Biography of Tolstoy personal life. Lev Nikolaevich Tolstoy

19.02.2019

Lev Nikolayevich Tolstoy- an outstanding Russian prose writer, playwright and public figure. Born August 28 (September 9), 1828 in the estate Yasnaya Polyana Tula region. On the maternal side, the writer belonged to the eminent family of the Volkonsky princes, and on the paternal side, to the ancient family of the Counts Tolstoy. Great-great-grandfather, great-grandfather, grandfather and father of Leo Tolstoy were military men. Even under Ivan the Terrible, representatives of the ancient Tolstoy family served as governors in many cities of Rus'.

The writer's grandfather on his mother's side, "a descendant of Rurik", Prince Nikolai Sergeevich Volkonsky, from the age of seven was enrolled in military service. He was a participant in the Russian-Turkish war and retired with the rank of General-Anshef. The writer's paternal grandfather - Count Nikolai Ilyich Tolstoy - served in the Navy, and then in the Life Guards of the Preobrazhensky Regiment. The writer's father, Count Nikolai Ilyich Tolstoy, voluntarily entered military service at the age of seventeen. He participated in Patriotic war 1812, was captured by the French and was released by Russian troops who entered Paris after the defeat of Napoleon's army. On the maternal side, Tolstoy was related to the Pushkins. Their common ancestor was the boyar I.M. Golovin, an associate of Peter I, who studied shipbuilding with him. One of his daughters is the great-grandmother of the poet, the other is the great-grandmother of Tolstoy's mother. Thus, Pushkin was Tolstoy's fourth cousin.

Writer's childhood took place in Yasnaya Polyana - an old family estate. Tolstoy's interest in history and literature arose in his childhood: living in the countryside, he saw how the life of the working people proceeded, from him he heard many folk tales, epics, songs, legends. The life of the people, their work, interests and views, oral creativity - everything alive and wise - was revealed to Tolstoy by Yasnaya Polyana.

Maria Nikolaevna Tolstaya, the writer's mother, was a kind and sympathetic person, an intelligent and educated woman: she knew French, German, English and Italian She played the piano and took up painting. Tolstoy was not even two years old when his mother died. The writer did not remember her, but he heard so much about her from those around him that he clearly and vividly imagined her appearance and character.

Nikolai Ilyich Tolstoy, his father, was loved and appreciated by the children for his humane attitude towards serfs. In addition to doing housework and children, he read a lot. During his life, Nikolai Ilyich collected a rich library, consisting of rare books for those times. French classics, historical and natural history writings. It was he who first noticed the propensity of his youngest son to a vivid perception of the artistic word.

When Tolstoy was in his ninth year, his father took him to Moscow for the first time. The first impressions of the Moscow life of Lev Nikolaevich served as the basis for many paintings, scenes and episodes of the hero’s life in Moscow Tolstoy's trilogy "Childhood", "Adolescence" and "Youth". Young Tolstoy saw not only the open side of big city life, but also some hidden, shady sides. With his first stay in Moscow, the writer connected the end of the earliest period of his life, childhood, and the transition to adolescence. The first period of Tolstoy's life in Moscow did not last long. In the summer of 1837, having gone on business to Tula, his father died suddenly. Soon after the death of his father, Tolstoy, his sister and brothers had to endure a new misfortune: the grandmother died, whom all relatives considered the head of the family. Sudden death her son was a terrible blow to her and less than a year later carried her to the grave. A few years later, the first guardian of the orphaned Tolstoy children, the father's sister, Alexandra Ilyinichna Osten-Saken, died. Ten-year-old Leo, his three brothers and sister were taken to Kazan, where their new guardian, aunt Pelageya Ilyinichna Yushkova, lived.

Tolstoy wrote about his second guardian as a woman "kind and very pious", but at the same time very "frivolous and vain". According to the memoirs of contemporaries, Pelageya Ilyinichna did not enjoy authority among Tolstoy and his brothers, therefore moving to Kazan is considered to be a new stage in the life of the writer: education ended, a period of independent life began.

Tolstoy lived in Kazan for more than six years. It was the time of formation of his character and choice of life path. Living with his brothers and sister at Pelageya Ilyinichna, young Tolstoy spent two years preparing to enter Kazan University. Deciding to enter the eastern department of the university, he paid special attention to preparing for exams in foreign languages. At the exams in mathematics and Russian literature, Tolstoy received fours, and in foreign languages ​​- fives. At the exams in history and geography, Lev Nikolaevich failed - he received unsatisfactory marks.

Failure in the entrance exams served as a serious lesson for Tolstoy. He devoted the whole summer to a thorough study of history and geography, passed additional exams on them, and in September 1844 he was enrolled in the first year of the eastern department of the philosophical faculty of Kazan University in the category of Arabic-Turkish literature. However, the study of languages ​​did not captivate Tolstoy, and after a summer vacation in Yasnaya Polyana, he transferred from the Oriental Faculty to the Faculty of Law.

But even in the future, university studies did not arouse Lev Nikolayevich's interest in the sciences being studied. Most time he independently studied philosophy, compiled the "Rules of Life" and carefully made entries in his diary. By the end of the third year of studies, Tolstoy was finally convinced that the then university order only interfered with independent creative work and he made the decision to leave the university. However, he needed a university degree to qualify for employment. And in order to get a diploma, Tolstoy passed the university exams as an external student, having spent two years of his life in the countryside preparing for them. Having received university documents at the end of April 1847, the former student Tolstoy left Kazan.

After leaving the university, Tolstoy again went to Yasnaya Polyana, and then to Moscow. Here, at the end of 1850, he took up literary work. At this time, he decided to write two stories, but he did not finish either of them. In the spring of 1851, Lev Nikolaevich, together with his older brother, Nikolai Nikolaevich, who served in the army as an artillery officer, arrived in the Caucasus. Here Tolstoy lived for almost three years, being mainly in the village of Starogladkovskaya, located on the left bank of the Terek. From here he traveled to Kizlyar, Tiflis, Vladikavkaz, visited many villages and villages.

started in the Caucasus Tolstoy's military service. He took part in the combat operations of the Russian troops. Tolstoy's impressions and observations are reflected in his stories "Raid", "Cutting the Forest", "Degraded", in the story "Cossacks". Later, turning to the memories of this period of life, Tolstoy created the story "Hadji Murad". In March 1854, Tolstoy arrived in Bucharest, where the office of the chief of artillery troops was located. From here, as a staff officer, he made trips to Moldavia, Wallachia and Bessarabia.

In the spring and summer of 1854, the writer took part in the siege of the Turkish fortress of Silistria. However, the main place of hostilities at that time was Crimean peninsula. Here, Russian troops led by V.A. Kornilov and P.S. Nakhimov heroically defended Sevastopol for eleven months, besieged by Turkish and Anglo-French troops. Participation in the Crimean War is an important stage in Tolstoy's life. Here he closely recognized ordinary Russian soldiers, sailors, residents of Sevastopol, sought to understand the source of the heroism of the defenders of the city, to understand the special character traits inherent in the defender of the Fatherland. Tolstoy himself showed bravery and courage in the defense of Sevastopol.

In November 1855 Tolstoy left Sevastopol for St. Petersburg. By this time, he had already earned recognition in advanced literary circles. During this period, the attention of public life in Russia was focused around the issue of serfdom. Tolstoy's stories of this time ("The Morning of the Landowner", "Polikushka", etc.) are also devoted to this problem.

In 1857 the writer made overseas travel. He traveled to France, Switzerland, Italy and Germany. Traveling to different cities, the writer with great interest got acquainted with the culture and social system of the Western European countries. Much of what he saw later reflected in his work. In 1860 Tolstoy made another trip abroad. The year before, he opened a school for children in Yasnaya Polyana. Traveling through the cities of Germany, France, Switzerland, England and Belgium, the writer visited schools and studied the features of public education. In most of the schools that Tolstoy visited, caning discipline was in effect and corporal punishment was used. Returning to Russia and visiting a number of schools, Tolstoy discovered that many teaching methods that were in force in Western European countries, in particular in Germany, also penetrated into Russian schools. At this time, Lev Nikolaevich wrote a number of articles in which he criticized the system of public education both in Russia and in Western European countries.

Arriving at home after a trip abroad, Tolstoy devoted himself to work at school and the publication of the pedagogical journal Yasnaya Polyana. The school, founded by the writer, was located not far from his house - in an outbuilding that has survived to our time. In the early 70s, Tolstoy compiled and published a number of textbooks for elementary school: "ABC", "Arithmetic", four "Books for reading". More than one generation of children have learned from these books. Stories from them are read with enthusiasm by children in our time.

In 1862, when Tolstoy was away, landowners arrived in Yasnaya Polyana and searched the writer's house. In 1861, the tsar's manifesto announced the abolition of serfdom. During the reform, disputes broke out between the landowners and peasants, the settlement of which was entrusted to the so-called peace mediators. Tolstoy was appointed mediator in the Krapivensky district of the Tula province. Dealing with controversial cases between nobles and peasants, the writer most often took a position in favor of the peasantry, which caused discontent among the nobles. This was the reason for the search. Because of this, Tolstoy had to stop the activities of the mediator, close the school in Yasnaya Polyana and refuse to publish a pedagogical journal.

In 1862 Tolstoy married Sofya Andreevna Bers, daughter of a Moscow doctor. Arriving with her husband in Yasnaya Polyana, Sofya Andreevna tried with all her might to create such an environment on the estate in which nothing would distract the writer from hard work. In the 60s, Tolstoy led a solitary life, devoting himself entirely to work on War and Peace.

At the end of the epic War and Peace, Tolstoy decided to write a new work - a novel about the era of Peter I. However, social events in Russia, caused by the abolition of serfdom, so captured the writer that he left work on historical novel and set about creating a new work, which reflected the post-reform life of Russia. This is how the novel "Anna Karenina" appeared, which Tolstoy devoted four years to work on.

In the early 1980s, Tolstoy moved with his family to Moscow to educate his growing children. Here the writer, well acquainted with rural poverty, became a witness to urban poverty. In the early 90s of the XIX century, almost half of the central provinces of the country were gripped by famine, and Tolstoy joined the fight against the people's disaster. Thanks to his call, the collection of donations, the purchase and delivery of food to the villages was launched. At this time, under the leadership of Tolstoy, about two hundred free canteens for the starving population were opened in the villages of the Tula and Ryazan provinces. A number of articles written by Tolstoy on the famine belong to the same period, in which the writer truthfully portrayed the plight of the people and condemned the policy of the ruling classes.

In the mid-1980s Tolstoy wrote Drama "Power of Darkness", which depicts the death of the old foundations of patriarchal-peasant Russia, and the story "The Death of Ivan Ilyich", dedicated to the fate of a man who only before his death realized the emptiness and meaninglessness of his life. In 1890, Tolstoy wrote the comedy The Fruits of Enlightenment, which shows the true state of the peasantry after the abolition of serfdom. Created in the early 1990s novel "Sunday", on which the writer worked intermittently for ten years. In all the works relating to this period of creativity, Tolstoy openly shows whom he sympathizes with and whom he condemns; depicts the hypocrisy and insignificance of the "masters of life."

The novel "Sunday" more than other works of Tolstoy was subjected to censorship. Most of the novel's chapters have been released or cut. The ruling circles launched an active policy against the writer. Fearing popular indignation, the authorities did not dare to use open repressions against Tolstoy. With the consent of the tsar and at the insistence of the chief procurator of the Holy Synod, Pobedonostsev, the synod adopted a resolution on excommunication of Tolstoy from the church. The writer was put under police surveillance. The world community was outraged by the persecution of Lev Nikolaevich. The peasantry, the progressive intelligentsia and the common people were on the side of the writer, they sought to express their respect and support to him. The love and sympathy of the people served as a reliable support for the writer in the years when the reaction sought to silence him.

However, despite all the efforts of reactionary circles, every year Tolstoy denounced the noble-bourgeois society more and more sharply and boldly, and openly opposed the autocracy. Works from this period "After the Ball", "For what?", "Hadji Murad", "The Living Corpse") are imbued with a deep hatred for royal power, a limited and ambitious ruler. In publicistic articles relating to this time, the writer sharply condemned the instigators of wars, called for a peaceful resolution of all disputes and conflicts.

In 1901-1902 Tolstoy suffered a serious illness. At the insistence of doctors, the writer had to go to the Crimea, where he spent more than six months.

In the Crimea, he met with writers, artists, artists: Chekhov, Korolenko, Gorky, Chaliapin, and others. When Tolstoy returned home, he was warmly greeted at the stations by hundreds ordinary people. In the autumn of 1909, the writer made his last trip to Moscow.

