According to one version, the drama "Thunderstorm" was written by Ostrovsky when he was under the impression of one married actress - Lyuba Kositskaya. The image of Katerina in The Thunderstorm appeared precisely thanks to Kositskaya, and it is interesting that then she got this role on stage.
Katerina was born into a merchant family, their house was prosperous, and Katerina's childhood was carefree and joyful. The heroine herself compared herself with a free bird, and confessed to Varvara that she had been doing what she wanted until she got married. Yes, Katerina's family was good, her upbringing was good, so the girl grew up clean and open. In the image of Katerina, a kind, sincere, Russian soul is clearly visible, which does not know how to deceive.
Let's continue to consider the image of Katerina in the drama "Thunderstorm" by Ostrovsky, and note that it was very difficult for a girl to live with her husband without pretense, given his family. If we recall Kabanikha, Katerina's mother-in-law, who keeps everyone at home under fear, it becomes clear why these characters in the drama have a conflict. Of course, Kabanikha acted with methods of humiliation and intimidation, and some were able to adapt to this and put up with it. For example, it was easier for Varvara and Tikhon to create the impression that they were completely submissive to their mother, although both daughter and son went on a rampage outside the home.
Features in the image of Katerina in the drama "Thunderstorm"
With what traits of character did Katerina literally frighten Kabanikha? She was pure in soul, sincere and ardent, did not tolerate hypocrisy and deceit. For example, when her husband's departure took place, the mother-in-law wanted to see her daughter-in-law howling, but it was not in Katerina's rules to pretend. If the custom does not accept the soul, then you should not follow it, the girl believes.
When Katerina realized that she loved Boris, she did not hide her feelings by talking about them. Varvara, her mother-in-law, and the husband of the main character himself found out about Katerina's love. In the nature of a girl, we see depth, strength and passion, and her words express these personality traits well. She talks about people and birds, why can't people fly the same way? As a result, Katerina says that she will not endure an unbearable and disgusting life, and in extreme cases, she will decide on a fatal step - to throw herself out the window or drown herself in the river. Reflecting on these words, one can better understand the image of Katerina in Ostrovsky's drama "Thunderstorm".
Finally, what an effort it took for the girl to tell Boris about her feelings! After all, Katerina was a married woman, but the passion for freedom and the desire to be happy, as well as willpower, manifested themselves in this bold act. Ostrovsky contrasts these character traits of Katerina with the world of Kabanikh (Marfa Kabanova). How is it shown? For example, Kabanikha blindly bows to the traditions of the old times, and this is not an impulse of the soul, but an opportunity not to lose power over others. The same can be said about the religious attitude, because for Katerina it is natural and pleasant to go to church, in Kabanikha she performs a formality, and everyday questions excite her more than thoughts about the spiritual.
What is Katherine going for?
Important point One thing to take into account when speaking about the image of Katerina in the drama "Thunderstorm" is that she is full of religious fear. The girl thinks that the punishment for sin from the Lord and the thunderstorm, which she identifies with these concepts, are terrible and severe. All this, together with a sense of guilt, prompts her to tell everyone about her sin in front of everyone. Katerina decides to run away from a family that she does not accept with her heart and soul. The husband feels sorry for her, but he beats her, because this is how it should be done.
Boris, Katerina's lover, cannot help her. And although he sympathizes with her, it is clear how powerless he is and shows weakness, lack of will. Left alone, Katerina decides to throw herself off a cliff. Some attribute such an action to the weakness of the girl, but Ostrovsky wanted to show the strength of her personality, which, again, complements the image of Katerina.
In conclusion, we can say that the beautiful Russian soul was embodied in Katerina - pure and bright. Her soul is opposed to tyranny, rudeness, cruelty and ignorance - qualities that are inherent in many people not only at the time of writing the drama, but also today.
