Empire) - one of the most famous Russian writers and thinkers, one of the greatest writers in the world. Member of the defense of Sevastopol. educator, publicist, religious thinker, his authoritative opinion was the reason for the emergence of a new religious and moral trend - Tolstoyism. Corresponding member of the Imperial Academy of Sciences (1873), honorary academician in the category of fine literature (1900).
A writer who, during his lifetime, was recognized as the head of Russian literature. The work of Leo Tolstoy marked a new stage in Russian and world realism, acting as a bridge between the classic novel of the 19th century and the literature of the 20th century. Leo Tolstoy had a strong influence on the evolution of European humanism, as well as on the development of realistic traditions in world literature. The works of Leo Tolstoy were repeatedly filmed and staged in the USSR and abroad; his plays have been staged all over the world.
The most famous works of Tolstoy are the novels War and Peace, Anna Karenina, Resurrection, the autobiographical trilogy Childhood, Boyhood, Youth, the stories The Cossacks, The Death of Ivan Ilyich, Kreutzerov sonata”, “Hadji Murad”, a series of essays “Sevastopol Tales”, dramas “The Living Corpse” and “The Power of Darkness”, autobiographical religious and philosophical works “Confession” and “What is my faith?” and etc.
§ Biography
¶ Origin
Representative of the Count's branch of the noble family of Tolstoy, descended from Peter's associate P. A. Tolstoy. The writer had extensive family ties in the world of the highest aristocracy. Among the cousins of the father are the adventurer and breter F. I. Tolstoy, the artist F. P. Tolstoy, the beauty M. I. Lopukhina, the socialite A. F. Zakrevskaya, the chamber maid of honor A. A. Tolstaya. The poet A. K. Tolstoy was his second cousin. Among the mother's cousins are Lieutenant General D. M. Volkonsky and a wealthy emigrant N. I. Trubetskoy. A.P. Mansurov and A.V. Vsevolozhsky were married to their mother's cousins. Tolstoy was connected by property with the ministers A. A. Zakrevsky and L. A. Perovsky (married to cousins of his parents), the generals of 1812 L. I. Depreradovich (married to his grandmother’s sister) and A. I. Yushkov (brother-in-law of one of aunts), as well as with Chancellor A. M. Gorchakov (brother of the husband of another aunt). The common ancestor of Leo Tolstoy and Pushkin was Admiral Ivan Golovin, who helped Peter I create the Russian fleet.
The features of Ilya Andreevich's grandfather are given in War and Peace to the good-natured, impractical old Count Rostov. The son of Ilya Andreevich, Nikolai Ilyich Tolstoy (1794-1837), was the father of Lev Nikolaevich. In some character traits and biography facts, he was similar to Nikolenka's father in "Childhood" and "Boyhood" and partly to Nikolai Rostov in "War and Peace". However, in real life, Nikolai Ilyich differed from Nikolai Rostov not only good education, but also by convictions that did not allow serving under Nicholas I. A participant in the foreign campaign of the Russian army against Napoleon, including participating in the “battle of the peoples” near Leipzig and being captured by the French, but was able to escape, after the conclusion of peace he retired in rank of Lieutenant Colonel of the Pavlograd Hussar Regiment. Soon after his resignation, he was forced to go to official service so as not to end up in a debtor's prison because of the debts of his father, the Kazan governor, who died under investigation for official abuse. The negative example of his father helped Nikolai Ilyich work out his life ideal - a private independent life with family joys. In order to put his frustrated affairs in order, Nikolai Ilyich (like Nikolai Rostov) married the already not very young Princess Maria Nikolaevna of the Volkonsky family in 1822, the marriage was happy. They had five children: Nikolai (1823-1860), Sergei (1826-1904), Dmitry (1827-1856), Lev, Maria (1830-1912).
Tolstoy's maternal grandfather, Catherine's General, Prince Nikolai Sergeevich Volkonsky, had some resemblance to the stern rigorist - the old Prince Bolkonsky in War and Peace. Lev Nikolayevich's mother, similar in some respects to Princess Marya depicted in War and Peace, possessed a wonderful gift for storytelling.
¶ Childhood
Leo Tolstoy was born on August 28, 1828 in the Krapivensky district of the Tula province, in the hereditary estate of his mother - Yasnaya Polyana. He was the fourth child in the family. The mother died in 1830 six months after the birth of her daughter from "birth fever", as they said then, when Leo was not yet 2 years old.
A distant relative, T. A. Ergolskaya, took up the upbringing of orphaned children. In 1837, the family moved to Moscow, settling on Plyushchikha, as the eldest son had to prepare to enter the university. Soon, his father, Nikolai Ilyich, suddenly died, leaving affairs (including some lawsuits related to the family’s property) in an unfinished state, and the three younger children again settled in Yasnaya Polyana under the supervision of Yergolskaya and his paternal aunt, Countess A. M. Osten-Saken appointed guardian of the children. Here Lev Nikolaevich remained until 1840, when Countess Osten-Saken died, the children moved to Kazan, to a new guardian - the father's sister P. I. Yushkova.
The Yushkovs' house was considered one of the most cheerful in Kazan; all members of the family highly valued external brilliance. “My good aunt,” says Tolstoy, “the purest being, always said that she would not want anything more for me than for me to have a relationship with a married woman.”
Lev Nikolaevich wanted to shine in society, but his natural shyness and lack of external attractiveness prevented him. The most diverse, as Tolstoy himself defines them, "thinking" about the main issues of our existence - happiness, death, God, love, eternity - left an imprint on his character in that era of life. What he told in "Adolescence" and "Youth", in the novel "Resurrection" about the aspirations of Irtenyev and Nekhlyudov for self-improvement, was taken by Tolstoy from the history of his own ascetic attempts of this time. All this, wrote the critic S. A. Vengerov, led to the fact that Tolstoy developed, in the words of his story “Adolescence”, “the habit of constant moral analysis, which destroyed the freshness of feeling and clarity of mind.” Citing examples of self-analysis of this period, he ironically speaks of the exaggeration of his adolescent philosophical pride and greatness, and at the same time notes the insurmountable inability "to get used to not be ashamed of his every simplest word and movement" when confronted with real people, whose benefactor he then himself seemed.
¶ Education
His education was initially carried out by the French tutor Saint-Thomas (the prototype of St.-Jérôme in the story "Boyhood"), who replaced the good-natured German Reselman, whom Tolstoy portrayed in the story "Childhood" under the name of Karl Ivanovich.
In 1843, P. I. Yushkova, taking on the role of guardian of her underage nephews (only the eldest, Nikolai, was an adult) and niece, brought them to Kazan. Following the brothers Nikolai, Dmitry and Sergei, Lev decided to enter the Imperial Kazan University (the most famous at that time), where Lobachevsky worked at the mathematical faculty, and Kovalevsky at the Vostochny. On October 3, 1844, Leo Tolstoy was enrolled as a student in the category of oriental (Arabic-Turkish) literature as a self-paying student. At the entrance exams, in particular, he showed excellent results in the obligatory "Turkish-Tatar language" for admission. According to the results of the year, he had poor progress in the relevant subjects, did not pass the transitional exam and had to re-take the first-year program.
In order to avoid a complete repetition of the course, he moved to the Faculty of Law, where his problems with grades in some subjects continued. The transitional exams in May 1846 were passed satisfactorily (he received one five, three fours and four threes; the average output was three), and Lev Nikolayevich was transferred to the second year. Leo Tolstoy spent less than two years at the Faculty of Law: “It was always difficult for him to have any education imposed by others, and everything he learned in life, he learned himself, suddenly, quickly, with hard work,” writes S. A. Tolstaya in his “Materials for the biography of Leo Tolstoy”. In 1904, he recalled: “... for the first year I ... did nothing. In the second year, I began to study ... there was Professor Meyer, who ... gave me a job - a comparison of Catherine's "Instruction" with Esprit des lois ("The Spirit of the Laws" (fr.) Russian) Montesquieu. ... I was carried away by this work, I went to the village, began to read Montesquieu, this reading opened up endless horizons for me; I began to read Rousseau and left the university, precisely because I wanted to study.
¶ Beginning of literary activity
From March 11, 1847, Tolstoy was in the Kazan hospital, on March 17 he began to keep a diary, where, imitating Benjamin Franklin, he set goals and objectives for self-improvement, noted successes and failures in completing these tasks, analyzed his shortcomings and train of thought, motives for their actions. He kept this diary with short breaks throughout his life.
Having completed his treatment, in the spring of 1847 Tolstoy left his studies at the university and left for Yasnaya Polyana, which he inherited under the division; his activities there are partly described in the work “The Morning of the Landowner”: Tolstoy tried to establish relations with the peasants in a new way. His attempt to somehow alleviate the young landowner's guilt before the people dates back to the same year when D. V. Grigorovich's "Anton-Goremyk" and the beginning of I. S. Turgenev's "Notes of a Hunter" appeared.
In his diary, Tolstoy formulated a large number of life rules and goals, but managed to achieve only a small part of them. Among the successful ones are serious studies in English, music, and jurisprudence. In addition, neither the diary nor the letters reflected the beginning of Tolstoy's studies in pedagogy and charity, although in 1849 he first opened a school for peasant children. The main teacher was Foka Demidovich, a serf, but Lev Nikolayevich himself often conducted classes.
In mid-October 1848, Tolstoy left for Moscow, settling where many of his relatives and friends lived - in the Arbat area. He stayed at Ivanova's house in Nikolopeskovsky Lane. In Moscow, he was going to start preparing for the candidate's exams, but the classes were never started. Instead, he was attracted to a completely different side of life - social life. In addition to his passion for social life, in Moscow, Lev Nikolayevich in the winter of 1848-1849 first developed a passion for card game. But since he played very recklessly and not always thinking about his moves, he often lost.
Having left for St. Petersburg in February 1849, he spent time in revelry with K. A. Islavin, his uncle future wife(“My love for Islavin spoiled for me the whole 8 months of my life in St. Petersburg”). In the spring, Tolstoy began to take the exam for a candidate of rights; he passed two exams, from criminal law and criminal proceedings, but he did not take the third exam and went to the village.
Later he came to Moscow, where he often spent time gambling, which often had a negative effect on his financial situation. During this period of his life, Tolstoy was especially passionately interested in music (he himself played the piano well and greatly appreciated his favorite works performed by others). Passion for music prompted him later to write the Kreutzer Sonata.
Tolstoy's favorite composers were Bach, Handel and Chopin. The development of Tolstoy's love for music was also facilitated by the fact that during a trip to St. Petersburg in 1848, he met in a very unsuitable dance class environment with a gifted, but astray German musician, whom he later described in the story "Albert". In 1849, Lev Nikolaevich settled the musician Rudolf in Yasnaya Polyana, with whom he played four hands on the piano. Carried away by music at that time, he played works by Schumann, Chopin, Mozart, Mendelssohn for several hours a day. In the late 1840s, Tolstoy, in collaboration with his friend Zybin, composed a waltz, which he performed in the early 1900s with the composer S. I. Taneyev, who made a musical notation of this musical work (the only one composed by Tolstoy). Waltz sounds in the film Father Sergius, based on the novel by L. N. Tolstoy.
A lot of time was also spent on carousing, playing and hunting.
In the winter of 1850-1851 began to write "Childhood". In March 1851 he wrote The History of Yesterday. 4 years after he left the university, Nikolay Nikolayevich's brother, who had served in the Caucasus, arrived in Yasnaya Polyana and invited his younger brother to join military service in the Caucasus. Lev agreed not immediately, until a major loss in Moscow hastened the final decision. The writer's biographers note the significant and positive influence of brother Nikolai on the young and inexperienced in worldly affairs Leo. The older brother, in the absence of his parents, was his friend and mentor.
In order to pay off the debts, it was necessary to reduce their expenses to a minimum - and in the spring of 1851 Tolstoy hurriedly left Moscow for the Caucasus without a specific goal. Soon he decided to enter the military service, but for this he lacked the necessary documents left in Moscow, in anticipation of which Tolstoy lived for about five months in Pyatigorsk, in a simple hut. He spent a significant part of his time hunting, in the company of the Cossack Epishka, the prototype of one of the heroes of the story "The Cossacks", appearing there under the name Eroshka.
In the fall of 1851, having passed an exam in Tiflis, Tolstoy entered the 4th battery of the 20th artillery brigade, stationed in the Cossack village of Starogladovskaya on the banks of the Terek, near Kizlyar, as a cadet. With some changes in details, she is depicted in the story "Cossacks". The story reproduces the picture inner life a young gentleman who fled from Moscow life. In the Cossack village, Tolstoy began to write again and in July 1852 sent the first part of the future autobiographical trilogy, Childhood, signed only with the initials L. N. T. When sending the manuscript to the journal, Leo Tolstoy attached a letter that said: “... I look forward to your verdict. He will either encourage me to continue my favorite activities, or make me burn everything I started.
Having received the manuscript of Childhood, the editor of Sovremennik N. A. Nekrasov immediately recognized it literary value and wrote a kind letter to the author, which had a very encouraging effect on him. In a letter to I. S. Turgenev, Nekrasov noted: “This is a new talent and, it seems, reliable.” The manuscript is still unknown author was published in September of the same year. Meanwhile, the novice and inspired author began to continue the tetralogy "Four Epochs of Development", the last part of which - "Youth" - did not take place. He pondered the plot of The Morning of the Landowner (the finished story was only a fragment of The Novel of the Russian Landowner), The Raid, The Cossacks. Published in Sovremennik on September 18, 1852, Childhood was an extraordinary success; after the publication of the author, they immediately began to rank among the luminaries of the young literary school, along with I. S. Turgenev, Goncharov, D. V. Grigorovich, Ostrovsky, who already enjoyed loud literary fame. Critics Apollon Grigoriev, Annenkov, Druzhinin, Chernyshevsky appreciated the depth of psychological analysis, the seriousness of the author's intentions and the bright convexity of realism.
The relatively late beginning of the career is very characteristic of Tolstoy: he never considered himself a professional writer, understanding professionalism not in the sense of a profession that provides a livelihood, but in the sense of the predominance of literary interests. He did not take the interests of literary parties to heart, he was reluctant to talk about literature, preferring to talk about issues of faith, morality, and social relations.
¶ Military service
As a cadet, Lev Nikolaevich remained for two years in the Caucasus, where he participated in many skirmishes with the highlanders, led by Shamil, and was exposed to the dangers of military life in the Caucasus. He had the right to the St. George Cross, however, in accordance with his convictions, he “conceded” to his fellow soldier, believing that a significant improvement in the conditions of service of a colleague was higher than personal vanity. With the outbreak of the Crimean War, Tolstoy transferred to the Danube army, participated in the battle of Oltenitsa and the siege of Silistria, and from November 1854 to the end of August 1855 was in Sevastopol.
For a long time he lived on the 4th bastion, which was often attacked, commanded a battery in the battle of Chernaya, was bombarded during the assault on Malakhov Kurgan. Tolstoy, despite all the hardships of life and the horrors of the siege, at that time wrote the story "Cutting the Forest", which reflected Caucasian impressions, and the first of the three "Sevastopol stories" - "Sevastopol in December 1854". He sent this story to Sovremennik. It was quickly published and read with interest throughout Russia, making a stunning impression of the horrors that befell the defenders of Sevastopol. The story was seen by Russian Emperor Alexander II; he ordered to take care of the gifted officer.
Even during the life of Emperor Nicholas I, Tolstoy intended to publish, together with artillery officers, the “cheap and popular” magazine “Military List”, but Tolstoy failed to implement the project of the magazine: “My Sovereign, the Emperor, graciously deigned to allow our articles to be printed in Invalid for the project” - bitterly ironic Tolstoy about this.
For the defense of Sevastopol, Tolstoy was awarded the Order of St. Anna 4th degree with the inscription "For Courage", medals "For the Defense of Sevastopol 1854-1855" and "In Memory of the War of 1853-1856". Subsequently, he was awarded two medals "In memory of the 50th anniversary of the defense of Sevastopol": silver as a participant in the defense of Sevastopol and bronze as the author of Sevastopol Tales.
Tolstoy, enjoying the reputation of a brave officer and surrounded by the splendor of fame, had every chance of a career. However, his career was blighted by writing several satirical songs stylized as soldiers. One of these songs was dedicated to the failure during the battle near the Chernaya River on August 4 (16), 1855, when General Read, having misunderstood the order of the commander-in-chief, attacked the Fedyukhin Heights. A song called “Like the fourth number, it was not easy to take the mountains to take us away,” which touched on a number of important generals, was a huge success. For her, Lev Nikolaevich had to answer to the assistant chief of staff A. A. Yakimakh. Immediately after the assault on August 27 (September 8), Tolstoy was sent by courier to St. Petersburg, where he completed Sevastopol in May 1855. and wrote "Sevastopol in August 1855", published in the first issue of Sovremennik for 1856, already with the full signature of the author. "Sevastopol Tales" finally strengthened his reputation as a representative of a new literary generation, and in November 1856 the writer left military service forever with the rank of lieutenant.
¶ Traveling in Europe
In St. Petersburg, the young writer was warmly welcomed in high-society salons and in literary circles. He became closest friends with I. S. Turgenev, with whom they lived for some time in the same apartment. Turgenev introduced him to the Sovremennik circle, after which Tolstoy established friendly relations with such famous writers as N. A. Nekrasov, I. S. Goncharov, I. I. Panaev, D. V. Grigorovich, A. V. Druzhinin, V. A. Sollogub.
At this time, "Snowstorm", "Two Hussars" were written, "Sevastopol in August" and "Youth" were completed, the writing of future "Cossacks" was continued.
However, a cheerful and eventful life left a bitter aftertaste in Tolstoy's soul, at the same time he began to have a strong discord with a circle of writers close to him. As a result, "people were disgusted with him, and he himself was disgusted" - and at the beginning of 1857 Tolstoy left Petersburg without any regret and went abroad.