In the diaries and letters of Tolstoy recent decades his life was reflected in the difficult experiences that were caused by the discord between the writer and his family. Tolstoy wanted to transfer the land that belonged to him to the peasants and wanted his works to be freely and free of charge published by anyone who wanted to. The writer's family opposed this, not wanting to give up either the rights to the land or the rights to works. The old landlord way of life, preserved in Yasnaya Polyana, weighed heavily on Tolstoy.

In the summer of 1881, Tolstoy made his first attempt to leave Yasnaya Polyana, but a feeling of pity for his wife and children forced him to return. Several more attempts by the writer to leave his native estate ended with the same result. On October 28, 1910, secretly from his family, he left Yasnaya Polyana forever, deciding to go south and spend the rest of his life in a peasant's hut, among the simple Russian people. However, on the way, Tolstoy fell seriously ill and was forced to leave the train at the small Astapovo station. The great writer spent the last seven days of his life in the house of the head of the station. News of the death of one of the great thinkers, wonderful writer, the great humanist, deeply struck the hearts of all the progressive people of this time. Tolstoy's creative heritage is of great importance for world literature. Over the years, interest in the writer's work does not weaken, but, on the contrary, grows. As A. Frans rightly noted: “With his life he proclaims sincerity, directness, purposefulness, firmness, calm and constant heroism, he teaches that one must be truthful and one must be strong ... Precisely because he was full of strength, he always was true!

Leo Tolstoy is one of the most famous and great writers in the world. Even during his lifetime, he was recognized as a classic of Russian literature, his work paved the bridge between the currents of two centuries.

Tolstoy showed himself not just as a writer, he was an educator and humanist, he thought about religion, and was directly involved in the defense of Sevastopol. The writer's legacy is so great, and his life itself is so ambiguous that they continue to study and try to understand him.

Tolstoy himself was difficult person, to which evidence is at least his family relationship. So numerous myths appear, both about Tolstoy's personal qualities, his actions, and about creativity and the ideas invested in it. Many books have been written about the writer, but we will try to debunk at least the most popular myths about him.

Flight of Tolstoy. A well-known fact - 10 days before his death, Tolstoy ran away from his home, which was in Yasnaya Polyana. There are several versions of why the writer did this. They immediately began to say that the already elderly man was already trying to commit suicide. The communists developed the theory that Tolstoy expressed his protest against the tsarist regime in this way. In fact, the reasons for the writer's flight from his native and beloved home were quite mundane. Three months before that, he wrote a secret will, according to which he transferred all copyrights to his works not to his wife, Sofya Andreevna, but to his daughter Alexandra and his friend Chertkov. But the secret became clear - the wife learned about everything from the stolen diary. A scandal erupted immediately, and Tolstoy's own life became a real hell. His wife's tantrums prompted the writer to do what he had planned 25 years ago - to escape. During these difficult days, Tolstoy wrote in his diary that he could no longer endure this and hated his wife. Sofya Andreevna herself, having learned about the flight of Lev Nikolaevich, became even more furious - she ran to drown herself in the pond, beat herself in the chest with thick objects, tried to run away somewhere and threatened to never let Tolstoy go anywhere again.

Tolstoy had a very angry wife. From the previous myth, it becomes clear to many that only his evil and eccentric wife is to blame for the death of a genius. In fact, Tolstoy's family life was so complex that numerous studies are still trying to figure it out today. And the wife herself felt unhappy in her. One of the chapters of her autobiography is called “The Martyr and the Martyr”. In general, little was known about Sofya Andreevna's talents; she was completely in the shadow of her powerful husband. But the recent publication of her stories made it possible to understand the full depth of her sacrifice. And Natasha Rostova from "War and Peace" came to Tolstoy straight from his wife's youthful manuscript. In addition, Sofya Andreevna received an excellent education, she knew a couple of foreign languages ​​​​and even translated the complex works of her husband herself. The energetic woman still had time to manage the entire household, the accounting of the estate, as well as sheathe and tie up the entire considerable family. Despite all the hardships, Tolstoy's wife understood that she was living with a genius. After his death, she noted that for almost half a century of living together, she could not understand what kind of person he was.

Tolstoy was excommunicated and anathematized. Indeed, in 1910 Tolstoy was buried without a funeral, which gave rise to the myth of excommunication. But in the memorable act of the Synod of 1901, the word "excommunication" is absent in principle. Officials from the church wrote that with his views and false teachings, the writer had long placed himself outside the church and was no longer perceived by it as a member. But society understood the complex bureaucratic document with a florid language in its own way - everyone decided that it was the church that abandoned Tolstoy. And this story with the definition of the Synod was in fact a political order. So the chief prosecutor Pobedonostsev took revenge on the writer for his image of a man-machine in Resurrection.

Leo Tolstoy founded the Tolstoyan movement. The writer himself was very cautious, and sometimes even with disgust, about those numerous associations of his followers and admirers. Even after escaping from Yasnaya Polyana, the Tolstoy community turned out to be not the place where Tolstoy wanted to find shelter.

Tolstoy was a teetotaller. As is known, in adulthood the writer refused alcohol. But he did not understand the creation of temperance societies throughout the country. Why do people gather if they are not going to drink? After all, big companies mean drinking.

Tolstoy adhered fanatically to his own principles. Ivan Bunin, in his book on Tolstoy, wrote that the genius himself was sometimes very cool about the provisions of his own teaching. One day the writer with his family and close family friend Vladimir Chertkov (he was also the main follower of Tolstoy's ideas) ate on the terrace. It was a hot summer, mosquitoes were flying everywhere. One particularly annoying one sat down on Chertkov's bald head, where the writer killed him with the palm of his hand. Everyone laughed, and only the offended victim noted that Lev Nikolaevich took the life of a living creature, shaming him.

Tolstoy was a big womanizer. The sexual adventures of the writer are known from his own notes. Tolstoy said that in his youth he led a very bad life. But most of all he is confused by two events since that time. The first is a connection with a peasant woman even before marriage, and the second is a crime with her aunt's maid. Tolstoy seduced an innocent girl, who was then driven out of the yard. That peasant woman was Aksinya Bazykina. Tolstoy wrote that he loved her like never before in his life. Two years before his marriage, the writer had a son, Timothy, who over the years became a huge man, like his father. Everyone in Yasnaya Polyana knew about the master's illegitimate son, that he was a drunkard, and about his mother. Sofya Andreevna even went to look at her husband's former passion, not finding anything interesting in her. And Tolstoy's intimate stories are part of his diaries of his youth. He wrote about the voluptuousness that tormented him, about the desire of women. But something like this was common for Russian nobles of that time. And repentance for past ties never tormented them. For Sofia Andreevna physical aspect love was not at all important, unlike her husband. But she managed to give birth to Tolstoy 13 children, losing five. Lev Nikolaevich was her first and only man. And he was faithful to her throughout the 48 years of their marriage.

Tolstoy preached asceticism. This myth appeared thanks to the thesis of the writer that a person needs a little for life. But Tolstoy himself was not an ascetic - he simply welcomed the sense of proportion. Lev Nikolayevich himself fully enjoyed life, he simply saw joy and light in simple and accessible things.

Tolstoy was an opponent of medicine and science. The writer was not at all obscurantist. He, on the contrary, spoke about the fact that it is impossible to return to the plow, about the inevitability of progress. At home, Tolstoy had one of their first Edison phonographs, an electric pencil. And the writer rejoiced, like a child, at such scientific achievements. Tolstoy was a very civilized person, realizing that humanity pays for progress in hundreds of thousands of lives. And this development, associated with violence and blood, the writer did not accept in principle. Tolstoy was not cruel to human weaknesses, he was outraged that the vices were justified by the doctors themselves.

Tolstoy hated art. Tolstoy understood art, he simply used his own criteria to evaluate it. And didn't he have a right to? It is difficult to disagree with the writer that a simple man is unlikely to understand Beethoven's symphonies. For unprepared listeners, many of classical music sounds like torture. But there is also such an art that is perceived as excellent by both simple villagers and sophisticated gourmets.

Tolstoy was driven by pride. It is said that this inner quality manifested itself both in the author's philosophy and even in everyday life. But is it worth considering the non-stop search for truth as pride? Many people believe that it is much easier to join some teaching and serve it already. But Tolstoy could not change himself. And in everyday life, the writer was very attentive - he taught his children mathematics, astronomy, and conducted physical education classes. Little Tolstoy took the children to the Samara province, that they knew better and fell in love with nature. It's just that in the second half of his life, the genius was preoccupied with a lot of things. This is creativity, philosophy, work with letters. So Tolstoy could not give himself, as before, to his family. But it was a conflict between creativity and family, and not a manifestation of pride.

There was a revolution in Russia because of Tolstoy. This statement appeared thanks to Lenin's article "Leo Tolstoy, as a mirror of the Russian revolution." In fact, one person, be it Tolstoy or Lenin, is simply not to blame for the revolution. There were many reasons - the behavior of the intelligentsia, the church, the king and court, the nobility. It was all of them who gave old Russia to the Bolsheviks, including Tolstoy. His opinion, as a thinker, was listened to. But he denied both the state and the army. True, he was opposed to the revolution. The writer generally did a lot to soften morals, urging people to be kinder, to serve Christian values.

Tolstoy was an unbeliever, he denied faith and taught this to others. Statements that Tolstoy turns people away from the faith irritated and offended him greatly. On the contrary, he stated that the main thing in his works is the understanding that there is no life without faith in God. Tolstoy did not accept the form of faith that the church imposed. And there are many people who believe in God, but do not accept modern religious institutions. For them, Tolstoy's searches are understood and not at all terrible. Many people generally come to church after being immersed in the thoughts of the writer. This was especially often observed in Soviet times. Even before, the Tolstoyans turned towards the church.

Tolstoy constantly taught everyone. Thanks to this rooted myth, Tolstoy appears as a self-confident preacher, telling whom and how to live. But when studying the writer's diaries, it will become clear that he dealt with himself all his life. So where was he to teach others? Tolstoy expressed his thoughts, but never imposed them on anyone. Another thing is that a community of followers, Tolstoyans, has developed around the writer, who tried to make the views of their leader absolute. But for the genius himself, his ideas were not fixed. He considered the absolute presence of God, and everything else was the result of trials, torments, searches.

Tolstoy was a fanatical vegetarian. At a certain point in his life, the writer completely abandoned meat and fish, not wanting to eat the disfigured corpses of living beings. But his wife, taking care of him, poured meat into his mushroom broth. Seeing this, Tolstoy was not angry, but only joked that he was ready to drink meat broth every day, if only his wife would not lie to him. Other people's beliefs, including in the choice of food, were above all for the writer. They always had those at home who ate meat, the same Sofya Andreevna. But there were no terrible quarrels because of this.

To understand Tolstoy, it is enough to read his works and not to study his personality. This myth prevents a real reading of Tolstoy's work. Without understanding what he lived, one cannot understand his work. There are writers who say everything with their texts. But Tolstoy can be understood only if you know his worldview, his personal traits, his relationship with the state, church, and relatives. Tolstoy's life is an exciting novel in itself, which sometimes spilled over into paper form. An example of this is "War and Peace", "Anna Karenina". On the other hand, the writer's work also influenced his life, including family life. So there is no escape from studying the personality of Tolstoy and the interesting aspects of his biography.

Tolstoy's novels cannot be studied at school - they are simply incomprehensible to high school students. It is generally difficult for modern schoolchildren to read long works, and "War and Peace" is also filled with historical digressions. Give our high school students abridged versions of novels adapted to their intellect. It is difficult to say whether this is good or bad, but in any case they will at least get an idea of ​​Tolstoy's work. To think that it is better to read Tolstoy after school is dangerous. After all, if you do not start reading it at that age, then later the children will not want to immerse themselves in the writer's work. So the school works proactively, deliberately giving more complex and smart things than the child's intellect can perceive. Perhaps then there will be a desire to return to this and understand to the end. And without studying at school, such a “temptation” will not appear for sure.

Tolstoy's pedagogy has lost its relevance. Tolstoy the teacher is treated ambiguously. His teaching ideas were perceived as the fun of a gentleman who decided to teach children according to his original method. In fact, the spiritual development of a child directly affects his intellect. The soul develops the mind, and not vice versa. And Tolstoy's pedagogy works in modern conditions. This is evidenced by the results of the experiment, during which 90% of children achieved excellent results. Children learn to read according to Tolstoy's ABC, which is built on many parables with their secrets and archetypes of behavior that reveal the nature of man. Gradually, the program becomes more complex. A harmonious person with a strong moral principle emerges from the walls of the school. And according to this method, about a hundred schools are engaged in today in Russia.