We hope that consideration of the image of Katerina in the drama "Thunderstorm" by Ostrovsky turned out to be useful for you. Other articles
/ / The image of Katerina in Ostrovsky's play "Thunderstorm"
According to one version, while writing "" Ostrovsky was in love with one of the actresses of the Maly Theater. Her name was Lyubov Kositsyna. She was married and could not reciprocate the author. Later, Kositsyna played the role of Katerina and, perhaps, in words literary work predicted her fate. It is worth noting that the actress to some extent repeated the fate of her heroine, having passed away early.
The image of Katerina gathered in itself all the lack of rights of a Russian woman of that era. Needless to say, in the 19th century Russian women had virtually no rights. The lion's share of marriages was concluded solely for personal gain or obtaining high rank. Young girls were forced to marry men old age only by the fact that they were rich or revered in high society. The institution of divorce did not exist at all. In the spirit of precisely such traditions, Katerina was married to a merchant's son. Marriage has become a real hell for the girl, because she ended up in the “dark kingdom”, where tyranny and lies rule.
An important place in the image in Katerina is occupied by a description of her childhood. She was the daughter of a wealthy merchant. Katenka's childhood was cheerful and carefree. She could do what she loved, and no one could blame her for this. Katerina from birth was surrounded maternal love. Little Katya was dressed up like a doll.
Since childhood, Katerina has been very interested in the church. She often attended church services, receiving spiritual pleasure from this. It was this passion for the church that played with Katerina bad joke, because it was in the church that Boris spotted her and immediately fell in love.
Parental education revealed in the character of the girl best features Russian soul. Katerina was sensual, open and kind person. She did not know how and did not want to deceive. At one point, all this purity and care of the parental home was replaced by the Kabanovs' home, where human relations were built on fear and unconditional obedience.
Every day the girl suffered humiliation from her mother-in-law. No one, even her husband, can protect and support her, everyone is thinking about how not to fall out of favor.
Katerina tried to treat her mother-in-law as a beloved mother, but no one needed her feelings. This atmosphere gradually "kills" her cheerful character in the girl. She fades like a flower. But the strong character of the girl does not allow her to fade completely. Katerina rebels against this despotism. She becomes the only hero works, who is ready to fight for his life, his feelings.
Katerina's protest resulted in her love for Boris. Of course, the girl reproaches herself for this act. She realizes that she violated God's commandment and deceived her husband. Katerina can't live with it. She openly declares her act. After that, Katerina experiences terrible mental suffering, she cannot find a place for herself. Tikhon cannot support his wife, because he is afraid of his mother's curses. Boris also turns away from the girl. Unable to bear this suffering, Katerina throws herself off a cliff. But her soul remained the same strong and unconquered. Only death allowed her to escape from this "dark kingdom".
Katerina's action was not in vain. Tikhon blamed his mother for the death of his wife. Varvara, unable to withstand the tyranny of Kabanikh, fled with Kudryash from her mother's house. Katerina was able to destroy this kingdom of eternal tyranny, even at the cost of her own life.
The play "Thunderstorm" by A. N. Ostrovsky was published in 1860. A revolutionary situation was brewing in Russia, the time was quite difficult. In the summer of 1856, the writer traveled along the Volga. In the play, he conveyed his impressions of this trip, but did not describe specific cities and faces, but depicted generalized, but deeply typical paintings life in Rus'.
In general, Ostrovsky is considered a real "singer of merchant life." He is the author of numerous plays, the central theme of which was the depiction of the merchant world of the second half of XIX century.
The drama is characterized by the fact that it is based on an insoluble conflict that leads to the death of the main character. The conflict arises between Katerina Kabanova and " dark kingdom» of the merchant world, which is represented by Kabanikha and her entourage. Katerina commits suicide - an act that is considered to be a manifestation of cowardice and weakness of character. I would like to understand this issue in more detail.
So, Katerina Kabanova - main character plays "Thunderstorm", wife of Tikhon and daughter-in-law of Kabanikhi.
The image of Katerina is endowed strong character and represents a person waking up in patriarchal conditions. The origins of Katerina's character are hidden in the conditions of her life before marriage. Talking about the girlhood of the heroine, the author draws the patriarchal world in its ideal manifestation. The main thing in this world is a huge and mutual feeling of love.
