Step by step drawing lessons. What you need to know to learn to draw

05.04.2019

Who among us has not dreamed of becoming an artist at least once? Especially in childhood, many of us wanted to learn how to draw beautifully, and maybe even paint real pictures. But, as often happens, dreams were shattered by a banal lack of skills. Either due to a change of interests, or because of ordinary laziness, many lacked the desire and patience to continue developing in this direction.

So how to learn to draw with a pencil for beginners?

Like any creative occupation, the art of drawing contains many subtleties and helps to reveal to its owner not only creative potential, but also to realize their worldview in a beautiful form. These subtleties will be discussed further.

Stages and principles of training

Often, in order to fully learn how to draw, they resort to step by step learning and practice of drawing various compositions different plan. There is quite a big difference, if you are, for example, trying to draw a person, or trying to realize some kind of landscape on paper. That is why in this case it is very important to master the skills of drawing a variety of objects.

Another basic principle in teaching drawing is regularity. It is practice that is the decisive factor in the development of drawing skills. It would not be bad to make yourself a specific schedule for the week, according to which, at least 20 minutes a day, you could devote this lesson. From this it follows that you also need to show some patience in such training.

What is needed to get started?

So, first of all, find yourself notebook with fairly large leaves. There should be at least 50 sheets. The second item in your preparation should be the choice pencil taste. There are a great many pencils, so in your case the best choice will be the one you are used to using. For example, it can be a pencil with a soft lead. Naturally, a little later, one way or another, you will have to buy necessary pencils to improve the quality of your work.

Get yourself a calendar too. Where you will celebrate not only the schedule of classes, but also your successes. At first, you will have to force yourself to strictly follow the schedule, but over time it will become part of your lifestyle and will bring great pleasure.

Try to picture something on the first page. Do not worry about high quality drawing. Through certain time, you'll open a notepad on the first page and be surprised at the difference between how it was and what has changed.

Basics

Many people think that drawing is a skill that depends only on natural talent, so they easily find excuses for themselves in the “not given” or “not working” format. But the point is not only in talents, but also in acquired skills. A person who can draw well without knowing the basic principles is a rare exception. Every business needs to be learned. Therefore, further we will consider the basic laws and techniques of drawing.

There are 9 basic laws of drawing, having learned which you will learn how to draw on a pretty high level. Let's discuss them.

  • The law of perspective. Objects that the author wants to visually bring closer are distorted in such a way that one part of it seems closer than another part of it.
  • Location of items. Objects that are at the bottom of the sheet appear much closer than the rest.
  • size law. The object in the picture, which, according to the author's intention, should be located closer, should, accordingly, look larger than those that are further away.
  • overlap law. An object that is in front of another becomes visually closer to us.
  • Law of penumbra. The conditionally unlit part of the object, which is located on the opposite side of the light source, should be darker.
  • Shadow law. To make the drawn object seem voluminous, you need to add a casting shadow to it, also strictly on reverse side from a light source.
  • The law of contours. It is necessary to accentuate the contours of rounded objects to give them depth.
  • Horizon law. The case when the horizon is drawn so that the depicted objects appear at different distances from the observer.
  • The law of density. To make it seem that objects are at different distances, it is also necessary to draw near objects in more detail and distant objects in less detail.

Using these 9 basic laws in practice, it will not be difficult for you to switch to new level in drawing.

Also, in order to avoid simple mistakes, a beginner needs to follow a few milestones when sketching a drawing. Here they are:

Drawing from simple to complex

More or less known fact that drawing drawing is different. First of all, it means that drawing a person is far from the same as drawing, say, a tree. Different things require for a perfect performance different approaches. That is why we will further consider in detail the technique of drawing various compositions.

Don't take it right away complex compositions. Because in the science of drawing, the attitude with which you start working is very important. If you immediately took complex pattern, and you didn’t succeed, then a bad mood is guaranteed to you. You may even lose the desire to pick up a pencil for good. Therefore, in our training, we will go from simple to complex, gradually learning new drawing techniques. Let's start simple.

Draw geometric shapes

Since looking for suitable layouts geometric shapes will be quite a long time, we will be based on our imagination. For convenience, you can even download ready-made pictures of various geometric shapes from the Internet.