Count Leo Tolstoy, a classic of Russian and world literature, is called a master of psychologism, the creator of the epic novel genre, an original thinker and teacher of life. The works of the brilliant writer are the greatest asset of Russia.

In August 1828, a classic was born on the Yasnaya Polyana estate in the Tula province. Russian literature. The future author of "War and Peace" became the fourth child in a family of eminent nobles. On the paternal side, he belonged to the ancient family of Counts Tolstoy, who served and. On the maternal side, Lev Nikolaevich is a descendant of Ruriks. It is noteworthy that Leo Tolstoy also has a common ancestor - Admiral Ivan Mikhailovich Golovin.

Lev Nikolayevich's mother, nee Princess Volkonskaya, died of childbed fever after the birth of her daughter. At that time, Leo was not even two years old. Seven years later, the head of the family, Count Nikolai Tolstoy, died.

Childcare fell on the shoulders of the writer's aunt, T. A. Ergolskaya. Later, the second aunt, Countess A. M. Osten-Saken, became the guardian of the orphaned children. After her death in 1840, the children moved to Kazan, to a new guardian - the father's sister P. I. Yushkova. The aunt influenced his nephew, and the writer called his childhood in her house, which was considered the most cheerful and hospitable in the city, happy. Later, Leo Tolstoy described his impressions of life in the Yushkov estate in the story "Childhood".


Silhouette and portrait of Leo Tolstoy's parents

Elementary education the classic received houses from German and French teachers. In 1843, Leo Tolstoy entered Kazan University, choosing the faculty of Oriental languages. Soon, due to low academic performance, he moved to another faculty - law. But even here he did not succeed: two years later he left the university without receiving a degree.

Lev Nikolaevich returned to Yasnaya Polyana, wanting to establish relations with the peasants in a new way. The idea failed, but the young man regularly kept a diary, loved secular entertainment and became interested in music. Tolstoy listened for hours, and.


Disillusioned with the life of the landowner after spending the summer in the countryside, 20-year-old Leo Tolstoy left the estate and moved to Moscow, and from there to St. Petersburg. The young man rushed between preparing for the candidate's exams at the university, music lessons, carousing with cards and gypsies, and dreams of becoming either an official or a cadet of a horse guard regiment. Relatives called Leo "the most trifling fellow", and it took years to distribute the debts he had incurred.

Literature

In 1851, the writer's brother, officer Nikolai Tolstoy, persuaded Leo to go to the Caucasus. For three years Lev Nikolaevich lived in a village on the banks of the Terek. The nature of the Caucasus and the patriarchal life of the Cossack village were later reflected in the stories "Cossacks" and "Hadji Murad", the stories "Raid" and "Cutting the Forest".


In the Caucasus, Leo Tolstoy composed the story "Childhood", which he published in the journal "Sovremennik" under the initials L. N. Soon he wrote the sequels "Adolescence" and "Youth", combining the stories into a trilogy. Literary debut turned out to be brilliant and brought Lev Nikolaevich the first recognition.

The creative biography of Leo Tolstoy is developing rapidly: the appointment to Bucharest, the transfer to the besieged Sevastopol, the command of the battery enriched the writer with impressions. From the pen of Lev Nikolaevich came out a cycle of "Sevastopol stories". The writings of the young writer struck critics with a bold psychological analysis. Nikolai Chernyshevsky found in them "the dialectic of the soul", and the emperor read the essay "Sevastopol in the month of December" and expressed admiration for Tolstoy's talent.


In the winter of 1855, 28-year-old Leo Tolstoy arrived in St. Petersburg and entered the Sovremennik circle, where he was warmly welcomed, calling him "the great hope of Russian literature." But in a year, the writer's environment with its disputes and conflicts, readings and literary dinners got tired. Later, in Confession, Tolstoy confessed:

“These people disgusted me, and I disgusted myself.”

In the autumn of 1856, the young writer went to the Yasnaya Polyana estate, and in January 1857 he went abroad. For six months, Leo Tolstoy traveled around Europe. Traveled to Germany, Italy, France and Switzerland. He returned to Moscow, and from there to Yasnaya Polyana. In the family estate, he took up the arrangement of schools for peasant children. In the vicinity of Yasnaya Polyana, twenty educational institutions appeared with his participation. In 1860, the writer traveled a lot: in Germany, Switzerland, Belgium, he studied the pedagogical systems of European countries in order to apply what he saw in Russia.


A special niche in the work of Leo Tolstoy is occupied by fairy tales and compositions for children and adolescents. The writer created hundreds of works for young readers, including kind and instructive tales "Kitten", "Two Brothers", "Hedgehog and Hare", "Lion and Dog".

Leo Tolstoy wrote the ABC school manual to teach children to write, read and do arithmetic. Literary and pedagogical work consists of four books. The writer included cautionary tales, epics, fables, as well as methodological advice to teachers. The third book included the story "Prisoner of the Caucasus".


Leo Tolstoy's novel "Anna Karenina"

In 1870, Leo Tolstoy, continuing to teach peasant children, wrote the novel Anna Karenina, in which he contrasted two storylines: the Karenins' family drama and the domestic idyll of the young landowner Levin, with whom he identified himself. The novel only at first glance seemed to be a love story: the classic raised the problem of the meaning of the existence of the “educated class”, opposing it with the truth of the peasant life. "Anna Karenina" highly appreciated.

The turning point in the mind of the writer was reflected in the works written in the 1880s. Life-changing spiritual insight is central to stories and novels. “The Death of Ivan Ilyich”, “Kreutzer Sonata”, “Father Sergius” and the story “After the Ball” appear. The classic of Russian literature draws pictures social inequality, scourging the idleness of the nobles.


In search of an answer to the question about the meaning of life, Leo Tolstoy turned to the Russian Orthodox Church, but even there he did not find satisfaction. The writer came to the conclusion that the Christian church is corrupt, and under the guise of religion, the priests are promoting a false doctrine. In 1883, Lev Nikolaevich founded the publication Posrednik, where he set out his spiritual convictions with criticism of the Russian Orthodox Church. For this, Tolstoy was excommunicated from the church, the secret police watched the writer.

In 1898, Leo Tolstoy wrote the novel Resurrection, which received critical acclaim. But the success of the work was inferior to "Anna Karenina" and "War and Peace".

For the last 30 years of his life, Leo Tolstoy, with his doctrine of non-violent resistance to evil, has been recognized as the spiritual and religious leader of Russia.

"War and Peace"

Leo Tolstoy did not like his novel "War and Peace", calling the epic "wordy rubbish". The classic wrote the work in the 1860s, while living with his family in Yasnaya Polyana. The first two chapters, called "1805", were published by "Russian Messenger" in 1865. Three years later, Leo Tolstoy wrote three more chapters and completed the novel, which caused heated debate among critics.


Leo Tolstoy writes "War and Peace"

The features of the heroes of the work, written in the years of family happiness and spiritual uplift, the novelist took from life. In Princess Marya Bolkonskaya, the features of Lev Nikolayevich's mother, her penchant for reflection, brilliant education and love for art are recognizable. The traits of his father - mockery, love of reading and hunting - the writer awarded Nikolai Rostov.

When writing the novel, Leo Tolstoy worked in the archives, studied the correspondence of Tolstoy and Volkonsky, Masonic manuscripts, and visited the Borodino field. The young wife helped him, copying the drafts cleanly.


The novel was read avidly, striking readers with the breadth of the epic canvas and subtle psychological analysis. Leo Tolstoy characterized the work as an attempt to "write the history of the people".

According to the estimates of the literary critic Lev Anninsky, by the end of the 1970s, the works of the Russian classic were filmed 40 times abroad alone. Until 1980, the epic War and Peace was filmed four times. Directors from Europe, America and Russia made 16 films based on the novel "Anna Karenina", "Resurrection" was filmed 22 times.

For the first time, "War and Peace" was filmed by director Pyotr Chardynin in 1913. The most famous film was made by a Soviet director in 1965.

Personal life

Leo Tolstoy married 18-year-old Leo Tolstoy in 1862, when he was 34 years old. The count lived with his wife for 48 years, but the life of the couple can hardly be called cloudless.

Sofya Bers is the second of three daughters of Andrey Bers, a doctor at the Moscow Palace Office. The family lived in the capital, but in the summer they rested in the Tula estate near Yasnaya Polyana. For the first time, Leo Tolstoy saw his future wife as a child. Sophia was educated at home, read a lot, understood art and graduated from Moscow University. The diary kept by Bers-Tolstaya is recognized as a model of the memoir genre.


At the beginning of his married life, Leo Tolstoy, wishing that there were no secrets between him and his wife, gave Sophia a diary to read. The shocked wife found out about her husband's turbulent youth, gambling, wild life and the peasant girl Aksinya, who was expecting a child from Lev Nikolayevich.

The first-born Sergey was born in 1863. In the early 1860s, Tolstoy took up writing the novel War and Peace. Sofya Andreevna helped her husband, despite the pregnancy. The woman taught and raised all the children at home. Five of the 13 children died in infancy or early childhood.


Problems in the family began after the end of Leo Tolstoy's work on Anna Karenina. The writer plunged into depression, expressed dissatisfaction with the life that she so diligently arranged in family nest Sofia Andreevna. The moral throwing of the count led to the fact that Lev Nikolayevich demanded that his relatives give up meat, alcohol and smoking. Tolstoy forced his wife and children to dress in peasant clothes, which he himself made, and wished to give the acquired property to the peasants.

Sofya Andreevna made considerable efforts to dissuade her husband from the idea of ​​distributing good. But the resulting quarrel split the family: Leo Tolstoy left home. Returning, the writer assigned the duty of rewriting drafts to his daughters.


Death last child- seven-year-old Vanya - briefly brought the spouses together. But soon mutual insults and misunderstanding alienated them completely. Sofya Andreevna found solace in music. In Moscow, a woman took lessons from a teacher, to whom romantic feelings arose. Their relationship remained friendly, but the count did not forgive his wife for "half-treason".

The fatal quarrel of the spouses happened at the end of October 1910. Leo Tolstoy left home, leaving Sophia a farewell letter. He wrote that he loved her, but he could not do otherwise.

Death

82-year-old Leo Tolstoy, accompanied by his personal doctor D.P. Makovitsky, left Yasnaya Polyana. On the way, the writer fell ill and got off the train at the Astapovo railway station. Lev Nikolaevich spent the last 7 days of his life in a house stationmaster. The whole country followed the news about Tolstoy's state of health.


The children and wife arrived at the Astapovo station, but Leo Tolstoy did not want to see anyone. The classic died on November 7, 1910: he died of pneumonia. His wife survived him by 9 years. Tolstoy was buried in Yasnaya Polyana.

Quotes by Leo Tolstoy

  • Everyone wants to change humanity, but no one thinks about how to change themselves.
  • Everything comes to those who know how to wait.
  • All happy families are alike; each unhappy family is unhappy in its own way.
  • Let everyone sweep in front of his door. If everyone does this, the whole street will be clean.
  • Life is easier without love. But without it there is no point.
  • I don't have everything I love. But I love everything I have.
  • The world moves forward thanks to those who suffer.
  • The greatest truths are the simplest.
  • Everyone is making plans, and no one knows if he will live until the evening.

Bibliography

  • 1869 - "War and Peace"
  • 1877 - "Anna Karenina"
  • 1899 - "Resurrection"
  • 1852-1857 - "Childhood". "Adolescence". "Youth"
  • 1856 - "Two Hussars"
  • 1856 - "Morning of the landowner"
  • 1863 - "Cossacks"
  • 1886 - "Death of Ivan Ilyich"
  • 1903 - Notes of a Madman
  • 1889 - "Kreutzer Sonata"
  • 1898 - "Father Sergius"
  • 1904 - "Hadji Murad"

The name of the writer, educator, Count Leo Nikolayevich Tolstoy is known to every Russian person. During his lifetime, 78 works of art, 96 more were preserved in the archives. And in the first half of the 20th century, complete collection works, numbering 90 volumes and including, in addition to novels, short stories, essays, etc., numerous letters and diary entries of this great man, who was distinguished by his great talent and outstanding personal qualities. In this article, we recall the most interesting facts from the life of Leo Tolstoy.