In the parental house of Katerina, the same order reigned as in the house of Kabanikh. But there, Katerina occupied the position of a beloved daughter, and in the house of Kabanikh, she was a subordinate daughter-in-law. Therefore, as a girl, Katerina did not know the coercion and violence that she had to face after marriage. For her, patriarchal harmony family life is moral ideal, but she does not find this harmony in her husband's house. Katerina was married very young, as her parents decided, and she meekly obeyed their will, because such is the custom. But it was submission with love and respect, and, having got into the house of her mother-in-law, Katerina was surprised to find that there was no one to respect here. After some time, in her soul begins to form A New Look on life, a different attitude towards people and towards oneself. This is manifested in her first independent choice - passionate love for Boris. Katerina is religious and awake strong feeling scares her. She perceives this love as a terrible sin, resisting it in every possible way. But the heroine lacks support and internal forces. A terrible thunderstorm is growing in Katerina's soul. "Sinful" love flared up in her with incredible strength, the desire for the will grew every day, but the religious fear also became stronger. Katerina could no longer resist passion and cheated on her husband, and then publicly confessed her sin, not hoping for forgiveness. It was the lack of hope that pushed the heroine to an even greater sin - suicide. She could not reconcile her love for Boris with the demands of her conscience, and the thought of returning to her home prison, where Kabanikha imprisoned her, caused physical disgust. The hopelessness of this situation led Katerina to death.
The image of Katerina personifies spiritual beauty And moral purity Russian woman. In one of his articles, A. N. Dobrolyubov wrote about this heroine, calling her "a ray of light in a dark kingdom." Katerina is amazingly natural, simple and sincere. The play repeatedly mentions the image of a free bird. Indeed, the heroine resembles a bird that was locked in an iron cage. She strives for freedom, because living in captivity has become simply unbearable. In my opinion, her suicide is more a protest against the "dark kingdom" and a selfless desire for freedom than a weakness of character, although there are other points of view.
Updated: 2012-08-09
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The image of Katerina in the play "Thunderstorm" contrasts perfectly with the gloomy realities of Russia in the pre-reform period. At the epicenter of the unfolding drama is the conflict between the heroine, who seeks to defend her human rights, and a world in which strong, rich and powerful people rule everything.
Katerina as the embodiment of a pure, strong and bright people's soul
From the very first pages of the work, the image of Katerina in the play "Thunderstorm" cannot but attract attention and make one feel sympathy. Honesty, the ability to feel deeply, the sincerity of nature and a penchant for poetry - these are the features that distinguish Katerina herself from the representatives of " dark kingdom". In the main character, Ostrovsky tried to capture all the beauty of the people's simple soul. The girl expresses her emotions and experiences unpretentiously and does not use distorted words and expressions common in the merchant environment. This is not difficult to see, Katerina's speech itself is more like a melodic chant, it is replete with diminutive and caressing words and expressions: "sun", "grass", "rain". The heroine shows incredible candor when she talks about her free life in her father's house, among icons, calm prayers and flowers, where she lived "like a bird in the wild."
The image of a bird is an accurate reflection of the state of mind of the heroine
The image of Katerina in the play "Thunderstorm" perfectly echoes the image of a bird, in folk poetry symbolizing freedom. Talking with Varvara, she repeatedly refers to this analogy and claims that she is "a free bird that has fallen into an iron cage." In captivity, she is sad and painful.
Katerina's life in the Kabanovs' house. Love of Katerina and Boris
In the house of the Kabanovs, Katerina, who is dreamy and romantic, feels completely alien. The humiliating reproaches of the mother-in-law, who is used to keeping all the household in fear, the atmosphere of tyranny, lies and hypocrisy oppress the girl. However, Katerina herself, who by nature is a strong, whole person, knows that there is a limit to her patience: “I don’t want to live here, I won’t, even if you cut me!” Varvara's words that one cannot survive in this house without deceit cause Katerina's sharp rejection. The heroine opposes the "dark kingdom", his orders did not break her will to live, fortunately, they did not make her become like other residents of the Kabanovs' house and begin to hypocrite and lie at every turn.