In the first trip abroad he visited Paris, where he was horrified by the cult of Napoleon I (“Deification of the villain, terrible”), at the same time he attended balls, museums, admired the “sense of social freedom”. However, the presence at the guillotining made such a painful impression that Tolstoy left Paris and went to places associated with the French writer and thinker J.-J. Rousseau - on Lake Geneva. In the spring of 1857, I. S. Turgenev described his meetings with Leo Tolstoy in Paris after his sudden departure from St. Petersburg as follows:
Trips to Western Europe - Germany, France, England, Switzerland, Italy (in 1857 and 1860-1861) made a rather negative impression on him. He expressed his disappointment in the European way of life in the story "Lucerne". Tolstoy was disillusioned by the deep contrast between wealth and poverty, which he was able to see through the magnificent outer veil of European culture.
Lev Nikolaevich writes the story "Albert". At the same time, friends never cease to be amazed at his eccentricities: in his letter to I. S. Turgenev in the fall of 1857, P. V. Annenkov told Tolstoy’s project to plant all of Russia with forests, and in his letter to V. P. Botkin, Leo Tolstoy reported how he was very happy the fact that he did not become only a writer, contrary to the advice of Turgenev. However, in the interval between the first and second trips, the writer continued to work on The Cossacks, wrote the story Three Deaths and the novel Family Happiness.
His last novel was published by Mikhail Katkov in Russkiy Vestnik. Tolstoy's collaboration with the Sovremennik magazine, which had lasted since 1852, ended in 1859. In the same year, Tolstoy took part in the organization of the Literary Fund. But his life was not limited to literary interests: on December 22, 1858, he almost died on a bear hunt.
Around the same time, he began an affair with a peasant woman, Aksinya Bazykina, and marriage plans are ripening.
On his next trip, he was mainly interested in public education and institutions aimed at raising the educational level of the working population. He closely studied the issues of public education in Germany and France, both theoretically and practically - in conversations with specialists. Of the outstanding people of Germany, he was most interested in Berthold Auerbach as the author of the Black Forest Tales dedicated to folk life and as a publisher of folk calendars. Tolstoy paid him a visit and tried to get closer to him. In addition, he also met with the German teacher Diesterweg. During his stay in Brussels, Tolstoy met Proudhon and Lelewel. In London, he visited A. I. Herzen, was at a lecture by Charles Dickens.
Tolstoy's serious mood during his second trip to the south of France was also facilitated by the fact that his beloved brother Nikolai died of tuberculosis almost in his arms. The death of his brother made a huge impression on Tolstoy.
Gradually, criticism for 10-12 years cools towards Leo Tolstoy, until the very appearance of War and Peace, and he himself did not seek rapprochement with writers, making an exception only for Afanasy Fet. One of the reasons for this alienation was the quarrel between Leo Tolstoy and Turgenev, which occurred at a time when both prose writers were visiting Fet at the Stepanovka estate in May 1861. The quarrel almost ended in a duel and spoiled the relationship between the writers for a long 17 years.
¶ Treatment in the Bashkir nomad camp Karalyk
In May 1862, Lev Nikolayevich, suffering from depression, on the recommendation of doctors, went to the Bashkir farm Karalyk, Samara province, to be treated with a new and fashionable at that time method of koumiss treatment. Initially, he was going to be in the Postnikov koumiss clinic near Samara, but, having learned that at the same time many high-ranking officials were to arrive ( secular society, which the young count could not stand), went to the Bashkir nomad camp Karalyk, on the Karalyk River, 130 versts from Samara. There Tolstoy lived in a Bashkir wagon (yurt), ate lamb, sunbathed, drank koumiss, tea, and also had fun playing checkers with the Bashkirs. The first time he stayed there for a month and a half. In 1871, when he had already written "War and Peace", he returned there due to deteriorating health. He wrote about his impressions as follows: “The melancholy and indifference have passed, I feel myself coming into a Scythian state, and everything is interesting and new ... Much is new and interesting: the Bashkirs, who smell of Herodotus, and the Russian peasants, and the villages, especially charming in their simplicity and kindness of the people.
Fascinated by Karalyk, Tolstoy bought an estate in these places, and the next summer, 1872, he spent with his whole family in it.
¶ Pedagogical activity
In 1859, even before the liberation of the peasants, Tolstoy was actively engaged in organizing schools in his Yasnaya Polyana and throughout the Krapivensky district.
The Yasnaya Polyana school belonged to the number of original pedagogical experiments: in the era of admiration for the German pedagogical school, Tolstoy resolutely rebelled against any regulation and discipline in the school. According to him, everything in teaching should be individual - both the teacher and the student, and their mutual relations. In the Yasnaya Polyana school, the children sat where they wanted, for as long as they wanted, and for as long as they wanted. There was no set curriculum. The teacher's only job was to keep the class interested. The lessons went well. They were led by Tolstoy himself with the help of several permanent teachers and a few random ones, from the closest acquaintances and visitors.
Since 1862, Tolstoy began to publish the pedagogical journal Yasnaya Polyana, where he himself was the main contributor. Not experiencing the vocation of a publisher, Tolstoy managed to publish only 12 issues of the magazine, the last of which appeared with a lag in 1863. In addition to theoretical articles, he also wrote a number of stories, fables and adaptations adapted for elementary school. Put together, Tolstoy's pedagogical articles made up an entire volume of his collected works. At the time, they went unnoticed. No one paid attention to the sociological basis of Tolstoy's ideas about education, to the fact that Tolstoy saw in education, science, art, and the successes of technology only facilitated and improved ways of exploiting the people by the upper classes. Not only that: from Tolstoy's attacks on European education and "progress" many have deduced the conclusion that Tolstoy is a "conservative."
Soon Tolstoy left pedagogy. Marriage, the birth of his own children, plans related to writing the novel "War and Peace" pushed back his pedagogical activities for ten years. Only in the early 1870s did he begin to create his own "Azbuka" and published it in 1872, and then released the "New ABC" and a series of four "Russian books for reading", approved as a result of long ordeals by the Ministry of Public Education as manuals for elementary educational institutions. In the early 1870s, classes at the Yasnaya Polyana school were again restored for a short time.
The experience of the Yasnaya Polyana school was subsequently useful to some domestic teachers. So S. T. Shatsky, creating in 1911 his own school-colony "Cheerful Life", repelled from the experiments of Leo Tolstoy in the field of pedagogy of cooperation.
¶ Social activities of Leo Tolstoy in the 1860s
Upon his return from Europe in May 1861, Leo Tolstoy was offered to become a mediator in the 4th section of the Krapivensky district of the Tula province. Unlike those who looked at the people as a younger brother who needed to be raised to their own level, Tolstoy thought, on the contrary, that the people are infinitely higher than cultural classes and that the masters need to borrow the heights of the spirit from the peasants, therefore, having accepted the position of an intermediary, he actively defended the land the interests of the peasants, often violating the royal decrees. “Mediation is interesting and exciting, but it’s not good that all the nobility hated me with all the strength of their souls and thrust me des bâtons dans les roues (French spokes in wheels) from all sides.” The work as an intermediary expanded the range of the writer's observations on the life of the peasants, giving him material for artistic creativity.
In July 1866, Tolstoy spoke at a court-martial as the defender of Vasil Shabunin, company clerk of the Moscow Infantry Regiment stationed near Yasnaya Polyana. Shabunin hit the officer, who ordered to punish him with rods for being drunk. Tolstoy proved Shabunin's insanity, but the court found him guilty and sentenced him to death penalty. Shabunin was shot. This episode made a great impression on Tolstoy, because in this terrible phenomenon he saw a merciless force, which was a state based on violence. On this occasion, he wrote to his friend, publicist P.I. Biryukov:
¶ The heyday of creativity
During the first 12 years after his marriage, he created War and Peace and Anna Karenina. At the turn of this second era of Tolstoy's literary life, there are Cossacks, conceived back in 1852 and completed in 1861-1862, the first of the works in which the talent of the mature Tolstoy was most realized.
The main interest of creativity for Tolstoy manifested itself "in the 'history' of characters, in their continuous and complex movement, development." His goal was to show the ability of the individual to moral growth, improvement, opposition to the environment based on the strength of his own soul.
✓ "War and Peace"
The release of "War and Peace" was preceded by work on the novel "The Decembrists" (1860-1861), to which the author repeatedly returned, but which remained unfinished. And the share of "War and Peace" was an unprecedented success. An excerpt from the novel entitled "1805" appeared in the "Russian Messenger" of 1865; in 1868, three of its parts were published, followed soon by the other two. The first four volumes of War and Peace quickly sold out, and a second edition was needed, which was released in October 1868. The fifth and sixth volumes of the novel were published in one edition, already printed in an increased edition.
"War and Peace" has become a unique phenomenon both in Russian and foreign literature. This work has absorbed all the depth and secrecy of the psychological novel with the scope and multi-figures of the epic fresco. The writer, according to V. Ya. Lakshin, turned to "a special state of the people's consciousness in the heroic time of 1812, when people from different segments of the population united in resistance to foreign invasion", which, in turn, "created the ground for the epic."
The author showed the national Russian features in the "hidden warmth of patriotism", in disgust for ostentatious heroics, in a calm faith in justice, in the modest dignity and courage of ordinary soldiers. He portrayed Russia's war with the Napoleonic troops as a nationwide war. The epic style of the work is conveyed through the fullness and plasticity of the image, the branching and intersection of destinies, incomparable pictures of Russian nature.
In Tolstoy's novel, the most diverse strata of society are widely represented, from emperors and kings to soldiers, all ages and all temperaments in the space of the reign of Alexander I.
Tolstoy was pleased with his own work, but already in January 1871 he sent a letter to A. A. Fet: “How happy I am ... that I will never write verbose rubbish like “War” again.” However, Tolstoy hardly crossed out the importance of his previous creations. To the question of Tokutomi Roca (English) Russian. in 1906, which Tolstoy loves most of his work, the writer answered: “The novel“ War and Peace ”.”
✓ "Anna Karenina"
No less dramatic and serious work was the novel about tragic love"Anna Karenina" (1873-1876). Unlike the previous work, there is no place in it for the infinitely happy intoxication with the bliss of being. In the almost autobiographical novel of Levin and Kitty there are still joyful experiences, but in the depiction of Dolly's family life there is already more bitterness, and in the unfortunate end of the love of Anna Karenina and Vronsky there is so much anxiety of spiritual life that this novel is essentially a transition to the third period of Tolstoy's literary activity. dramatic.
It has less simplicity and clarity of spiritual movements characteristic of the heroes of "War and Peace", more heightened sensitivity, inner alertness and anxiety. The characters of the main characters are more complex and sophisticated. The author sought to show the subtlest nuances of love, disappointment, jealousy, despair, spiritual enlightenment.
The problematics of this work directly led Tolstoy to the ideological turning point of the late 1870s.
✓ Other works
In March 1879, in Moscow, Leo Tolstoy met Vasily Petrovich Shchegolyonok, and in the same year, at his invitation, he came to Yasnaya Polyana, where he stayed for about a month and a half. The dandy told Tolstoy a lot of folk tales, epics and legends, of which more than twenty were written down by Tolstoy (these records were published in vol. XLVIII of the Anniversary edition of Tolstoy's works), and the plots of some Tolstoy, if he did not write down on paper, then remembered: six written by Tolstoy works are sourced from the stories of Schegolyonok (1881 - “What people are alive for”, 1885 - “Two old men” and “Three elders”, 1905 - “Roots Vasiliev” and “Prayer”, 1907 - “The old man in the church”). In addition, Tolstoy diligently wrote down many sayings, proverbs, individual expressions and words told by Schegolyonok.
Tolstoy's new worldview was most fully expressed in his works "Confession" (1879-1880, published in 1884) and "What is my faith?" (1882-1884). To the theme of the Christian beginning of love, devoid of any self-interest and rising above sensual love in the struggle with the flesh, Tolstoy dedicated the story The Kreutzer Sonata (1887-1889, published in 1891) and The Devil (1889-1890, published in 1911). In the 1890s, trying to theoretically substantiate his views on art, he wrote a treatise "What is art?" (1897-1898). But the main artistic work of those years was his novel Resurrection (1889-1899), the plot of which was based on a genuine court case. Sharp criticism of church rites in this work became one of the reasons for the excommunication of Tolstoy by the Holy Synod from the Orthodox Church in 1901. The highest achievements of the early 1900s were the story "Hadji Murad" and the drama "The Living Corpse". In "Hadji Murad" the despotism of Shamil and Nicholas I is equally exposed. In the story, Tolstoy glorified the courage of the struggle, the strength of resistance and love of life. The play "The Living Corpse" became evidence of Tolstoy's new artistic quest, objectively close to Chekhov's drama.
✓ Literary criticism of Shakespeare's works
In his critical essay "On Shakespeare and Drama", based on a detailed analysis of some of the most popular works of Shakespeare, in particular, "King Lear", "Othello", "Falstaff", "Hamlet", etc., Tolstoy sharply criticized Shakespeare's abilities like a playwright. At the performance of Hamlet, he experienced "special suffering" for this "false semblance of works of art."
¶ Participation in the Moscow Census
L. N. Tolstoy took part in the Moscow census of 1882. He wrote about it this way: “I suggested using the census in order to find out poverty in Moscow and help her with business and money, and to make sure that there were no poor in Moscow.”
Tolstoy believed that the interest and significance of the census for society is that it gives it a mirror in which you want it, you don’t want it, the whole society and each of us will look. He chose one of the most difficult sites for himself, Protochny Lane, where there was a rooming house, among the Moscow squalor, this gloomy two-story building was called the Rzhanov Fortress. Having received an order from the Duma, Tolstoy, a few days before the census, began to bypass the site according to the plan that was given to him. Indeed, the dirty rooming house, filled with destitute, desperate people who had sunk to the very bottom, served as a mirror for Tolstoy, reflecting the terrible poverty of the people. Under the fresh impression of what he saw, L. N. Tolstoy wrote his famous article "On the census in Moscow." In this article, he pointed out that the purpose of the census was scientific, and was a sociological study.
Despite Tolstoy's declared good intentions of the census, the population was suspicious of this event. On this occasion, Tolstoy wrote: “When they explained to us that the people had already found out about the rounds of the apartments and were leaving, we asked the owner to lock the gate, and we ourselves went to the yard to persuade the people who were leaving.” Lev Nikolaevich hoped to arouse sympathy for urban poverty in the rich, to raise money, to recruit people who wanted to contribute to this cause, and together with the census to go through all the dens of poverty. In addition to fulfilling the duties of a copyist, the writer wanted to enter into communication with the unfortunate, find out the details of their needs and help them with money and work, expulsion from Moscow, placing children in schools, old men and women in shelters and almshouses.
¶ Leo Tolstoy in Moscow
As Muscovite Alexander Vaskin writes, Leo Tolstoy came to Moscow more than one hundred and fifty times.
The general impressions made by him from his acquaintance with Moscow life were, as a rule, negative, and the reviews about the social situation in the city were sharply critical. So, on October 5, 1881, he wrote in his diary:
Many buildings associated with the life and work of the writer have been preserved on Plyushchikha, Sivtsev Vrazhek, Vozdvizhenka, Tverskaya, Nizhny Kislovsky lane, Smolensky Boulevard, Zemledelchesky lane, Voznesensky lane and, finally, Dolgokhamovnichesky lane (modern Leo Tolstoy street) and others. The writer often visited the Kremlin, where the family of his wife, Bersa, lived. Tolstoy loved to walk around Moscow on foot, even in winter. Last time the writer came to Moscow in 1909.
In addition, along Vozdvizhenka Street, 9, there was the house of Lev Nikolaevich's grandfather, Prince Nikolai Sergeevich Volkonsky, bought by him in 1816 from Praskovya Vasilievna Muravyova-Apostol (daughter of Lieutenant General V.V. Grushetsky, who built this house, the wife of the writer Senator I. M. Muravyov-Apostol, mother of the three Decembrist brothers Muravyov-Apostol). Prince Volkonsky owned the house for five years, which is why the house is also known in Moscow as the main house of the estate of the Volkonsky princes or as the “Bolkonsky house”. The house is described by Leo Tolstoy as the house of Pierre Bezukhov. This house was well known to Lev Nikolaevich - he often visited young balls here, where he courted the charming Princess Praskovya Shcherbatova: “I went to the Ryumins with boredom and drowsiness, and suddenly it washed over me. P[raskovya] Sh[erbatova] charm. It hasn't been fresher for a long time." In Anna Karenina, he endowed Kitty Shcherbatskaya with the features of the beautiful Praskovya.
In 1886, 1888 and 1889, Leo Tolstoy walked three times from Moscow to Yasnaya Polyana. On the first such journey, his companions were the politician Mikhail Stakhovich and Nikolai Ge (the son of the artist N. N. Ge). In the second - also Nikolai Ge, and from the second half of the way (from Serpukhov) A.N. Dunaev and S.D. Sytin (publisher's brother) joined. During the third journey, Lev Nikolaevich was accompanied by a new friend and like-minded 25-year-old teacher Evgeny Popov.
