Over the millennia of cultural development, mankind has created countless literary works, among which there are some basic types that are similar in the way and form of reflection of human ideas about the world around. These are three types (or types) of literature: epic, drama, poetry.

How is each type of literature different?

Epos as a kind of literature

epic(epos - Greek, narration, story) is an image of events, phenomena, processes that are external to the author. Epic works reflect the objective course of life, human being generally. Using various artistic means, the authors of epic works express their understanding of the historical, socio-political, moral, psychological and many other problems that human society as a whole and each of its representatives in particular live with. Epic works have significant pictorial possibilities, thereby helping the reader to learn about the world around him, to comprehend the deep problems of human existence.

Drama as a kind of literature

Drama(drama - Greek, action, action) is a kind of literature, the main feature of which is the stage nature of works. Plays, i.e. dramatic works are created specifically for the theater, for staging on stage, which, of course, does not exclude their existence in the form of independent literary texts intended for reading. Like the epic, the drama reproduces the relationship between people, their actions, the conflicts that arise between them. But unlike the epic, which has a narrative nature, the drama has a dialogic form.

Related to this features of dramatic works :

2) the text of the play consists of the characters' conversations: their monologues (the speech of one character), dialogues (the conversation of two characters), polylogues (simultaneous exchange of remarks by several participants in the action). That is why speech characteristic turns out to be one of the most important means of creating a memorable character of the hero;

3) the action of the play, as a rule, develops quite dynamically, intensively, as a rule, it is given 2-3 hours of stage time.

Lyrics as a kind of literature

Lyrics(lyra - Greek, a musical instrument, to the accompaniment of which poetic works, songs were performed) is distinguished by a special type of construction artistic image- this is an image-experience in which the individual emotional and spiritual experience of the author is embodied. Lyrics can be called the most mysterious kind of literature, because it is addressed to the inner world of a person, his subjective feelings, ideas, ideas. In other words, a lyrical work primarily serves the individual self-expression of the author. The question arises: why are the readers, i.e. other people refer to such works? The thing is that the lyricist, speaking on his own behalf and about himself, surprisingly embodies universal human emotions, ideas, hopes, and the more significant the personality of the author, the more important his individual experience is for the reader.

Each type of literature also has its own system of genres.

Genre(genre - French genus, species) - a historically established type of literary work that has similar typological features. The names of the genres help the reader navigate the boundless sea of ​​literature: someone loves detective stories, another prefers fantasy, and the third is a fan of memoirs.

How to determine what genre does it belong to specific work? Most often, the authors themselves help us in this, calling their creation a novel, story, poem, etc. However, some author's definitions seem unexpected to us: remember that A.P. Chekhov emphasized that The Cherry Orchard is a comedy, and not a drama at all, but A.I. Solzhenitsyn considered "One Day in the Life of Ivan Denisovich" a story, not a story. Some literary scholars call Russian literature a collection of genre paradoxes: the novel in verse "Eugene Onegin", the poem in prose " Dead Souls”, a satirical chronicle “The history of one city”. There was a lot of controversy regarding "War and Peace" by L.N. Tolstoy. The writer himself said only about what his book is not: “What is War and Peace? This is not a novel, still less a poem, still less a historical chronicle. "War and Peace" is what the author wanted and could express in the form in which it was expressed. And only in the 20th century did literary critics agree to call the brilliant creation of L.N. Tolstoy's epic novel.

Each literary genre has a number of stable features, the knowledge of which allows us to attribute a particular work to one or another group. Genres develop, change, die off and are born, for example, literally before our eyes arose new genre blog (web loq English online magazine) - a personal online diary.

However, for several centuries now, there have been stable (they are also called canonical) genres.

Literature of literary works - see table 1).

Table 1.

Genres of literary works

Epic genres of literature

Epic genres primarily differ in volume, on this basis they are divided into small ones ( essay, short story, short story, fairy tale, parable ), average ( story ), large ( novel, epic novel ).

Feature article- a small sketch from nature, the genre is both descriptive and narrative. Many essays are created on a documentary, life basis, they are often combined into cycles: the classic example is “Sentimental Journey Through France and Italy” (1768) by the English writer Laurence Sterne, in Russian literature it is “Journey from St. Petersburg to Moscow” (1790) A . Radishcheva, "Frigate Pallada" (1858) I. Goncharov "Italy" (1922) B. Zaitsev and others.

Story- a small narrative genre, which usually depicts one episode, an incident, a human character, or an important incident from the life of a hero that influenced his future fate (“After the Ball” by L. Tolstoy). The stories are created like a documentary, often autobiographical basis(“Matryonin Dvor” by A. Solzhenitsyn), and thanks to pure fiction (“The Gentleman from San Francisco” by I. Bunin).

The intonation and content of the stories are very different - from comic, funny (the early stories of A.P. Chekhov) to deeply tragic (Kolyma Tales by V. Shalamov). Stories, like essays, are often combined into cycles (“Notes of a Hunter” by I. Turgenev).

