", including the most famous and beloved authors of our region. Robert Rozhdestvensky and Vasily Shukshin are not among them - they belong to the history of Russian literature.
Mark Yudalevich
"In Russia, a writer must live long," said one literary critic."An interesting game - who rememories whom," another echoed him. Mark Iosifovich in relation to memoirs is beyond competition. He was born in 1918, communicated (according to him) with Pasternak and Zabolotsky. When necessary, he wrote poems about Stalin, when it was no longer necessary - about Barnaul and the Altai Territory (he will type in a whole reader). Author of novels, plays and poems. The granddaughter of the famous writer was not averse to having a Barnaul street named after him. But the city decided otherwise. Of the heritage of the classic, we most of all like his lyrical poems.
Autumn leaves crunch underfoot
slightly shimmering with cast silver,
I remember once we were walking in the park
the same fine old September.
It was deserted, everything was silent around -
Who is in the park at noon?
And it seemed to me that this was the beginning
something big that we will have.
But no, what I thought didn't happen
and the days flew by, rejoicing, mourning,
years flew by, cheerful and gloomy,
but all without you, as always, without you.
I forgot about many things, aging over the years,
whiskey has long been covered with gray hair,
and less aspirations, but still regret
that you are not with me, never with me.
And yet, he still has not parted with desire,
even though you're far away now,
but if it happens that the leaves rustle
managed to remind you of me.
Sergey Bozhenko
Bozhenko's theme is absurdity and anti-absurdity, the behavior of an ordinary person in unusual circumstances and the behavior of an unusual person in ordinary scenery.
“As a child, I believed in God. Everything was simple. Aunt Masha, a front-line soldier, came from the village and instilled faith in me. She said:
If you take sweets without asking, God will punish you.
I was concerned:
Aunt Masha triumphed. She elaborated:
Which is at the top. Sees everything!
I pulled in my head. Ignoring the ceiling. The god was cleverly hiding.
The existence of the unknown God was indirectly confirmed by the learned neighbor Uncle Ilyukha. Sometimes he shouted:
In the triune God and mother corn!
Misunderstandings were dispelled by my friend Pashka Pashkov. He reported:
My grandmother's God lives on a litter box. Behind the icon. I turn off the lights when I'm bullshitting. For him not to see...
I followed Pashkin's example. Sinned in the dark.
Sergey Bozhenko
Victor Sidorov
You can bet on anything - his collections were in any intelligent family, in any city reading room. In the story "Treasures of the Ancient Mound" Sidorov draws the Soviet Holden Caulfield from the Altai regional center Klyuchi: a three-year-old and a spiritually rich personality. He is in love, of course, with an excellent student from his 7th grade, the main character is confronted by some hooligans and majors, and teachers and mentors, as always, obscure and dispense information. The book ends with a Soviet happy ending. But the hero is quite a living person, with whom even now every schoolchild can be identified. "Fedka Sych loses his nickname" and "The Secret of the White Stone" have already been written about city boys, for whom watching the black-and-white film "Suvorov" on TV is an event. After all, the action of the books takes place in the distant 60s ... We strongly recommend this writer. Classic, no discount.
Leonid Merzlikin
Photo: archive of the Shishkov Library
The poet studied at the Literary Institute, was friends with the "Moscow".
Now a street in Barnaul bears the name of Merzlikin.
The 1990s, like many writers of that generation, could not survive. Did not "fit into the turn." He became out of tune with the era and was not needed, he could not reorganize on capitalist lines. But his poems will remain in Russian poetry. Such is the mysticism of life. A young lover will make a date with a girl on Merzlikin Street.
It used to be in April, on the day of the water field, Having spent the last stream behind the hut, Driven into the interstices willow stakes, They ran into the ravines to look at the willow. On wet spruces, overgrown with grass, Where the rook squinted on the horned bush, To the sound of balalaikas they converged in a crowd, They gave handkerchiefs, played bast shoes. And the evening lightning by painted the sky, And spring songs burned to the ground, And mother with a twig stood at the spindles, I couldn't get my sons to dinner. Now springs are different. But in my heart I did not find resentment. All the same humming over the spruce pines, Willow barefoot looks into the water. And again, it does not sit still, And again I run into the loud expanse, And again in the evening in lightning and songs I was shot point-blank with a willow bud. I will fall to the ground, on wet clods, And ready to cry in the spring meadow. Earth, you understand, I do not grieve for anyone, I just can't do it any other way...
Vladimir Bashunov
Photo: archive of the Shishkov Library
The poet did not live very well long life(1946-2005), was successful and recognized during his lifetime - the author's first book was published when he was just a fifth-year student at the Belarusian State Pedagogical University.
For many years he worked at the Altai book publishing house.
But the exhausting need to earn with one's hump - after the Soviet sinecure - led to depression and early death. Many remember Vladimir Methodievich as a sympathetic interlocutor, a wise man and patron of talents. And from his poems a chill runs down the back.
STATION FORTUNE You're talking nonsense, okay go on, I won't interfere. Life flies at random and awkwardly, so that it seems there is nothing to breathe. Soothsayer, fortune teller, hint about fate and price - I do not feel sorry for crafty pieces of paper, just me in your chatter? What can you understand from gossip thin lines covering the palm? And is it open to third-party sight the fire beneath them? It flows through all the capillaries... About the outcome of love and longing what can you learn from the blows, radiating into the hands? You fool cold souls, bypassing the crowded station; you won't breathe about them, you won't cry... And why did God punish you? I watch you swing your skirts how you smartly and affectionately lie. I would have warned you - you will not hear, and if you hear it, you will hardly understand.
Alexey Nikiforov
Adarov, Arzhan Oinchinovich (1932-2005).
Born June 15, 1932 in the village. Kayarlyk, Ust-Kansky district. From early childhood he helped his mother in the parking lot. My father died at the front during the Great Patriotic War.
In 1952, after graduating from the regional national school, together with L. Kokyshev and E. Palkin, he was sent to study at the Moscow Literary Institute them. A.M. Gorky.
In 1956, the first collection of poems "Ursul" was published in Gorno-Altaisk. Published in many languages of the peoples of the USSR and abroad. In 1971 on Kazakh language the book "Altai motives" was published, in 1983 the collection "Eternal Mountains" was published in the Tuvan language.
A. Adarov worked as a correspondent for the newspaper "Altaidykh Cholmony", chief editor, director of the Gorno-Altai branch of the Altai book publishing house, literary consultant for the Gorno-Altai branch of the Writers' Union of the RSFSR.
Honored Worker of Culture of the RSFSR (1982), Chairman of the Union of Writers of the Altai Republic (1994-2005), laureate State Prize them. G. I. Choros-Gurkina. He was awarded the Order of Friendship of Peoples.
Member of the Writers' Union of the USSR. People's Writer RA (2004).
Bedyurov, Brontoy Yangovich (1947).
Born March 23, 1947 in the village. Ongudive in the family of the poet Yanga Bedyurov. He received his secondary education at the Gorno-Altai regional national school.
Graduated from the Literary Institute. A.M. Gorky (1967-1972), postgraduate studies at the Institute of Oriental Studies of the USSR Academy of Sciences (1976-1980).
From 1966 he worked in the Gorno-Altai Regional Radio Committee, the editorial office of the newspaper "Altaidykh Cholmony" (1972-1975), a writer's organization.
Academician of the Academy of Russian Literature. Laureate of the All-Russian literary prize them. N.M. Karamzin "For Fatherland Studies".
Honored Worker of Culture Russian Federation.
People's Writer of the Republic of Altai (2007).
Yeredeev, Alexander Yanganovich (1937-2008).
He studied at the regional national school. In 1958 he graduated from the veterinary technical school.