¶ Spiritual crisis and preaching
In his work "Confession" Tolstoy wrote that from the end of the 1870s he often began to be tormented by insoluble questions: "Well, all right, you will have 6,000 acres in the Samara province - 300 heads of horses, and then?"; in the sphere of literature: "Well, well, you will be more glorious than Gogol, Pushkin, Shakespeare, Moliere, all the writers in the world - so what!". Starting to think about raising children, he asked himself: “why?”; discussing “how the people can achieve prosperity,” he “suddenly said to himself: what does it matter to me?” In general, he "felt that what he stood on had given way, that what he had lived for was gone." The natural result was the thought of suicide:
In order to find an answer to the questions and doubts that constantly worried him, Tolstoy first of all took up the study of theology and wrote and published in 1891 in Geneva his “Study of Dogmatic Theology”, in which he criticized the “Orthodox Dogmatic Theology” of Metropolitan Macarius (Bulgakov). He had conversations with priests and monks, went to the elders in Optina Pustyn (in 1877, 1881 and 1890), read theological treatises, talked with the elder Ambrose, K. N. Leontiev, an ardent opponent of Tolstoy's teachings. In a letter to T. I. Filippov dated March 14, 1890, Leontiev reported that during this conversation he said to Tolstoy: “It’s a pity, Lev Nikolaevich, that I have little fanaticism. But it would be necessary to write to Petersburg, where I have connections, that you be exiled to Tomsk and that neither the countess nor your daughters would even be allowed to visit you, and that they would send you little money. And then you are positively harmful. To this, Lev Nikolayevich exclaimed with fervor: “Darling, Konstantin Nikolayevich! Write, for God's sake, to be exiled. This is my dream. I do my best to compromise myself in the eyes of the government, and I get away with everything. Please write." In order to study the original sources of Christian teaching in the original, he studied ancient Greek and Hebrew (in the study of the latter he was helped by the Moscow rabbi Shlomo Minor). At the same time, he kept an eye on the Old Believers, became close to the peasant preacher Vasily Syutaev, talked with Molokans, Stundists. Lev Nikolaevich sought the meaning of life in the study of philosophy, in acquaintance with the results of the exact sciences. He tried to simplify as much as possible, to live a life close to nature and agricultural life.
Gradually, Tolstoy renounces the whims and conveniences of a rich life (simplification), does a lot of physical labor, dresses in the simplest clothes, becomes a vegetarian, gives his family all his large fortune, renounces literary property rights. On the basis of a sincere desire for moral improvement, the third period of Tolstoy's literary activity is being created, hallmark which is the denial of all established forms of state, social and religious life.
Early in the reign of Alexander III Tolstoy addressed the emperor in writing with a request for pardon for the regicides in the spirit of the gospel forgiveness. Since September 1882, a secret supervision was established for him to clarify relations with sectarians; in September 1883, he refuses to serve as a juror, citing incompatibility with his religious worldview. Then he received a ban on public speaking in connection with the death of Turgenev. Gradually, the ideas of Tolstoyanism begin to penetrate society. At the beginning of 1885, a precedent was set in Russia for refusing military service, citing Tolstoy's religious beliefs. A significant part of Tolstoy's views could not be openly expressed in Russia and was presented in full only in foreign editions of his religious and social treatises.
There was no unanimity in relation to Tolstoy's works of art written during this period. Thus, in a long series of short stories and legends intended primarily for popular reading (“How do people live”, etc.), Tolstoy, in the opinion of his unconditional admirers, reached the pinnacle of artistic power. At the same time, according to people who reproach Tolstoy for turning from an artist into a preacher, these artistic teachings, written with a specific purpose, were rudely tendentious. The high and terrible truth of The Death of Ivan Ilyich, according to fans, putting this work on a par with the main works of the genius of Tolstoy, according to others, is deliberately harsh, it sharply emphasizes soullessness higher strata society to show the moral superiority of a simple "kitchen man" Gerasim. The Kreutzer Sonata (written in 1887-1889, published in 1890) also caused opposite reviews - an analysis of marital relations made us forget about the amazing brightness and passion with which this story was written. The work was banned by censorship, it was printed thanks to the efforts of S. A. Tolstaya, who achieved a meeting with Alexander III. As a result, the story was published in a censored form in the Collected Works of Tolstoy by the personal permission of the tsar. Alexander III was pleased with the story, but the queen was shocked. On the other hand, the folk drama The Power of Darkness, in the opinion of Tolstoy's admirers, became a great manifestation of his artistic power: in the narrow framework of the ethnographic reproduction of Russian peasant life, Tolstoy managed to fit so many universal features that the drama went around all the stages of the world with tremendous success.
During the famine of 1891-1892. Tolstoy organized institutions in the Ryazan province to help the starving and the needy. He opened 187 canteens, in which 10 thousand people were fed, as well as several canteens for children, firewood was distributed, seeds and potatoes were distributed for sowing, horses were bought and distributed to farmers (almost all farms became horseless in a famine year), in the form of donations was collected almost 150,000 rubles.
The treatise “The Kingdom of God is within you ...” was written by Tolstoy with short breaks for almost 3 years: from July 1890 to May 1893. The treatise, which aroused the admiration of the critic V.V. Stasov (“the first book of the XIX century”) and I.E. Repin (“this thing of terrifying power”) could not be published in Russia due to censorship, and it was published abroad. The book began to be illegally distributed in a huge number of copies in Russia. In Russia itself, the first legal edition appeared in July 1906, but even after that it was withdrawn from sale. The treatise was included in the collected works of Tolstoy, published in 1911, after his death.
In the last major work, the novel Resurrection, published in 1899, Tolstoy condemned judicial practice and high society life, portrayed the clergy and worship as worldly and united with secular power.
On December 6, 1908, Tolstoy wrote in his diary: "People love me for those trifles - War and Peace, etc., which seem very important to them."
In the summer of 1909, one of the visitors to Yasnaya Polyana expressed his delight and gratitude for the creation of War and Peace and Anna Karenina. Tolstoy replied: “It’s like someone came to Edison and said:“ I really respect you for the fact that you dance the mazurka well. I attribute meaning to my completely different books (religious ones!).” In the same year, Tolstoy described the role of his works of art as follows: "They draw attention to my serious things."
Some critics of the last stage of Tolstoy's literary activity have stated that artistic power he suffered from the predominance of theoretical interests and that creativity is now the only thing Tolstoy needs in order to propagate his public opinion in a generally accessible form. religious views. On the other hand, Vladimir Nabokov, for example, denies that Tolstoy has preaching specifics and notes that the strength and universal meaning of his work have nothing to do with politics and simply crowd out his teaching: “In essence, Tolstoy the thinker has always been occupied by only two topics: Life and death. And no artist can escape these themes.” It has been suggested that in his work What is Art? The Tolstoy part completely denies and partly significantly diminishes the artistic significance of Dante, Raphael, Goethe, Shakespeare, Beethoven, etc., he directly comes to the conclusion that “the more we give ourselves to beauty, the more we move away from good”, affirming the priority of the moral component creativity over aesthetics.
¶ Excommunication
After the birth of Leo Tolstoy was baptized into Orthodoxy. Nevertheless, despite his attitude towards the Orthodox Church, he, like most representatives of the educated society of his time, was indifferent to religious issues in his youth and youth. But in the mid-1870s, he showed an increased interest in the teachings and worship of the Orthodox Church: “I read everything I could about the teachings of the church, ... strictly followed, for more than a year, all the prescriptions of the church, observing all fasts and attending all church services” , the result of which was a complete disappointment in the church faith. The second half of 1879 became a turning point in the direction of the teachings of the Orthodox Church for him. In the 1880s, he took the position of an unambiguously critical attitude towards church doctrine, the clergy, and official churchness. The publication of some of Tolstoy's works was banned by both spiritual and secular censorship. In 1899, Tolstoy's novel "Resurrection" was published, in which the author showed the life of various social strata of contemporary Russia; the clergy were depicted mechanically and hastily performing rituals, and the cold and cynical Toporov was taken by some for a caricature of K. P. Pobedonostsev, chief procurator of the Holy Synod.
Leo Tolstoy applied his teachings primarily in relation to his own way of life. He denied ecclesiastical interpretations of immortality and rejected ecclesiastical authority; he did not recognize the rights of the state, since it is built (in his opinion) on violence and coercion. He criticized the church teaching, according to which “life as it is here on earth, with all its joys, beauties, with all the struggle of the mind against darkness, is the life of all the people who lived before me, my whole life with my inner struggle and victories of the mind there is life that is not true, but life that has fallen, hopelessly spoiled; life is true, sinless - in faith, that is, in imagination, that is, in madness. Leo Tolstoy did not agree with the teaching of the church that a person from his birth, in essence, is vicious and sinful, since, in his opinion, such a teaching “cuts down everything that is best in human nature.” Seeing how the church quickly lost its influence on the people, the writer, according to K. N. Lomunov, came to the conclusion: "Everything that lives is independent of the church."
In February 1901, the Synod finally inclined to the idea of publicly condemning Tolstoy and declaring him outside the church. Metropolitan Anthony (Vadkovsky) played an active role in this. As it appears in the camera-Fourier magazines, on February 22, Pobedonostsev visited Nicholas II in the Winter Palace and talked with him for about an hour. Some historians believe that Pobedonostsev came to the tsar directly from the Synod with a ready definition.
On February 24 (old style), 1901, the official organ of the synod “Church Gazette published under the Holy Governing Synod” published “Determination of the Holy Synod of February 20-22, 1901 No. 557, with a message to the faithful children of the Greek Orthodox Church about Count Leo Tolstoy.
| A world-famous writer, Russian by birth, Orthodox by his baptism and upbringing, Count Tolstoy, in the seduction of his proud mind, boldly rebelled against the Lord and His Christ and His holy heritage, clearly before everyone renounced the Mother, the Church, who nurtured and raised him Orthodox, and devoted his literary activity and the talent given to him from God to spread among the people teachings that are contrary to Christ and the Church, and to exterminate in the minds and hearts of people the faith of the fathers, the Orthodox faith, which established the universe, by which our ancestors lived and were saved and by which Until now, Holy Russia has held out and been strong. In his writings and letters, in many scattered by him and his disciples all over the world, especially within the borders of our dear Fatherland, he preaches, with the zeal of a fanatic, the overthrow of all the dogmas of the Orthodox Church and the very essence of the Christian faith; rejects the personal living God, glorified in the Holy Trinity, Creator and Provider of the universe, denies the Lord Jesus Christ, the God-man, Redeemer and Savior of the world, who suffered for us for the sake of men and for our salvation and rose from the dead, denies the seedless conception according to humanity of Christ the Lord and virginity before of the Nativity and after the Nativity of the Most Pure Theotokos Ever-Virgin Mary, does not recognize the afterlife and retribution, rejects all the sacraments of the Church and the grace-filled action of the Holy Spirit in them and, scolding the most sacred objects of faith Orthodox people, did not shudder to mock the greatest of the sacraments, the holy Eucharist. All this is preached by Count Tolstoy continuously, in word and writing, to the temptation and horror of everything. Orthodox world, and thus openly, but clearly in front of everyone, consciously and deliberately, he cut himself off from all communion with the Orthodox Church. Former same to his admonition attempts were unsuccessful. Therefore, the Church does not consider him a member and cannot count him until he repents and restores his communion with her. Therefore, bearing witness to his falling away from the Church, we pray together that the Lord grant him repentance into the mind of truth. We pray, merciful Lord, do not want the death of sinners, hear and have mercy and turn him to Your holy Church. Amen. |
According to theologians, including Doctor of Historical Sciences, Candidate of Theology, Doctor of Church History Priest Georgy Orekhanov, the decision of the Synod regarding Tolstoy is not a curse on the writer, but a statement of the fact that he is no longer a member of the Church of his own free will. In addition, the synodal act of February 20-22 stated that Tolstoy could return to the Church if he repented. Metropolitan Anthony (Vadkovsky), who at that time was a leading member of the Holy Synod, wrote to Sofya Andreevna Tolstoy: “All of Russia mourns for your husband, we mourn for him. Do not believe those who say that we are seeking his repentance for political purposes.” Nevertheless, the writer, his entourage and the Russian public felt that this definition was an unjustifiably cruel act. For example, when Tolstoy arrived in Optina Hermitage, when asked why he did not go to the elders, he replied that he could not go, as he was excommunicated.
In his Response to the Synod, Leo Tolstoy confirmed his break with the church: “The fact that I renounced the church that calls itself Orthodox is absolutely fair. But I renounced it not because I rebelled against the Lord, but on the contrary, only because I wanted to serve him with all the strength of my soul. Tolstoy objected to the accusations brought against him in the Synod's decision: “The Synod's decision in general has many shortcomings. It is illegal or deliberately ambiguous; it is arbitrary, unfounded, untrue and, moreover, contains slander and incitement to bad feelings and actions. In the text of the Answer to the Synod, Tolstoy elaborates on these theses, recognizing a number of significant discrepancies between the dogmas of the Orthodox Church and his own understanding of the teachings of Christ.
The synodal definition aroused the indignation of a certain part of society; Numerous letters and telegrams were sent to Tolstoy expressing sympathy and support. At the same time, this definition provoked a flood of letters from another part of society - with threats and abuse.
In November 1909, he wrote down a thought that indicated his broad understanding of religion:
At the end of February 2001, the great-grandson of Count Vladimir Tolstoy, who manages the museum-estate of the writer in Yasnaya Polyana, sent a letter to Patriarch Alexy II of Moscow and All Rus' with a request to revise the synodal definition. In response to the letter, the Moscow Patriarchate stated that the decision to excommunicate Leo Tolstoy from the Church, made exactly 105 years ago, cannot be reconsidered, since (according to the Secretary for Church Relations Mikhail Dudko), this would be wrong in the absence of a person against whom ecclesiastical courts apply. In March 2009, Vladimir Tolstoy expressed his opinion on the significance of the synodal act: “I studied the documents, read the newspapers of that time, got acquainted with the materials of public discussions around the excommunication. And I had a feeling that this act gave a signal for a total split Russian society. The royal family, and the highest aristocracy, and the local nobility, and the intelligentsia, and the raznochinsk strata, and ordinary people also split. The crack went through the body of the entire Russian, Russian people.
¶ Departure from Yasnaya Polyana, death and funeral
On the night of October 28 (November 10), 1910, L. N. Tolstoy, fulfilling his decision to live his last years in accordance with his views, secretly left Yasnaya Polyana forever, accompanied only by his doctor D. P. Makovitsky. At the same time, Tolstoy did not even have a definite plan of action. Own last trip he started at Shchyokino station. On the same day, having changed trains at the Gorbachevo station, I reached the city of Belev, Tula province, after that, in the same way, but on another train to the Kozelsk station, hired a coachman and went to Optina Pustyn, and from there the next day to Shamordinsky monastery, where he met his sister, Maria Nikolaevna Tolstaya. Later, Tolstoy's daughter Alexandra Lvovna secretly arrived in Shamordino.
On the morning of October 31 (November 13), L. N. Tolstoy and his companions set off from Shamordino to Kozelsk, where they boarded train No. 12, Smolensk - Ranenburg, which had already approached the station, next to eastbound. We did not have time to buy tickets when boarding; having reached Belev, we bought tickets to the Volovo station, where we intended to transfer to some train heading south. Those who accompanied Tolstoy later also testified that the journey had no specific purpose. After the meeting, they decided to go to his niece, E. S. Denisenko, in Novocherkassk, where they wanted to try to get foreign passports and then go to Bulgaria; if this fails, go to the Caucasus. However, on the way, L. N. Tolstoy felt worse - the cold turned into lobar pneumonia and the escorts were forced to interrupt the trip on the same day and take the sick Tolstoy out of the train at the first large station near the settlement. This station was Astapovo (now Leo Tolstoy, Lipetsk region).
The news of Leo Tolstoy's illness caused a great stir both in the highest circles and among the members of the Holy Synod. On the state of his health and the state of affairs, encrypted telegrams were systematically sent to the Ministry of Internal Affairs and the Moscow Gendarme Directorate of Railways. An emergency secret meeting of the Synod was convened, at which, on the initiative of Chief Procurator Lukyanov, the question was raised about the attitude of the church in the event of the sad outcome of Lev Nikolayevich's illness. But the issue has not been positively resolved.
Six doctors tried to save Lev Nikolaevich, but he only replied to their offers to help: "God will arrange everything." When asked what he himself wants, he said: "I want no one to bother me." His last meaningful words, which he uttered a few hours before his death to his eldest son, which he could not make out from excitement, but which the doctor Makovitsky heard, were: “Seryozha ... the truth ... I love a lot, I love everyone ... ".
On November 7 (20), at 6:50 a.m., after a week of severe and painful illness (suffocated), Lev Nikolayevich Tolstoy died in the house of the head of the station, I. I. Ozolin.
When Leo Tolstoy came to Optina Pustyn before his death, Elder Varsonofy was the abbot of the monastery and the head of the skete. Tolstoy did not dare to go to the skete, and the elder followed him to the Astapovo station in order to give him the opportunity to reconcile with the Church. He had spare Holy Gifts, and he received instructions: if Tolstoy whispered in his ear just one word “I repent”, he had the right to take communion. But the elder was not allowed to see the writer, just as his wife and some of his closest relatives from among the Orthodox believers were not allowed to see him.
On November 9, 1910, several thousand people gathered in Yasnaya Polyana for the funeral of Leo Tolstoy. Among those gathered were the writer's friends and admirers of his work, local peasants and Moscow students, as well as representatives government agencies and local police sent to Yasnaya Polyana by the authorities, who feared that the farewell ceremony for Tolstoy might be accompanied by anti-government statements, and perhaps even turn into a demonstration. In addition - in Russia it was the first public funeral of a famous person, which had to take place not according to Orthodox rite(without priests and prayers, without candles and icons), as Tolstoy himself wished. The ceremony was peaceful, as noted in police reports. The mourners, observing complete order, with quiet singing, escorted Tolstoy's coffin from the station to the estate. People lined up, silently entered the room to say goodbye to the body.
On the same day, the newspapers published the resolution of Nicholas II on the report of the Minister of Internal Affairs on the death of Leo Nikolayevich Tolstoy: “I sincerely regret the death of the great writer, who, during the heyday of his talent, embodied in his works images of one of the glorious years of Russian life. May the Lord God be his merciful judge.”
On November 10 (23), 1910, Leo Tolstoy was buried in Yasnaya Polyana, on the edge of a ravine in the forest, where, as a child, he and his brother were looking for a “green stick” that kept the “secret” how to make all people happy. When the coffin with the deceased was lowered into the grave, all those present reverently knelt down.