Cube

Let's draw a cube. Take this picture as a base:

Repeat all the faces and sides of the geometric figure. Do not forget that the back wall of the cube is proportionally smaller than the front. Now let's pay attention to the shadow.

Imagine that the light source is in front. This will make the front of the cube lighter and the sides darker. Shade the sides. Highlight the lines of the front corner with a pencil, and leave the rest thin. It will collect all the attention of the observer.

To make the figure unique, you can slightly distort the proportions. So we end up with something like this.

Cylinder

Draw a plane on which your figure will be located. It should not be in the air, because the shadow should fall on something. Find on this plane perfect place to locate the center axis of your cylinder. Swipe from this point vertical line straight up. Draw ellipses around both ends of this line. Connect the lower and upper ellipses with the same vertical lines. The sketch is almost ready. For convenience, you can add a couple of auxiliary lines. For example, in front, such a line can mark the border of the shadow. Draw a shadow outline on the horizontal plane where your shape is located. The result should be something like this:

When we're done with the frame, it's time shade the main parts of our figure. Again, given that the light should be in the exact opposite direction from the shadow, we mark by eye where the highlight will be. It is also worth considering that the glare on the cylinder will not form a spot, but a vertical stripe. Stroke more dark shade the area from the shadow line to the back border of the cylinder. Lubricate the hatching border to make the transition smooth. We shade the very shadow of the figure. Leave the top of the cylinder light.

Draw a sphere

Let's try to depict one of the basic geometric shapes, on the basis of which more complex objects will be drawn in the future. This figure is a sphere. She draws even easier than the rest. You need to draw a circle. Further, from the edges of this circle, you need to draw a few more concentric circles inside this figure. These circles may not be perfectly regular, in fact, they may take the form of an ellipse.

They will serve us in order to properly hatch. Refer to the picture below.

Shade the circles as shown. Draw another ellipse on the main plane. Shade this ellipse too to create a shadow. The sphere is ready.

Exercise

Try using the sphere drawing skill to draw more complex compositions, such as a plum. Notice what changes happened to the shadow? What happened in the end?

Answer

Shadow and light have changed places. As a result, the berry acquired the illusion of transparency.

So, we found out that drawing geometric shapes is not such a difficult task.

Based on a basic knowledge of geometry and the skill of drawing such shapes, you can create more complex compositions with their help.

Drawing utensils

The next most difficult step in pencil drawing is drawing dishes. Wherein main difficulty lies more in correct placement shadows, both on the subject and around it.

Let's draw simple vase. It will be great if you find good example which you can study in advance.

At the very beginning, we need to designate the parameters of the subject using straight lines. Draw a small horizontal line at the bottom of the sheet. This line will be the bottom of our vase. From the center of the horizontal line, perpendicular to it, draw a vertical line. This line will indicate the height of the object. Draw another horizontal line at the top of the vertical one. If something is not clear to you, refer to the figure below:

As we can see, we will need another horizontal line marking the narrow neck of the vase. Draw her. Next, you need to draw ellipses with centers coinciding with the points of intersection of the vertical and horizontal lines. They are needed in order to give volume to the vase.

The next step is to draw the outline of the subject. For example, it could be like this:

The final step will be the drawing of light and shadows. This is done in the same way as with geometric shapes. Simply, first you need to decide what underlies each part of the object, a sphere, a cylinder, a cone or a cube.

Try to ensure that the outline of your vase is symmetrical on both sides.

Draw a cup

First, according to the proven method, we need to draw a vertical and horizontal lines. This time, the base of the cup will be much smaller than its mouth, and not the same. Draw ellipses for the top and bottom.

Plants

Unlike geometric figures and dishes, drawing various plants is a more difficult task than it might seem at the beginning. For example, unlike relatively simple objects, in the case of flowers, bushes, trees and many others, it is better to always have a living example in front of your eyes. It is very difficult to accurately imagine so many different details and correctly display them on paper. Or it can be a finished image of the original. With the degree of detail in the drawing, it is important to resolve the issue at the very beginning. After all, it can be as simple as possible, or vice versa, contain a large number of details.