Since 1959 he worked as a livestock specialist, then as a teacher and librarian in his native village.
Since 1963 he lived in the city of Gorno-Altaisk. He worked as a proofreader in the Gorno-Altai branch of the Altai book publishing house, as a correspondent for the newspaper "Altaidykh Cholmony", and the regional radio committee.
In 1967 he graduated from the Correspondence Department of the Literary Institute. A.M. Gorky.
Member of the Union of Writers of the USSR (1969).
Kalkin, Alexei Grigorievich (1925-1998).
Born April 3, 1925 in the village. Passeparties of the Ulagansky district. Visually disabled since childhood, he did not have to study. But from an early age he was immersed in the world of oral folk art, performing heroic poems Altai people. Lived in with. Yabogan, Ust-Kansky district.
A.G. Kalkin is an outstanding Altaic kaichi storyteller. Since 1948, he performed samples of the heroic epic in Moscow, Leningrad, Novosibirsk, Barnaul, Ulan-Ude, Gorno-Altaisk. His repertoire included more than 30 heroic tales, each of which has a volume of one to ten thousand poetic lines.
Recorded and published by him a large number of Altai heroic tales, of which the epic "Maadai-Kara" was published in 1973 by the Institute of World Literature. A.M. Gorky in the academic series "Epos of the Peoples of the USSR". The heroic epic "Maadai-Kara" is recognized as a folk-poetic monument of world significance.
Member of the Union of Writers of the USSR (1978).
Katash, Sergei Sergeevich (1925-2003).
In 1948 he graduated from the literary department of the Moscow State Pedagogical Institute.
In 1958 he defended his PhD thesis.
1973-75 - Doctoral student of the Academy of Sciences of the Kazakh SSR.
Since 1962 S.S. Katash worked at the Gorno-Altai Pedagogical Institute, professor at the Department of Altai Philology.
He has been engaged in literary work since 1950. The author of literary works, articles, monographs, textbooks and teaching aids on Altai folklore and literature. S.S. Katash took an active part in the preparation of the multi-volume edition of the Altai heroic epic "Altai baatyrlar".
Doctor philological sciences, laureate International Prize"Unity", Honored Worker of Culture of the Russian Federation. Awarded with the Order of Friendship of Peoples.
Member of the Union of Writers of the USSR (1972).
Kozlov, Konstantin Ivanovich (1918-1996).
Childhood and early youth were held in the city of Gorky, in an orphanage. He graduated from the FZU, worked as a turner, studied at the evening department of the workers' faculty.
In 1936 he left for Central Asia, studied at the Pedagogical College of Samarkand.
Since 1974 he lived in Gorno-Altaisk. He worked as a correspondent for the newspaper Zvezda Altai and on the radio.
The first book of poems "In the mountains of the blue Altai" was published in 1952 in Barnaul. Author of collections of poems and essay books.
A distinctive feature of K. Kozlov's poetry is the dialogue between Russian and Altai cultures and mythopoetics. He turned to Altai folklore, reworked its plots using the rhythmic of the Altai heroic epic, translated poems of Altai poets into Russian.
Member of the Union of Writers of the USSR (1957).
Kokyshev, Lazar Vasilievich (1933-1975).
Born October 20, 1933 in the village. Kumzhulu Shebalinsky district. My father died at the front during the Great Patriotic War.After graduating from the regional national school, from 1952 to 1957 he studied at the Literary Institute. A.M. Gorky.
L.V. Kokyshev worked as an editor of the Gorno-Altai book publishing house, executive secretary and consultant of the Gorno-Altai branch of the Union of Writers of the RSFSR, and a correspondent for the regional radio. Elected Member of the Regional Council people's deputies.
Started writing from school bench. The first book was published in 1956. In 1959, the first Altai novel "Arina" was published, which was translated into Russian, Kazakh and Tuvan languages. L. Kokyshev translated the poems of A.S. Pushkin, M. Yu. Lermontov, N. A. Nekrasov, R. Burns and other poets.
Outstanding Altai writer, author of the first Altai novel "Arina".
Manitov, Sergey Kunduchinovich (1938-2010).
In 1957, after graduating from the regional national school, he was drafted into the ranks of the Soviet Army.
In 1964 he graduated from the Faculty of History and Philology of the Gorno-Altai State Pedagogical Institute.
He worked as a teacher of the Altai language and literature in the schools of the Ongudai region.
S.K. Manitov was the editor of the Ongudai regional radio newspaper, the executive secretary of the regional society "Knowledge".
Poems began to be written in school years. The first collection of poems for children was published in 1966. In total, he published 8 books of poetry and prose.
Member of the Union of Writers of the USSR (1988).
Chevalkov, Mikhail Vasilievich (1817-1901).
Born in 1817 in the village. Karasuk. In 1824, the Chevalkov family moved to the village. Ulalu.
In Ulala, M. Chevalkov independently learned to read and write and began to study folk art. At the request of the folklore collector of the peoples of Siberia N.I. Ananin he writes down and translates into Russian Altai fairy tales, legends, songs, proverbs and sayings.
In 1860, cooperation began with the ethnographer V.V. Radlov, who also asked for help in collecting material on the oral folk art of the Altaians. The materials collected by Chevalkov were included in the first volume of V.V. Radlov "Samples folk literature Turkic tribes living in southern Siberia. Among these materials, an autobiographical essay "The Life of Chevalkov" was presented. This is the first piece of art in written Altai literature.
Thanks to M. Chevalkov's acquaintance with almost all scientists who visited Gorny Altai during his lifetime, he had the opportunity to learn Russian literature and try his hand at literary translation.
A significant place among the translations is occupied by the fables of I.A. Krylov. Imitating Krylov's fables, M. Chevalkov himself writes poems on themes from the life of the Altaians. The first book of poetry "Instructive articles in verse in the Altai language" was published in Kazan in 1872.
Creativity M.V. Chevalkov gave impetus to the formation and development of modern Altai literature, it is studied in educational institutions of the Altai Republic.
In 2002, by the Decree of the Government of the Republic of Altai and the State Assembly of El-Kurultai, the National Library of the Republic of Altai was named after the educator and missionary M. V. Chevalkov.
Chichinov, Valery Ivanovich (1936-1999).
Born in with. Cheposh Elikmanar region. He grew up without a father, lost his mother early. Childhood passed in Anos.
In 1956, after graduating from school, he entered the Gorno-Altai pedagogical institute, after which he devoted himself to journalism and pedagogical work.
He was in charge of the Literature Sector of the Gorno-Altai Research Institute of History, Language and Literature, was the scientific secretary of the institute.
Worked as a teacher of higher educational institutions Russian Federation, Minister of Culture of the Republic of Altai.
V. Chichinov's book "The Path of Young Literature", written in collaboration with S. Katash, was published in 1973. In 1976, the book "The Address of Poetry - Gorny Altai" was published - the author's work of a critic and literary critic. These works are today an indispensable primary source in the study of Altai literature.
Member of the Union of Writers and the Union of Journalists of Russia. Was a member of the Board International Foundation Humanitarian initiatives at the Diplomatic Academy of the Ministry of Foreign Affairs, Co-Chairman of the International Roerich Society "Altai - Himalayas".
Awarded with the Order of Friendship of Peoples.
Choros-Gurkin, Grigory Ivanovich (1870-1937).
He worked in an icon-painting workshop, taught in the villages of Ulala and Paspaul.
In 1899 he was enrolled as a volunteer in the landscape class of the St. Petersburg Academy of Arts.
In 1900 he returned to Altai and settled with his family in the village. Anos.
In 1907, the first personal exhibition took place, which had resounding success and brought fame and glory.
The artist's Peru also owns vivid literary essays about Altai.