In January 1913, a letter was published by Countess S. A. Tolstaya dated December 22, 1912, in which she confirmed the news in the press that a funeral was performed at her husband’s grave by a certain priest in her presence, while she denied rumors about that the priest was not real. In particular, the countess wrote: “I also declare that Lev Nikolayevich never expressed a desire not to be buried before his death, but earlier he wrote in his diary of 1895, as if a testament:“ If possible, then (bury) without priests and funeral . But if this is unpleasant for those who will bury, then let them bury as usual, but as cheaply and simply as possible. The priest, who voluntarily wished to violate the will of the Holy Synod and secretly bury the excommunicated count, turned out to be Grigory Leontyevich Kalinovsky, a priest of the village of Ivankov, Pereyaslavsky district, Poltava province. Soon he was dismissed from his post, but not for the illegal funeral of Tolstoy, but “in view of the fact that he is under investigation for the drunken murder of a peasant, and the aforementioned priest Kalinovsky’s behavior and moral qualities rather disapproving, that is, a bitter drunkard and capable of all sorts of dirty deeds, ”as reported in agent gendarmerie reports.
✓ Report of Colonel von Cotten, Head of the St. Petersburg Security Department, to the Minister of Internal Affairs of the Russian Empire
| “In addition to the reports of November 8, I report to Your Excellency information about the unrest of young students that took place on November 9 this ... on the occasion of the day of the burial of the deceased Leo Tolstoy. At 12 noon, a memorial service for the late L. N. Tolstoy was served in the Armenian Church, which was attended by about 200 people praying, mostly Armenians, and a small part of the student youth. At the end of the memorial service, the worshipers dispersed, but a few minutes later students and female students began to arrive at the church. It turned out that on entrance doors University and the Higher Women's Courses, announcements were posted that a memorial service for Leo Tolstoy would take place on November 9 at one o'clock in the afternoon in the aforementioned church. The Armenian clergy performed a panikhida for the second time, by the end of which the church could no longer accommodate all the worshipers, a significant part of whom stood on the porch and in the courtyard at the Armenian Church. At the end of the memorial service, all who were on the porch and in the churchyard sang "Eternal Memory" ... " |
The death of Leo Tolstoy was reacted not only in Russia, but all over the world. In Russia, student and worker demonstrations were held with portraits of the deceased, which became a response to the death of the great writer. To honor the memory of Tolstoy, the workers of Moscow and St. Petersburg stopped the work of several plants and factories. There were legal and illegal gatherings, meetings, leaflets were issued, concerts and evenings were canceled, theaters and cinemas were closed at the time of mourning, bookshops and shops were suspended. Many people wanted to take part in the funeral of the writer, but the government, fearing spontaneous unrest, prevented this in every possible way. People could not carry out their intention, so Yasnaya Polyana was literally bombarded with telegrams of condolence. The democratic part of Russian society was outraged by the behavior of the government, which for many years treated Tolstoy, banned his works, and, finally, prevented the honoring of his memory.
§ Family
Lev Nikolaevich from his youthful years was familiar with Lyubov Alexandrovna Islavina, in marriage Bers (1826-1886), loved to play with her children Lisa, Sonya and Tanya. When the daughters of the Berses grew up, Lev Nikolayevich thought about marrying his eldest daughter Lisa, hesitated for a long time until he made a choice in favor of the middle daughter Sophia. Sofya Andreevna agreed when she was 18 years old, and the count was 34 years old, and on September 23, 1862, Lev Nikolaevich married her, having previously confessed to his premarital affairs.
For some time in his life, the brightest period begins - he is truly happy, largely due to the practicality of his wife, material well-being, outstanding literary creativity and, in connection with it, all-Russian and world fame. In the person of his wife, he found an assistant in all matters, practical and literary - in the absence of a secretary, she several times rewrote his drafts. However, very soon happiness is overshadowed by the inevitable small disagreements, fleeting quarrels, mutual misunderstanding, which only worsened over the years.
For his family, Leo Tolstoy proposed a certain “life plan”, according to which he intended to give part of the income to the poor and schools, and to significantly simplify his family’s lifestyle (life, food, clothes), while also selling and distributing “everything superfluous”: piano, furniture, carriages. His wife, Sofya Andreevna, was clearly not satisfied with such a plan, on the basis of which the first serious conflict broke out between them and the beginning of her “undeclared war” for the secure future of her children. And in 1892, Tolstoy signed a separate act and transferred all the property to his wife and children, not wanting to be the owner. However, together they lived in great love for almost fifty years.
In addition, his older brother Sergei Nikolaevich Tolstoy was going to marry younger sister Sophia Andreevna - Tatyana Bers. But Sergei's unofficial marriage to the gypsy singer Maria Mikhailovna Shishkina (who had four children from him) made the marriage of Sergei and Tatyana impossible.
In addition, the father of Sofya Andreevna, medical doctor Andrey Gustav (Evstafievich) Bers, even before his marriage to Islavina, had a daughter, Varvara, from Varvara Petrovna Turgeneva, the mother of Ivan Sergeevich Turgenev. By mother, Varya was the sister of Ivan Turgenev, and by father - S. A. Tolstoy, thus, together with marriage, Leo Tolstoy acquired kinship with I. S. Turgenev.
From the marriage of Lev Nikolayevich with Sofia Andreevna, 9 sons and 4 daughters were born, five of thirteen children died in childhood.
- Sergei (1863-1947), composer, musicologist. The only one of all the writer's children who survived the October Revolution who did not emigrate. Cavalier of the Order of the Red Banner of Labor.
- Tatiana (1864-1950). Since 1899 she has been married to Mikhail Sukhotin. In 1917-1923 she was the curator of the Yasnaya Polyana Museum Estate. In 1925 she emigrated with her daughter. Daughter Tatyana Sukhotina-Albertini (1905-1996).
- Ilya (1866-1933), writer, memoirist. In 1916 he left Russia and went to the USA.
- Lev (1869-1945), writer, sculptor. Since 1918 in exile - in France, Italy, then in Sweden.
- Maria (1871-1906). Since 1897 she has been married to Nikolai Leonidovich Obolensky (1872-1934). Died of pneumonia. Buried in the village Kochaki of the Krapivensky district (modern Tul. region, Shchekinsky district, village of Kochaki).
- Peter (1872-1873)
- Nicholas (1874-1875)
- Barbara (1875-1875)
- Andrei (1877-1916), official for special assignments under the Tula governor. Member of the Russo-Japanese War. He died in Petrograd from a general blood poisoning.
- Mikhail (1879-1944). In 1920 he emigrated and lived in Turkey, Yugoslavia, France and Morocco. He died on October 19, 1944 in Morocco.
- Alexey (1881-1886)
- Alexandra (1884-1979). From the age of 16 she became an assistant to her father. Head of the military medical detachment during the First World War. In 1920, the Cheka was arrested in the case of the "Tactical Center", sentenced to three years, after her release she worked in Yasnaya Polyana. In 1929 she emigrated from the USSR, in 1941 she received US citizenship. She died on September 26, 1979 in the state of New York at the age of 95, the last of all the children of Leo Tolstoy, more than 150 years after the birth of her father.
- Ivan (1888-1895).
As of 2010, there were a total of more than 350 descendants of Leo Tolstoy (including both living and deceased), living in 25 countries of the world. Most of them are descendants of Leo Tolstoy, who had 10 children. Since 2000, Yasnaya Polyana has hosted meetings of the writer's descendants every two years.
✓ Tolstoy's views on family and family in Tolstoy's work
Leo Tolstoy, both in his personal life and in his work, assigned the central role to the family. According to the writer, the main institution of human life is not the state or the church, but the family. From the very beginning of his creative activity, Tolstoy was absorbed in thoughts about the family and dedicated his first work, Childhood, to this. Three years later, in 1855, he wrote the story "Marker's Notes", where the writer's craving for gambling and women. The same is reflected in his novel "Family Happiness", in which the relationship between a man and a woman is strikingly similar to the marital relationship between Tolstoy himself and Sofya Andreevna. During the period of happy family life (1860s), which created a stable atmosphere, spiritual and physical balance and became a source of poetic inspiration, two of the writer's greatest works were written: "War and Peace" and "Anna Karenina". But if in "War and Peace" Tolstoy firmly defends the value of family life, being convinced of the fidelity of the ideal, then in "Anna Karenina" he already expresses doubts about its attainability. When relations in his personal family life became more difficult, these aggravations were expressed in such works as The Death of Ivan Ilyich, The Kreutzer Sonata, The Devil and Father Sergius.
Leo Nikolayevich Tolstoy paid great attention to the family. His reflections are not limited to the details of marital relations. In the trilogy "Childhood", "Boyhood" and "Youth", the author gave a bright artistic description the world of a child, in whose life an important role is played by the child's love for his parents, and vice versa - the love that he receives from them. In "War and Peace" Tolstoy has already most fully revealed different types family relations and love. And in "Family Happiness" and "Anna Karenina" various aspects of love in the family are simply lost behind the power of "eros". Critic and philosopher N. N. Strakhov after the release of the novel "War and Peace" noted that all of Tolstoy's previous works can be classified as preliminary studies, culminating in the creation of a "family chronicle".
§ Philosophy
The religious and moral imperatives of Leo Tolstoy were the source of the Tolstoy movement, built on two fundamental theses: "simplification" and "non-resistance to evil by violence." The latter, according to Tolstoy, is recorded in a number of places in the Gospel and is the core of the teachings of Christ, as, indeed, of Buddhism. The essence of Christianity, according to Tolstoy, can be expressed in a simple rule: "Be kind and do not resist evil with violence" - "The Law of Violence and the Law of Love" (1908).
The most important basis of Tolstoy's teachings were the words of the Gospel "Love your enemies" and the Sermon on the Mount. The followers of his teachings - the Tolstoyans - honored the five commandments proclaimed by Lev Nikolaevich: do not be angry, do not commit adultery, do not swear, do not resist evil with violence, love your enemies as your neighbor.
Among the adherents of the doctrine, and not only, Tolstoy's books "What is my faith", "Confession", etc. were very popular. Tolstoy's life teaching was influenced by various ideological currents: Brahminism, Buddhism, Taoism, Confucianism, Islam, as well as the teachings of moral philosophers (Socrates, late Stoics, Kant, Schopenhauer).
Tolstoy developed a special ideology of non-violent anarchism (it can be described as Christian anarchism), which was based on a rationalistic understanding of Christianity. Considering coercion to be evil, he concluded that it was necessary to abolish the state, but not through a revolution based on violence, but through the voluntary refusal of each member of society to perform any public duties, whether it be military service, paying taxes, etc. L.N. Tolstoy believed: “Anarchists are right in everything: both in the denial of the existing, and in the assertion that, given the existing mores, nothing can be worse than the violence of power; but they are grossly mistaken in thinking that anarchy can be established by revolution.
The ideas of nonviolent resistance outlined by L. N. Tolstoy in his work “The Kingdom of God is within you” influenced Mahatma Gandhi, who corresponded with the Russian writer.
According to the historian of Russian philosophy V.V. Zenkovsky, a huge philosophical meaning Leo Tolstoy, and not only for Russia, in his desire to build a culture on a religious basis and in his personal example of liberation from secularism. In Tolstoy's philosophy, he notes the coexistence of heteropolar forces, the "sharp and unobtrusive rationalism" of his religious and philosophical constructions, and the irrationalistic insurmountability of his "panmoralism": "Although Tolstoy does not believe in the Deity of Christ, Tolstoy believed His words in the way that only those who who sees God in Christ”, “follows him as God”. One of the key features of Tolstoy's worldview is the search for and expression of "mystical ethics", to which he considers it necessary to subordinate all secularized elements of society, including science, philosophy, art, considers it "blasphemy" to put them on the same level with good. The ethical imperative of the writer explains the lack of contradiction between the titles of the chapters of the book "The Way of Life": " To a reasonable person it is impossible not to recognize God” and “God cannot be known by reason”. In contrast to the patristic, and later Orthodox, identification of beauty and goodness, Tolstoy emphatically declares that "goodness has nothing to do with beauty." In the book Reading Circle, Tolstoy quotes John Ruskin: “Art is only in its proper place when its goal is moral perfection. If art does not help people to discover the truth, but only provides a pleasant pastime, then it is a shameful, not sublime thing. On the one hand, Zenkovsky characterizes Tolstoy's divergence with the church not so much as a reasonably justified result, but as a "fatal misunderstanding", since "Tolstoy was an ardent and sincere follower of Christ." Tolstoy explains the denial of the church's view of dogma, the Divinity of Christ and His Resurrection by the contradiction between "rationalism, internally completely inconsistent with its mystical experience." On the other hand, Zenkovsky himself notes that “already in Gogol, for the first time, the theme of the internal heterogeneity of the aesthetic and moral sphere is raised; for reality is alien to the aesthetic principle.
§ Bibliography
Of the writings of Leo Tolstoy, 174 of his works of art have survived, including unfinished compositions and rough sketches. Tolstoy himself considered 78 of his works to be completely finished works; only they were printed during his lifetime and were included in collected works. The remaining 96 of his works remained in the archive of the writer himself, and only after his death they saw the light.
The first of his published works is the story "Childhood", 1852. The first lifetime published book of the writer - "Military stories of Count L. N. Tolstoy" 1856, St. Petersburg; in the same year, his second book, Childhood and Adolescence, was published. The last work of art published during Tolstoy's lifetime is the artistic essay "Grateful Soil", dedicated to Tolstoy's meeting with a young peasant in Meshchersky on June 21, 1910; The essay was first published in 1910 in the Rech newspaper. A month before his death, Leo Tolstoy worked on the third version of the story "There are no guilty in the world."
¶ Lifetime and posthumous editions of collected works
In 1886, the wife of Lev Nikolaevich for the first time published the collected works of the writer. For literary science, a milestone was the publication of the Complete (Jubilee) Collected Works of Tolstoy in 90 volumes (1928-58), which included many new literary texts, letters and diaries of the writer.
In addition, and later, collected works of his works were repeatedly published: in 1951-1953, "Collected Works in 14 volumes" (Moscow, Goslitizdat), in 1958-1959, "Collected Works in 12 volumes" (Moscow, Goslitizdat), in 1960- 1965 "Collected works in 20 volumes" (Moscow, ed. "Fiction"), in 1972 "Collected works in 12 volumes" (Moscow, ed. "Fiction"), in 1978-1985 "Collected works in 22 volumes (in 20 books) "(Moscow, ed. "Fiction"), in 1980 "Collected works in 12 volumes" (Moscow, ed. "Sovremennik"), in 1987 "Collected works in 12 volumes "(Moscow, ed. "Pravda").
¶ Translations of Tolstoy
During the Russian Empire for 30 years before October revolution 10 million copies of Tolstoy's books were published in Russia in 10 languages. Over the years of the existence of the USSR, Tolstoy's works were published in the Soviet Union in an amount of over 60 million copies in 75 languages.
Translation of the complete works of Tolstoy into Chinese was carried out by Cao Ying, the work took 20 years.
¶ Worldwide recognition. Memory
Four museums dedicated to the life and work of Leo Tolstoy have been created on the territory of Russia. The estate of Tolstoy Yasnaya Polyana, together with all the surrounding forests, fields, gardens and lands, has been turned into a museum-reserve, its branch is the museum-estate of L. N. Tolstoy in the village of Nikolskoye-Vyazemskoye. Under the protection of the state is Tolstoy's manor house in Moscow (Leo Tolstoy St., 21), which, on the personal instructions of V.I. Lenin, was turned into a memorial museum. Also turned into a museum house at the station Astapovo, Moscow-Kursk-Donbass railway. (now Lev Tolstoy station, Moscow railway), where the writer died. The largest of the museums of Tolstoy, as well as the center of research work on the study of the life and work of the writer, is the State Museum of Leo Tolstoy in Moscow (Prechistenka st., 11/8). Many schools, clubs, libraries and other cultural institutions are named after the writer in Russia. His name is district center and railway station (former Astapovo) of the Lipetsk region; district and district center of the Kaluga region; the village (formerly Stary Yurt) of the Grozny region, where Tolstoy visited in his youth. In many Russian cities there are squares and streets named after Leo Tolstoy. Monuments to the writer have been erected in different cities of Russia and the world. In Russia, monuments to Leo Nikolayevich Tolstoy were erected in a number of cities: in Moscow, in Tula (as a native of the Tula province), in Pyatigorsk, Orenburg.
§ Significance and influence of Tolstoy's work
The nature of the perception and interpretation of Leo Tolstoy's work, as well as the nature of his influence on individual artists and on the literary process, was largely determined by the characteristics of each country, its historical and artistic development. So, the French writers perceived him, first of all, as an artist who opposed naturalism and was able to combine a truthful depiction of life with spirituality and high moral purity. English writers relied on his work in the fight against traditional "Victorian" hypocrisy, they saw in him an example of high artistic courage. In the United States, Leo Tolstoy became a mainstay for writers who asserted acute social themes in art. In Germany, his anti-militarist speeches acquired the greatest importance; German writers studied his experience in a realistic depiction of the war. The writers of the Slavic peoples were impressed by his sympathy for the "small" oppressed nations, as well as the national-heroic theme of his works.
Leo Tolstoy had a huge impact on the evolution of European humanism, on the development of realistic traditions in world literature. His influence affected the work of Romain Rolland, François Mauriac and Roger Martin du Gard in France, Ernest Hemingway and Thomas Wolfe in the USA, John Galsworthy and Bernard Shaw in England, Thomas Mann and Anna Zegers in Germany, August Strindberg and Arthur Lundqvist in Sweden, Rainer Rilke in Austria, Eliza Orzeszko, Bolesław Prus, Yaroslav Ivashkevich in Poland, Maria Puimanova in Czechoslovakia, Lao She in China, Tokutomi Roca in Japan, and each of them experienced this influence in their own way.