The image of Katerina in the play "Thunderstorm" is revealed in a new way, when the girl makes an attempt to break away from the "hateful" world. She does not know how and does not want to love the way the inhabitants of the “dark kingdom” do, freedom, openness, “honest” happiness are important to her. While Boris convinces her that their love will remain a secret, Katerina wants everyone to know about it, so that everyone can see. Tikhon, her husband, however, the bright feeling awakened in her heart seems to her And just at this moment the reader comes face to face with the tragedy of her suffering and torment. From that moment on, Katerina's conflict occurs not only with the outside world, but also with herself. It is difficult for her to make a choice between love and duty, she tries to forbid herself to love and be happy. However, the fight against own feelings beyond the strength of the fragile Katerina.
The way of life and the laws that reign in the world around the girl put pressure on her. She seeks to repent of her deed, to purify her soul. Seeing the picture “The Last Judgment” on the wall in the church, Katerina cannot stand it, falls to her knees and begins to publicly repent of sin. However, even this does not bring the girl the desired relief. Other heroes of the drama "Thunderstorm" by Ostrovsky are not able to support her, even a loved one. Boris refuses Katerina's requests to take her away from here. This person is not a hero, he is simply not able to protect either himself or his beloved.
The death of Katerina is a ray of light that illuminated the "dark kingdom"
Evil is attacking Katerina from all sides. Constant harassment from the mother-in-law, throwing between duty and love - all this eventually leads the girl to tragic ending. Having managed to know happiness and love in her short life, she is simply not able to continue living in the Kabanovs' house, where such concepts do not exist at all. She sees the only way out in suicide: the future frightens Katerina, and the grave is perceived as salvation from mental anguish. However, the image of Katerina in the drama "Thunderstorm", in spite of everything, remains strong - she did not choose a miserable existence in a "cage" and did not allow anyone to break her living soul.
Nevertheless, the death of the heroine was not in vain. The girl won a moral victory over the "dark kingdom", she managed to dispel a little darkness in the hearts of people, induce them to action, open their eyes. The life of the heroine herself became a "beam of light" that flashed in the darkness and left its glow over the world of madness and darkness for a long time.
In the drama "Thunderstorm" Ostrovsky created a very psychologically complex image - the image of Katerina Kabanova. This young woman disposes the viewer with her huge, pure soul, childish sincerity and kindness. But she lives in the musty atmosphere of the "dark kingdom" merchant morals. Ostrovsky managed to create a bright and poetic image of a Russian woman from the people. Main story line plays are tragic conflict the living, feeling soul of Katerina and the dead way of life of the “dark kingdom”. Honest and touching Katerina turned out to be a disenfranchised victim of cruel orders merchant environment. No wonder Dobrolyubov called Katerina "a ray of light in a dark kingdom." Katerina did not reconcile herself to despotism and tyranny; driven to despair, she challenges the "dark kingdom" and dies. Only in this way can she save herself from the rough pressure of her inner world. According to critics, for Katerina “not death is desirable, but life is unbearable. To live for her means to be herself. Not to be herself means not to live for her.
The image of Katerina is built on a folk-poetic basis. Her a pure soul merged with nature. She presents herself as a bird, the image of which in folklore is closely connected with the concept of will. “I lived, didn’t grieve about anything, like a bird in the wild.” Katerina, who got into the house of Kabanova, as in a terrible prison, is often remembered parental home where she was treated with love and understanding. Talking to Varvara, the heroine asks: "... Why do people do not fly like birds? You know, sometimes I feel like I'm a bird." Katerina is torn to freedom from the cage, where she is forced to remain until the end of her days.
Religion evoked high feelings, a surge of joy and reverence in her. The beauty and fullness of the heroine's soul were expressed in prayers to God. “On a sunny day, such a bright pillar goes down from the dome, and smoke walks in this pillar, like clouds, and I see, it used to be that angels in this pillar fly and sing. And then, it happened ... I would get up at night ... but somewhere in a corner and pray until the morning. Or early in the morning I’ll go to the garden, as soon as the sun rises, I’ll fall on my knees, pray and cry.”