G.I. Choros-Gurkin is an outstanding Altai artist. Chairman of the Altai Mining Duma (1917-1918), Chairman of the Karakorum-Altai Council (1918). suffered from repression. October 11, the day of the tragic death of the Altai artist and public figure, in the Republic of Altai declared the Day of Remembrance.
Chunizhekov, Chalchyk Anchinovich (1898-1973).
In 1916 he graduated from the three classes of the parochial school, there was no opportunity to continue his education further.
Love and recognition of readers won autobiographical story"Munduzak", translated into Russian by A. Kitainik.
Ch.A. Chunizhekov worked as a secretary of the village council, a collective farm accountant.
From 1938 to 1958 worked in the editorial office of the newspaper "Altaydyҥ Cholmony".
He was awarded medals "For Valiant Labor during the Great Patriotic War (1941-1945)" and "For Labor Valor".
Member of the Union of Writers of the USSR (1958).
Shatinov, Shatra Pepishevich
(1938-2009).
In 1957 he graduated from the Gorno-Altai Regional National School. Studied at the Literary Institute. A.M. Gorky.
Sh.P. Shatinov worked as an editor in Gorno-Altaisk department of the Altai book publishing house, a literary collaborator in the newspapers "Altaidykh Cholmony" and "Zvezda Altai".
He began to engage in literary creativity in 1959.
Translated one-act plays by A.P. Chekhov, the story "Pepe the Little Cuban" by V. Chichkov and the tragedy by M. Karim "On the night of a lunar eclipse".
Laureate of the State Prize. G. I. Choros-Gurkina.
Member of the Union of Writers of the USSR (1978). People's Writer of the Republic of Altai (2007).
Shinzhin, Tanyspay Boksurovich (1936).
Born on June 29, 1936 in the Ulegem tract of the Ongudai district. From an early age he remained an orphan, brought up in an orphanage.
From childhood, he learned various types of throat singing.
In 1963 he graduated from the Gorno-Altai Pedagogical Institute.
T.B. Shinzhin worked as a teacher of the Altai language and literature in the schools of the region, a methodologist at the regional Institute for the Improvement of Teachers, and an employee of the Gorno-Altai RIIL.
In 1977 he became a laureate of the All-Russian and All-Union review of amateur art. WITH throat singing performed in Barnaul, Novosibirsk, Moscow, Alma-Ata, Yakutsk, Elista, Ulaanbaatar, Paris, Geneva, Florence.
Knows about thirteen great epic tales.
He has published more than a dozen books of poetry and prose. He published more than 300 scientific articles about kaichi singers, about Turkic-Mongolian narrators and issues of Altai folklore.
He published the monograph "Storyteller A. G. Kalkin" in Altaic and Russian.
T.B. Shinzhin was awarded the Honorary Diploma of the Board of the Union of Writers of the Russian Federation. Honored Worker of Culture of the Russian Federation.
Member of the Union of Writers of the USSR (1976). People's Storyteller of RA (2005).
Shodoev, Ivan Vasilievich (1914-2007).
Born on September 25, 1914 in the village. Ust-Kan, Ust-Kansky district. Started working at the age of 14. He studied at the regional Soviet party school.
In 1935 he graduated from the Odessa All-Union School of the Children's Movement.
I.V. Shodoev worked in the apparatus of the district committee of the Komsomol, the district committee of the CPSU and the regional executive committee, executive secretary of the Gorno-Altai Writers' Organization, correspondent and editor of the newspaper Altaidy Cholmony.
Member of the Great Patriotic War.
He began his creative activity in 1939.
The first book for children, "Bunny", was published in 1958. Since then, others have also been published: "Altyn-Sume", "Do you know?", "First Steps", "Karas", "Irbizek", "At Dawn", "Terrible Years" ...
Chairman of the Ulagan aimaks executive committee (1954-56). He was awarded the Order of the Red Star, two Orders of the Badge of Honor and medals.
Member of the Union of Writers of the USSR (1969). People's Writer of the Republic of Armenia (2004).
Edokov, Vladimir I. (1936-1995).
From 1953 to 1957 he studied at the Faculty of Russian Language and Literature of the Gorno-Altai State Pedagogical Institute.
In 1958 he entered the Faculty of Theory and History visual arts Leningrad Institute of Painting, Graphics, Sculpture and Architecture. I. Repin. This is where the main theme of his scientific research- the life and work of the first professional Altai artist G.I. Choros-Gurkin.
Member of the Union of Artists of the USSR, was a member of the National Coordinating Council for Artistic Crafts of the Ministry of Culture of the Russian Federation, a member of the Creative Commission for Art History and art criticism USSR Academy of Arts, member of the Board of the Union of Artists of Russia, Chairman of the Board of the Union of Artists of the Republic of Armenia.
Yalatov, Nikolay Kokurovich (Shunu Yalatov, 1927-2002).
After graduating from the veterinary technical school, he worked as a veterinarian in the villages of the Shebalinsky district. Constantly visited remote livestock camps, in free time told their inhabitants heroic tales and tales.
The peculiar form of performance of the epic made it accessible to listeners.
Performed by N.K. Yalatov is well aware of the legends "Katan-Mergen" and "Katan-Kekshin", "Kestoy-Mergen", "Olengir", "Kaltan-Kaan", as well as prose tales and songs.
Member of the Union of Writers of the Russian Federation (1994).
A source of information:
- Altaidin kaichylary: Rus.-Alt. inform. Sat. - Barnaul: Azbuka LLC, 2010.
- Who's who in the Altai Republic: reference-biogr. ed. Issue. first. - Gorno-Altaisk: IP "Alternative". - 1998.
- Laureates of the G. I. Choros-Gurkin Prize. - 2010.
- My fate in the fate of Altai: biogr. ref. - Gorno-Altaisk, 2006.
- Writers of Gorny Altai: biobibliogr. ref. - 1988.
- Republic of Altai: short encyclopedia. / Ch. ed. A. S. Surazakov. - Novosibirsk: ARTA, 2010. - 366 p. : ill., tab.
- The fate and literary heritage of the repressed: a view from the 21st century. - Gorno-Altaisk: Type. "Altai polygraph", 2010. - 189 p.
- Proceedings of employees of the Gorno-Altai Institute for Humanitarian Research, 1952-1995. : spec. lit. - Gorno-Altaisk, 1997.