Western humanist writers, such as Romain Rolland, Anatole France, Bernard Shaw, the brothers Heinrich and Thomas Mann, listened attentively to the accusing voice of the author in his works Resurrection, Fruits of Enlightenment, Kreutzer Sonata, Death of Ivan Ilyich ". Tolstoy's critical worldview penetrated their consciousness not only through his journalism and philosophical works, but also through his works of art. Heinrich Mann said that the works of Tolstoy were for the German intelligentsia an antidote to Nietzscheism. For Heinrich Mann, Jean-Richard Blok, Hamlin Garland, Leo Tolstoy was a model of great moral purity and intransigence towards social evil and attracted them as an enemy of the oppressors and a defender of the oppressed. The aesthetic ideas of Tolstoy's worldview were reflected in one way or another in Romain Rolland's book "People's Theatre", in articles by Bernard Shaw and Boleslav Prus (treatise "What is Art?") and in Frank Norris's book "The Responsibility of a Novelist", in which the author repeatedly refers to Tolstoy .
For Western European writers of the generation of Romain Rolland, Leo Tolstoy was an older brother, a teacher. It was the center of attraction for democratic and realistic forces in the ideological and literary struggle of the beginning of the century, but also the subject of daily heated debate. At the same time, for later writers, the generation of Louis Aragon or Ernest Hemingway, Tolstoy's work became part of the cultural riches that they assimilated in their youth. Today, many foreign prose writers, who do not even consider themselves students of Tolstoy and do not define their attitude towards him, at the same time assimilate elements of his creative experience, which has become the common property of world literature.
Leo Tolstoy was nominated 16 times for the Nobel Prize in Literature in 1902-1906. and 4 times for the Nobel Peace Prize in 1901, 1902 and 1909.
§ Writers, thinkers and religious figures about Tolstoy
- French writer and member of the French Academy André Maurois claimed that Leo Tolstoy is one of the three greatest writers in the history of culture (along with Shakespeare and Balzac).
- The German writer, Nobel Prize winner in literature Thomas Mann said that the world did not know another artist in whom the epic, Homeric beginning would be as strong as that of Tolstoy, and that the elements of the epic and indestructible realism live in his works.
- The Indian philosopher and politician Mahatma Gandhi spoke of Tolstoy as the most honest man of his time, who never tried to hide the truth, embellish it, fearing neither spiritual nor secular power, supporting his preaching with deeds and making any sacrifices for the sake of truth.
- The Russian writer and thinker Fyodor Dostoevsky said in 1876 that only Tolstoy shines with the fact that, in addition to the poem, "knows to the smallest accuracy (historical and current) the depicted reality."
- Russian writer and critic Dmitry Merezhkovsky wrote about Tolstoy: “His face is the face of humanity. If the inhabitants of other worlds asked our world: who are you? - humanity could answer by pointing to Tolstoy: here I am.
- The Russian poet Alexander Blok spoke of Tolstoy: “Tolstoy is the greatest and the only genius of modern Europe, the highest pride of Russia, a man whose only name is fragrance, a writer of great purity and holiness.
- The Russian writer Vladimir Nabokov wrote in his English Lectures on Russian Literature: “Tolstoy is an unsurpassed Russian prose writer. Leaving aside his predecessors Pushkin and Lermontov, all the great Russian writers can be built in this sequence: the first is Tolstoy, the second is Gogol, the third is Chekhov, the fourth is Turgenev.
- Russian religious philosopher and writer Vasily Rozanov about Tolstoy: "Tolstoy is only a writer, but not a prophet, not a saint, and therefore his teaching does not inspire anyone."
- The famous theologian Alexander Men said that Tolstoy is still the voice of conscience and a living reproach for people who are sure that they live in accordance with moral principles.
§ Criticism
Many newspapers and magazines of all political trends wrote about Tolstoy during his lifetime. Thousands of critical articles and reviews have been written about him. His early works found appreciation in revolutionary-democratic criticism. However, "War and Peace", "Anna Karenina" and "Resurrection" did not receive real disclosure and coverage in contemporary criticism. His novel "Anna Karenina" was not well received by the critics of the 1870s; the ideological system of the novel remained undiscovered, as well as its amazing artistic power. At the same time, Tolstoy himself, not without irony, wrote: “If myopic critics think that I wanted to describe only what I like, how Oblonsky dine and what kind of shoulders Karenina has, then they are mistaken.”
¶ Literary criticism
The critic was the first to respond favorably to Tolstoy's literary debut " Domestic notes» S. S. Dudyshkin in 1854 in an article devoted to the stories “Childhood” and “Boyhood”. However, two years later, in 1856, the same critic wrote a negative review of the book edition of Childhood and Boyhood, Military Tales. In the same year, a review of N. G. Chernyshevsky on these books of Tolstoy appeared, in which the critic draws attention to the writer's ability to depict human psychology in its contradictory development. In the same place, Chernyshevsky writes about the absurdity of reproaches to Tolstoy by S. S. Dudyshkin. In particular, objecting to the critic's remark that Tolstoy does not depict female characters in his works, Chernyshevsky draws attention to the image of Lisa from The Two Hussars. In 1855-1856, one of the theorists " pure art» P. V. Annenkov, noting the depth of thought in the works of Tolstoy and Turgenev and the fact that thought and its expression by means of art in Tolstoy are merged into one. At the same time, another representative of "aesthetic" criticism, A. V. Druzhinin, in reviews of "The Snowstorm", "Two Hussars" and "Military Stories" described Tolstoy as a deep connoisseur public life and subtle researcher of the human soul. Meanwhile, the Slavophile K. S. Aksakov in 1857 in the article “Review of Modern Literature” found in the work of Tolstoy and Turgenev, along with “truly beautiful” works, the presence of unnecessary details, due to which “the general line is lost, connecting them into one whole ".
In the 1870s, P. N. Tkachev, who believed that the writer’s task was to express the liberating aspirations of the “progressive” part of society in his work, in his article “Salon Art”, dedicated to the novel “Anna Karenina”, spoke sharply negatively about the work of Tolstoy.
N. N. Strakhov compared the novel "War and Peace" in its scale with the work of Pushkin. The genius and innovation of Tolstoy, according to the critic, manifested itself in the ability of "simple" means to create a harmonious and comprehensive picture of Russian life. The writer's inherent objectivity allowed him to "deeply and truthfully" depict the dynamics of the characters' inner life, which is not subject to any initially given schemes and stereotypes in Tolstoy. The critic also noted the author's desire to find the best features in a person. What Strakhov especially appreciates in the novel is that the writer is interested not only in the spiritual qualities of the individual, but also in the problem of supra-individual - family and communal - consciousness.
The philosopher K. N. Leontiev, in the pamphlet Our New Christians published in 1882, expressed doubts about the socio-religious viability of the teachings of Dostoevsky and Tolstoy. According to Leontiev, Pushkin's speech Dostoevsky and Tolstoy's story "What makes people alive" show the immaturity of their religious thinking and the insufficient familiarity of these writers with the content of the works of the Church Fathers. Leontiev believed that Tolstoy's "religion of love", adopted by the majority of "neo-Slavophiles", distorts the true essence of Christianity. Leontiev's attitude to Tolstoy's works of art was different. The novels "War and Peace" and "Anna Karenina" were declared by the critic to be the greatest works of world literature "in the last 40-50 years". Considering the main shortcoming of Russian literature to be the “humiliation” of Russian reality dating back to Gogol, the critic believed that only Tolstoy managed to overcome this tradition by depicting “higher Russian society ... finally in a human way, that is, impartially, and in places with obvious love.” N. S. Leskov in 1883 in the article “Count L. N. Tolstoy and F. M. Dostoevsky as Heresiarchs (The Religion of Fear and the Religion of Love)” criticized Leontiev’s pamphlet, convicting him of “convenience”, ignorance of patristic sources and misunderstanding the only argument chosen from them (which Leontiev himself admitted).
N. S. Leskov shared the enthusiastic attitude of N. N. Strakhov to the works of Tolstoy. Contrasting Tolstoy's "religion of love" with K. N. Leontiev's "religion of fear", Leskov believed that it was the former that was closer to the essence of Christian morality.
Later, Tolstoy's work was highly appreciated, unlike most democratic critics, by Andreevich (E. A. Solovyov), who published his articles in the journal of "legal Marxists" Life. In the late Tolstoy, he especially appreciated the “inaccessible truth of the image”, the realism of the writer, tearing the veils “from the conventions of our cultural and social life”, revealing “its lie, covered with lofty words” (“Life”, 1899, No. 12).
Critic I. I. Ivanov found in the literature of the late 19th century "naturalism", which goes back to Maupassant, Zola and Tolstoy and is an expression of a general moral decline.
In the words of K. I. Chukovsky, “in order to write“ War and Peace ”- just think with what terrible greed it was necessary to pounce on life, grab everything around with eyes and ears, and accumulate all this immeasurable wealth ...” (article “Tolstoy as artistic genius", 1908).
Representative of the developed turn of XIX-XX centuries Marxist literary criticism V. I. Lenin believed that Tolstoy in his works was the spokesman for the interests of the Russian peasantry.
The Russian poet and writer, Nobel Prize winner in literature Ivan Bunin, in his study "The Liberation of Tolstoy" (Paris, 1937), characterized Tolstoy's artistic nature as a tense interaction of "animal primitiveness" and a refined taste for the most complex intellectual and aesthetic quests.
¶ Religious criticism
Opponents and critics of Tolstoy's religious views were Church historian Konstantin Pobedonostsev, Vladimir Solovyov, Christian philosopher Nikolai Berdyaev, historian-theologian Georgy Florovsky, candidate of theology John of Kronstadt.
¶ Criticism of the social views of the writer
In Russia, the opportunity to openly discuss in the press the social and philosophical views of the late Tolstoy appeared in 1886 in connection with the publication in the 12th volume of his collected works of an abridged version of the article “So what should we do?”.
The controversy around the 12th volume was opened by A. M. Skabichevsky, condemning Tolstoy for his views on art and science. H. K. Mikhailovsky, on the contrary, expressed support for Tolstoy's views on art: “In the XII volume of the Works of gr. Tolstoy much is said about the absurdity and illegitimacy of the so-called "science for the sake of science" and "art for the sake of art" ... Gr. Tolstoy says a lot of things that are true in this sense, and in relation to art, this is extremely significant in the mouth of a first-class artist.
Romain Rolland, William Howells, Emile Zola responded to Tolstoy's article abroad. Later, Stefan Zweig, highly appreciating the first, descriptive part of the article (“... hardly ever social criticism more ingeniously demonstrated on an earthly phenomenon than in the depiction of these rooms of beggars and degraded people”), at the same time he noted: “but as soon as, in the second part, the utopian Tolstoy passes from diagnosis to therapy and tries to preach objective methods of correction, each concept becomes vague , the contours fade, thoughts, urging one another, stumble. And this confusion grows from problem to problem.”
V. I. Lenin in the article “L. N. Tolstoy and the Modern Labor Movement" wrote about Tolstoy's "powerless curses" against capitalism and "the power of money". According to Lenin, Tolstoy's critique of the modern order "reflects a turning point in the views of millions of peasants who have just emerged from serfdom and saw that this freedom means new horrors of ruin, starvation, homeless life ...". Earlier, in Leo Tolstoy as a Mirror of the Russian Revolution (1908), Lenin wrote that Tolstoy was ridiculous, like a prophet who discovered new recipes for the salvation of mankind. But at the same time, he is great as a spokesman for the ideas and moods that had developed among the Russian peasantry at the time of the onset of the bourgeois revolution in Russia, and also that Tolstoy is original, since his views express the features of the revolution as a peasant bourgeois revolution. In the article "L. N. Tolstoy" (1910) Lenin points out that the contradictions in Tolstoy's views reflect "contradictory conditions and traditions that determined the psychology of various classes and strata of Russian society in the post-reform but pre-revolutionary era."
G. V. Plekhanov in his article "Confusion of Ideas" (1911) highly appreciated Tolstoy's criticism of private property.
V. G. Korolenko wrote about Tolstoy in 1908 that his beautiful dream of establishing the first centuries of Christianity can have a strong effect on simple souls, but the rest cannot follow him to this “dreamed” country. According to Korolenko, Tolstoy knew, saw and felt only the very bottom and the very heights of the social system, and it is easy for him to refuse "one-sided" improvements, such as a constitutional order.
Maxim Gorky was enthusiastic about Tolstoy as an artist, but condemned his teachings. After Tolstoy spoke out against the Zemstvo movement, Gorky, expressing the dissatisfaction of his like-minded people, wrote that Tolstoy was captured by his idea, separated from Russian life and stopped listening to the voice of the people, hovering too high above Russia.
Sociologist and historian M. M. Kovalevsky said that Tolstoy's economic doctrine ( main idea which is borrowed from the Gospels) shows only that the social doctrine of Christ, perfectly adapted to the simple customs, rural and pastoral life of Galilee, cannot serve as a rule of conduct for modern civilizations.
A detailed polemic with the teachings of Tolstoy is contained in the study of the Russian philosopher I. A. Ilyin "On resistance to evil by force" (Berlin, 1925).
§ Tolstoy in the cinema
In 1912, the young director Yakov Protazanov made a 30-minute silent film The Departure of the Great Old Man, based on testimonies about the last period of Leo Tolstoy's life, using documentary footage. In the role of Leo Tolstoy - Vladimir Shaternikov, in the role of Sophia Tolstoy - British-American actress Muriel Harding, who used the pseudonym Olga Petrova. The film was received very negatively by the writer's relatives and his entourage and was not released in Russia, but was shown abroad.
Leo Tolstoy and his family is dedicated to the Soviet full-length feature film directed by Sergei Gerasimov "Leo Tolstoy" (1984). The film tells about the last two years of the writer's life and his death. The main role of the film was played by the director himself, in the role of Sofya Andreevna - Tamara Makarova. In the Soviet TV movie “The Shore of His Life” (1985), about the fate of Nikolai Miklukho-Maclay, the role of Tolstoy was played by Alexander Vokach.
In the 2009 film The Last Sunday by American director Michael Hoffman, the role of Leo Tolstoy was played by Canadian Christopher Plummer, for this work he was nominated for an Oscar in the Best Supporting Actor category. British actress Helen Mirren, whose Russian ancestors were mentioned by Tolstoy in War and Peace, played the role of Sophia Tolstaya and was also nominated for an Oscar for Best Actress.
Lev Nikolayevich Tolstoy |
|
Date of Birth: |
|
Place of Birth: |
Yasnaya Polyana, Tula Governorate, Russian Empire |
Date of death: |
|
A place of death: |
Astapovo station, Tambov province, Russian Empire |
Occupation: |
Prose writer, publicist, philosopher |
Aliases: |
L.N., L.N.T. |
Citizenship: |
Russian empire |
Years of creativity: |
|
Direction: |
|
Autograph: |
|
Biography
Origin
Education
Military career
Travel Europe
Pedagogical activity
Family and offspring
The heyday of creativity
"War and Peace"
"Anna Karenina"
Other works
religious quest
Excommunication
Philosophy
Bibliography
Tolstoy's translators
World recognition. Memory
Screen versions of his works
Documentary
Movies about Leo Tolstoy
Gallery of portraits
Tolstoy's translators
Graph Lev Nikolayevich Tolstoy(August 28 (September 9), 1828 - November 7 (20), 1910) - one of the most widely known Russian writers and thinkers. Member of the defense of Sevastopol. Enlightener, publicist, religious thinker, whose authoritative opinion provoked the emergence of a new religious and moral trend - Tolstoyism.
The ideas of nonviolent resistance that L. N. Tolstoy expressed in his work “The Kingdom of God is within you” influenced Mahatma Gandhi and Martin Luther King Jr.
Biography
Origin
He came from a noble family, known, according to legendary sources, since 1353. His paternal ancestor, Count Pyotr Andreevich Tolstoy, is known for his role in the investigation of Tsarevich Alexei Petrovich, for which he was appointed head of the Secret Chancellery. The features of the great-grandson of Peter Andreevich, Ilya Andreevich, are given in War and Peace to the most good-natured, impractical old Count Rostov. The son of Ilya Andreevich, Nikolai Ilyich Tolstoy (1794-1837), was the father of Lev Nikolaevich. In some character traits and biography facts, he was similar to Nikolenka's father in "Childhood" and "Boyhood" and partly to Nikolai Rostov in "War and Peace". However, in real life, Nikolai Ilyich differed from Nikolai Rostov not only in his good education, but also in his convictions, which did not allow him to serve under Nikolai. A participant in the foreign campaign of the Russian army, including participating in the “battle of the peoples” near Leipzig and being captured by the French, after the conclusion of peace, he retired with the rank of lieutenant colonel of the Pavlograd hussar regiment. Soon after his resignation, he was forced to go to official service so as not to end up in a debtor's prison because of the debts of his father, the Kazan governor, who died under investigation for official abuse. For several years, Nikolai Ilyich had to save money. The negative example of his father helped Nikolai Ilyich work out his life ideal - a private independent life with family joys. To put his frustrated affairs in order, Nikolai Ilyich, like Nikolai Rostov, married an ugly and no longer very young princess from the Volkonsky family; the marriage was happy. They had four sons: Nikolai, Sergei, Dmitry and Lev, and a daughter, Maria.
Tolstoy's maternal grandfather, Catherine's general, Nikolai Sergeevich Volkonsky, had some resemblance to the stern rigorist - the old prince Bolkonsky in "War and Peace", but the version that he served as the prototype of the hero of "War and Peace" is rejected by many researchers of Tolstoy's work. Lev Nikolayevich's mother, similar in some respects to Princess Marya depicted in War and Peace, possessed a wonderful gift for storytelling, for which, with her shyness passed on to her son, she had to lock herself with a large number of listeners who gathered around her in a dark room.
In addition to the Volkonskys, Leo Tolstoy was closely related to some other aristocratic families: the princes Gorchakov, Trubetskoy and others.
Childhood
Born on August 28, 1828 in the Krapivensky district of the Tula province, in the hereditary estate of his mother - Yasnaya Polyana. Was the 4th child; his three older brothers: Nikolai (1823-1860), Sergei (1826-1904) and Dmitry (1827-1856). In 1830 sister Maria (1830-1912) was born. His mother died when he was not yet 2 years old.