House for sale in Yasnaya Polyana

In his youth, the count was known as a gambler and liked, unfortunately, not very successfully, to play cards. It so happened that part of the house in Yasnaya Polyana, where the writer spent his childhood, was given away for debts. Subsequently, Tolstoy planted trees in an empty place. Ilya Lvovich, his son, recalled how he once asked his father to show him the room in the house where he was born. And Lev Nikolaevich pointed to the top of one of the larches, adding: "There." And he described the leather sofa on which this happened in the novel War and Peace. These are interesting facts from the life of Leo Tolstoy, connected with the family estate.

As for the house itself, two of its two-story outbuildings have been preserved and have grown over time. After the marriage and the birth of children, the Tolstoy family grew, and in parallel with this, new premises were added.

Thirteen children were born in the Tolstoy family, five of whom died in infancy. The count never spared time for them, and before the crisis of the 80s he liked to play pranks. For example, if jelly was served during dinner, the father noticed that it was good for them to glue the boxes together. Children immediately brought in table paper, and the process of creativity began.

Another example. Someone in the family became sad or even burst into tears. The count who noticed this instantly organized the Numidian cavalry. He jumped up from his seat, raised his hand and rushed around the table, and the children rushed after him.

Tolstoy Leo Nikolayevich was always distinguished by a love of literature. He regularly hosted evening readings in his home. Somehow I took up a Jules Verne book without pictures. Then he began to illustrate it himself. And although the artist did not turn out to be a very good artist, the family was delighted with what they saw.

The children also remembered the humorous poems of Leo Tolstoy. He read them in the wrong German for the same purpose: at home. By the way, few people know that in the creative heritage of the writer there are several poetry. For example, "Fool", "Volga-hero". They were mainly written for children and entered the well-known "ABC".

Thoughts of suicide

The works of Leo Tolstoy became for the writer a way of studying human characters in their development. Psychologism in the image often demanded great mental tension from the author. So, while working on Anna Karenina, trouble almost happened to the writer. He was in such a difficult state of mind that he was afraid to repeat the fate of his hero Levin and commit suicide. Later, in his Confession, Leo Nikolayevich Tolstoy noted that the thought of this was so insistent that he even took the cord out of the room where he changed clothes alone, and refused to hunt with a gun.

Disappointment in the Church

Nikolaevich is well studied and contains many stories about how he was excommunicated from the church. Meanwhile, the writer always considered himself a believer, and from the year 77, for several years, he strictly observed all fasts and attended every church service. However, after visiting Optina Pustyn in 1981, everything changed. Lev Nikolayevich went there with his footman and school teacher. They walked, as it should be, with a knapsack, in bast shoes. When they finally arrived at the monastery, they discovered terrible filth and strict discipline.

The pilgrims who came were settled on a common basis, which outraged the lackey, who always treated the owner as a master. He turned to one of the monks and said that the old man was Leo Tolstoy. The writer's work was well known, and he was immediately transferred to best number hotels. After returning from Optina Hermitage, the count expressed his dissatisfaction with such servility, and since then he changed his attitude towards church conventions and its employees. It all ended with the fact that in one of the posts he took a cutlet for lunch.

By the way, in the last years of his life, the writer became a vegetarian, completely abandoning meat. But at the same time, he ate scrambled eggs every day in different forms.

Physical work

In the early 80s - this is reported by the biography of Leo Tolstoy Nikolayevich - the writer finally came to the conclusion that an idle life and luxury do not paint a person. For a long time he was tormented by the question of what he should do: sell all his property and leave his beloved wife and children unaccustomed to hard work without funds? Or transfer the entire fortune to Sofya Andreevna? Later, Tolstoy would divide everything between family members. At this difficult time for him - the family had already moved to Moscow - Lev Nikolayevich liked to go to the Sparrow Hills, where he helped the peasants cut firewood. Then he learned the craft of shoemaking and even designed boots and summer shoes from canvas and leather, in which he walked all summer. And every year he helped peasant families, in which there was no one to plow, sow and harvest bread. Not everyone approved of such a life of Lev Nikolayevich. Tolstoy was not understood even in his own family. But he remained adamant. And one summer, the whole of Yasnaya Polyana broke up into artels and went out for mowing. Among the workers there was even Sofya Andreevna, who was raking the grass with a rake.

Help for the starving

Noting interesting facts from the life of Leo Tolstoy, one can also recall the events of 1898. Famine broke out again in Mtsensk and Chernen uyezds. The writer, dressed in an old retinue and props, with a knapsack over his shoulders, together with his son, who volunteered to help him, personally traveled all the villages and found out where the situation was really beggarly. In a week, lists were compiled and about twelve canteens were created in each county, where they fed, first of all, children, the elderly and the sick. Products were brought from Yasnaya Polyana, two hot meals a day were prepared. Tolstoy's initiative caused a negative response from the authorities, who established constant control over him, and from local landowners. The latter considered that such actions of the count could lead to the fact that they themselves would soon have to plow the field and milk the cows.

One day, the officer came into one of the dining rooms and started a conversation with the count. He complained that although he approves of the writer's act, he is a forced man, therefore he does not know what to do - it was about the permission for such activities of the governor. The writer's answer turned out to be simple: "Do not serve where they are forced to act against conscience." And such was the whole life of Leo Tolstoy.

Serious illness

In 1901, the writer fell ill with a severe fever and, on the advice of doctors, went to the Crimea. There, instead of a cure, he caught another inflammation and there was practically no hope that he would survive. Lev Nikolaevich Tolstoy, whose work contains many works describing death, prepared himself mentally for it. He was not at all afraid to part with his life. The writer even said goodbye to loved ones. And although he could only speak in a whisper, he gave each of his children valuable advice for the future, as it turned out, nine years before his death. This was very helpful, since nine years later none of the family members - and they almost all gathered at the Astapovo station - were not allowed to see the patient.

Writer's funeral

Back in the 90s, Lev Nikolaevich spoke in his diary about how he would like to see his funeral. Ten years later, in "Memoirs", he tells the story of the famous "green stick", buried in a ravine next to oaks. And already in 1908, he dictated a wish to the stenographer: to bury him in a wooden coffin at the place where they looked for a source in childhood eternal good brothers.

Tolstoy Lev Nikolaevich, according to his will, was buried in the park of Yasnaya Polyana. The funeral was attended by several thousand people, among whom were not only friends, admirers of creativity, writers, but also local peasants, whom he treated with care and understanding all his life.

The history of the testament

Interesting facts from the life of Leo Nikolayevich Tolstoy also relate to his will regarding creative heritage. The writer made six wills: in 1895 (diary entries), 1904 (letter to Chertkov), 1908 (dictated to Gusev), twice in 1909 and in 1010. According to one of them, all his recordings and works came into public use. According to others, the right to them was transferred to Chertkov. Ultimately, Leo Nikolayevich Tolstoy bequeathed his creativity and all his notes to his daughter Alexandra, who from the age of sixteen became her father's assistant.

Number 28

According to his relatives, the writer always treated prejudice ironically. But he considered the number twenty-eight special and loved it. What was it - a mere coincidence or rock of fate? It is not known, but many of the most important events of life and the first works of Leo Tolstoy are connected with her. Here is their list:

  • August 28, 1828 - the date of birth of the writer himself.
  • On May 28, 1856, censorship gave permission for the publication of the first book with stories, Childhood and Adolescence.
  • On June 28, the first-born, Sergey, was born.
  • On February 28, the wedding of the son of Ilya took place.
  • On October 28, the writer left Yasnaya Polyana forever.

Lev Nikolayevich Tolstoy

Date of Birth:

Place of Birth:

Yasnaya Polyana, Tula Governorate, Russian Empire

Date of death:

A place of death:

Astapovo station, Tambov province, Russian Empire

Occupation:

Prose writer, publicist, philosopher

Aliases:

L.N., L.N.T.

Citizenship:

Russian empire

Years of creativity:

Direction:

Autograph:

Biography

Origin

Education

Military career

Travel Europe

Pedagogical activity

Family and offspring

The heyday of creativity

"War and Peace"

"Anna Karenina"

Other works

religious quest

Excommunication

Philosophy

Bibliography

Tolstoy's translators

World recognition. Memory

Screen versions of his works

Documentary

Movies about Leo Tolstoy

Gallery of portraits

Tolstoy's translators

Graph Lev Nikolayevich Tolstoy(August 28 (September 9), 1828 - November 7 (20), 1910) - one of the most widely known Russian writers and thinkers. Member of the defense of Sevastopol. Enlightener, publicist, religious thinker, whose authoritative opinion provoked the emergence of a new religious and moral trend - Tolstoyism.

The ideas of nonviolent resistance that L. N. Tolstoy expressed in his work “The Kingdom of God is within you” influenced Mahatma Gandhi and Martin Luther King Jr.

Biography

Origin

He came from a noble family, known, according to legendary sources, since 1353. His paternal ancestor, Count Pyotr Andreevich Tolstoy, is known for his role in the investigation of Tsarevich Alexei Petrovich, for which he was appointed head of the Secret Chancellery. The features of the great-grandson of Peter Andreevich, Ilya Andreevich, are given in War and Peace to the most good-natured, impractical old Count Rostov. The son of Ilya Andreevich, Nikolai Ilyich Tolstoy (1794-1837), was the father of Lev Nikolaevich. In some character traits and biography facts, he was similar to Nikolenka's father in "Childhood" and "Boyhood" and partly to Nikolai Rostov in "War and Peace". However, in real life, Nikolai Ilyich differed from Nikolai Rostov not only in his good education, but also in his convictions, which did not allow him to serve under Nikolai. A participant in the foreign campaign of the Russian army, including participating in the “battle of the peoples” near Leipzig and being captured by the French, after the conclusion of peace, he retired with the rank of lieutenant colonel of the Pavlograd hussar regiment. Soon after his resignation, he was forced to go to official service so as not to end up in a debtor's prison because of the debts of his father, the Kazan governor, who died under investigation for official abuse. For several years, Nikolai Ilyich had to save money. The negative example of his father helped Nikolai Ilyich develop his own life ideal- private independent life with family joys. To put his frustrated affairs in order, Nikolai Ilyich, like Nikolai Rostov, married an ugly and no longer very young princess from the Volkonsky family; the marriage was happy. They had four sons: Nikolai, Sergei, Dmitry and Lev, and a daughter, Maria.

Tolstoy's maternal grandfather, Catherine's general, Nikolai Sergeevich Volkonsky, had some resemblance to the stern rigorist - the old prince Bolkonsky in "War and Peace", but the version that he served as the prototype of the hero of "War and Peace" is rejected by many researchers of Tolstoy's work. Lev Nikolayevich's mother, similar in some respects to Princess Marya depicted in War and Peace, possessed a wonderful gift for storytelling, for which, with her shyness passed on to her son, she had to lock herself with a large number of listeners who gathered around her in a dark room.

In addition to the Volkonskys, Leo Tolstoy was closely related to some other aristocratic families: the princes Gorchakov, Trubetskoy and others.

Childhood

Born on August 28, 1828 in the Krapivensky district of the Tula province, in the hereditary estate of his mother - Yasnaya Polyana. Was the 4th child; his three older brothers: Nikolai (1823-1860), Sergei (1826-1904) and Dmitry (1827-1856). In 1830 sister Maria (1830-1912) was born. His mother died when he was not yet 2 years old.

A distant relative, T. A. Ergolskaya, took up the upbringing of orphaned children. In 1837, the family moved to Moscow, settling on Plyushchikha, because the eldest son had to prepare for entering the university, but soon his father died suddenly, leaving his affairs (including some litigation related to the family's property) in an unfinished state, and the three younger children again settled in Yasnaya Polyana under the supervision of Yergolskaya and her paternal aunt, Countess A. M. Osten-Saken, who was appointed guardian of the children. Here Lev Nikolaevich remained until 1840, when Countess Osten-Saken died and the children moved to Kazan, to a new guardian - the father's sister P. I. Yushkova.

The Yushkovs' house, somewhat provincial in style, but typically secular, was one of the most cheerful in Kazan; all members of the family highly valued external brilliance. "My good aunt- says Tolstoy, - the purest being, always said that she would want nothing more for me than for me to have a connection with married woman rien ne forme un jeune homme comme une liaison avec une femme comme il faut"Confession»).

He wanted to shine in society, earn a reputation young man; but he had no external data for that: he was ugly, as it seemed to him, awkward, and, moreover, he was hampered by natural shyness. Everything that is said in adolescence" And " Youth” about the aspirations of Irtenyev and Nekhlyudov for self-improvement, taken by Tolstoy from the history of his own ascetic attempts. The most diverse, as Tolstoy himself defines them, "speculations" about key issues of our existence - happiness, death, God, love, eternity - painfully tormented him in that era of life, when his peers and brothers devoted themselves entirely to the cheerful, easy and carefree pastime of rich and noble people. All this led to the fact that Tolstoy developed "a habit of constant moral analysis", as it seemed to him, "destroying the freshness of feeling and clarity of mind" (" Youth»).