Katerina expresses her thoughts and feelings in poetic vernacular. The melodious speech of the heroine is colored by love for the world, the use of many diminutive forms characterizes her soul. She says “sunshine”, “voditsa”, “grave”, often resorts to repetitions, as in the songs: “on a troika on a good one”, “people are disgusting to me, and the house is disgusting to me, and the walls are disgusting.” Trying to throw out the feelings seething in her, Katerina exclaims: “Wild winds, transfer my sadness and longing to him!”
The tragedy of Katerina is that she does not know how and does not want to lie. And in the "dark kingdom" lies are the basis of life and relationships. Boris tells her: "No one will know about our love ...", to which Katerina replies: "Let everyone know, let everyone see what I'm doing!" These words reveal the courageous, wholesome nature of this woman, who risks challenging philistine morality, confronting society alone.
But, having fallen in love with Boris, Katerina enters into a struggle with herself, with her convictions. She, married woman feels like a great sinner. Her faith in God is not the hypocrisy of Kabanikha, who covers up her malice and misanthropy with God. Awareness of one's own sinfulness, pangs of conscience haunt Katerina. She complains to Varya: “Ah, Varya, sin is on my mind! How much I, poor thing, cried, what I did not do to myself! I can't get away from this sin. Nowhere to go. After all, this is not good, this is a terrible sin, Varenka, that I love another? Katerina does not think about the fact that they committed violence against her, giving her in marriage to the unloved. Her husband, Tikhon, is happy to leave home and does not want to protect his wife from her mother-in-law. Her heart tells her that her love is the greatest happiness, in which there is nothing wrong, but the morality of society and the church does not forgive the free manifestation of feelings. Katerina wrestles with unresolvable questions.
The tension in the play is growing, Katerina is afraid of a thunderstorm, hears the terrible prophecies of a crazy lady, sees a picture on the wall depicting doomsday. In the darkening of her mind, she repents of her sin. Repentance from pure heart according to religious laws, it necessarily requires forgiveness. But people have forgotten the kind, forgiving and loving god, they still have a God who punishes and punishes. Katerina does not receive forgiveness. She does not want to live and suffer, she has nowhere to go, her beloved turned out to be as weak and dependent as her husband. Everyone betrayed her. The church considers suicide a terrible sin, but for Katerina it is an act of despair. It is better to be in hell than to live in the "dark kingdom". The heroine cannot harm anyone, so she decides to die herself. Throwing herself off a cliff into the Volga, Katerina at the last moment thinks not about her sin, but about love, which illuminated her life with great happiness. Last words Katerina turned to Boris: “My friend! My joy! Goodbye!" One can only hope that God will be more merciful to Katerina than people.
- In The Thunderstorm, Ostrovsky shows the life of a Russian merchant family and the position of a woman in it. The character of Katerina was formed in a simple merchant family, where love reigned and her daughter was given complete freedom. She acquired and retained all the beautiful features of the Russian character. It's pure open soul who can't lie. “I don’t know how to deceive; I can’t hide anything,” she says to Varvara. In religion Katerina found the highest truth and beauty. Her desire for the beautiful, the good, was expressed in prayers. Coming out […]
- Whole, honest, sincere, she is not capable of lies and falsehood, therefore, in a cruel world where wild and wild boars reign, her life is so tragic. Katerina's protest against the despotism of Kabanikha is the struggle of the bright, pure, human against the darkness, lies and cruelty of the "dark kingdom". No wonder Ostrovsky, who is very great attention devoted to the selection of names and surnames actors, gave such a name to the heroine of "Thunderstorm": translated from Greek, "Catherine" means "eternally pure." Katerina is a poetic nature. IN […]