Knyazeva Galina Ivanovna
Job title: science teacher
Educational institution: BPOU RA "Gorno-Altai Pedagogical College"
Locality: Republic of Altai Gorno-altaisk
Material name: Article
Subject: Ecological content of folklore and works of poets and writers of Altai
Publication date: 18.12.2016
Chapter: secondary vocational
Ecological content of folklore and works of Altai poets
and writers
The love of the Altaians for their native nature was highly appreciated and recognized by the international community. Yadrintsev spoke very highly of the ancient folk wisdom of people living in the blessed Altai. “My eyes are constantly turned to the shining peaks of Altai, where my heart is left...”, “Altaians are a people with a bizarre mythology that is not inferior to the Greek highly artistic culture.” The famous traveler P.T. Semenov-Tyan-Shansky spoke about the song art of the Altaians with great love: “The folk art of the Altaians amazes with a variety of motives. There are many songs glorifying the beauty of Altai, and among them a song (rather lament) about the ruin of Altai makes a special impression. “It would be better for us to die than to see with our own eyes your ruin, our beautiful Altai,” the Altai people sing. Beauty, the beautiful, the heroic in oral poetry are presented in organic unity with the renewing nature. In harmony with nature, the epic hero is presented in the heroic tale. He is the protector of the family, the earth and serves as the basis for harmony and order in the world. Negative characters represent base, ugly, chaos. Heroes fighting for their people embody a lofty beginning, oppose base, evil forces. Here, for example, is the content of the widespread epic legend "Maadai-Kara", many lines of which echo the most pressing problems of our time. The happy people of the wise alyp (hero) Maadai-Kara live in the sunny Altai: The people in his country are great, Peace-loving and bright-faced, Eloquent, sharp-tongued, - Filled the sunny Altai And overflowed over the edge, Lives, knowing no need, The eyes of anyone are two stars. But alyp becomes old, sleeps for a long time. And now the riots begin: Decline and confusion are everywhere - Cattle of various colors are dispersed, The front herds are coming, Grass is eaten to the roots, The rear herds are weaving And licking the earth between the stones. Speaking in modern language, the legend tells how the disorganization of the system of rational nature management caused economic collapse and loss of justice in people's relations. And in
It was in this situation that the alyp who came to his senses discovered a picture that is not alien to our times: .. All my lands are feasting, Every family is walking. In the old days, my people crowned honest work with fun. Why now does he drink on weekdays, And in honor of what do they feast here? Surely the terrible hour is near... And indeed, the trouble did not keep itself waiting. The cruel and dishonest Khan of Kara-Kula invaded Altai with his horde and enslaved the people of Maadai-Kara. The biggest atrocity of Khan Kara-Kul was the attempt of what we call ecocide, the complete destruction natural environment in the conquered country. But the forces of Altai nature surpassed his capabilities: The rivers of the sacred blue Wanted to turn the course. He collapsed from the effort, But he could not turn him. Maadai-Kara entrusted his newborn son to the forces of his native nature, leaving him in a cradle suspended on a birch. And he was not mistaken: the foster grandmother, the personification of the spirit of Altai, found and raised a child. Raising a liberator, she taught the boy: Don't strive for the khan's cattle Raid, seize by force, But think about how to return your native people to the Altai region. The purpose came true. The boy became the invincible hero Kogudey-Mergen. He destroyed Khan Kara-Kul and brought liberation to his people. But there was still a people who had previously been subject to the murdered khan and were anxiously asking about their fate. The answer of Kogyudei - Mergen read: There can be no bad land, a person can be bad. You can live in peace By these mountains, by these rivers. If evil is gone forever, The water will be cleared in the rivers. And in gratitude for the labors, the Earth will give you fruits. Needless to say, if all people learned the wisdom of life from the Altai legends, then a good half of the problems that humanity suffers from today would simply not arise. The pastoral, agricultural type of the economy of the Altaians determined the nature, content and form of all types of folk art, including drama (elements of rituals, games, verbal and musical
folklore). These are various actions and oral poetic works that accompany household and household ceremonies, wedding and funeral rituals, the holidays “Chaga Bayram”, “Jylgayak”, “Sary Bur”, “Jzhyl Bur”, game songs, the art of performers: singers, improvisers, storytellers - epic kaichi, shamans, storytellers. The song is the soul of the people. And in storytelling, and in folk song, and in folk holidays there is an enduring feature - the worship of their land, Altai. Inseparable bond people and their land is sung in all prayerful wishes, songs and legends. With good wishes, the most kind, innermost feelings are expressed to Altai, the nature of Altai, the nurse. The praise of Altai, the expression of good wishes to him is directly related to respect and careful attitude to the richness of nature: With the Pole Star rising early in the morning, With the star Venus rising in the early evening, My sky with the Sun and the Moon, Give children a good life. Altai, spread out like a saddlecloth, His pass - bow, Sea with rolling waves, His ford - bow! In the Altai riddles, as in other genres of oral creativity of the people, certain periods and stages of development of society, its rituals and customs, life and economy, fauna and flora of the mountainous region. The language of folk riddles is rich in colorful expressions, the diversity and accuracy of poetic images: The golden staff flashed - the whole Altai started (lightning and thunder); A girth (rainbow) is stretched across the mountain; Foot in the ground, head in the sky (mountain); The envoy arrived from the king-ruler, all the people bow to him (wind and trees). With a slender gait, in shoes made of yellow cloth (roe deer), Red-eyed guys play on the mountain (black grouse). Researchers of the 20th century noted the fusion of the Altaian with nature (according to the definition of V. Radlov, the Altaian is a “child of nature”). These words are confirmed by the content of the well-known fairy tale "Yrystu". A boy named Yrystu calls his mother the lake of Altai, his father - the mountain. “The mountain feeds me with flower beds, the lake gives me water,” he says. The child of nature did not know sorrow and evil. In difficult moments of life, the owner of Altai comes to his aid in the form wise old man on a white horse, on the advice of which the boy Yrystu conquers evil. At the beginning of the 20th century, this fairy-tale world was described by Gurkin. G.I. in the work "The Lament of an Altaian in a Foreign Land". Altai and its mountains, valleys and its rivers became the main themes of the paintings of the outstanding artist Ch. Gurkin, as well as his successors.
We observe similar plots and motives in the works of all Altai poets and prose writers. In all folklore and written sources Altai is perceived as Spiritual Center, suggesting the unity of natural and cultural diversity. For us, cultural and natural wealth was, is and should be in eternal synthesis. According to the worldview of the Altaian, everything around had its owner. The spirit of Altai is eternal, omnipotent, holy and requires a special respectful attitude towards itself. It was difficult for an Altaian to renounce the customs and traditions of his ancestors, however, during the years of atheistic upbringing, he was forced to “disguise himself”, remaining a pantheist in his soul. In the 20-30s, poets, singing the beauty of the blue Altai, expressed their dissatisfaction with the destruction of harmony in nature. In this sense, the lines of G.A. Chagat-Stroev from the poem "Kara-Korum" again sound like the lament of an Altaian due to disharmony: The valleys are free, completely devastated lie, The high mountain was - Now trampled down, low. The river was deep - Now it is muddy, shallow. Altai poets remain pagans in their worldview: they revere fire, deify nature, worship the master of the Earth (the spirit of fire, mountains, rivers). Hence the motives of well-wishes, blessings of praise, hymn in the lyrics. (verses by S. Surazakov, B. Ukachin, P. Samyk, B. Bedyurov, S. Sartakova, B. Burmalov and others). Not only fire, but the whole nature of Altai remains a holy temple for many poets. In their works they praise the rituals and customs performed on the passes: tying a ribbon, sprinkling Altai with milk, treating the spirits of Altai. It is no coincidence that S. Surazakov in the poem “The Master of the Mountains” referred to such a custom: “On the tops of the mountains, do not speak, do not shout. Be silent as a stone, do not anger the owner of the mountain. Hence the verses of modern poets, deeply connected with the ritual action (poems by B. Ukachin "Good wishes", "Spell of a bear's head", "Prayer at the cedar", etc., B. Bedyurov "Blessing of the cedar", "Lamentation of the killed bear" , “On the language and customs of hunting”, etc., P. Samyk “Prayer to the spirit of Altai”, “Sun worshiper, etc.). The main thing that unites the Altai poets is a sincere desire to tell about their homeland, about their people, about inspired filial love for the Altai Mountains. L.V. Kokyshev is a singer of the Altai nature. Native nature taught the young poet purity and sublimity of feelings. Man in his poetry is only a part of nature, space: I woke up early in the dewy taiga. The needles in the cold rays bronzed. And next - in the tall, flowering grass -
The capercaillie love song was in full swing. And the ancient joy woke up in me, And I looked around the forest half-darkness So greedily, as if I had returned in a dream From a distant planet to my native Earth. In the verses of L. Kokyshev, a complete picture of the universe emerges. Love for the Motherland, for Altai is understood by him as salvation from all adversity. The children of the single mother nature are people, animals, plants, and the elemental forces of nature. The name of E. Palkin as a talented poet and prose writer and public figure is widely known in Gorny Altai and beyond. With his works, he invites readers to wonderful world beauty and kindness, into the world of true poetry. The main theme of Palkin's lyrics is the native land and its people, as evidenced by his collections of poems: "New Man", "New Time", "Morning of the Motherland", etc. The poet is sensitive to natural phenomena, attentive to the fauna and flora of Altai, ahead of his time , asks the question: “Several centuries will pass, will Altai remain the same primordial?” (poem "Altai"). His lyrical hero is worried about the future, feels his responsibility to the time: Like a blue wolf whines, My soul sings bitterly, Without guilt, feeling guilty, We live on this earth. The poet's plot verses reveal dramatic events ("Two swans", "Cranes", "Deer with black eyes", etc.). So the poet empathizes with the loss of the swan's partner, shot by poachers. The image of a swan embodies the ideal of beauty and tenderness. A gray bird, a poplar tree, a white road covered with snow are sad along with the lyrical hero. In the collection “Such a Custom”, he told the reader about the blue Altai, the unique beauties of its nature, about courageous and kind, hospitable and humble people- shepherds, about their countrymen. The reader learns from the poet's book about the ancient customs and traditions of the Altai people, spiritual generosity, fidelity in friendship. Whatever the poet writes about in his poems, he is always true to his calling - to tell the truth. Here is a golden eagle sitting on an ancient burial mound. But right next to it, a powerful tractor turns over the layers of this ancient land: ... Enchanted, I peer into the distance, Where the barrows sleep - no one will wake them, - Where, with carved drawings, Stones stand proudly, strict, high, like people. Communication with time, with painful points of the planet, thoughts about the native people, their fate, how to make life more beautiful and richer - these thoughts permeate all subsequent poetic works of Palkin: bright, like me in my native Altai. I wish that for everyone. I sing about that.