Education

Did his education go at first under the guidance of the French tutor Saint-Thomas? (Mr. Jerome "Boyhood"), who replaced the good-natured German Reselman, whom he portrayed in "Childhood" under the name of Karl Ivanovich.

At the age of 15, in 1843, following his brother Dmitry, he entered the number of students of Kazan University, where Lobachevsky was a professor at the mathematical faculty, and Kovalevsky was a professor at the Vostochny. Until 1847, he was preparing to enter the Oriental Faculty, the only one in Russia at that time, in the category of Arabic-Turkish literature. At the entrance exams, in particular, he showed excellent results in the obligatory "Turkish-Tatar language" for admission.

Due to a conflict between his family and a teacher of Russian history and German, a certain Ivanov, according to the results of the year, he had poor progress in the relevant subjects and had to re-take the first-year program. In order to avoid a complete repetition of the course, he moved to the Faculty of Law, where his problems with grades in Russian history and German continued. The last one was attended by the eminent civil scientist Meyer; Tolstoy at one time became very interested in his lectures and even took on a special topic for development - a comparison of Montesquieu's "Esprit des lois" and Catherine's "Order". Nothing came of this, however. Leo Tolstoy spent less than two years at the Faculty of Law: “It was always difficult for him to have any education imposed by others, and everything he learned in life, he learned himself, suddenly, quickly, with hard work,” Tolstaya writes in her “Materials to biographies of L. N. Tolstoy”.

It was at this time, while in the Kazan hospital, that he began to keep a diary, where, imitating Franklin, he sets himself goals and rules for self-improvement and notes successes and failures in completing these tasks, analyzes his shortcomings and the train of thought and motives for his actions. In 1904, he recalled: “... for the first year I ... did nothing. In my second year, I started working out. .. there was Professor Meyer, who ... gave me a work - a comparison of Catherine's "Instruction" with Montesquieu's "Esprit des lois". ... I was carried away by this work, I went to the village, began to read Montesquieu, this reading opened up endless horizons for me; I began to read Rousseau and left the university, precisely because I wanted to study.

The beginning of literary activity

Having left the university, Tolstoy settled in Yasnaya Polyana in the spring of 1847; his activities there are partly described in The Morning of the Landowner: Tolstoy tried to establish relations with the peasants in a new way.

I followed journalism very little; although his attempt to somehow smooth over the guilt of the nobility before the people dates back to the same year when Grigorovich's "Anton Goremyk" and the beginning of Turgenev's "Notes of a Hunter" appeared, but this is a mere accident. If you were here literary influences, then of a much older origin: Tolstoy was very fond of Rousseau, a hater of civilization and a preacher of a return to primitive simplicity.

In his diary, Tolstoy sets himself a huge number of goals and rules; managed to follow only a small number of them. Among the successful ones are serious studies in English, music, and jurisprudence. In addition, neither the diary nor the letters reflected the beginning of Tolstoy's studies in pedagogy and charity - in 1849 he opened a school for peasant children for the first time. The main teacher was Foka Demidych, a serf, but L. N. himself often conducted classes.

Having left for St. Petersburg, in the spring of 1848 he began to take an exam for a candidate of rights; he passed two exams, from criminal law and criminal proceedings, but he did not take the third exam and went to the village.

Later, he traveled to Moscow, where he often succumbed to the passion for the game, which greatly upset his financial affairs. During this period of his life, Tolstoy was especially passionately interested in music (he played the piano quite well and was very fond of classical composers). Exaggerated in relation to most people, the description of the effect that “passionate” music produces, the author of the Kreutzer Sonata, drew from the sensations excited by the world of sounds in his own soul.

Tolstoy's favorite composers were Bach, Handel and Chopin. In the late 1840s, Tolstoy, in collaboration with his acquaintance, composed a waltz, which he performed in the early 1900s with the composer Taneyev, who made musical notation this piece of music(the only one composed by Tolstoy).

The development of Tolstoy's love for music was also facilitated by the fact that during a trip to St. Petersburg in 1848 he met, in a very unsuitable dance class setting, with a gifted but misguided German musician, whom he later described in Alberta. Tolstoy had the idea to save him: he took him to Yasnaya Polyana and played a lot with him. A lot of time was also spent on carousing, playing and hunting.

In the winter of 1850-1851 began to write "Childhood". In March 1851 he wrote The History of Yesterday.

So 4 years passed after leaving the university, when Tolstoy's brother, Nikolai, who served in the Caucasus, came to Yasnaya Polyana and began to call him there. Tolstoy did not give in to his brother's call for a long time, until a major loss in Moscow helped the decision. To pay off, it was necessary to reduce their expenses to a minimum - and in the spring of 1851 Tolstoy hurriedly left Moscow for the Caucasus, at first without any specific goal. Soon he decided to enter the military service, but there were obstacles in the form of a lack of necessary papers that were difficult to obtain, and Tolstoy lived for about 5 months in complete seclusion in Pyatigorsk, in a simple hut. He spent a significant part of his time hunting, in the company of the Cossack Epishka, the prototype of one of the heroes of the story "The Cossacks", appearing there under the name Eroshka.

In the autumn of 1851, having passed an exam in Tiflis, Tolstoy entered the 4th battery of the 20th artillery brigade, stationed in the Cossack village of Starogladovo, on the banks of the Terek, near Kizlyar, as a cadet. With a slight change in detail, she is depicted in all her semi-wild originality in The Cossacks. The same "Cossacks" will give us a picture of the inner life of Tolstoy, who fled from the capital's whirlpool. The moods that Tolstoy-Olenin experienced were of a dual nature: here is a deep need to shake off the dust and soot of civilization and live in the refreshing, clear bosom of nature, outside the empty conventions of urban and, especially, high-society life, here is the desire to heal the wounds of pride, taken out of the pursuit of success in this "empty" way of life, there is also a heavy consciousness of misdeeds against the strict requirements of true morality.

In a remote village, Tolstoy began to write and in 1852 sent the first part of the future trilogy, Childhood, to the editors of Sovremennik.

The relatively late beginning of the career is very characteristic of Tolstoy: he was never a professional writer, understanding professionalism not in the sense of a profession that provides a livelihood, but in a less narrow sense of the predominance of literary interests. Purely literary interests always stood in the background for Tolstoy: he wrote when he wanted to write and the need to speak out was quite ripe, but in ordinary times he is a secular person, an officer, a landowner, a teacher, a world mediator, a preacher, a teacher of life, etc. He he never took the interests of literary parties to heart, he was far from willing to talk about literature, preferring to talk about issues of faith, morality, public relations. Not a single work of his, in the words of Turgenev, "stinks of literature," that is, it did not come out of a book mood, out of literary isolation.

Military career

Having received the manuscript of "Childhood", the editor of Sovremennik Nekrasov immediately recognized it literary value and wrote a kind letter to the author, which had a very encouraging effect on him. He takes up the continuation of the trilogy, and plans for “Morning of the landowner”, “Raid”, “Cossacks” are swarming in his head. Published in Sovremennik in 1852, Childhood, signed with the modest initials L. N. T., was an extraordinary success; the author immediately began to rank among the luminaries of the young literary school along with Turgenev, Goncharov, Grigorovich, Ostrovsky, who already enjoyed loud literary fame. Criticism - Apollon Grigoriev, Annenkov, Druzhinin, Chernyshevsky - appreciated the depth of psychological analysis, the seriousness of the author's intentions, and the bright convexity of realism, with all the veracity of the vividly grasped details of real life, alien to any kind of vulgarity.

Tolstoy remained in the Caucasus for two years, participating in many skirmishes with the highlanders and being exposed to all the dangers of a military life in the Caucasus. He had the rights and claims to the St. George Cross, but did not receive it, which, apparently, was upset. When at the end of 1853 it broke out Crimean War, Tolstoy transferred to the Danube army, participated in the battle of Oltenitsa and in the siege of Silistria, and from November 1854 to the end of August 1855 was in Sevastopol.

Tolstoy lived for a long time on the terrible 4th bastion, commanded a battery in the battle of Chernaya, was during the hellish bombardment during the assault on Malakhov Kurgan. Despite all the horrors of the siege, Tolstoy wrote at that time a combat story from the Caucasian life "Cutting down the forest" and the first of the three "Sevastopol stories" "Sevastopol in December 1854". He sent this last story to Sovremennik. Immediately printed, the story was eagerly read by all of Russia and made a stunning impression with a picture of the horrors that befell the defenders of Sevastopol. The story was noticed by Emperor Nicholas; he ordered to take care of the gifted officer, which, however, was impossible for Tolstoy, who did not want to go into the category of the "staff" he hated.

For the defense of Sevastopol, Tolstoy was awarded the Order of St. Anne with the inscription "For Courage" and the medals "For the Defense of Sevastopol 1854-1855" and "In Memory of the War of 1853-1856." Surrounded by the brilliance of fame and, using the reputation of a very brave officer, Tolstoy had every chance of a career, but he “spoiled” it for himself. Almost the only time in my life (except for the “Connection” made for children different options epics in one "in his pedagogical writings) he indulged in poetry: he wrote a satirical song, in the manner of soldiers, about the unfortunate case 4 (August 16, 1855, when General Read, having misunderstood the order of the commander in chief, imprudently attacked the Fedyukhin heights. Song (As the fourth number, it was not easy to take us mountains to select), which offended a number of important generals, was a huge success and, of course, damaged the author. Immediately after the assault on August 27 (September 8), Tolstoy was sent by courier to St. Petersburg, where he finished Sevastopol in May 1855. ” and wrote “Sevastopol in August 1855”.

"Sevastopol stories" finally strengthened his reputation as a representative of a new literary generation.

Travel Europe

In St. Petersburg, he was warmly welcomed both in high-society salons and in literary circles; he became especially close friends with Turgenev, with whom at one time he lived in the same apartment. The latter introduced him to the Sovremennik circle and other literary luminaries: he became on friendly terms with Nekrasov, Goncharov, Panaev, Grigorovich, Druzhinin, Sologub.

"After the deprivations of Sevastopol metropolitan life had a double charm for a rich, cheerful, impressionable and sociable young man. Tolstoy spent whole days and even nights on drinking parties and cards, carousing with gypsies” (Levenfeld).

At this time, "Snowstorm", "Two Hussars" were written, "Sevastopol in August" and "Youth" were completed, the writing of future "Cossacks" was continued.

A cheerful life was not slow to leave a bitter aftertaste in Tolstoy's soul, especially since he began to have a strong discord with a circle of writers close to him. As a result, "people got sick of him and he got sick of himself" - and at the beginning of 1857 Tolstoy, without any regret, left Petersburg and went abroad.

On his first trip abroad, he visited Paris, where he was horrified by the cult of Napoleon I (“Deification of the villain, terrible”), at the same time he attends balls, museums, he admires the “sense of social freedom”. However, the presence at the guillotining made such a heavy impression that Tolstoy left Paris and went to places associated with Rousseau - Lake Geneva. At this time, Albert writes the story and the story Lucerne.

In the interval between the first and second trips, he continues to work on The Cossacks, wrote Three Deaths and Family Happiness. It was at this time that Tolstoy almost died on a bear hunt (December 22, 1858). He has an affair with a peasant woman Aksinya, at the same time he has a need for marriage.

On his next trip, he was mainly interested in public education and institutions aimed at raising educational level working population. He closely studied the issues of public education in Germany and France, both theoretically and practically, and through conversations with specialists. Of the outstanding people of Germany, he was most interested in Auerbach, as the author of the Black Forest Tales dedicated to folk life and the publisher of folk calendars. Tolstoy paid him a visit and tried to get close to him. During his stay in Brussels, Tolstoy met Proudhon and Lelewel. In London he visited Herzen, was at a lecture by Dickens.

Tolstoy's serious mood during his second trip to the south of France was also facilitated by the fact that his beloved brother Nikolai died of tuberculosis in his arms. The death of his brother made a huge impression on Tolstoy.

Pedagogical activity

He returned to Russia shortly after the liberation of the peasants and became a mediator. At that time, they looked at the people as a younger brother who needed to be lifted up; Tolstoy thought, on the contrary, that the people are infinitely higher than the cultural classes, and that the masters must borrow the heights of spirit from the peasants. He was actively engaged in organizing schools in his Yasnaya Polyana and in the entire Krapivensky district.