A distant relative, T. A. Ergolskaya, took up the upbringing of orphaned children. In 1837, the family moved to Moscow, settling on Plyushchikha, because the eldest son had to prepare for entering the university, but soon his father died suddenly, leaving his affairs (including some litigation related to the family's property) in an unfinished state, and the three younger children again settled in Yasnaya Polyana under the supervision of Yergolskaya and her paternal aunt, Countess A. M. Osten-Saken, who was appointed guardian of the children. Here Lev Nikolaevich remained until 1840, when Countess Osten-Saken died and the children moved to Kazan, to a new guardian - the father's sister P. I. Yushkova.
The Yushkovs' house, somewhat provincial in style, but typically secular, was one of the most cheerful in Kazan; all members of the family highly valued external brilliance. "My good aunt- says Tolstoy, - the purest being, always said that she would want nothing more for me than that I have a relationship with a married woman: rien ne forme un jeune homme comme une liaison avec une femme comme il faut " (« Confession»).
He wanted to shine in society, to earn the reputation of a young man; but he had no external data for that: he was ugly, as it seemed to him, awkward, and, moreover, he was hampered by natural shyness. Everything that is said in adolescence" And " Youth” about the aspirations of Irtenyev and Nekhlyudov for self-improvement, taken by Tolstoy from the history of his own ascetic attempts. The most diverse, as Tolstoy himself defines them, "thinking" about the main issues of our existence - happiness, death, God, love, eternity - painfully tormented him in that era of life, when his peers and brothers devoted themselves entirely to the fun, easy and carefree pastime of the rich and noble people. All this led to the fact that Tolstoy developed "a habit of constant moral analysis", as it seemed to him, "destroying the freshness of feeling and clarity of mind" (" Youth»).
Education
Did his education go at first under the guidance of the French tutor Saint-Thomas? (Mr. Jerome "Boyhood"), who replaced the good-natured German Reselman, whom he portrayed in "Childhood" under the name of Karl Ivanovich.
At the age of 15, in 1843, following his brother Dmitry, he entered the number of students of Kazan University, where Lobachevsky was a professor at the mathematical faculty, and Kovalevsky was a professor at the Vostochny. Until 1847, he was preparing to enter the Oriental Faculty, the only one in Russia at that time, in the category of Arabic-Turkish literature. At the entrance exams, in particular, he showed excellent results in the obligatory "Turkish-Tatar language" for admission.
Due to a conflict between his family and a teacher of Russian history and German, a certain Ivanov, according to the results of the year, he had poor progress in the relevant subjects and had to re-take the first-year program. In order to avoid a complete repetition of the course, he moved to the Faculty of Law, where his problems with grades in Russian history and German continued. The last one was attended by the eminent civil scientist Meyer; Tolstoy at one time became very interested in his lectures and even took on a special topic for development - a comparison of Montesquieu's "Esprit des lois" and Catherine's "Order". Nothing came of this, however. Leo Tolstoy spent less than two years at the Faculty of Law: “It was always difficult for him to have any education imposed by others, and everything he learned in life, he learned himself, suddenly, quickly, with hard work,” Tolstaya writes in her “Materials to biographies of L. N. Tolstoy”.
It was at this time, while in the Kazan hospital, that he began to keep a diary, where, imitating Franklin, he sets himself goals and rules for self-improvement and notes successes and failures in completing these tasks, analyzes his shortcomings and the train of thought and motives for his actions. In 1904, he recalled: “... for the first year I ... did nothing. In my second year, I started working out. .. there was Professor Meyer, who ... gave me a work - a comparison of Catherine's "Instruction" with Montesquieu's "Esprit des lois". ... I was carried away by this work, I went to the village, began to read Montesquieu, this reading opened up endless horizons for me; I began to read Rousseau and left the university, precisely because I wanted to study.
The beginning of literary activity
Having left the university, Tolstoy settled in Yasnaya Polyana in the spring of 1847; his activities there are partly described in The Morning of the Landowner: Tolstoy tried to establish relations with the peasants in a new way.
I followed journalism very little; although his attempt to somehow smooth over the guilt of the nobility before the people dates back to the same year when Grigorovich's "Anton Goremyk" and the beginning of Turgenev's "Notes of a Hunter" appeared, but this is a mere accident. If there were literary influences here, they were of a much older origin: Tolstoy was very fond of Rousseau, a hater of civilization and a preacher of a return to primitive simplicity.
In his diary, Tolstoy sets himself a huge number of goals and rules; managed to follow only a small number of them. Among the successful ones are serious studies in English, music, and jurisprudence. In addition, neither the diary nor the letters reflected the beginning of Tolstoy's studies in pedagogy and charity - in 1849 he opened a school for peasant children for the first time. The main teacher was Foka Demidych, a serf, but L. N. himself often conducted classes.
Having left for St. Petersburg, in the spring of 1848 he began to take an exam for a candidate of rights; he passed two exams, from criminal law and criminal proceedings, but he did not take the third exam and went to the village.
Later, he traveled to Moscow, where he often succumbed to the passion for the game, which greatly upset his financial affairs. During this period of his life, Tolstoy was especially passionately interested in music (he played the piano quite well and was very fond of classical composers). Exaggerated in relation to most people, the description of the effect that “passionate” music produces, the author of the Kreutzer Sonata, drew from the sensations excited by the world of sounds in his own soul.
Tolstoy's favorite composers were Bach, Handel and Chopin. In the late 1840s, Tolstoy, in collaboration with his acquaintance, composed a waltz, which he performed in the early 1900s with the composer Taneyev, who made a musical notation of this musical work (the only one composed by Tolstoy).
The development of Tolstoy's love for music was also facilitated by the fact that during a trip to St. Petersburg in 1848, he met in a very unsuitable dance class environment with a gifted but misguided German musician, whom he later described in Alberta. Tolstoy had the idea to save him: he took him to Yasnaya Polyana and played a lot with him. A lot of time was also spent on carousing, playing and hunting.
In the winter of 1850-1851 began to write "Childhood". In March 1851 he wrote The History of Yesterday.
So 4 years passed after leaving the university, when Tolstoy's brother, Nikolai, who served in the Caucasus, came to Yasnaya Polyana and began to call him there. Tolstoy did not give in to his brother's call for a long time, until a major loss in Moscow helped the decision. To pay off, it was necessary to reduce their expenses to a minimum - and in the spring of 1851 Tolstoy hurriedly left Moscow for the Caucasus, at first without any specific goal. Soon he decided to enter the military service, but there were obstacles in the form of a lack of necessary papers that were difficult to obtain, and Tolstoy lived for about 5 months in complete seclusion in Pyatigorsk, in a simple hut. He spent a significant part of his time hunting, in the company of the Cossack Epishka, the prototype of one of the heroes of the story "The Cossacks", appearing there under the name Eroshka.
In the autumn of 1851, having passed an exam in Tiflis, Tolstoy entered the 4th battery of the 20th artillery brigade, stationed in the Cossack village of Starogladovo, on the banks of the Terek, near Kizlyar, as a cadet. With a slight change in detail, she is depicted in all her semi-wild originality in The Cossacks. The same "Cossacks" will give us a picture of the inner life of Tolstoy, who fled from the capital's whirlpool. The moods that Tolstoy-Olenin experienced were of a dual nature: here is a deep need to shake off the dust and soot of civilization and live in the refreshing, clear bosom of nature, outside the empty conventions of urban and, especially, high-society life, here is the desire to heal the wounds of pride, taken out of the pursuit of success in this "empty" way of life, there is also a heavy consciousness of misdeeds against the strict requirements of true morality.
In a remote village, Tolstoy began to write and in 1852 sent the first part of the future trilogy, Childhood, to the editors of Sovremennik.
The relatively late beginning of the career is very characteristic of Tolstoy: he was never a professional writer, understanding professionalism not in the sense of a profession that provides a livelihood, but in a less narrow sense of the predominance of literary interests. Purely literary interests always stood in the background for Tolstoy: he wrote when he wanted to write and the need to speak out was quite ripe, and in regular time he is a secular person, an officer, a landowner, a teacher, a world mediator, a preacher, a teacher of life, etc. He never took the interests of literary parties to heart, he was far from willing to talk about literature, preferring to talk about issues of faith, morality, social relations . Not a single work of his, in the words of Turgenev, "stinks of literature," that is, it did not come out of a book mood, out of literary isolation.
Military career
Having received the manuscript of Childhood, the editor of Sovremennik Nekrasov immediately recognized its literary value and wrote a kind letter to the author, which had a very encouraging effect on him. He takes up the continuation of the trilogy, and plans for “Morning of the landowner”, “Raid”, “Cossacks” are swarming in his head. Published in Sovremennik in 1852, Childhood, signed with the modest initials L. N. T., was an extraordinary success; the author immediately began to be ranked among the luminaries of the young literary school, along with Turgenev, Goncharov, Grigorovich, Ostrovsky, who already enjoyed loud literary fame at that time. Criticism - Apollon Grigoriev, Annenkov, Druzhinin, Chernyshevsky - appreciated the depth of psychological analysis, the seriousness of the author's intentions, and the bright convexity of realism, with all the veracity of the vividly grasped details of real life, alien to any kind of vulgarity.
Tolstoy remained in the Caucasus for two years, participating in many skirmishes with the highlanders and being exposed to all the dangers of a military life in the Caucasus. He had the rights and claims to the St. George Cross, but did not receive it, which, apparently, was upset. When the Crimean War broke out at the end of 1853, Tolstoy transferred to the Danube army, participated in the battle of Oltenitsa and the siege of Silistria, and from November 1854 to the end of August 1855 was in Sevastopol.
Tolstoy lived for a long time on the terrible 4th bastion, commanded a battery in the battle of Chernaya, was during the hellish bombardment during the assault on Malakhov Kurgan. Despite all the horrors of the siege, Tolstoy wrote at that time a combat story from the Caucasian life "Cutting down the forest" and the first of the three "Sevastopol stories" "Sevastopol in December 1854". He sent this last story to Sovremennik. Immediately printed, the story was eagerly read by all of Russia and made a stunning impression with a picture of the horrors that befell the defenders of Sevastopol. The story was noticed by Emperor Nicholas; he ordered to take care of the gifted officer, which, however, was impossible for Tolstoy, who did not want to go into the category of the "staff" he hated.
For the defense of Sevastopol, Tolstoy was awarded the Order of St. Anne with the inscription "For Courage" and the medals "For the Defense of Sevastopol 1854-1855" and "In Memory of the War of 1853-1856." Surrounded by the brilliance of fame and, using the reputation of a very brave officer, Tolstoy had every chance of a career, but he “spoiled” it for himself. Almost the only time in his life (except for the “Combining different versions of epics into one” made for children in his pedagogical writings) he indulged in poetry: he wrote a satirical song, in the manner of soldiers, about an unfortunate deed 4 (August 16, 1855, when General Read, having misunderstood the order of the commander-in-chief, imprudently attacked the Fedyukhin Heights, the song (Like on the fourth day, it was not easy to take the mountains off us), which offended a number of important generals, was a huge success and, of course, damaged the author. Immediately after the assault on August 27 (8 September) Tolstoy was sent by courier to Petersburg, where he finished Sevastopol in May 1855 and wrote Sevastopol in August 1855.
"Sevastopol stories" finally strengthened his reputation as a representative of a new literary generation.
Travel Europe
In St. Petersburg, he was warmly welcomed both in high-society salons and in literary circles; he became especially close friends with Turgenev, with whom at one time he lived in the same apartment. The latter introduced him to the Sovremennik circle and other literary luminaries: he became on friendly terms with Nekrasov, Goncharov, Panaev, Grigorovich, Druzhinin, Sologub.
"After the deprivations of Sevastopol metropolitan life had a double charm for a rich, cheerful, impressionable and sociable young man. Tolstoy spent whole days and even nights on drinking parties and cards, carousing with gypsies” (Levenfeld).
At this time, "Snowstorm", "Two Hussars" were written, "Sevastopol in August" and "Youth" were completed, the writing of future "Cossacks" was continued.
A cheerful life was not slow to leave a bitter aftertaste in Tolstoy's soul, especially since he began to have a strong discord with a circle of writers close to him. As a result, "people got sick of him and he got sick of himself" - and at the beginning of 1857 Tolstoy, without any regret, left Petersburg and went abroad.
On his first trip abroad, he visited Paris, where he was horrified by the cult of Napoleon I (“Deification of the villain, terrible”), at the same time he attends balls, museums, he admires the “sense of social freedom”. However, the presence at the guillotining made such a painful impression that Tolstoy left Paris and went to places associated with Rousseau - Lake Geneva. At this time, Albert writes the story and the story Lucerne.
In the interval between the first and second trips, he continues to work on The Cossacks, wrote Three Deaths and Family Happiness. It was at this time that Tolstoy almost died on a bear hunt (December 22, 1858). He has an affair with a peasant woman Aksinya, at the same time he has a need for marriage.
On his next trip, he was mainly interested in public education and institutions aimed at raising the educational level of the working population. He closely studied the issues of public education in Germany and France, both theoretically and practically, and through conversations with specialists. Of the outstanding people of Germany, he was most interested in Auerbach, as the author of the Black Forest Tales dedicated to folk life and the publisher of folk calendars. Tolstoy paid him a visit and tried to get close to him. During his stay in Brussels, Tolstoy met Proudhon and Lelewel. In London he visited Herzen, was at a lecture by Dickens.
Tolstoy's serious mood during his second trip to the south of France was also facilitated by the fact that his beloved brother Nikolai died of tuberculosis in his arms. The death of his brother made a huge impression on Tolstoy.
Pedagogical activity
He returned to Russia shortly after the liberation of the peasants and became a mediator. At that time, they looked at the people as a younger brother who needed to be lifted up; Tolstoy thought, on the contrary, that the people are infinitely higher than the cultural classes, and that the masters must borrow the heights of spirit from the peasants. He was actively engaged in organizing schools in his Yasnaya Polyana and in the entire Krapivensky district.
The Yasnaya Polyana school belongs to the number of original pedagogical attempts: in an era of boundless admiration for the latest German pedagogy, Tolstoy resolutely rebelled against any regulation and discipline in the school; the only method of teaching and education that he recognized was that no method was needed. Everything in teaching should be individual - both the teacher and the student, and their mutual relationship. In the Yasnaya Polyana school, the children sat where they wanted, for as long as they wanted, and for as long as they wanted. There was no specific curriculum. The teacher's only job was to keep the class interested. The classes were going great. They were led by Tolstoy himself with the help of several permanent teachers and a few random ones, from the closest acquaintances and visitors.
Since 1862, he began to publish the pedagogical journal Yasnaya Polyana, where again he himself was the main employee. In addition to theoretical articles, Tolstoy also wrote a number of stories, fables and adaptations. Put together, Tolstoy's pedagogical articles made up an entire volume of his collected works. Hidden in a very little-spread special magazine, they at one time remained little noticed. No one paid attention to the sociological basis of Tolstoy's ideas about education, to the fact that Tolstoy saw in education, science, art, and the successes of technology only facilitated and improved ways of exploiting the people by the upper classes. Not only that: from Tolstoy's attacks on European education and on the concept of “progress”, which was beloved at that time, many seriously concluded that Tolstoy was a “conservative”.
This curious misunderstanding lasted for about 15 years, bringing together with Tolstoy such a writer, for example, as organically opposed to him, as N. N. Strakhov. Only in 1875, N. K. Mikhailovsky, in the article “The Right Hand and Schuytsa of Count Tolstoy”, striking with the brilliance of analysis and foreseeing Tolstoy’s future activities, described the spiritual image of the most original of Russian writers in a real light. The little attention that was paid to Tolstoy's pedagogical articles is partly due to the fact that little attention was paid to him at that time.
Apollon Grigoriev had the right to title his article on Tolstoy (Vremya, 1862) "Phenomena of Modern Literature Missed by Our Criticism." Having extremely cordially met Tolstoy's debits and credits and "Sevastopol Tales", recognizing in him the great hope of Russian literature (Druzhinin even used the epithet "brilliant" in relation to him), criticism then for 10-12 years, until the appearance of "War and Peace", not only ceases to recognize him as a very important writer, but somehow grows cold towards him.
Among the stories and essays he wrote in the late 1850s are "Lucerne" and "Three Deaths".
Family and offspring
In the late 1850s, he met Sophia Andreevna Bers (1844-1919), the daughter of a Moscow doctor from the Baltic Germans. He was already in his fourth decade, Sofya Andreevna was only 17 years old. On September 23, 1862, he married her, and the fullness of family happiness fell to his lot. In the person of his wife, he found not only the most faithful and devoted friend, but also an indispensable assistant in all matters, practical and literary. For Tolstoy, the brightest period of his life is coming - an intoxication with personal happiness, very significant thanks to the practicality of Sofya Andreevna, material well-being, an outstanding, easily given tension of literary creativity and, in connection with it, unprecedented fame all-Russian, and then worldwide.
However, Tolstoy's relationship with his wife was not cloudless. Quarrels often arose between them, including in connection with the lifestyle that Tolstoy chose for himself.
- Sergei (July 10, 1863 - December 23, 1947)
- Tatiana (October 4, 1864 - September 21, 1950). Since 1899 she has been married to Mikhail Sergeevich Sukhotin. In 1917-1923 she was the curator of the Yasnaya Polyana Museum Estate. In 1925 she emigrated with her daughter. Daughter Tatyana Mikhailovna Sukhotina-Albertini 1905-1996
- Ilya (May 22, 1866 - December 11, 1933)
- Leo (1869-1945)
- Maria (1871-1906) Buried in the village. Kochety of Krapivensky district. From 1897 married to Nikolai Leonidovich Obolensky (1872-1934)
- Peter (1872-1873)
- Nicholas (1874-1875)
- Barbara (1875-1875)
- Andrei (1877-1916)
- Mikhail (1879-1944)
- Alexey (1881-1886)
- Alexandra (1884-1979)
- Ivan (1888-1895)
The heyday of creativity
During the first 10-12 years after his marriage, he creates "War and Peace" and "Anna Karenina". At the turn of this second era of Tolstoy's literary life, there are works conceived back in 1852 and completed in 1861-1862. "Cossacks", the first of the works in which great talent Tolstoy has reached the size of a genius. For the first time in world literature, the difference between the brokenness of a cultured person, the absence of strong, clear moods in him, and the immediacy of people close to nature was shown with such brightness and certainty.