A. Adarov's contribution to the Altai poetry lies in a deep understanding of the history of his people, their culture and traditions. His poetry is what was born under the stars of the Altai Mountains, streaming their light over the passes. Adarov has a poem "My Altai". It is about the origins of everything dear to him, about his homeland, about the blue expanses ... My beloved Altai! Strings of mountains And boundless blue expanse. Let us preserve forever the bright forests, Tender rivers, bird voices.... And as long as the blood flows in the veins, May love for the Motherland never cease! The image of the Altai Mountains is drawn in inseparable connection with the Motherland and world culture: When I say: “Oh my Altai!” - The echo returns to me: “My altar”. When a tear flashes in my eyes, bright, I see you in the distance, Ulala .... From history - to myself, from myself to the history of my people, such is the ideal of the poet's creative work: I am a valley, all the winds whipped me, I am a taiga, all the snow covered me. I am an Altaian, people, I am the owner of valleys and ridges, There are scars in my heart From countless arrows and blades. Cedar is the most revered tree of the Altai people. The image of the cedar is not new. It is in the works of many poets and writers, but in Adarov's poems it is perceived as fresh: Our centennial cedars are dying, Altai heroes are dying. Warriors fall with a pierced heart. There's another one collapsed, look! Is it resin? No, these are tears on the ground oozing like a stream of life.... In the preface to the collection "The Fate of the Native Land" Adarov writes: "The main thing in my poems is thinking about the fate of my land, people." The native land always remains a support for the Altai poets - they begin the comprehension of their high time from it, they have rooted to it with their hearts. Native nature, the feeling of the native land is the basis, it is always present in their poems. The nature of the Altai Mountains entered the poetry of B. Ukachin both as a philosophical concept and as an aesthetic reality. In the work of Ukachin, the theme of nature has become social.
I, the hunter Adnay, the son of Tuymesh, Growing up in the protected mountains, I swear, I never sought to exterminate all the animals of Altai. And a bear with the intent to kill I have never pursued! (“Spell of a bear's head”) In many works, the concept of the unity of the past, present and future in the spiritual life of the people can be traced: The world of nature is disinterested, It gives free of charge Shadow and rustle of juicy leaves, Fertile drops ringing. The natural world has not changed. In breadth and kindness, Pure, innocent, frank, Like a spring in the earth's layer. He is connected with mutual love with the mind of people: Bread and salt, wine for the feast - Take everything, and eat, and drink. But, nature's guest, drunk, Do not burn the house of the hostess! Even in generosity there is a measure And there is an end to patience. Uncalculated and unconcealed, Seen in depth, boundless upwards, The world of nature is defenseless- Remember this, man! The artistic worldview of the Altai poets consists of different categories: ethics and aesthetics, science and religion, history, philosophy, etc. On the whole, it is the relation of man to nature, society, the universe, and, finally, to himself.
Emilia KHOMICH
A Look at Alta's Children's Literature th region.
Children's literature of Altai-this is not a myth, but a reality: it cannot be ignored. The "literary childhood" of the region, quite prosperous in terms of creativity, has a predominantly folklore matrix. For some writers, folklore is the basis of creativity; other-they assimilate it as an element of style, and someone experiences the indirect influence of folklore on the rhythmic organization of the verse. Folklore largely predetermined discoveries and new ways of organizing poetic material.
Considering modern tendencies regional children's poetry, it is impossible to bypass its masters: Vasily Nechunaev and Valentina Novichikhina. Their experience and practice give rise to talk about the direction and the literary school. Not all authors of children's books must be aware of themselves as students of the Nechunaevo-Novichikha school, but every children's writer looks at the world with children's eyes, reflecting reality "from the height of a child's growth." This is how the childishness of the writer is manifested. A children's writer feels the rhythm of children's speech and knows the rules of the language game, masters the technique of stylization. "A game"- keyword children's book. That children's literature- playing field, both specialists and writers are unanimous.
The children's literature of Altai, following the "adult" in its best examples, has its own experience of mastering the children's consciousness. Each book by Nechunaev-Nechunaev's book. Any text by Novichikhina-text by Novichikhina. That is, the authors are recognizable both in the author's intonation, and in the sound imagery and aphorism of the language. Altai critic Vladimir Sokolov, among the merits of the children's poet Nechunaev, noted "a lively figurative language, deep penetration into child psychology and subtle humor understandable not only to children, but also to adults. Children's poet Valentina Novichikhina, using the technique of speech styling, changing speech masks, creates new sound and word- images. Each of the poets has his own chip, but children's writers have a certain commonality. Everyone creates his own literary image of childhood, but in each of them-dominant happiness. The paradigm of "happy childhood" came to children's literature and was entrenched in it during the period of Soviet classics. “Thank you for our happy childhood, dear country!”-the main declamation of the Soviet era. In this case happiness-category impersonal in the literal sense of the word, collective. It will be some time before the paradigm " happy childhood will cease to be a general rule for everyone. In modern children's literature, the formula "happy childhood" has a different interpretation.
In the 21st century, original artists, graphic artists and painters came to the children's literature of Altai: Olga Matushkina, Tamara Plotnikova, Larisa Ryabinina, Elena Abdullaeva, Elena Chernysh, Alexander Markin. The illustrations of the artists correspond to the high status of the "children's text", emphasize the aesthetic independence of each individual book. Each of them is an example of a positive artist, optimistic about the world and protecting the psyche of the child.
There is a category of authors who create the text "according to the waves of my memory." As a rule, these are writers who write for children from time to time, in the pauses of "adult" creativity. About myself, about my childhood-according to memoirs, those who, for some reason, for example, in an era of social upheaval, "hide in children's literature" usually write. There are plenty of such books in the circle of children's reading. They are informative, lyrically colored and addressed to children of the middle age. school age . Examples of retrospections can be found in the prose of Vladimir Bychkov, his bright texts are dedicated to friends and comrades of distant childhood. Quality literary texts no doubt, but the young average reader will prefer the book "about us and about now." IN modern book he can find a reason for identification, get to know his peers and, perhaps, find answers to "children's questions." In practice, it happens that works are defined as children's, but without the author's intention for a potential reader, it is difficult to stay in children's literature. A children's writer writes about childhood not from residual memories, for him childhood-not a time or period of life, but an immanent state of the soul. The phrase "children's writer" means a profession, but the word "children's"-the property is not so much from the profession as from above a given talent.