Drawings by degree of detail:

Let's start drawing.

Make an initial sketch of your composition. If this is not one flower, but several, depict them so that the stems are slightly curved, and the buds look in different sides. Do not make all the lines perfectly correct.

One of the most interesting things is that the initial sketch can consist of geometric shapes, albeit a little distorted. Take a closer look.

What do you see? The picture contains at least a circle, ovals, a cylinder, a distorted rhombus and cones. This tells us that sometimes, even complex images at the initial stage can be drawn using simple shapes.

Start drawing details. Draw the petals and add irregularities to the petals. Add leaves to the composition. Focus on the original.

A tulip flower usually has about 6-7 petals that partially overlap each other.

If you pay attention, then note that the thickness of the stems along the entire length is the same. The leaves are long, with a sharp end, curved. The leaves wrap around the stem. Also pay attention to attaching the stem to the bud. This is noticeable on a flower turned back.

The final step is to add light and shadow. With light strokes, make more shaded areas inside the flower, as well as on the inside of the leaves. Places where the petals intersect can also be slightly shaded. This will give the petals a translucent effect. Draw the stamens. They can be emphasized with a darker color.

As you can see from the last lesson, creating a simple composition is not a problem if you know the basic basics of drawing, from simple to complex.

Draw an oak

Trees are often integral part different complex pictures. For example, these can be landscapes where numerous trees echo images of animals, which will be discussed later.

Take hard pencil. It will be needed in order to draw very weakly general sketch tree. We will, as always, go from the general to the details.

Draw a tree trunk. Since we are drawing an oak, it must be thick. Draw branches from the tree trunk.

Add some leaf clouds inside the crown. It is necessary to leave empty areas on purpose so that some branches are visible.

Thicken the branches where they are not covered by leaves.

Start applying basic shadows. Before doing this, think about which side the light will fall on and how parts can be further shaded.

Draw the leaves. Add details to them and distribute the shadows correctly. Highlight a few leaves throughout the crown. This is to add volume to the picture. Oak is ready!

In the final image, it is not necessary to draw every leaf. You can simply thicken the contours of the leaves.

there are answers to all these questions. Here are the basics, where to start painting. Follow these tips, do the exercises and you will no longer be afraid of a clean slate. You'll get necessary knowledge and basic skills. Painting will become closer, clearer and will deliver a lot of pleasure.

Part 1. Preparatory

1. Find an inspiring object to draw

It happens that you have already prepared everything, but you cannot find an object that would inspire you. This should be taken care of in advance. Something interesting must have been lying around in cupboards and drawers. Look for items at sales, consignment and grocery stores. Study the paintings of your favorite artists.

The collection should include objects that are pleasant to look at: this is important for creating a successful work.

Interest in color and form will motivate you in the process of working on the picture. There is a connection between feelings for an object and the ability to reveal one's abilities. You can do more than you think.

For the first picture, a simple one-color symmetrical vessel, such as an ordinary coffee cup, will do. Illustration from the book

2. Get familiar with brushes and paints

Take a soft round and bristle brush in your hands and compare their pile. Squeeze a little on the palette acrylic paint from a tube. Try applying undiluted paint with different brushes to canvas or watercolor paper. strokes should be bright and embossed. Feel the difference in strokes with different brushes. Add some water and apply the strokes again. The average consistency of the paint has the same color intensity as undiluted, but its texture is smoothed out. And do this exercise again with weak solution paints. Note how quickly the paints dry the first, second, and third times.


Illustration from the book

Try to apply paint with different brushes - oval soft, synthetic thin, bristly flat. Try each brush until you're sure you know which brush to use to complete your design.


Illustration from the book

3. Useful palette tricks

The colors in the paintings that we see are usually obtained by mixing: the pure color from the tube is usually too intense. These tricks will make it easier for you to get the right color.