Tolstoy showed that it is not at all the peculiarity of people close to nature that they are good or bad. Can't name good heroes works of the fat dashing horse thief Lukashka, a kind of dissolute girl Maryanka, a drunkard Eroshka. But they cannot be called bad either, because they have no consciousness of evil; Eroshka is directly convinced that "nothing is wrong". Tolstoy's Cossacks are simply living people, in whom not a single spiritual movement is obscured by reflection. "Cossacks" were not evaluated in a timely manner. At that time, everyone was too proud of the “progress” and success of civilization to be interested in how a representative of culture gave in to the power of direct spiritual movements of some semi-savages.
"War and Peace"
Unprecedented success fell to the lot of "War and Peace". An excerpt from a novel entitled "1805" appeared in the "Russian Messenger" in 1865; in 1868, three of its parts were published, followed soon by the other two.
Recognized by critics around the world as the greatest epic work new European literature, "War and Peace" is already striking from a purely technical point of view with the size of its fictional canvas. Only in painting can one find some parallel in the huge paintings by Paolo Veronese in the Doge's Palace in Venice, where hundreds of faces are also painted with amazing distinctness and individual expression. In Tolstoy's novel, all classes of society are represented, from emperors and kings to the last soldier, all ages, all temperaments, and throughout the entire reign of Alexander I.
"Anna Karenina"
The infinitely joyful intoxication with the bliss of being is no longer in Anna Karenina, dating from 1873-1876. There is still much gratifying experience in the almost autobiographical novel by Levin and Kitty, but there is already so much bitterness in the depiction of Dolly's family life, in the unfortunate end of the love of Anna Karenina and Vronsky, so much anxiety in Levin's spiritual life that in general this novel is already a transition to the third period. literary activity of Tolstoy.
In January 1871, Tolstoy sent a letter to A. A. Fet: “How happy I am ... that I will never write verbose rubbish like “War” again”.
On December 6, 1908, Tolstoy wrote in his diary: “People love me for those trifles - War and Peace, etc., which seem very important to them”
In the summer of 1909, one of the visitors to Yasnaya Polyana expressed his delight and gratitude for the creation of War and Peace and Anna Karenina. Tolstoy replied: “It’s like someone came to Edison and said:“ I really respect you for the fact that you are good at dancing the mazurka. I attribute meaning to my very different books (religious ones!)”.
In the sphere of material interests, he began to say to himself: “Well, well, you will have 6,000 acres in the Samara province - 300 heads of horses, and then?”; in the field of literature: “Well, well, you will be more glorious than Gogol, Pushkin, Shakespeare, Moliere, all the writers in the world - so what!”. Starting to think about raising children, he asked himself: "For what?"; reasoning “about how the people can achieve prosperity,” he “suddenly said to himself: what does it matter to me?” In general, he “felt that what he stood on had given way, that what he lived by was gone”. The natural result was the thought of suicide.
“I, a happy man, hid the cord from me so as not to hang myself on the crossbar between the cabinets in my room, where I was alone every day, undressing, and stopped going hunting with a gun, so as not to be tempted by a too easy way to rid myself of life. I myself did not know what I wanted: I was afraid of life, strove to get away from it and, meanwhile, hoped for something else from it.
Other works
In March 1879, in the city of Moscow, Leo Tolstoy met Vasily Petrovich Shchegolyonok and in the same year, at his invitation, he came to Yasnaya Polyana, where he stayed for about a month and a half. The dandy told Tolstoy many folk tales and epics, of which more than twenty were recorded by Tolstoy, and Tolstoy remembered some of the plots, if he did not write them down on paper (these records are printed in vol. XLVIII of the Jubilee edition of Tolstoy's works). Six works written by Tolstoy are based on the legends and stories of Schegolyonok (1881 - " How people live", 1885 -" Two old men" And " Three elders", 1905 -" Korney Vasiliev" And " Prayer", 1907 -" old man in church"). In addition, Count Tolstoy diligently wrote down many sayings, proverbs, individual expressions and words told by Shchegolyonok.
Literary criticism of Shakespeare's works
In his critical essay "On Shakespeare and Drama", based on a detailed analysis of some of the most popular works of Shakespeare, in particular: "King Lear", "Othello", "Falstaff", "Hamlet", etc. - Tolstoy sharply criticized Shakespeare's abilities like a playwright.
religious quest
In order to find an answer to the questions and doubts that tormented him, Tolstoy first of all took up the study of theology and wrote and published in 1891 in Geneva his “Study of Dogmatic Theology”, in which he criticized the “Orthodox Dogmatic Theology” of Metropolitan Macarius (Bulgakov). He conducted conversations with priests and monks, went to the elders in Optina Pustyn, read theological treatises. In order to get to know the original sources of Christian teaching in the original, he studied the ancient Greek and Hebrew languages (in the study of the latter he was helped by the Moscow Rabbi Shlomo Minor). At the same time, he kept an eye on the schismatics, became close to the thoughtful peasant Syutaev, and talked with Molokans and Stundists. Tolstoy also sought the meaning of life in the study of philosophy and in acquaintance with the results of the exact sciences. He made a series of attempts at greater and greater simplification, striving to live a life close to nature and agricultural life.
Gradually, he gives up the whims and comforts of a rich life, does a lot of physical labor, dresses in the simplest clothes, becomes a vegetarian, gives his family all his large fortune, renounces literary property rights. On this basis of an unalloyed pure impulse and striving for moral improvement, the third period of Tolstoy's literary activity is created, the distinguishing feature of which is the denial of all established forms of state, social and religious life. A significant part of Tolstoy's views could not be openly expressed in Russia and are fully presented only in foreign editions of his religious and social treatises.
No unanimous attitude was established even in relation to Tolstoy's fictional works written during this period. Thus, in a long series of short stories and legends intended primarily for popular reading (“How do people live”, etc.), Tolstoy, in the opinion of his unconditional admirers, reached the pinnacle of artistic power - that elemental skill that is given only to folk tales, because that they embody the creativity of an entire people. On the contrary, in the opinion of people who are indignant at Tolstoy for turning from an artist into a preacher, these artistic teachings, written for a specific purpose, are grossly tendentious. The high and terrible truth of The Death of Ivan Ilyich, according to fans, which puts this work along with the main works of the genius of Tolstoy, according to others, is deliberately harsh, deliberately sharply emphasizes the soullessness of the upper strata of society in order to show the moral superiority of a simple "kitchen man" Gerasim. The explosion of the most opposite feelings, caused by the analysis of marital relations and the indirect demand for abstinence from married life, in the Kreutzer Sonata made us forget about the amazing brightness and passion with which this story was written. folk drama"The Power of Darkness", according to Tolstoy's admirers, is a great manifestation of his artistic power: in the narrow framework of the ethnographic reproduction of Russian peasant life, Tolstoy managed to contain so many universal features that the drama went around all the stages of the world with tremendous success.
In the last major work, the novel "Resurrection" condemned judicial practice and high society life, caricatured the clergy and worship.
Critics of the last phase of Tolstoy's literary and preaching activity find that his artistic power has certainly suffered from the predominance of theoretical interests and that now Tolstoy needs creativity only to propagate his socio-religious views in a generally accessible form. In his aesthetic treatise (“On Art”), one can find enough material to declare Tolstoy an enemy of art: in addition to the fact that Tolstoy here partly completely denies, partly significantly diminishes the artistic significance of Dante, Raphael, Goethe, Shakespeare (at the performance of Hamlet, he experienced "special suffering" for this "false semblance of works of art"), Beethoven and others, he directly comes to the conclusion that "the more we surrender to beauty, the more we move away from good."
Excommunication
Belonging by birth and baptism to the Orthodox Church, Tolstoy, like most representatives of the educated society of his time, was indifferent to religious issues in his youth and youth. In the mid-1870s, he showed an increased interest in the teaching and worship of the Orthodox Church. The second half of 1879 became a turning point in the direction of the teachings of the Orthodox Church for him. In the 1880s, he took the position of an unambiguously critical attitude towards church doctrine, the clergy, and official churchness. The publication of some of Tolstoy's works was banned by spiritual and secular censorship. In 1899, Tolstoy's novel "Resurrection" was published, in which the author showed the life of various social strata of contemporary Russia; the clergy were depicted mechanically and hastily performing rituals, and the cold and cynical Toporov was taken by some for a caricature of K. P. Pobedonostsev, chief procurator of the Holy Synod.
In February 1901, the Synod finally inclined to the idea of publicly condemning Tolstoy and declaring him outside the church. Metropolitan Anthony (Vadkovsky) played an active role in this. As it appears in the camera-Fourier magazines, on February 22, Pobedonostsev visited Nicholas II in the Winter Palace and talked with him for about an hour. Some historians believe that Pobedonostsev came to the tsar directly from the Synod with a ready definition.
February 24 (old style), 1901, in the official organ of the Synod "Church Gazette, published under the Holy Governing Senod" was published “Determination of the Holy Synod of February 20-22, 1901 No. 557, with a message to the faithful children of the Orthodox Greco-Russian Church about Count Leo Tolstoy”:
|
A world-famous writer, Russian by birth, Orthodox by his baptism and upbringing, Count Tolstoy, in the seduction of his proud mind, boldly rebelled against the Lord and His Christ and His holy heritage, clearly before all renounced the Mother, the Church, who nourished and raised him Orthodox, and devoted his literary activity and the talent given to him from God to spread among the people teachings that are contrary to Christ and the Church, and to exterminate in the minds and hearts of people the faith of the fathers, the Orthodox faith, which established the universe, by which our ancestors lived and were saved and by which Until now, Holy Russia has held out and been strong. In his writings and letters, in many scattered by him and his disciples all over the world, especially within the borders of our dear Fatherland, he preaches, with the zeal of a fanatic, the overthrow of all the dogmas of the Orthodox Church and the very essence of the Christian faith; rejects the personal living God, glorified in the Holy Trinity, the Creator and Provider of the universe, denies the Lord Jesus Christ, the God-man, Redeemer and Savior of the world, who suffered for us for the sake of people and for our salvation and rose from the dead, denies the seedless conception according to humanity of Christ the Lord and virginity before of the birth and after the birth of the Most Pure Theotokos, Ever-Virgin Mary, does not recognize the afterlife and retribution, rejects all the sacraments of the Church and the grace-filled action of the Holy Spirit in them, and, scolding the most sacred objects of the faith of the Orthodox people, did not shudder to mock the greatest of the sacraments, the holy Eucharist. All this is preached by Count Tolstoy continuously, in word and writing, to the temptation and horror of the entire Orthodox world, and thus undisguisedly, but clearly before everyone, consciously and deliberately cut himself off from all communion with the Orthodox Church. Former same to his admonition attempts were unsuccessful. Therefore, the Church does not consider him a member and cannot count him until he repents and restores his communion with her. Therefore, bearing witness to his falling away from the Church, we pray together that the Lord grant him repentance into the knowledge of truth (2 Tim. 2:25). We pray, merciful Lord, do not want the death of sinners, hear and have mercy and turn him to Your holy Church. Amen. |
In his Response to the Synod, Leo Tolstoy confirmed his break with the Church: “The fact that I have renounced the Church that calls itself Orthodox is absolutely fair. But I denied it not because I rebelled against the Lord, but on the contrary, only because I wanted to serve him with all the strength of my soul. However, Tolstoy objected to the accusations brought against him in the ruling of the synod: “The resolution of the synod in general has many shortcomings. It is illegal or deliberately ambiguous; it is arbitrary, unfounded, untrue and, moreover, contains slander and incitement to bad feelings and actions. In the text of the Answer to the Synod, Tolstoy elaborates on these theses, recognizing a number of significant discrepancies between the dogmas of the Orthodox Church and his own understanding of the teachings of Christ.
The synodal definition aroused the indignation of a certain part of society; Numerous letters and telegrams were sent to Tolstoy expressing sympathy and support. At the same time, this definition provoked a flood of letters from another part of society - with threats and abuse.
At the end of February 2001, the great-grandson of Count Vladimir Tolstoy, who manages the museum-estate of the writer in Yasnaya Polyana, sent a letter to Patriarch Alexy II of Moscow and All Rus' with a request to revise the synodal definition; In an informal interview on television, the Patriarch said: “We cannot revise now, because after all, you can revise if a person changes his position.” In March 2009, Vl. Tolstoy expressed his opinion on the meaning of the synodal act: “I studied documents, read the newspapers of that time, got acquainted with the materials of public discussions around the excommunication. And I got the feeling that this act gave a signal for a total split in Russian society. The royal family, and the highest aristocracy, and the local nobility, and the intelligentsia, and the raznochinsk strata, and ordinary people also split. The crack went through the body of the entire Russian, Russian people.
Moscow census of 1882. L. N. Tolstoy - participant in the census
The 1882 census in Moscow is famous for the fact that the great writer Count L. N. Tolstoy took part in it. Lev Nikolayevich wrote: “I suggested using the census in order to find out poverty in Moscow and help her with business and money, and make sure that there were no poor in Moscow.”
Tolstoy believed that the interest and significance of the census for society is that it gives it a mirror in which you want it, you don’t want it, the whole society and each of us will look. He chose for himself one of the most difficult and difficult sections, Protochny Lane, where there was a rooming house, among the Moscow squalor, this gloomy two-story building was called the Rzhanov Fortress. Having received an order from the Duma, a few days before the census, Tolstoy began to walk around the site according to the plan that he was given. Indeed, the dirty rooming house, filled with destitute, desperate people who had sunk to the very bottom, served as a mirror for Tolstoy, reflecting the terrible poverty of the people. Under the fresh impression of what he saw, L. N. Tolstoy wrote his famous article "On the census in Moscow." In this article, he writes:
|
The purpose of the census is scientific. The census is a sociological study. The goal of the science of sociology is the happiness of people. "This science and its methods differ sharply from other sciences. The peculiarity is that sociological research is not carried out by scientists in their offices, observatories and laboratories, but is carried out by two thousand people from society. Another feature "that research in other sciences is carried out not on living people, but here on living people. The third feature is that the goal of other sciences is only knowledge, and here the benefit of people. Foggy spots can be explored alone, but to explore Moscow, 2000 people are needed. The purpose of the study foggy spots only to learn everything about foggy spots, the purpose of the study of inhabitants is to derive the laws of sociology and, on the basis of these laws, establish better life of people. Foggy patches do not care if they are investigated or not, they have waited and are ready to wait for a long time, but the inhabitants of Moscow do not care, especially those unfortunate ones who constitute the most interesting subject of the science of sociology. The counter comes to the doss house, to the basement, finds a man dying of starvation and politely asks: title, name, patronymic, occupation; and after a slight hesitation as to whether to list him as alive, he writes it down and passes on. |
Despite Tolstoy's declared good intentions of the census, the population was suspicious of this event. On this occasion, Tolstoy writes: “When they explained to us that the people had already learned about the rounds of the apartments and were leaving, we asked the owner to lock the gates, and we ourselves went to the yard to persuade the people who were leaving.” Lev Nikolaevich hoped to arouse sympathy for urban poverty in the rich, to raise money, to recruit people who wanted to contribute to this cause, and together with the census to go through all the dens of poverty. In addition to fulfilling the duties of a copyist, the writer wanted to enter into communication with the unfortunate, find out the details of their needs and help them with money and work, expulsion from Moscow, placing children in schools, old men and women in shelters and almshouses.
According to the results of the census, the population of Moscow in 1882 amounted to 753.5 thousand people, and only 26% were born in Moscow, and the rest were “newcomers”. Of the Moscow residential apartments, 57% faced the street, 43% faced the yard. From the 1882 census, one can find out that in 63% the head of the household is a married couple, in 23% - the wife, and only in 14% - the husband. The census recorded 529 families with 8 or more children. 39% have servants and most often they are women.
Last years of life. Death and funeral
In October 1910, fulfilling his decision to live his last years in accordance with his views, he secretly left Yasnaya Polyana. He began his last journey at the Kozlova Zasek station; on the way, he fell ill with pneumonia and was forced to make a stop at the small station Astapovo (now Lev Tolstoy, Lipetsk region), where he died on November 7 (20).
On November 10 (23), 1910, he was buried in Yasnaya Polyana, on the edge of a ravine in the forest, where, as a child, he and his brother were looking for a “green stick” that kept the “secret” of how to make all people happy.
In January 1913, a letter was published by Countess Sophia Tolstaya dated December 22, 1912, in which she confirms the news in the press that a funeral was performed at her husband's grave by a certain priest (she denies rumors that he was not real) in her presence. In particular, the countess wrote: “I also declare that Lev Nikolayevich never expressed a desire not to be buried before his death, but earlier he wrote in his diary of 1895, as if a testament:“ If possible, then (bury) without priests and funerals. But if it is unpleasant for those who will bury, then let them bury as usual, but as cheaply and simply as possible.
There is also unofficial version the death of Leo Tolstoy, described in exile by I.K. Sursky from the words of an official of the Russian police. According to her, the writer, before his death, wanted to reconcile with the church and arrived in Optina Pustyn for this. Here he awaited the order of the Synod, but, feeling unwell, was taken away by his daughter and died at the Astapovo postal station.
Philosophy
The religious and moral imperatives of Tolstoy were the source of the Tolstoy movement, one of the fundamental theses of which is the thesis of "non-resistance to evil by force." The latter, according to Tolstoy, is recorded in a number of places in the Gospel and is the core of the teachings of Christ, as, indeed, of Buddhism. The essence of Christianity, according to Tolstoy, can be expressed in a simple rule: Be kind and do not resist evil by force».