Taking into account all the advantages of children's literature of Altai, we note, however, the lack of plot poems and children's lyrics, as well as the absence of civil poetry and dramaturgy.
In the history of the issue, it is impossible not to recall Lev Quin, Viktor Sidorov, Anna Kiselyova-writers who brought back the adventure genre to teenagers. At one time, the Altai Robinsonade actively participated in the general literary overcoming of the varnishing of the reality of “happy childhood”. The writers acted as confidantes for their characters and wrote down their stories "with brief explanations and interpretations without a single drop of fiction". Books by talented writers are still in demand among readers today.
A review of texts read by teenagers shows a growing interest in the work of Vladimir Svintsov. The writer enriched the literature of Altai with the experience of adventure prose and animalistic poetics. Svintsov, based on local material, created a "school for the positive maturation of adolescents." The themes of hunting and fishing, the images of our smaller brothers in the writer's prose contain a huge therapeutic potential.
The health issue of young readers-one of the main in the new children's literature. Bibliotherapy activates the mechanism of repression of negative emotions positive energy. It turns out that literature can, if not treat, then prevent many childhood ailments, and it also “helps adults find the forgotten child in themselves” (©Marina Boroditskaya).
Today we can say that literature for children and adolescents appeared in Altai not as novelties as such, but as a result of new trends and as a product of a renewed tradition.
The new type of literature is represented by the following authors and books.
Olga Kolpakova "It's all for beauty".
The name of the writer Olga Kolpakova is known in different parts of Russia. Her books are usually addressed to the readership of primary and secondary school.age, however, they are also popular with other age groups of readers, moreover, they are double-addressed, adults read them with pleasure.
The story in the stories "It's all for beauty" confirms the status children's writer its author. Olga Kolpakova masterfully masters the techniques of conveying the originality of children's speech, perception and reflection of the surrounding world by the reader-child.
The text of the story is presented in accordance with the requirements for a children's book, it represents yourself a series of pictures replacing one after another, the installation of which creates a balance of the emotional and intellectual levels of the children's text. The movement of the text has a motivated character, the change of pictures is provided by the plot of the journey. The family travels by train to visit their grandparents in the village, which will be presented in the tradition of the “here is my village” theme. Tikhonya river, Babushkiny Gorki hills, butterflies and lungwort, lizards and grasshoppers, anthill and wasp nest, red rose hips-the natural world is brightly colored and discussed with a childish joy of acceptance. With childish surprise, the characters discover new sides of the natural world. Along the way, they get acquainted with the genealogy of their families. The game poetics of the family story is revealed in home games. They play word games, primitive people, play with magical cats and with a little sorceress. They eat poppy seed pies and drink magical drinks. Magical country, magical childhood. The real world and the fabulous world in artistic unity create the image of a small homeland.
Olga Kolpakova "Know work and don't be afraid!" .
The story of Mikhail Kalashnikov and his assault rifle
The book was created on local material and is dedicated to our fellow countryman, the famous designer Mikhail Timofeevich Kalashnikov. Topic selection-already patriotic in itself. The narration is sustained in a strict style, simple syntax prevails. The author "does not stick out": the facts speak for him. Perhaps we did not have such a book that educates readers on real events and real documents of the era, on real example. The story of an individual as an example of purposeful advancement in life, as a path to the realization of a dream. Dream of peace. Service to the Motherland. Personal growth. Self-discipline. Political literacy. All of the above-a worthy example to follow, first of all, the book will be of interest to boys of adolescence. The pedagogical problem is solved by the author without pathos and edification. Moderate didacticism does not reduce the height of educational potential, which, of course, distinguishes the story of how ordinary person created himself by cultivating devotion to ideals, strength of character and a responsible attitude to the cause of life-working on weapons. The man who created the legendary Soviet weapon becomes a legend himself. The targeting of teenagers is obvious and justified, but the book can also be recommended to readers of a “fair age”. Dual address-text quality indicator.
It should be noted that in some children's books, the design and reference and information support of the text is carefully carried out. Such books reinforce reading skills and develop the habit of reading.
EustasiaTarasawa"Golden Cat" .
The name is quite well-known among children's writers in Russia. Readers remember Eustasia Tarasava from her debut fairy tale story "Egorka and the Serpent Dobrynych".
Story-tale - this is how the author declares the genre of the new book, addressing it to a wide readership. Arguments of preference: firstly, the story is an adventure, and secondly, it is based on local material, the action takes place in the Altai region and the Altai mountains. In addition, this author likes to name two or three names of famous people in the region, which, on the one hand, increases the popularity of eminent people, on the other-emphasizes the authenticity of the events. Reliability is also strengthened by footnotes, references, references.-author's additions and author's lyrical digressions. The narrator is in love and conveys this feeling to his characters. The golden cat, or rather, its figurine, serves as a kind of amulet for travelers and has the peculiarity of turning into a living cat, suddenly appearing and also suddenly disappearing.
Starting from the tradition of regional classics, Eustasia Tarasava introduces gender changes into the well-known plot. Having given roles to girls, he changes the angle of view and the axiology of discoveries. Thus, the author not only focuses on Scythian motifs, but also proves to be an expert on food, clothing, ritual, and etiquette of the population of a particular area, which, of course, expands the functions of a children's book.
But, if we compare, the "Golden Cat", unlike "Kalashnikov", is a fiction book, a play book. It is not a fault of one or a virtue of another book. Both Yustasia Tarasava and Olga Kolpakova own literary devices know the peculiarities of child psychology and the requirements for publishing a children's book.
Eustasia Tarasava "We Wake Up"
The unusual story of Sanka Ivanov sends readers following the hero to the memory of their ancestors. For several nights in a row, the boy sees a soldier in a dream, as it turned out, his great-grandfather, and each time he has a dialogue with him. The book is very convincing in educational functions and modern in ways of emotional impact on readers, even adults who have read "We Wake Up" talk about the catharsis experienced. The themes of the unity of generations, traditions, memory and oblivion, heroism and civic duty, the safety of the family predict the reader's preferences.
Purpose of the book-the formation in young readers of morality and devotion to the ideal, the upbringing of love for the fatherland and loyalty to the main cause of life, serving the Motherland. And this is said by the general course of the narration not on the forehead, not under the drumming. Books worth reading-they can become life-changing for the reader.
Irina Tskhai "What are the children" .
The tales “How a bug was looking for her mother” and “The Brave Seed” are combined by the author into a book, the addressee of which is easily guessed. The book opens with the story "How a bug was looking for her mother." The motive is not new for children's literature, for example, take the story of a mammoth. The literary device is the same, the intonation varies. In the story with the bug, it is major, life-affirming. The search route expands the habitat of the insect and makes it possible to introduce it and readers to other inhabitants of the common space, and the reader gets the opportunity to discover the world of insects in a playful way.
The second part of the book "The Brave Seed", botanical, is addressed to older bookworms. The brave dandelion seed in flight sees all plants, including medicinal ones, which is what the general readership tells about.
Getting to know the world of plants closer, an inquisitive character learns all about the benefits of each plant. And he learns to “dig in” on his own in order to grow again. The unpretentious stories told by Irina Tskhai have an educational task, which the author and children-readers can easily cope with. The ironic reader, agreeing with the author that "it's good to be ladybug”, does not exclude the success of the book, since the author did not deceive him in aesthetic expectations.