The Yasnaya Polyana school belongs to the number of original pedagogical attempts: in the era of boundless admiration for the latest German pedagogy, Tolstoy resolutely rebelled against any regulation and discipline in the school; the only method of teaching and education that he recognized was that no method was needed. Everything in teaching should be individual - both the teacher and the student, and their mutual relationship. In the Yasnaya Polyana school, the children sat where they wanted, for as long as they wanted, and for as long as they wanted. There was no specific curriculum. The teacher's only job was to keep the class interested. The classes were going great. They were led by Tolstoy himself with the help of several permanent teachers and a few random ones, from the closest acquaintances and visitors.

Since 1862, he began to publish the pedagogical journal Yasnaya Polyana, where again he himself was the main employee. In addition to theoretical articles, Tolstoy also wrote a number of stories, fables and adaptations. Put together, Tolstoy's pedagogical articles made up an entire volume of his collected works. Hidden in a very little-spread special magazine, they at one time remained little noticed. No one paid attention to the sociological basis of Tolstoy's ideas about education, to the fact that Tolstoy saw in education, science, art, and the successes of technology only facilitated and improved ways of exploiting the people by the upper classes. Not only that: from Tolstoy's attacks on European education and on the concept of “progress”, which was beloved at that time, many seriously concluded that Tolstoy was a “conservative”.

This curious misunderstanding lasted for about 15 years, bringing together with Tolstoy such a writer, for example, as organically opposed to him, as N. N. Strakhov. Only in 1875, N. K. Mikhailovsky, in the article “The Right Hand and Schuytsa of Count Tolstoy”, striking with the brilliance of analysis and foreseeing Tolstoy’s future activities, described the spiritual image of the most original of Russian writers in a real light. The little attention that was paid to Tolstoy's pedagogical articles is partly due to the fact that little attention was paid to him at that time.

Apollon Grigoriev had the right to title his article on Tolstoy (Vremya, 1862) "Phenomena of Modern Literature Missed by Our Criticism." Having extremely cordially met Tolstoy's debits and credits and "Sevastopol Tales", recognizing in him the great hope of Russian literature (Druzhinin even used the epithet "brilliant" in relation to him), criticism then for 10-12 years, until the appearance of "War and Peace", not only ceases to recognize him as a very important writer, but somehow grows cold towards him.

Among the stories and essays he wrote in the late 1850s are "Lucerne" and "Three Deaths".

Family and offspring

In the late 1850s, he met Sophia Andreevna Bers (1844-1919), the daughter of a Moscow doctor from the Baltic Germans. He was already in his fourth decade, Sofya Andreevna was only 17 years old. On September 23, 1862, he married her, and the fullness of family happiness fell to his lot. In the person of his wife, he found not only the most faithful and devoted friend, but also an indispensable assistant in all matters, practical and literary. For Tolstoy, the brightest period of his life is coming - an intoxication with personal happiness, very significant thanks to the practicality of Sofya Andreevna, material well-being, an outstanding, easily given tension of literary creativity and, in connection with it, unprecedented fame all-Russian, and then worldwide.

However, Tolstoy's relationship with his wife was not cloudless. Quarrels often arose between them, including in connection with the lifestyle that Tolstoy chose for himself.

  • Sergei (July 10, 1863 - December 23, 1947)
  • Tatiana (October 4, 1864 - September 21, 1950). Since 1899 she has been married to Mikhail Sergeevich Sukhotin. In 1917-1923 she was the curator of the Yasnaya Polyana Museum Estate. In 1925 she emigrated with her daughter. Daughter Tatyana Mikhailovna Sukhotina-Albertini 1905-1996
  • Ilya (May 22, 1866 - December 11, 1933)
  • Leo (1869-1945)
  • Maria (1871-1906) Buried in the village. Kochety of Krapivensky district. From 1897 married to Nikolai Leonidovich Obolensky (1872-1934)
  • Peter (1872-1873)
  • Nicholas (1874-1875)
  • Barbara (1875-1875)
  • Andrei (1877-1916)
  • Michael (1879-1944)
  • Alexey (1881-1886)
  • Alexandra (1884-1979)
  • Ivan (1888-1895)

The heyday of creativity

During the first 10-12 years after his marriage, he creates "War and Peace" and "Anna Karenina". At the turn of this second era literary life Tolstoy are conceived back in 1852 and completed in 1861-1862. "Cossacks", the first of the works in which great talent Tolstoy has reached the size of a genius. For the first time in world literature, the difference between the brokenness of a cultured person, the absence of strong, clear moods in him, and the spontaneity of people close to nature was shown with such brightness and certainty.

Tolstoy showed that it is not at all the peculiarity of people close to nature that they are good or bad. Can't name good heroes works of the fat dashing horse thief Lukashka, a kind of dissolute girl Maryanka, a drunkard Eroshka. But they cannot be called bad either, because they have no consciousness of evil; Eroshka is directly convinced that "nothing is wrong". Tolstoy's Cossacks are simply living people, in whom not a single spiritual movement is obscured by reflection. "Cossacks" were not evaluated in a timely manner. At that time, everyone was too proud of the “progress” and success of civilization to be interested in how a representative of culture gave in to the power of direct spiritual movements of some semi-savages.

"War and Peace"

Unprecedented success fell to the lot of "War and Peace". An excerpt from a novel entitled "1805" appeared in the "Russian Messenger" in 1865; in 1868, three of its parts were published, followed soon by the other two.

Recognized by the critics of the whole world as the greatest epic work of new European literature, "War and Peace" amazes already from a purely technical point of view with the size of its fictional canvas. Only in painting can one find some parallel in the huge paintings by Paolo Veronese in the Doge's Palace in Venice, where hundreds of faces are also painted with amazing clarity and individual expression. In Tolstoy's novel, all classes of society are represented, from emperors and kings to the last soldier, all ages, all temperaments, and throughout the entire reign of Alexander I.

"Anna Karenina"

The infinitely joyful intoxication with the bliss of being is no longer in Anna Karenina, dating from 1873-1876. There are many more gratifying experiences in almost autobiographical novel Levin and Kitty, but there is already so much bitterness in the depiction of Dolly's family life, in the unfortunate end of the love of Anna Karenina and Vronsky, so much anxiety in mental life Levin, that in general this novel is already a transition to the third period of Tolstoy's literary activity.

In January 1871, Tolstoy sent a letter to A. A. Fet: “How happy I am ... that I will never write verbose rubbish like “War” again”.

On December 6, 1908, Tolstoy wrote in his diary: “People love me for those trifles - War and Peace, etc., which seem very important to them”

In the summer of 1909, one of the visitors to Yasnaya Polyana expressed his delight and gratitude for the creation of War and Peace and Anna Karenina. Tolstoy replied: “It’s like someone came to Edison and said:“ I really respect you for the fact that you are good at dancing the mazurka. I attribute meaning to my very different books (religious ones!)”.

In the sphere of material interests, he began to say to himself: “Well, well, you will have 6,000 acres in the Samara province - 300 heads of horses, and then?”; in the field of literature: “Well, well, you will be more glorious than Gogol, Pushkin, Shakespeare, Moliere, all the writers in the world - so what!”. Starting to think about raising children, he asked himself: "For what?"; reasoning “about how the people can achieve prosperity,” he “suddenly said to himself: what does it matter to me?” In general, he “felt that what he stood on had given way, that what he lived by was gone”. The natural result was the thought of suicide.

“I, a happy man, hid the cord from me so as not to hang myself on the crossbar between the cabinets in my room, where I was alone every day, undressing, and stopped going hunting with a gun, so as not to be tempted by a too easy way to rid myself of life. I myself did not know what I wanted: I was afraid of life, strove to get away from it and, meanwhile, hoped for something else from it.

Other works

In March 1879, in the city of Moscow, Leo Tolstoy met Vasily Petrovich Shchegolyonok and in the same year, at his invitation, he came to Yasnaya Polyana, where he stayed for about a month and a half. The dandy told Tolstoy many folk tales and epics, of which more than twenty were recorded by Tolstoy, and Tolstoy remembered some of the plots, if he did not write them down on paper (these records are printed in vol. XLVIII of the Jubilee edition of Tolstoy's works). Six works written by Tolstoy are based on the legends and stories of Schegolyonok (1881 - " How people live", 1885 -" Two old men" And " Three elders", 1905 -" Korney Vasiliev" And " Prayer", 1907 -" old man in church"). In addition, Count Tolstoy diligently wrote down many sayings, proverbs, individual expressions and words told by Shchegolyonok.

Literary criticism of Shakespeare's works

In his critical essay "On Shakespeare and Drama", based on a detailed analysis of some of the most popular works of Shakespeare, in particular: "King Lear", "Othello", "Falstaff", "Hamlet", etc. - Tolstoy sharply criticized Shakespeare's abilities like a playwright.

religious quest

In order to find an answer to the questions and doubts that tormented him, Tolstoy first of all took up the study of theology and wrote and published in 1891 in Geneva his “Study of Dogmatic Theology”, in which he criticized the “Orthodox Dogmatic Theology” of Metropolitan Macarius (Bulgakov). He conducted conversations with priests and monks, went to the elders in Optina Pustyn, read theological treatises. In order to know the original sources in the original Christian doctrine studied ancient Greek and Hebrew (in the study of the latter he was helped by the Moscow rabbi Shlomo Minor). At the same time, he kept an eye on the schismatics, became close to the thoughtful peasant Syutaev, and talked with Molokans and Stundists. Tolstoy also searched for the meaning of life in the study of philosophy and in acquaintance with the results exact sciences. He made a series of attempts at greater and greater simplification, striving to live a life close to nature and agricultural life.

Gradually he refuses whims and comforts rich life, does a lot of physical labor, dresses in the simplest clothes, becomes a vegetarian, gives his family all his large fortune, renounces literary property rights. On this basis of an unalloyed pure impulse and striving for moral improvement, the third period of Tolstoy's literary activity is created, hallmark which is the denial of all established forms of state, social and religious life. A significant part of Tolstoy's views could not be open expression in Russia and is presented in full only in foreign editions of his religious and social treatises.

No unanimous attitude was established even in relation to Tolstoy's fictional works written during this period. So, in a long series of short stories and legends, intended mainly for popular reading(“What makes people alive”, etc.), Tolstoy, in the opinion of his unconditional admirers, reached the pinnacle of artistic power - that elemental skill that is given only folk tales because they embody the creativity of an entire people. On the contrary, in the opinion of people who are indignant at Tolstoy for turning from an artist into a preacher, these artistic teachings, written for a specific purpose, are grossly tendentious. The high and terrible truth of The Death of Ivan Ilyich, according to fans, which puts this work along with the main works of the genius of Tolstoy, according to others, is deliberately harsh, deliberately sharply emphasizes the soullessness of the upper strata of society in order to show the moral superiority of a simple "kitchen man" Gerasim. The explosion of the most opposite feelings, caused by the analysis of marital relations and the indirect demand for abstinence from married life, in the Kreutzer Sonata made us forget about the amazing brightness and passion with which this story was written. The folk drama “The Power of Darkness”, according to Tolstoy’s admirers, is a great manifestation of his artistic power: in the narrow framework of the ethnographic reproduction of Russian peasant life, Tolstoy managed to fit so many universal features that the drama went around all the stages of the world with tremendous success.

In the last major work In the novel Resurrection, he condemned judicial practice and high-society life, caricatured the clergy and worship.

Critics of the last phase of Tolstoy's literary and preaching activity find that artistic power He certainly suffered from the predominance of theoretical interests and that creativity is now only needed by Tolstoy in order to propagate his socio-religious views in a generally accessible form. In his aesthetic treatise (“On Art”), one can find enough material to declare Tolstoy an enemy of art: in addition to the fact that Tolstoy here partly completely denies, partly significantly diminishes the artistic significance of Dante, Raphael, Goethe, Shakespeare (at the performance of Hamlet, he experienced "special suffering" for this "false semblance of works of art"), Beethoven and others, he directly comes to the conclusion that "the more we surrender to beauty, the more we move away from good."