  1. 1Squeeze out the paint from the tube to the edge of the palette, leaving a space between the colors. Use the center of the palette for blending. Keep batches far apart to prevent unwanted mixing.
  2. Pick up a pure color on the brush from the edge of the palette, and not from above and not from the middle of the extruded “sausage”.
  3. Intensive dark colors, such as black (although it is not considered a color scientifically), add with care: even a small amount of it can significantly change the color being mixed.
  4. You need to mix the colors with each other until the batch becomes completely homogeneous.
  5. Don't skimp on the paint. Squeeze out as much as you need - usually this is a circle the size of a ruble coin (for white - with a five-ruble coin). Paint consumption is an integral part of the painting process. If you save too much, you will never learn how to use paint.

4. Learn to get neutral colors

In any picture there are neutral colors - "visually gray". Due to their low intensity, they are invisible at first glance, but this is the most useful tool for creating a harmonious color composition. Let's see how to achieve this.

Mix blue and orange in any proportion. Now let's try to change the color temperature due to the proportional ratio of warm and cold colors in the mixture. If the result is more purple, try making it rusty by adding more orange paint and then white for a lighter peach color. If a rusty color is formed in the first step, add blue to make a cool color close to purple, and then white to make a light purple-gray.

Repeat previous steps for another pair additional colors- yellow and purple, red and green.


Pairs of complementary colors are connected by short vertical strokes. The colors of each pair are mixed together to produce two neutral colors, each dominated by one of the parent colors, located to the right of the respective parent. Illustration from the book

5. Primary, secondary and tertiary colors

Draw a circle, then break it into three identical sectors. Paint the upper sector with medium cadmium yellow, the lower right sector with ultramarine blue, and then mix the main red from raspberry naphthol and light cadmium red and paint over the lower left sector with it.

On the color wheel from the primary colors, draw semicircles centered at the intersection of the boundaries of the sector with the outer contour color wheel. Fill in these semicircles with secondary colors, positioned above the "parents": cadmium red light above the border between red and yellow, violet dioxazine above the border between red and blue. Add yellow to the green FC and paint a green semicircle over the border between yellow and blue.

The main color, when mixed with the adjacent secondary, gives the tertiary. Add one triangle on each side of the semicircle, for a total of six. Color each triangle based on the labels.


Primary, secondary and tertiary colors. Illustration from the book

Part 2. Drawing

6. Start with abstractions

Abstraction is a fun and easy way to prepare for a realistic piece. It is important to choose 3-4 colors that you like to feel emotional connection with a picture. Draw over the entire surface of the sheet with a simple pencil continuous angular or rounded line. It may overlap several times.

Paint over the shapes in the drawing with the colors and shades, paint consistency and brush that you like. Listen to your inner voice. the main task- do as you like, forgetting about everything else.


Illustration from the book

7. Smears scheme

Beginners are often unsure how to apply strokes. In the figure, the arrows show the direction that will help to achieve a good depth of the depicted space using the example of a mug.


The scheme of strokes and the result. Illustration from the book

8. How to apply shadow

Shadows play a key role in creating a three-dimensional image: they must first be learned to see and write. There are four types of shadows in total:

  • Own shadows located on objects. These are areas of dark tone that contrast with the illuminated parts of the depicted form. They usually have a sharp border on the outer contour and a smooth transition on the border with areas of light tone of the object. They own the main role in creating volume.
  • Halftone areas- narrow, with a soft contour, located on the border between its own shadow and the illuminated area of ​​the object. These shadows are in the middle tone between contrasting dark and light colors object.
  • Falling shadows- the silhouettes of the object, "fallen" or thrown by it on any surface, except for itself. They give the impression that the object is on some surface.
  • T eni at the point of contact- the darkest area of ​​the drop shadow lying next to the object. They are responsible for the "stability" and mass of the object. These shadows are also called accent - the darkest area among the dark tones. The accent is the dark counterpart of the highlight, the lightest area of ​​the highlights.

To draw a shadow, put black paint or a paint that is darker than the main color. And in the second step, cover this darkened area with the main color. The black color in the halftone should show through under the new layer of paint, creating a colored shadow. If you want to make the shadow darker, apply more black from the sharp edge of the shadow and blend with the color at the midtone.


Shadow on the example of a cylinder. Illustration from the book

9. How to apply highlights

To create a realistic highlight, use a dry brush with white to mark the lightest area on the subject as many times as necessary for sufficient brightness. In the middle of the highlight, put a small smear of thick paint for more brightness.