Olga Kan "Wow - You!". Poetry
Most of the poems written in the first person are " baby text", which meets the requirements for it. First-person narration enhances the authenticity of the character's experiences and impressions, and supports the emotional background. Text-light, its lexemes implement the concept of goodness, truth and justice, for example, in the poems "Good morning!", "Carousel". The content of the text is accessible to the understanding of the addressee, who will also easily perceive the playful element of the verse. The main poetic mechanism-surprise reflex, discovery reflex: “I have two different eyes”, “Opening”, “Wow!”, “At Aunt Aglaya”. The author owns "children's questions", the role-playing technology of children's poems, is free both in dialogic and rhetorical constructions. Favorite form of poetry-question and answer. Emotional atmosphere, humor, health, author's maxims-all the advantages of the book guarantee the success of the reader.
ElenaBcalling "Little Girl's Big Adventure"
The author used a win-win plot move on which the intrigue of the fairy tale rests. One of the little bookworms tore out a page from the story of Little Red Riding Hood. The book was treated, the page was restored, but it soon turned out that a replacement had occurred: a page from another fairy tale was pasted into the book-about Puss in Boots. As a result of confusion in the text of the first tale, significant changes, which led to new plot twists.
The plot of the tale is dynamic, there are no lengthy descriptions, the emotional background, on the contrary, is present, and the psychology of the emotional relationships of the characters is revealed correctly. The paintings are predominantly visual, traditional images are generalized. The author's word is colored with good irony. The fabulous construction of the book allows, without tiring the attention of a small reader, to solve the issues of education and upbringing indirectly.
Elena Ozhych "Old Town"
The book is written in the form of a school essay. The fact that he is reading a school essay, the reader will learn at the very end of the book. The story is told in the first person by ninth-grader Maria Orlikova, she talks about a Sunday trip with the class to the Old Town. Since the narrator neglects analytics, the reader interprets and comments on the text on his own, working with symbols and studying ways of expressing the author's consciousness. exposing traditional genre internal renewal, the author declares the trend of genre synthesis: pedagogical fantasy, school story, children's dystopia, etc.
In the Old City, "until recently, everything was old, old: houses, shops, and factories." When everything began to fall apart, people began to leave the city. The city was left without people, it was repaired and old men and women were invited to resettle.
The city was repopulated, but this circumstance did not change life in it. The atmosphere of economical old age, when poverty is presented as modest behavior in everyday life, and modest desires-for simplicity of character and devotion to traditions. Poverty, dilapidation, moss-Everything looks and feels like normal. Costumed sightseers, dressed in moth-eaten trash, glue on beards and mustaches, put on glasses and wigs, on their feet cloaks, on their hands are gloves with cut-off fingers. Girls with purses, boys with crutches. After checking the compliance with the instructions, the border guard accepted the entrance fee and raised the barrier.
Old city - the territory of pensioners of the post-Soviet reality, recognizable in the soviet details of the object-thing world: a ticket, certificates, a queue, a tram conductor, worn wallets. theater of the absurd. "Museum under open sky with live exhibits! "It's cool!"-ninth-grader Ivashov will say, and Svetlana Robertovna will call the trip an "educational event." An isolated autonomous world where old people live according to a given pattern. “And so that young people do not forget about the elderly, we decided to make excursions to the Old City mandatory for schoolchildren, students and other citizens of working age.
Absurdity, paradoxes, parodic elements characterize the stylish pen of Elena Ozhych. A non-standard description, a special irrational view of the world, a denial of established rules and standards. Irony becomes in this case an instrument of vision. Underground pattern, challenge popular literature, a way of expressing the author's awareness of the post-Soviet space. Stylish item.
The text is well-made and literary. And at the same time, he is so poignant.
New for readers of all categories and all types of reading-Elena Ozhych "My father is a boy". The book convinces that such a sophisticated children's writer as Elena Ozhych will no longer be able to write badly. Therefore, we boldly read everything that comes out from under her stylish pen.
Anna Nikolskaya "Valya offline »
A short story for teenagers. It is easy to read, because it is written in a good literary language, professionally designed. Book of biblio-therapeutic orientation. Nikolskaya already had experience working with such a text.-"Across Zashkaf somersault." The author has knowledge of the psychology of a teenager, an understanding of the features of this nature and owns literary techniques in its creation. A well-chosen structural-narrative principle: main character tells his story from the height of another, already lived, time. The style of the story resembles diary entries, which corresponds to the genre laws of teenage prose and allows the author to be psychologically convincing. Modern readers can easily recognize themselves or their girlfriends among the characters, or maybe they will find answers to questions that for some reason they never ask adults. The reasons are not named, but they are obvious. The story is two-address: the reception of two worlds makes the adult reader think about difficult relationship parents with children. However, the threat of conflict is removed by the motive of a miracle, which, as you know, happens to those who believe in it. A very good book for teenagers. Anna Nikolskaya is extremely talented. Orchestra Writer. Always in search. Any detail, any object can become an occasion for a spontaneous plot, any original trend becomes a fact of her work.
Thus, the children's literature of the Altai Territory in its artistic understanding and professional performance declared itself quite brightly. Public attention to high-quality children's literature was attracted by competitions various levels, thanks to which readers could navigate in the choice of books. An important role was played by the regional competition for the publication literary works. The competition has been held since 2009 “for the purpose of state support for authors of literary works living in the Altai Territory and continuing the best traditions of Russian literature, fostering love for their native land and popularizing it cultural heritage, increasing the public prestige of literary creativity in the region. Thanks to such support, children's books by Vasily Nechunaev, Irina Tskhai, Yustasia Tarasava, Valentina Novichikhina, Olga Takmakova, Elena Ozhich, Lyuba Akimova, Elena Byzova, Sergey Matyushenko, Alexander Ostapov, Olga Kolpakova, Olga Kan were published.
Libraries of the region play an important role in supporting children's books in the Altai Territory. The initiators in organizing and holding events to attract public attention to the phenomenon of "literature in literature" are the Altai Regional Library named after A.I. V.Ya. Shishkov (AKUNB) and the Altai Regional Children's Library. N.K. Krupskaya (AKDB).
Unique, unparalleled among libraries in Russia, a publishing project for the production of children's fiction books in the series "Writers of the Altai Territory-children" was developed by the AKDB team. The implementation of this project allowed the libraries of the Altai Territory to have in their funds the best examples of children's local history books. The project is being implemented free of charge, the best illustrators and famous publishers of the Altai Territory take part in it.
Books published as part of the project:
Valentina Kryukova "Who arranged the hustle and bustle?" (2011);
"New Day" (2014);
Elena Ozhych "Stars found in the forest" (2011);
"For the Love of Art" (2013);
"Felted Boot" (2014);
Danil Rodionov "Behind the veil of a fairy tale" (2012);
Vasily Nechunaev "Larochkino Sea" (2013);
Valery Tikhonov "My Lukomorye" (2013);
Vladimir Bychkov "Horse" (2011);
Natalia Streltsova "Moon Cat" (2014);
Valentina Novichikhina "Forest Fair" (2014),
"The Adventures of the Green Frog" (2014),
"Forget-Me-Not" (2015);
Lydia Kalashnikova "The Box of Fairy Tales" (2014);
Nina Rodionova "Tales" (2014);
Vasily Shukshin "Distant winter evenings" (2014);
Olga Moskovka "The Magic Book" (2015).