Excommunication

Belonging by birth and baptism to the Orthodox Church, Tolstoy, like most representatives of the educated society of his time, was indifferent to religious issues in his youth and youth. In the mid-1870s, he showed an increased interest in the teaching and worship of the Orthodox Church. The second half of 1879 became a turning point in the direction of the teachings of the Orthodox Church for him. In the 1880s, he took the position of an unambiguously critical attitude towards church doctrine, the clergy, and official churchness. The publication of some of Tolstoy's works was banned by spiritual and secular censorship. In 1899, Tolstoy's novel "Resurrection" was published, in which the author showed the life of various social strata of contemporary Russia; the clergy were depicted mechanically and hastily performing rituals, and the cold and cynical Toporov was taken by some for a caricature of K. P. Pobedonostsev, chief procurator of the Holy Synod.

In February 1901, the Synod finally inclined to the idea of ​​publicly condemning Tolstoy and declaring him outside the church. Metropolitan Anthony (Vadkovsky) played an active role in this. As it appears in the camera-Fourier magazines, on February 22, Pobedonostsev visited Nicholas II in the Winter Palace and talked with him for about an hour. Some historians believe that Pobedonostsev came to the tsar directly from the Synod with a ready definition.

February 24 (old style), 1901, in the official organ of the Synod "Church Gazette, published under the Holy Governing Senod" was published “Determination of the Holy Synod of February 20-22, 1901 No. 557, with a message to the faithful children of the Orthodox Greco-Russian Church about Count Leo Tolstoy”:

A world-famous writer, Russian by birth, Orthodox by his baptism and upbringing, Count Tolstoy, in the seduction of his proud mind, boldly rebelled against the Lord and His Christ and His holy heritage, clearly before all renounced the Mother, the Church, who nourished and raised him Orthodox, and dedicated his literary activity and the talent given to him by God to spread among the people teachings that are contrary to Christ and the Church, and to exterminate in the minds and hearts of people the faith of the fathers, the Orthodox faith, which established the universe, by which our ancestors lived and were saved, and which hitherto held and strong was Holy Rus' .

In his writings and letters, in many scattered by him and his disciples all over the world, especially within the borders of our dear Fatherland, he preaches, with the zeal of a fanatic, the overthrow of all the dogmas of the Orthodox Church and the very essence of the Christian faith; rejects the personal living God, glorified in the Holy Trinity, the Creator and Provider of the universe, denies the Lord Jesus Christ, the God-man, Redeemer and Savior of the world, who suffered for us for the sake of people and for our salvation and rose from the dead, denies the seedless conception according to humanity of Christ the Lord and virginity before of the Nativity and after the Nativity of the Most Pure Theotokos Ever-Virgin Mary, does not recognize afterlife and retribution, rejects all the sacraments of the Church and the grace-filled action of the Holy Spirit in them, and, scolding the most sacred objects of faith Orthodox people, did not shudder to mock the greatest of the sacraments, the holy Eucharist. All this is preached by Count Tolstoy continuously, in word and writing, to the temptation and horror of everything. Orthodox world, and thus openly, but clearly in front of everyone, consciously and deliberately, he cut himself off from all communion with the Orthodox Church.

Former same to his admonition attempts were unsuccessful. Therefore, the Church does not consider him a member and cannot count him until he repents and restores his communion with her. Therefore, bearing witness to his falling away from the Church, we pray together that the Lord grant him repentance into the knowledge of truth (2 Tim. 2:25). We pray, merciful Lord, do not want the death of sinners, hear and have mercy and turn him to Your holy Church. Amen.

In his Response to the Synod, Leo Tolstoy confirmed his break with the Church: “The fact that I renounced the Church, which calls itself Orthodox, is completely just. But I denied it not because I rebelled against the Lord, but on the contrary, only because I wanted to serve him with all the strength of my soul. However, Tolstoy objected to the accusations brought against him in the ruling of the synod: “The resolution of the synod in general has many shortcomings. It is illegal or deliberately ambiguous; it is arbitrary, unfounded, untrue and, moreover, contains slander and incitement to bad feelings and actions. In the text of the Answer to the Synod, Tolstoy elaborates on these theses, recognizing a number of significant discrepancies between the dogmas of the Orthodox Church and his own understanding of the teachings of Christ.

The synodal definition aroused the indignation of a certain part of society; Numerous letters and telegrams were sent to Tolstoy expressing sympathy and support. At the same time, this definition provoked a flood of letters from another part of society - with threats and abuse.

At the end of February 2001, the great-grandson of Count Vladimir Tolstoy, who manages the museum-estate of the writer in Yasnaya Polyana, sent a letter to Patriarch Alexy II of Moscow and All Rus' with a request to revise the synodal definition; In an informal interview on television, the Patriarch said: “We cannot revise now, because after all, you can revise if a person changes his position.” In March 2009, Vl. Tolstoy expressed his opinion on the meaning of the synodal act: “I studied documents, read the newspapers of that time, got acquainted with the materials of public discussions around the excommunication. And I got the feeling that this act gave a signal for a total split in Russian society. The royal family, and the highest aristocracy, and the local nobility, and the intelligentsia, and the raznochinsk strata, and ordinary people also split. The crack went through the body of the entire Russian, Russian people.

Moscow census of 1882. L. N. Tolstoy - participant in the census

The 1882 census in Moscow is famous for the fact that the great writer Count L. N. Tolstoy took part in it. Lev Nikolayevich wrote: “I suggested using the census in order to find out poverty in Moscow and help her with business and money, and make sure that there were no poor in Moscow.”

Tolstoy believed that the interest and significance of the census for society is that it gives it a mirror in which you want it, you don’t want it, the whole society and each of us will look. He chose for himself one of the most difficult and difficult sections, Protochny Lane, where there was a rooming house, among the Moscow squalor, this gloomy two-story building was called the Rzhanov Fortress. Having received an order from the Duma, a few days before the census, Tolstoy began to walk around the site according to the plan that he was given. Indeed, the dirty rooming house, filled with destitute, desperate people who had sunk to the very bottom, served as a mirror for Tolstoy, reflecting the terrible poverty of the people. Under the fresh impression of what he saw, L. N. Tolstoy wrote his famous article "On the census in Moscow." In this article, he writes:

The purpose of the census is scientific. The census is a sociological study. The goal of the science of sociology is the happiness of people. "This science and its methods differ sharply from other sciences. The peculiarity is that sociological research is not carried out by scientists in their offices, observatories and laboratories, but is carried out by two thousand people from society. Another feature "that research in other sciences is carried out not on living people, but here on living people. The third feature is that the goal of other sciences is only knowledge, and here the benefit of people. Foggy spots can be explored alone, but to explore Moscow, 2000 people are needed. The purpose of the study foggy spots only to learn everything about foggy spots, the purpose of the study of inhabitants is to derive the laws of sociology and, on the basis of these laws, establish better life of people. Foggy patches do not care if they are investigated or not, they have waited and are ready to wait for a long time, but the inhabitants of Moscow do not care, especially those unfortunate ones who constitute the most interesting subject of the science of sociology. The counter comes to the doss house, to the basement, finds a man dying of starvation and politely asks: title, name, patronymic, occupation; and after a slight hesitation as to whether to list him as alive, he writes it down and passes on.

Despite Tolstoy's declared good intentions of the census, the population was suspicious of this event. On this occasion, Tolstoy writes: “When they explained to us that the people had already learned about the rounds of the apartments and were leaving, we asked the owner to lock the gates, and we ourselves went to the yard to persuade the people who were leaving.” Lev Nikolaevich hoped to arouse sympathy for urban poverty in the rich, to raise money, to recruit people who wanted to contribute to this cause, and together with the census to go through all the dens of poverty. In addition to fulfilling the duties of a copyist, the writer wanted to enter into communication with the unfortunate, find out the details of their needs and help them with money and work, expulsion from Moscow, placing children in schools, old men and women in shelters and almshouses.

According to the results of the census, the population of Moscow in 1882 amounted to 753.5 thousand people, and only 26% were born in Moscow, and the rest were “newcomers”. Of the Moscow residential apartments, 57% faced the street, 43% faced the yard. From the 1882 census, one can find out that in 63% the head of the household is a married couple, in 23% - the wife, and only in 14% - the husband. The census recorded 529 families with 8 or more children. 39% have servants and most often they are women.

Last years of life. Death and funeral

In October 1910, fulfilling his decision to live his last years in accordance with his views, he secretly left Yasnaya Polyana. Own last trip he started at the Kozlova Zasek station; on the way, he fell ill with pneumonia and was forced to make a stop at the small station Astapovo (now Lev Tolstoy, Lipetsk region), where he died on November 7 (20).

On November 10 (23), 1910, he was buried in Yasnaya Polyana, on the edge of a ravine in the forest, where, as a child, he and his brother were looking for a “green stick” that kept the “secret” of how to make all people happy.

In January 1913, a letter was published by Countess Sophia Tolstaya dated December 22, 1912, in which she confirms the news in the press that a funeral was performed at her husband's grave by a certain priest (she denies rumors that he was not real) in her presence. In particular, the countess wrote: “I also declare that Lev Nikolayevich never expressed a desire not to be buried before his death, but earlier he wrote in his diary of 1895, as if a testament:“ If possible, then (bury) without priests and funerals. But if it is unpleasant for those who will bury, then let them bury as usual, but as cheaply and simply as possible.

There is also unofficial version the death of Leo Tolstoy, described in exile by I.K. Sursky from the words of an official of the Russian police. According to her, the writer, before his death, wanted to reconcile with the church and arrived in Optina Pustyn for this. Here he awaited the order of the Synod, but, feeling unwell, was taken away by his daughter and died at the Astapovo postal station.

Philosophy

The religious and moral imperatives of Tolstoy were the source of the Tolstoy movement, one of the fundamental theses of which is the thesis of "non-resistance to evil by force." The latter, according to Tolstoy, is recorded in a number of places in the Gospel and is the core of the teachings of Christ, as, indeed, of Buddhism. The essence of Christianity, according to Tolstoy, can be expressed in a simple rule: Be kind and do not resist evil by force».

In particular, Ilyin I. A. spoke out against the position of non-resistance, which gave rise to disputes in the philosophical environment, in his work “On Resistance to Evil by Force” (1925)

Criticism of Tolstoy and Tolstoyism

  • Chief Procurator of the Holy Synod of the Victorious in his private letter dated February 18, 1887 to the Emperor Alexander III wrote about Tolstoy's drama “The Power of Darkness”: “I have just read a new drama by L. Tolstoy and I cannot recover from horror. And they assure me that they are preparing to give it at the Imperial Theaters and are already learning the roles. I do not know anything like this in any literature. It is unlikely that Zola himself reached such a degree of rough realism, which Tolstoy becomes here. The day on which Tolstoy's drama will be presented at the Imperial Theaters will be the day decisive fall our scene, which has already fallen very low.
  • The leader of the extreme left wing of the Russian Social Democratic Labor Party, V. I. Ulyanov (Lenin), after the revolutionary upheavals of 1905-1907, wrote, being in forced emigration, in his work “Leo Tolstoy as a Mirror of the Russian Revolution” (1908): “Tolstoy he is ridiculous, like a prophet who discovered new recipes for the salvation of mankind - and therefore the foreign and Russian "Tolstoyans" who wished to turn into a dogma just the weakest side of his teaching are completely miserable. Tolstoy is great as a spokesman for those ideas and those moods that had developed among millions of the Russian peasantry at the time of the onset of the bourgeois revolution in Russia. Tolstoy is original, because the totality of his views, taken as a whole, expresses precisely the peculiarities of our revolution, as a peasant bourgeois revolution. The contradictions in the views of Tolstoy, from this point of view, are a real mirror of those contradictory conditions in which the historical activity of the peasantry was placed in our revolution. ".
  • Russian religious philosopher Nikolai Berdyaev wrote in early 1918: “L. Tolstoy must be recognized as the greatest Russian nihilist, destroyer of all values ​​and shrines, destroyer of culture. Tolstoy triumphed, his anarchism triumphed, his non-resistance, his denial of the state and culture, his moralistic demand for equality in poverty and non-existence and subordination to the peasant kingdom and physical labor. But this triumph of Tolstoyism turned out to be less meek and beautiful-hearted than Tolstoy imagined. It is unlikely that he himself would have rejoiced at such a triumph. The godless nihilism of Tolstoyism, its terrible poison that destroys the Russian soul, is exposed. To save Russia and Russian culture with a red-hot iron, Tolstoy's morality, low and exterminating, must be burned out of the Russian soul.