- Katerina Varvara Character Sincere, sociable, kind, honest, pious, but superstitious. Gentle, soft, at the same time, decisive. Rude, cheerful, but taciturn: "... I don't like to talk a lot." Determined, can fight back. Temperament Passionate, freedom-loving, bold, impetuous and unpredictable. She says about herself “I was born so hot!”. Freedom-loving, smart, prudent, bold and rebellious, she is not afraid of either parental or heavenly punishment. Upbringing, […]
- "The Thunderstorm" was published in 1859 (on the eve of the revolutionary situation in Russia, in the "pre-storm" era). Its historicism lies in the conflict itself, the irreconcilable contradictions reflected in the play. She responds to the spirit of the times. "Thunderstorm" is an idyll of the "dark kingdom". Tyranny and silence are brought in it to the limit. In the play, a real heroine from the people's environment appears, and it is the description of her character that is given the main attention, and the little world of the city of Kalinov and the conflict itself are described more generally. "Their life […]
- The Thunderstorm by A. N. Ostrovsky made a strong and deep impression on his contemporaries. Many critics were inspired by this work. However, in our time it has not ceased to be interesting and topical. Raised to the category of classical drama, it still arouses interest. The arbitrariness of the "older" generation lasts for many years, but some event must occur that could break the patriarchal tyranny. Such an event is the protest and death of Katerina, which awakened other […]
- The play by Alexander Nikolayevich Ostrovsky "Thunderstorm" is historical for us, as it shows the life of the bourgeoisie. "Thunderstorm" was written in 1859. She happens to be the only work conceived, but not implemented by the writer of the cycle "Nights on the Volga". The main theme of the work is a description of the conflict that arose between two generations. The Kabanihi family is typical. The merchants cling to their old ways, not wanting to understand the younger generation. And because the young do not want to follow the traditions, they are suppressed. I'm sure, […]
- In "Thunderstorm" Ostrovsky, operating with a small number of characters, managed to uncover several problems at once. First, it is, of course, social conflict, the clash of "fathers" and "children", their points of view (and if you resort to generalization, then two historical eras). Kabanova and Dikoy belong to the older generation, actively expressing their opinion, and Katerina, Tikhon, Varvara, Kudryash and Boris belong to the younger one. Kabanova is sure that order in the house, control over everything that happens in it is a guarantee right life. Correct […]
- Let's start with Catherine. In the play "Thunderstorm" this lady is the main character. What is the problem this work? The issue is main question, which is set by the author in his creation. So the question here is who will win? The dark kingdom, which is represented by the bureaucrats of the county town, or the bright beginning, which is represented by our heroine. Katerina is pure in soul, she has a gentle, sensitive, loving heart. The heroine herself is deeply hostile to this dark swamp, but is not fully aware of it. Katerina was born […]
- critical history"Thunderstorm" begins even before its appearance. To argue about "a ray of light in the dark realm", it was necessary to open the "Dark Realm". An article under this title appeared in the July and September issues of Sovremennik in 1859. It was signed by the usual pseudonym of N. A. Dobrolyubova - N. - bov. The reason for this work was extremely significant. In 1859, Ostrovsky summed up the interim literary activity: his two-volume collected works appear. "We consider it the most [...]