Pride of the publishing project - collection of stories by V.M. Shukshin "Distant winter evenings", published thanks to the initiative and support of the Governor of the Altai Territory A.B. Karlin to the 85th anniversary of the great fellow countryman, was recognized as the winner of the competition " Best Book Altai - 2014" in the nomination "The best book for children".Altai writers become laureates and diploma winners of literary competitions held outside the region. So, only 2011 brought several victories: diploma winners of the Fourth International Competition for Children's and Youth Literature. A.N. Tolstoy (2011-2012) were: Anna Nikolskaya in the nomination "Prose for Children", Sergey Buzmakov in the nomination "Fiction Prose for Youth" and Konstantin Filatov in the nomination " educational book for the youth." Elena Ozhych
-Diploma of the International Literary Competition. Vladislav Krapivin. Vladislav Pasechnik won one of the main Russian literary awards given to young writers- Award "Debut - 2011" in the nomination "Large Prose" for the historical story "Mode". This story is abridged children's version shortlisted for the first season All-Russian competition for the best work for children and youth "Kniguru". In 2016, the story of Eustasia Tarasava "We Wake Up" was awarded International Competition fairy tales for children "Tales of the Magic Lotus". The tale of the famous mouse by Irina Tskhai was awarded the Grand Prix of the V International Competition "New Tales- 2015".The main achievement of modern children's literature of Altai is that it has a reader's resonance.
Khomich, Emily. A look at the children's literature of the Altai Territory / Emilia Petrovna Khomich // Altai. - 2016. - June (No. 1). - S. 167-173.
Every person should have a feeling of love for his country, for his Motherland, for his land. Everyone should love their homeland and be proud that he has it.
A small homeland is what gives us wings of inspiration for life. Our small homeland- Altai, a wonderful, fertile land. The land of snowy mountains and golden fields, free steppes and flowering gardens. A land where wonderful people live: grain growers and livestock breeders, factory and factory workers, doctors and teachers, scientists and athletes, artists and musicians.
This presentation introduces the poets and writers who were born in the Altai Territory and dedicated their works to it.
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Altai Territory - 75 years
Altai is bright birch groves, cool pine forests, river floods, deep lakes, golden wheat fields, mysterious forests and ravines, majestic mountains. But the main wealth of the Altai Territory is the talented people living here.
Poets and writers of Altai
Literary Altai
Writer Eduard Prutkovsky was born in the village of Voloty, Minsk region. He came to Altai in 1973. Since 1990, he has been the head of the department of internal affairs of the Sovietsky district of the Altai Territory. Police lieutenant colonel, writer. Laureate of the magazine "Altai", winner of the literary awards of the Ministry of Internal Affairs of the Russian Federation "For the creation of highly artistic works about the police" (1995, 1996, 1998), the Central Internal Affairs Directorate of the Altai Territory for the book "Cry of the Stork" (2004). Twice award winner. V.M. Shukshin. Author of the books "Justification of Honor" (2000), "Tales" (2002). He was awarded the medal "200 years of the Ministry of Internal Affairs of the Russian Federation (2004). Member of the Writers' Union of Russia since 1995. Lived, worked, wrote books and died in the village of Sovetskoye, Soviet District.
Rozhdestvensky Robert Ivanovich (1932 - 1994) ( real name- Petkevich) - Russian poet, publicist. Born on June 20, 1932 in the village of Kosikha, a district center in Altai. In 1952, Rozhdestvensky's poems were published in the Smena magazine, and somewhat later appeared in other central publications. Rozhdestvensky's first book of poems, Flags of Spring, was published in 1955 in Petrozavodsk, and a year later, the second collection, Test, was published in Moscow. In total, there are more than seventy collections of poetry by Robert Rozhdestvensky.
Poet Stanislav Yanenko was born in Barnaul in 1947. Graduated from the Faculty of Journalism of Irkutsk state institution. Author of four poetry books: "September" (1977), "Tomorrow's Memory" (1983), "Before the Frosts" (1987), "I am a Fighter" (1989). The fifth book, Feelings of Guilt and Love, was published by the August Literary Fund (1993). In 1999, Yanenko's works were included in the anthology Russian Poetry. XX century". March 2, 1990 Stanislav Yanenko died. He was buried at the Chernitsky cemetery in Barnaul.
The poet Vladimir Kazakov was born on May 14, 1939 in the village of Anisimov, Talmensky District, Altai Territory. In 1968 he entered, and in 1974 he graduated from the Literary Institute. A. M. Gorky at the Union of Writers of the USSR. In 1978 he participated in the work of the second All-Russian meeting of young writers. Then he was recommended, and in March 1981 he was admitted to the Union of Writers of the USSR. By that time, books of his poems were published in the Altai book publishing house: Wormwood Grass (1967), Snowstorm City (1970), First Love (1976) and Summer Field (1979). In subsequent years, the following works saw the light of day: “Memory of sadness”, “A person lives in pain of the heart”, “Bird cherry flame”, “Brother, hello” and “Viburnum bush”.
The poet Leonid Merzlikin was born in the village of Beloyarsky, Pervomaisky District, Altai Territory. He graduated from school in the village of Troitskoye, served in the army, worked in the Kalman regional newspaper. The first poems were published in 1950 in the regional youth newspaper. In 1959 he entered the Literary Institute. Gorky, who graduated in 1964. At the same time in Moscow, in the publishing house "Young Guard", the first poetry collection "Kupava" (1963) was published. Author of 12 poetry books, including "Russia" (1965), "Taisya" (1967), "Ivushka" (1973), "Prosek" (1981), "Winter Rose" (1987), "The dawn is burning" (1990 ). The collection "Selected" was published posthumously. Laureate of the All-Russian Literary Prize. V. M. Shukshin (1990), the municipal award of Barnaul. He died and was buried in Beloyarsk.
Mark Yudalevich was born in Siberia. Graduated high school in Barnaul in 1936, until August 1941 he taught literature at the Omsk Pedagogical Institute. Member of the Great Patriotic War. Author of more than 50 books published in Barnaul, Tomsk, Novosibirsk, Moscow. Works in different genres, studies the history of Siberia and Altai, writes in historical theme(the poem "Molchana", the story "The Fifth Year", the play "So the Truth Was Obtained", the novel "The Admiral's Hour"). Yudalevich's plays were staged on the stages of a number of theaters in the country: "The Blue Lady", "Difficult Age", "Years, Love" .
Mikhail Uspensky was born in 1950 in Barnaul, Altai Territory. He lived in various cities of Siberia, began to publish in 1967 (poetry). Uspensky began to write stories in 1978. They were published in the local press, in the newspapers Moskovsky Komsomolets, Literary Russia”, “Literary newspaper”, magazines “Change”, “Youth”, “Spark”. In 1988, the Krasnoyarsk book publishing house published a collection of short stories "The Evil Eye". In 1990, the publishing house of the Ogonyok magazine published the collection “From the Stories of Semyon Koryabeda”. Later it was published in the collections "Museum of Man" and "The Invisible Man" by the publishing house "Text". In 1995, the collection "Where We Are Not" appeared, it included a novel and two stories.
Writer Kudinov Ivan Pavlovich was born on January 19, 1932 in the village of Krasnye Orly, Zalesovsky district, Altai Territory. His first book - a collection of short stories "Flowers on the Stones" - was published in 1961. The story “The Weather Will Change Tomorrow”, the stories “Coral Stone”, “Fedkin Carriage” published in the magazine “Yunost” aroused wide readership. "Attempt". The last story entered the library "Young Prose of Siberia", and also published by the Hungarian publishing house "Europe". I.P. Kudinov - the owner of many literary awards: the V.M. Shukshin Prize - 1997, "For the Best Book of the Year" - 2001, the honorary diploma "Property of Siberia", 2005 - the "Best Book of the Year" award for the book "Apple of Newton", 2006 - medals "100th anniversary of the birth of Mikhail Sholokhov", in the same year Certificate of honor Board of the Writers' Union of Russia. In 2007, Ivan Pavlovich Kudinov became the winner of the regional literary award "Singer of the Native Land" for the book "Last Love".
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Altai land is rich talented people. Be one of them...