His own article “The Spirits of the Russian Revolution” (1918): “There is nothing prophetic in Tolstoy, he did not foresee or predict anything. As an artist, he is drawn to the crystallized past. He did not have that sensitivity to dynamism human nature, which in the highest degree was with Dostoevsky. But it is not Tolstoy's artistic insights that triumph in the Russian revolution, but his moral assessments. There are few Tolstoyans in the narrow sense of the word who share Tolstoy's doctrine, and they represent an insignificant phenomenon. But Tolstoyism in the broad, non-doctrinal sense of the word is very characteristic of a Russian person; it determines Russian moral assessments. Tolstoy was not a direct teacher of the Russian left intelligentsia; Tolstoy's religious teaching was alien to her. But Tolstoy captured and expressed the peculiarities of the moral make-up of most of the Russian intelligentsia, perhaps even a Russian intellectual, perhaps even a Russian person in general. And the Russian revolution is a kind of triumph of Tolstoyism. It imprinted both Russian Tolstoy moralism and Russian immorality. This Russian moralism and this Russian immorality are interconnected and are two sides of the same disease of moral consciousness. Tolstoy was able to instill in the Russian intelligentsia a hatred for everything historically individual and historically different. He was the spokesman for that side of Russian nature that abhorred historical power and historical glory. This he taught in an elementary and simplified way to moralize over history and transfer to historical life the moral categories of individual life. By this he morally undermined the opportunity for the Russian people to live historical life fulfill their historical destiny and historical mission. He morally prepared the historical suicide of the Russian people. He clipped the wings of the Russian people as a historical people, morally poisoned the sources of any impulse to historical creativity. The World War was lost by Russia because Tolstoy's moral assessment of the war prevailed in it. In the terrible hour of the world struggle, the Russian people were weakened, apart from betrayal and animal egoism, by Tolstoy's moral assessments. Tolstoy's morality disarmed Russia and handed her over to the enemy.

  • V. Mayakovsky, D. Burliuk, V. Khlebnikov, A. Kruchenykh, called for "to throw Tolstoy L. N. and others from the steamer of modernity" in the 1912 Futurist manifesto "Slap in the face of public taste"
  • George Orwell defended W. Shakespeare against Tolstoy's criticism
  • Researcher of the history of Russian theological thought and culture Georgy Florovsky (1937): “There is one decisive contradiction in Tolstoy's experience. He certainly had the temperament of a preacher or a moralist, but he had no religious experience at all. Tolstoy was not religious at all, he was religiously mediocre. Tolstoy did not derive his “Christian” worldview from the Gospel at all. He already compares the gospel with his own view, and therefore he cuts and adapts it so easily. The gospel for him is a book compiled many centuries ago by “poorly educated and superstitious people,” and it cannot be accepted in its entirety. But Tolstoy does not mean scientific criticism, but simply personal choice or selection. Tolstoy, in some strange way, seemed to be mentally late in the 18th century, and therefore found himself outside of history and modernity. And he deliberately leaves the present for some far-fetched past. All his work is in this respect some kind of continuous moralistic robinsonade. Annenkov also called Tolstoy's mind sectarian. There is a striking discrepancy between the aggressive maximalism of Tolstoy's socio-ethical denunciations and denials and the extreme poverty of his positive moral teaching. All morality comes down to him to common sense and worldly prudence. “Christ teaches us exactly how we can get rid of our misfortunes and live happily.” And that's what the Gospel is all about! Here Tolstoy's insensitivity becomes eerie, and " common sense“turns into madness… Tolstoy’s main contradiction lies precisely in the fact that, for him, life’s untruth is overcome, strictly speaking, only rejection of history, only a way out of culture and simplification, that is, through the removal of questions and the rejection of tasks. Moralism in Tolstoy turns around historical nihilism
  • The holy righteous John of Kronstadt sharply criticized Tolstoy (see “Reply of Father John of Kronstadt to the appeal of Count L. N. Tolstoy to the clergy”), and in his dying diary (August 15 - October 2, 1908) he wrote:

"24 August. How long, O Gdy, do you tolerate the worst atheist who has confused the whole world, Leo Tolstoy? How long do you call him to Your Judgment? Behold, I am coming quickly, and My reward with Me will repay anyone according to his deeds? (Rev. Apoc 22:12) Gd, the earth is tired of enduring his blasphemy. -»
"6 September. Where, do not allow Leo Tolstoy, a heretic who surpassed all heretics, to reach the Blessed Virgin Mary before the feast of the Nativity, whom he terribly blasphemed and blasphemes. Take him from the earth - this fetid corpse, stinking the whole earth with its pride. Amen. 9pm."

  • In 2009, as part of a court case on the liquidation of the local religious organization of Jehovah's Witnesses Taganrog, a forensic examination was carried out, in the conclusion of which Leo Tolstoy was quoted: “I am convinced that the teaching of the [Russian Orthodox] Church is theoretically insidious and harmful lie, but a collection of the grossest superstitions and witchcraft, which completely hides the whole meaning of Christian teaching, ”which was characterized as forming a negative attitude towards the Russian Orthodox Church, and Leo Tolstoy himself as“ an opponent of Russian Orthodoxy ”.

Expert evaluation of individual statements of Tolstoy

  • In 2009, as part of a court case on the liquidation of the local religious organization Taganrog, Jehovah's Witnesses, a forensic examination of the organization's literature was carried out for signs of inciting religious hatred, undermining respect for and hostility towards other religions. The experts concluded that the Awake! contains (without specifying the source) the statement of Leo Tolstoy: "I was convinced that the teaching of the [Russian Orthodox] Church is theoretically an insidious and harmful lie, but practically a collection of the grossest superstitions and witchcraft, hiding the entire meaning of Christian teaching," which was characterized as forming negative attitude and undermining respect for the Russian Orthodox Church, and Leo Tolstoy himself as an “opponent of Russian Orthodoxy”.
  • In March 2010, in the Kirov Court of Yekaterinburg, Leo Tolstoy was accused of "inciting religious hatred against the Orthodox Church." Pavel Suslonov, an expert on extremism, testified: "Leo Tolstoy's leaflets 'Foreword to the Soldier's Memo' and 'Officer's Memo'" addressed to soldiers, sergeants and officers contain direct calls to incite inter-religious hatred directed against the Orthodox Church.

Bibliography

Tolstoy's translators

  • In Azerbaijani - Dadash-zade, Mammad Arif Maharram ogly
  • In English - Constance Garnett, Leo Viner, Aylmer and Louise Maude (en: Aylmer and Louise Maude)
  • In Bulgarian — Sava Nichev, Georgi Shopov, Hristo Dosev
  • On Spanish— Selma Ancira
  • On Kazakh language— Ibray Altynsarin
  • Into Malay - Viktor Pogadaev
  • In Norwegian - Martin Grahn, Olaf Broch, Marta Grundt
  • In French - Michel Ocouturier, Vladimir Lvovich Binstock
  • In Esperanto - Valentin Melnikov, Viktor Sapozhnikov
  • On Japanese— Konishi Masutaro

World recognition. Memory

Museums

In the former estate "Yasnaya Polyana" there is a museum dedicated to his life and work.

The main literary exposition about his life and work is in the State Museum of Leo Tolstoy, in the former house of the Lopukhins-Stanitskaya (Moscow, Prechistenka 11); its branches also: at Lev Tolstoy station (former Astapovo station), memorial estate museum L. N. Tolstoy "Khamovniki" (Leo Tolstoy Street, 21), exhibition hall on Pyatnitskaya.

Figures of science, culture, politicians about Leo Tolstoy




Screen versions of his works

  • "Resurrection"(English) resurrection, 1909, UK). A 12-minute silent film based on the novel of the same name (filmed during the writer's lifetime).
  • "The Power of Darkness"(1909, Russia). Silent movie.
  • "Anna Karenina"(1910, Germany). Silent movie.
  • "Anna Karenina"(1911, Russia). Silent movie. Dir. - Maurice Meter
  • "Living Dead"(1911, Russia). Silent movie.
  • "War and Peace"(1913, Russia). Silent movie.
  • "Anna Karenina"(1914, Russia). Silent movie. Dir. - V. Gardin
  • "Anna Karenina"(1915, USA). Silent movie.
  • "The Power of Darkness"(1915, Russia). Silent movie.
  • "War and Peace"(1915, Russia). Silent movie. Dir. - Y. Protazanov, V. Gardin
  • "Natasha Rostova"(1915, Russia). Silent movie. Producer - A. Khanzhonkov. Cast - V. Polonsky, I. Mozzhukhin
  • "Living Dead"(1916). Silent movie.
  • "Anna Karenina"(1918, Hungary). Silent movie.
  • "The Power of Darkness"(1918, Russia). Silent movie.
  • "Living Dead"(1918). Silent movie.
  • "Father Sergius"(1918, RSFSR). Silent film film by Yakov Protazanov, starring Ivan Mozzhukhin
  • "Anna Karenina"(1919, Germany). Silent movie.
  • "Polikushka"(1919, USSR). Silent movie.
  • "Love"(1927, USA. Based on the novel "Anna Karenina"). Silent movie. Anna as Greta Garbo
  • "Living Dead"(1929, USSR). Cast - V. Pudovkin
  • "Anna Karenina"(Anna Karenina, 1935, USA). Sound film. Anna as Greta Garbo
  • « Anna Karenina"(Anna Karenina, 1948, UK). Anna as Vivien Leigh
  • "War and Peace"(War & Peace, 1956, USA, Italy). In the role of Natasha Rostova - Audrey Hepburn
  • Agi Murad il diavolo bianco(1959, Italy, Yugoslavia). As Hadji Murat - Steve Reeves
  • "Too people"(1959, USSR, based on a fragment of "War and Peace"). Dir. G. Danelia, cast - V. Sanaev, L. Durov
  • "Resurrection"(1960, USSR). Dir. - M. Schweitzer
  • "Anna Karenina"(Anna Karenina, 1961, USA). Vronsky as Sean Connery
  • "Cossacks"(1961, USSR). Dir. - V. Pronin
  • "Anna Karenina"(1967, USSR). In the role of Anna - Tatyana Samoilova
  • "War and Peace"(1968, USSR). Dir. - S. Bondarchuk
  • "Living Dead"(1968, USSR). In ch. roles - A. Batalov
  • "War and Peace"(War & Peace, 1972, UK). Series. Pierre - Anthony Hopkins
  • "Father Sergius"(1978, USSR). Feature film by Igor Talankin, starring Sergey Bondarchuk
  • "Caucasian story"(1978, USSR, based on the story "Cossacks"). In ch. roles - V. Konkin
  • "Money"(1983, France-Switzerland, based on the story "False Coupon"). Dir. - Robert Bresson
  • "Two Hussars"(1984, USSR). Dir. - Vyacheslav Krishtofovich
  • "Anna Karenina"(Anna Karenina, 1985, USA). Anna as Jacqueline Bisset
  • "Simple Death"(1985, USSR, based on the story "The Death of Ivan Ilyich"). Dir. - A. Kaidanovsky
  • "Kreutzer Sonata"(1987, USSR). Cast - Oleg Yankovsky
  • "For what?" (Za co?, 1996, Poland / Russia). Dir. - Jerzy Kavalerovich
  • "Anna Karenina"(Anna Karenina, 1997, USA). In the role of Anna - Sophie Marceau, Vronsky - Sean Bean
  • "Anna Karenina"(2007, Russia). In the role of Anna - Tatyana Drubich

For more details, see: List of film adaptations of Anna Karenina 1910-2007.

  • "War and Peace"(2007, Germany, Russia, Poland, France, Italy). Series. In the role of Andrei Bolkonsky - Alessio Boni.

Documentary

  • "Lev Tolstoy". Documentary. TSSDF (RTSSDF). 1953. 47 minutes.

Movies about Leo Tolstoy

  • "The Departure of the Great Old Man"(1912, Russia). Director - Yakov Protazanov
  • "Lev Tolstoy"(1984, USSR, Czechoslovakia). Director - S. Gerasimov
  • "Last Station"(2008). In the role of L. Tolstoy - Christopher Plummer, in the role of Sophia Tolstoy - Helen Mirren. A film about the last days of the writer's life.

Gallery of portraits

Tolstoy's translators

  • Into Japanese - Masutaro Konishi
  • In French - Michel Ocouturier, Vladimir Lvovich Binstock
  • In Spanish - Selma Ancira
  • In English - Constance Garnett, Leo Viner, Aylmer and Louise Maude
  • Into Norwegian - Martin Grahn, Olaf Broch, Marta Grundt
  • In Bulgarian - Sava Nichev, Georgi Shopov, Hristo Dosev
  • In Kazakh - Ibray Altynsarin
  • Into Malay - Victor Pogadaev
  • In Esperanto - Valentin Melnikov, Viktor Sapozhnikov
  • In Azerbaijani - Dadash-zade, Mammad Arif Maharram ogly


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