Two examples of overlay highlights. Illustration from the book

10. Paint pictures in your mind

Pursuing daily affairs, paint pictures in your imagination. Mentally look for a match between the surfaces and textures you see around you and the way you work with the brush and apply paint.

Many beginners do not know how to start learning to draw. The Internet is full of open materials that are confusing. Also, people, as a rule, have a fear of failure and doubts about their talent. Today, I am based on own experience I'll tell you how to learn to draw from scratch.

First of all, I must say that it's never too late to start painting, there are many successful and talented artists who took the brush in their hands for the first time already in adulthood. Of course, it is easier to teach children anything, including drawing. But, if in your childhood acquaintance with painting was limited to art lessons in the third grade, then it does not matter! You can start in your 20s, 30s or 50s.

But where to start?

Drawing is a creative and rather time-consuming process, so do not expect masterpieces from yourself in the second lesson, but be patient.

First step- sketching from pictures, photos, video lessons. Yeah, that's not really what they do art schools and yes, the basics academic drawing you will not study, because you can do it yourself without help professional educators almost impossible, and not necessary. Your hand is completely unaccustomed to a pencil, you still do not know the proportions and shapes of objects. Drawing various objects from a photo will help you fill your hand and understand the construction of objects.

To successfully pass this stage, you need to forget what exactly you are drawing. If there is a chair in front of you in the picture, do not think that you are drawing a chair, but simply copy the lines, shadows. Thus, your right hemisphere, which you now need much more than the left one. And yet, do not try to finish the picture in "one sitting", take breaks in work. When your drawings have become more or less "edible", you can move on to drawing by, where you draw in parallel with the video.

Second phase- sketches from nature. You are not yet ready for large-scale work with nature, but start sketching, draw everything that you see around. Pay attention to the proportions of the object and its location in space. Yes, you are not doing very well yet, but look at your first works. You will definitely see progress! In parallel with the sketches, continue drawing from pictures, photos and video tutorials. In principle, here it is the beginning, nothing complicated, just work and patience.

Now let's analyze 6 major mistakes, which beginners often admit.

  1. Buying too expensive materials. This is how psychology works, that on paper for 3,000 rubles you are supposedly obliged to do something worthwhile and you have no right to make a mistake. Such a completely natural attitude gives rise to a fear of drawing, so we do not buy the entire assortment of an art store.
  2. Painful perception of criticism. Most likely, you will post your work on social media. network, where you will find a million angry critics, but do not take anyone's words to heart. Pay attention only to constructive criticism of the case, and ignore insults and unpleasant statements about your work.
  3. Desire to embrace the immensity. Yes, I understand that you already want to draw views native village or a portrait of a beloved brother, but take your time. Taking on things that are too difficult for you, you will only be upset and disappointed in your abilities. Everything has its time.
  4. Reading books on drawing. It seems that books can contain bad things? If you have just started learning to draw, then you do not yet have the knowledge base for all these books on color perception or anatomy to help you. These books are for students. art academies and not for beginners.
  5. Rare or irregular drawing. Here everything is the same as in sports, for 10 minutes a day you will not achieve anything, draw at least 1-2 hours a day. And if you give up drawing for a week or a month, you will lose shape and feel how naughty your fingers have become.
  6. Fear of new materials. On early stages drawing, your main material will be a simple pencil, but do not be afraid to draw with pens, paints, markers, etc. If the opportunity to work with some new material is given, do not miss it.

Create, work hard, and everything will work out.

Since you got here, it means that you believe at least a little that you can learn to draw. And indeed it is! Even if you drew just a little, didn’t draw at all, or doubt your abilities, find a simple pencil and 20 minutes a day- and in a month you will learn how to create amazing images.

The hardest part is getting started

To learn how to draw, a person first needs to just start. You need to push him so that he picks up a pencil and begins to draw lines on a blank sheet of paper. Many people think that Blank sheet paperwork is a problem that only talented artist. In fact, having mastered it, you will gain enough self-confidence to enjoy drawing.

After completing this course, in thirty days you will get first creative success, get an incentive to constantly practice, build confidence in yourself and keep your interest in drawing for life.


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