- Dramatic events of the play by A.N. Ostrovsky's "Thunderstorm" are deployed in the city of Kalinov. This town is located on the picturesque bank of the Volga, from the high steepness of which the vast Russian expanses and boundless distances open up to the eye. “The view is extraordinary! Beauty! The soul rejoices, ”the local self-taught mechanic Kuligin admires. Pictures of endless distances, echoed in a lyrical song. In the midst of the flat valley," which he sings, have great importance to convey a sense of the immense possibilities of the Russian […]
- Katerina - main character Ostrovsky's drama "Thunderstorm", wife of Tikhon, daughter-in-law of Kabanikhi. The main idea of the work is the conflict of this girl with the "dark kingdom", the kingdom of tyrants, despots and ignoramuses. You can find out why this conflict arose and why the end of the drama is so tragic by understanding Katerina's ideas about life. The author showed the origins of the character of the heroine. From the words of Katerina, we learn about her childhood and adolescence. Here is drawn perfect option patriarchal relations and the patriarchal world in general: “I lived, not about […]
- A conflict is a clash of two or more parties that do not coincide in their views, attitudes. There are several conflicts in Ostrovsky's play "Thunderstorm", but how to decide which one is the main one? In the era of sociologism in literary criticism, it was believed that social conflict was the most important thing in a play. Of course, if we see in the image of Katerina a reflection of the spontaneous protest of the masses against the shackling conditions of the “dark kingdom” and perceive the death of Katerina as the result of her collision with the tyrant mother-in-law, […]
- In general, the history of the creation and the idea of the play “Thunderstorm” are very interesting. For some time there was an assumption that this work was based on real events that took place in the Russian city of Kostroma in 1859. “In the early morning of November 10, 1859, the Kostroma bourgeois Alexandra Pavlovna Klykova disappeared from the house and either threw herself into the Volga, or was strangled and thrown there. The investigation revealed a dull drama that played out in an unsociable family living with narrowly trading interests: […]
- Alexander Nikolayevich Ostrovsky was endowed with a great talent as a playwright. He is deservedly considered the founder of the Russian national theater. His plays, varied in subject matter, glorified Russian literature. Creativity Ostrovsky had a democratic character. He created plays in which hatred for the autocratic-feudal regime was manifested. The writer called for the protection of the oppressed and humiliated citizens of Russia, longed for social change. The great merit of Ostrovsky is that he opened the enlightened […]
- Alexander Nikolayevich Ostrovsky was called the "Columbus of Zamoskvorechye", a district of Moscow where people from the merchant class lived. He showed how tense, dramatic Life is going behind high fences, what Shakespearean passions sometimes boil in the souls of representatives of the so-called "simple class" - merchants, shopkeepers, petty employees. The patriarchal laws of the world that is fading into the past seem unshakable, but a warm heart lives according to its own laws - the laws of love and kindness. Heroes of the play "Poverty is not a vice" […]
- The love story of the clerk Mitya and Lyuba Tortsova unfolds against the backdrop of the life of a merchant's house. Ostrovsky in Once again delighted his fans with a wonderful knowledge of the world and a surprisingly vivid language. Unlike earlier plays, in this comedy there is not only the soulless factory owner Korshunov and Gordey Tortsov, who boasts of his wealth and power. They are contrasted with the simple and sincere people- kind and loving Mitya and a squandered drunkard Lyubim Tortsov, who, despite his fall, […]
- The focus of the writers of the 19th century is a person with a rich spiritual life, a changeable inner world. The new hero reflects the state of the individual in the era of social transformations. The authors do not ignore the complex conditionality of the development of the human psyche by the external material situation. The main feature of the image of the world of the heroes of Russian literature is psychologism , that is, the ability to show the change in the soul of the hero In the center various works we see "excess […]
- The action of the drama takes place in the Volga city of Bryakhimov. And in it, as elsewhere, cruel orders reign. The society here is the same as in other cities. The main character of the play, Larisa Ogudalova, is a dowry. The Ogudalov family is not rich, but, thanks to the perseverance of Kharita Ignatievna, he gets acquainted with the mighty of the world this. Mother inspires Larisa that, although she does not have a dowry, she should marry a rich groom. And Larisa, for the time being, accepts these rules of the game, naively hoping that love and wealth […]
- Special Hero in the world of Ostrovsky, adjoining the type of a poor official with a feeling dignity, - Yuly Kapitonovich Karandyshev. At the same time, pride in him is so hypertrophied that it becomes a substitute for other feelings. Larisa for him is not just a beloved girl, she is also a “prize” that makes it possible to triumph over Paratov, a chic and rich rival. At the same time, Karandyshev feels like a benefactor, taking as his wife a dowry, partly compromised by […]
- The best part Yesenin's creativity is connected with the village. The birthplace of Sergei Yesenin was the village of Konstantinovo, Ryazan province. The middle, the heart of Russia, gave the world a wonderful poet. The ever-changing nature, the colorful local dialect of the peasants, old traditions, songs and fairy tales from the cradle entered the consciousness of the future poet. Yesenin claimed: “My lyrics are alive alone big love, love for the motherland. The feeling of the motherland is the main thing in my work.” It was Yesenin who managed to create the image of a village in Russian lyrics late XIX– early XX […]