In particular, Ilyin I. A. spoke out against the position of non-resistance, which gave rise to disputes in the philosophical environment, in his work “On Resistance to Evil by Force” (1925)
Criticism of Tolstoy and Tolstoyism
- The Chief Procurator of the Holy Synod of Victorious in his private letter dated February 18, 1887 to Emperor Alexander III wrote about Tolstoy's drama The Power of Darkness: “I have just read a new drama by L. Tolstoy and cannot recover from horror. And they assure me that they are preparing to give it at the Imperial Theaters and are already learning the roles. I do not know anything like this in any literature. It is unlikely that Zola himself reached such a degree of rough realism, which Tolstoy becomes here. The day on which Tolstoy's drama will be presented at the Imperial Theaters will be the day decisive fall our scene, which has already fallen very low.
- The leader of the extreme left wing of the Russian Social Democratic Labor Party, V. I. Ulyanov (Lenin), after the revolutionary upheavals of 1905-1907, wrote, being in forced emigration, in his work “Leo Tolstoy as a Mirror of the Russian Revolution” (1908): “Tolstoy he is ridiculous, like a prophet who discovered new recipes for the salvation of mankind - and therefore the foreign and Russian "Tolstoyans" who wished to turn into a dogma just the weakest side of his teaching are completely miserable. Tolstoy is great as a spokesman for those ideas and those moods that had developed among millions of the Russian peasantry at the time of the onset of the bourgeois revolution in Russia. Tolstoy is original, because the totality of his views, taken as a whole, expresses precisely the peculiarities of our revolution, as a peasant bourgeois revolution. The contradictions in the views of Tolstoy, from this point of view, are a real mirror of those contradictory conditions in which the historical activity of the peasantry was placed in our revolution. ".
- The Russian religious philosopher Nikolai Berdyaev wrote in early 1918: “L. Tolstoy must be recognized as the greatest Russian nihilist, destroyer of all values and shrines, destroyer of culture. Tolstoy triumphed, his anarchism triumphed, his non-resistance, his denial of the state and culture, his moralistic demand for equality in poverty and non-existence and subordination to the peasant kingdom and physical labor. But this triumph of Tolstoyism turned out to be less meek and beautiful-hearted than Tolstoy imagined. It is unlikely that he himself would have rejoiced at such a triumph. The godless nihilism of Tolstoyism, its terrible poison that destroys the Russian soul, is exposed. To save Russia and Russian culture with a red-hot iron, Tolstoy's morality, low and exterminating, must be burned out of the Russian soul.
His own article “The Spirits of the Russian Revolution” (1918): “There is nothing prophetic in Tolstoy, he did not foresee or predict anything. As an artist, he is drawn to the crystallized past. He did not have that sensitivity to dynamism human nature which Dostoevsky had to the highest degree. But it is not Tolstoy's artistic insights that triumph in the Russian revolution, but his moral assessments. There are few Tolstoyans in the narrow sense of the word who share Tolstoy's doctrine, and they represent an insignificant phenomenon. But Tolstoyism in the broad, non-doctrinal sense of the word is very characteristic of a Russian person; it determines Russian moral assessments. Tolstoy was not a direct teacher of the Russian left intelligentsia; Tolstoy's religious teaching was alien to her. But Tolstoy captured and expressed the peculiarities of the moral make-up of most of the Russian intelligentsia, perhaps even a Russian intellectual, perhaps even a Russian person in general. And the Russian revolution is a kind of triumph of Tolstoyism. It imprinted both Russian Tolstoy moralism and Russian immorality. This Russian moralism and this Russian immorality are interconnected and are two sides of the same disease of moral consciousness. Tolstoy was able to instill in the Russian intelligentsia a hatred for everything historically individual and historically different. He was the spokesman for that side of Russian nature that abhorred historical power and historical glory. This he taught in an elementary and simplified way to moralize over history and transfer to historical life the moral categories of individual life. By this he morally undermined the opportunity for the Russian people to live historical life fulfill their historical destiny and historical mission. He morally prepared the historical suicide of the Russian people. He clipped the wings of the Russian people as a historical people, morally poisoned the sources of any impulse to historical creativity. The World War was lost by Russia because Tolstoy's moral assessment of the war prevailed in it. In the terrible hour of the world struggle, the Russian people were weakened, apart from betrayal and animal egoism, by Tolstoy's moral assessments. Tolstoy's morality disarmed Russia and handed her over to the enemy.
- V. Mayakovsky, D. Burliuk, V. Khlebnikov, A. Kruchenykh, called for "to throw Tolstoy L. N. and others from the steamer of modernity" in the 1912 Futurist manifesto "Slap in the face of public taste"
- George Orwell defended W. Shakespeare against Tolstoy's criticism
- Researcher of the history of Russian theological thought and culture Georgy Florovsky (1937): “There is one decisive contradiction in Tolstoy's experience. He certainly had the temperament of a preacher or a moralist, but he had no religious experience at all. Tolstoy was not religious at all, he was religiously mediocre. Tolstoy did not derive his “Christian” worldview from the Gospel at all. He already compares the gospel with his own view, and therefore he cuts and adapts it so easily. The gospel for him is a book compiled many centuries ago by “poorly educated and superstitious people,” and it cannot be accepted in its entirety. But Tolstoy does not mean scientific criticism, but simply personal choice or selection. Tolstoy, in some strange way, seemed to be mentally late in the 18th century, and therefore found himself outside of history and modernity. And he deliberately leaves the present for some far-fetched past. All his work is in this respect some kind of continuous moralistic robinsonade. Annenkov also called Tolstoy's mind sectarian. There is a striking discrepancy between the aggressive maximalism of Tolstoy's socio-ethical denunciations and denials and the extreme poverty of his positive moral teaching. All morality comes down to him to common sense and worldly prudence. “Christ teaches us exactly how we can get rid of our misfortunes and live happily.” And that's what the Gospel is all about! Here Tolstoy's insensitivity becomes eerie, and "common sense" turns into madness... rejection of history, only a way out of culture and simplification, that is, through the removal of questions and the rejection of tasks. Moralism in Tolstoy turns around historical nihilism.»
- The holy righteous John of Kronstadt sharply criticized Tolstoy (see “Reply of Father John of Kronstadt to the appeal of Count L. N. Tolstoy to the clergy”), and in his dying diary (August 15 - October 2, 1908) he wrote:
"24 August. How long, O Gdy, do you tolerate the worst atheist who has confused the whole world, Leo Tolstoy? How long do you call him to Your Judgment? Behold, I am coming quickly, and My reward with Me will repay anyone according to his deeds? (Rev. Apoc 22:12) Gd, the earth is tired of enduring his blasphemy. -»
"6 September. Where, do not let Leo Tolstoy, a heretic who surpassed all heretics, reach before the holiday of Christmas Holy Mother of God, which he blasphemed terribly and blasphemes. Take him from the earth - this fetid corpse, stinking the whole earth with its pride. Amen. 9pm."
- In 2009, as part of a court case on the liquidation of a local religious organization Jehovah's Witnesses "Taganrog" conducted a forensic examination, in the conclusion of which Leo Tolstoy's statement was cited: "I was convinced that the teaching of the [Russian Orthodox] Church is theoretically an insidious and harmful lie, but in practice a collection of the grossest superstitions and witchcraft, which completely hides the whole meaning Christian doctrine”, which was characterized as forming a negative attitude towards the Russian Orthodox Church, and Leo Tolstoy himself as “an opponent of Russian Orthodoxy”.
Expert evaluation of individual statements of Tolstoy
- In 2009, as part of a court case on the liquidation of the local religious organization Taganrog, Jehovah's Witnesses, a forensic examination of the organization's literature was carried out for signs of inciting religious hatred, undermining respect for and hostility to other religions. The experts concluded that the Awake! contains (without specifying the source) the statement of Leo Tolstoy: "I was convinced that the teaching of the [Russian Orthodox] Church is theoretically an insidious and harmful lie, but practically a collection of the grossest superstitions and witchcraft, hiding the entire meaning of Christian teaching," which was characterized as forming negative attitude and undermining respect for the Russian Orthodox Church, and Leo Tolstoy himself as an “opponent of Russian Orthodoxy”.
- In March 2010, in the Kirov Court of Yekaterinburg, Leo Tolstoy was accused of "inciting religious hatred against the Orthodox Church." Pavel Suslonov, an expert on extremism, testified: "Leo Tolstoy's leaflets 'Foreword to the Soldier's Memo' and 'Officer's Memo'" addressed to soldiers, sergeants and officers contain direct calls to incite inter-religious hatred directed against the Orthodox Church.
Bibliography
Tolstoy's translators
- On Azerbaijan language— Dadash-zade, Mammad Arif Maharram ogly
- On English language— Constance Garnett, Leo Wiener, Aylmer and Louise Maude
- In Bulgarian — Sava Nichev, Georgi Shopov, Hristo Dosev
- In Spanish - Selma Ancira
- In Kazakh - Ibray Altynsarin
- Into Malay - Viktor Pogadaev
- On Norwegian— Martin Grahn, Olaf Broch, Marta Grundt
- In French - Michel Ocouturier, Vladimir Lvovich Binstock
- In Esperanto - Valentin Melnikov, Viktor Sapozhnikov
- On Japanese— Konishi Masutaro
World recognition. Memory
Museums
In the former estate "Yasnaya Polyana" there is a museum dedicated to his life and work.
The main literary exposition about his life and work is in the State Museum of Leo Tolstoy, in the former house of the Lopukhins-Stanitskaya (Moscow, Prechistenka 11); its branches also: at Lev Tolstoy station (former Astapovo station), memorial estate museum L. N. Tolstoy "Khamovniki" (Leo Tolstoy Street, 21), exhibition hall on Pyatnitskaya.
Figures of science, culture, politicians about Leo Tolstoy
Screen versions of his works
- "Resurrection"(English) resurrection, 1909, UK). 12 minute silent film by novel of the same name(screened during the life of the writer).
- "The Power of Darkness"(1909, Russia). Silent movie.
- "Anna Karenina"(1910, Germany). Silent movie.
- "Anna Karenina"(1911, Russia). Silent movie. Dir. - Maurice Meter
- "Living Dead"(1911, Russia). Silent movie.
- "War and Peace"(1913, Russia). Silent movie.
- "Anna Karenina"(1914, Russia). Silent movie. Dir. - V. Gardin
- "Anna Karenina"(1915, USA). Silent movie.
- "The Power of Darkness"(1915, Russia). Silent movie.
- "War and Peace"(1915, Russia). Silent movie. Dir. - Y. Protazanov, V. Gardin
- "Natasha Rostova"(1915, Russia). Silent movie. Producer - A. Khanzhonkov. Cast - V. Polonsky, I. Mozzhukhin
- "Living Dead"(1916). Silent movie.
- "Anna Karenina"(1918, Hungary). Silent movie.
- "The Power of Darkness"(1918, Russia). Silent movie.
- "Living Dead"(1918). Silent movie.
- "Father Sergius"(1918, RSFSR). Silent motion picture film by Yakov Protazanov, in leading role Ivan Mozzhukhin
- "Anna Karenina"(1919, Germany). Silent movie.
- "Polikushka"(1919, USSR). Silent movie.
- "Love"(1927, USA. Based on the novel "Anna Karenina"). Silent movie. Anna as Greta Garbo
- "Living Dead"(1929, USSR). Cast - V. Pudovkin
- "Anna Karenina"(Anna Karenina, 1935, USA). Sound film. Anna as Greta Garbo
- « Anna Karenina"(Anna Karenina, 1948, UK). Anna as Vivien Leigh
- "War and Peace"(War & Peace, 1956, USA, Italy). In the role of Natasha Rostova - Audrey Hepburn
- Agi Murad il diavolo bianco(1959, Italy, Yugoslavia). As Hadji Murat - Steve Reeves
- "Too people"(1959, USSR, based on a fragment of "War and Peace"). Dir. G. Danelia, cast - V. Sanaev, L. Durov
- "Resurrection"(1960, USSR). Dir. - M. Schweitzer
- "Anna Karenina"(Anna Karenina, 1961, USA). Vronsky as Sean Connery
- "Cossacks"(1961, USSR). Dir. - V. Pronin
- "Anna Karenina"(1967, USSR). In the role of Anna - Tatyana Samoilova
- "War and Peace"(1968, USSR). Dir. - S. Bondarchuk
- "Living Dead"(1968, USSR). In ch. roles - A. Batalov
- "War and Peace"(War & Peace, 1972, UK). Series. Pierre - Anthony Hopkins
- "Father Sergius"(1978, USSR). Feature film by Igor Talankin, starring Sergey Bondarchuk
- « Caucasian story» (1978, USSR, based on the story "Cossacks"). In ch. roles - V. Konkin
- "Money"(1983, France-Switzerland, based on the story "False Coupon"). Dir. - Robert Bresson
- "Two Hussars"(1984, USSR). Dir. - Vyacheslav Krishtofovich
- "Anna Karenina"(Anna Karenina, 1985, USA). Anna as Jacqueline Bisset
- "Simple Death"(1985, USSR, based on the story "The Death of Ivan Ilyich"). Dir. - A. Kaidanovsky
- "Kreutzer Sonata"(1987, USSR). Cast - Oleg Yankovsky
- "For what?" (Za co?, 1996, Poland / Russia). Dir. - Jerzy Kavalerovich
- "Anna Karenina"(Anna Karenina, 1997, USA). In the role of Anna - Sophie Marceau, Vronsky - Sean Bean
- "Anna Karenina"(2007, Russia). In the role of Anna - Tatyana Drubich
For more details, see: List of film adaptations of Anna Karenina 1910-2007.
- "War and Peace"(2007, Germany, Russia, Poland, France, Italy). Series. In the role of Andrei Bolkonsky - Alessio Boni.
Documentary
- "Lev Tolstoy". Documentary. TSSDF (RTSSDF). 1953. 47 minutes.
Movies about Leo Tolstoy
- "The Departure of the Great Old Man"(1912, Russia). Director - Yakov Protazanov
- "Lev Tolstoy"(1984, USSR, Czechoslovakia). Director - S. Gerasimov
- "Last Station"(2008). In the role of L. Tolstoy - Christopher Plummer, in the role of Sophia Tolstoy - Helen Mirren. A film about the last days of the writer's life.
Gallery of portraits
Tolstoy's translators
- Into Japanese - Masutaro Konishi
- In French - Michel Ocouturier, Vladimir Lvovich Binstock
- In Spanish - Selma Ancira
- In English - Constance Garnett, Leo Viner, Aylmer and Louise Maude
- Into Norwegian - Martin Grahn, Olaf Broch, Marta Grundt
- In Bulgarian - Sava Nichev, Georgi Shopov, Hristo Dosev
- In Kazakh - Ibray Altynsarin
- Into Malay - Victor Pogadaev
- In Esperanto - Valentin Melnikov, Viktor Sapozhnikov
- In Azerbaijani - Dadash-zade, Mammad Arif Maharram ogly
- Fiction
174 of Tolstoy's fictional works survive, including unfinished compositions and sketches.
The final text was born from a huge number of drafts, beginnings, revisions, variants, which were mercilessly rejected by the author. All the works of Tolstoy - novels, short stories, children's stories, dramatic works- bear the stamp of a huge creative work.
Tolstoy's first story, Childhood, appeared in print in 1852.
The writer's last work of art, Fertile Soil, was written in 1910.
In this section the reader will find electronic editions all works of art by Tolstoy, variants to them, as well as information about the history of their creation.
- Publicism
“There are two tsars in Russia — Nicholas II and Leo Tolstoy,” wrote Suvorin. At the turn of the 19th and 20th centuries, Tolstoy was the most authoritative media figure for his contemporaries.
“A revolution has happened to me, which has been preparing for a long time in me and the makings of which have always been in me,” said Tolstoy in Confession. In the last thirty years of his life, artistic work no longer seemed to Tolstoy the main thing. He turned mainly to journalism.
“If you want to say something, say it straight,” Tolstoy said.
Tolstoy wrote more than 300 articles, treatises, open letters, appeals, interviews. Among them are notable works, like "Confession", "I can not be silent", "The law of violence and the law of love", "Great sin", "What is art?", "It's time to understand", "Rethink!".
- diaries
“I thought that I was writing in my diary not for myself, but for people, mainly for those who would live when I was physically gone, and that there was nothing wrong with that,” wrote Tolstoy.
Tolstoy kept a diary for 63 years of his life.
Tolstoy, a student at Kazan University, made his first entry in his diary in March 1847: “It is easier to write 10 volumes of philosophy than to apply any one beginning to practice.”
The last - 4 days before his death, on November 3, 1910. It ends with the words: “Here is my plan. Fais ce que doit, advienne que pourra (Do what you must and let it be what will be).
31 original notebooks with Tolstoy's diaries have been preserved.
- Letters
Tolstoy's first surviving letter, dated July 20, 1840, was addressed to his aunt T.A. Ergolskaya.
Tolstoy's last surviving letter was written on November 3, 1910 (three days before his death) to the writer's English biographer Elmer Maud.
Tolstoy received 50,000 letters and wrote over 10,000 letters.
Tolstoy's letters occupy 31 volumes of his Collected Works.
Tolstoy wrote to N.A. Nekrasov, A.I. Herzen, I.S. Turgenev, N.G. Chernyshevsky, N.N. Ge, I.E. Repin, S.I. Taneev, P.I. Tchaikovsky, M. Gandhi, A.F. Koni, V.V. Stasov, to relatives, friends, ordinary people and rulers of the state.
Tolstoy wrote 839 letters to his wife in 48 years.
- 90-volume collected works
90-volume (Jubilee) collected works of L.N. Tolstoy was created in 1928-1958.
The publication is the first and so far the only complete collection of the great writer's works. Today, this bibliographic rarity is available on the Internet thanks to the help of thousands of volunteers from the All Tolstoy in One Click project.
The collected works contain not only famous works writer, but also texts unfamiliar to a wide range of readers: Tolstoy's diaries and letters, which together make up 44 volumes, as well as journalism and philosophical and religious writings. In addition to the well-known texts of his works, the publication includes sketches, excerpts, as well as variants and scenes discarded by the author.