Novella(novella ital. news) is in many ways akin to a story and is considered its variety, but it is distinguished by a special dynamism of the narrative, sharp and often unexpected turns in the development of events. Quite often the narration in the short story begins with the finale, is built according to the law of inversion, i.e. in the reverse order, when the denouement precedes the main events ("Terrible Revenge" by N. Gogol). This feature of the construction of the short story will later be borrowed by the detective genre.

The word "novella" has another meaning that future lawyers need to know. IN Ancient Rome the phrase "novellae leges" (new laws), called laws introduced after the official codification of law (after the release of the Code of Theodosius II in 438). The short stories of Justinian and his successors, published after the second edition of the Code of Justinian, later formed part of the code of Roman laws (Corpus iuris civillis). IN modern era a short story is a law submitted to the parliament (in other words, a draft law).

Fairy tale- the most ancient of the small epic genres, one of the main in the oral art of any people. This is a small work of a magical, adventurous or everyday nature, where fiction is clearly emphasized. Another important feature folk tale- its instructive character: "A fairy tale is a lie, but there is a hint in it, a lesson for good fellows." Folk tales are usually divided into magical ("The Tale of the Frog Princess"), household ("Porridge from an ax") and fairy tales about animals ("Zayushkina's hut").

With development written literature literary tales arise in which traditional motifs and the symbolic possibilities of a folk tale are used. The Danish writer Hans Christian Andersen (1805-1875), his wonderful "The Little Mermaid", "The Princess and the Pea", " The Snow Queen”,“ The Steadfast Tin Soldier ”,“ Shadow ”,“ Thumbelina ”are loved by many generations of readers, both very young and completely middle age. And this is far from accidental, because Andersen's fairy tales are not only extraordinary, but sometimes even strange adventures heroes, they contain a deep philosophical and moral sense, enclosed in beautiful symbolic images.

From European literary tales The Little Prince (1942) became a classic of the 20th century French writer An-toine de Saint-Exupery. And the famous "Chronicles of Narnia" (1950 - 1956) by the English writer Kl. Lewis and The Lord of the Rings (1954-1955), also by the Englishman J. R. Tolkien, are written in the fantasy genre, which can be called a modern transformation of an ancient folk tale.

In Russian literature, unsurpassed, of course, are the tales of A.S. Pushkin: "Oh dead princess and seven heroes”, “About the fisherman and the fish”, “About Tsar Saltan ...”, “About the golden cockerel”, “About the priest and his worker Balda”. A substitute storyteller was P. Ershov, the author of The Little Humpbacked Horse. E. Schwartz in the 20th century creates the form of a fairy tale play, one of them "The Bear" (another name is "Ordinary Miracle") is well known to many thanks to the wonderful film directed by M. Zakharov.

Parable- also a very ancient folklore genre, but, unlike a fairy tale, parables contained written monuments: the Talmud, the Bible, the Koran, a monument of Syrian literature "Teaching Akahara". A parable is a work of an instructive, symbolic nature, distinguished by sublimity and seriousness of content. Ancient parables, as a rule, are small in volume, they do not contain a detailed account of events or psychological characteristics the character of the hero.

The purpose of the parable is edification or, as they once said, the teaching of wisdom. IN European culture the most famous are the parables from the Gospels: about the prodigal son, about the rich man and Lazarus, about the unrighteous judge, about the crazy rich man, and others. Christ often spoke with the disciples allegorically, and if they did not understand the meaning of the parable, he explained it.

Many writers turned to the parable genre, not always, of course, putting a high religious meaning into it, rather trying to express some kind of moralistic edification in an allegorical form, as, for example, L. Tolstoy in his later work. Carry it. V. Rasputin - Farewell to Matera "can also be called a detailed parable in which the writer speaks with anxiety and sorrow about the destruction of the "ecology of conscience" of a person. The story "The Old Man and the Sea" by E. Hemingway is also considered by many critics to be in the tradition of a literary parable. The well-known modern Brazilian writer Paulo Coelho also uses the parable form in his novels and short stories (the novel The Alchemist).

Tale- an average literary genre, widely represented in world literature. The story shows several important episodes from the life of the hero, as a rule, one storyline and a small number of characters. The stories are characterized by great psychological saturation, the author focuses on the experiences and mood changes of the characters. Often main theme the love of the protagonist becomes the story, for example, "White Nights" by F. Dostoevsky, "Asya" by I. Turgenev, "Mitina's Love" by I. Bunin. The stories can also be combined into cycles, especially those written on autobiographical material: “Childhood”, “Boyhood”, “Youth” by L. Tolstoy, “Childhood”, “In People”, “My Universities” by A. Gorky. The intonations and themes of the stories are very diverse: tragic, addressed to acute social and moral issues(“Everything flows” by V. Grossman, “The House on the Embankment” by Y. Trifonov), romantic, heroic (“Taras Bulba” by N. Gogol), philosophical, parable (“Pit” by A. Platonov), mischievous, comic (“Three in the boat, not counting the dog "by the English writer Jerome K. Jerome).

Novel(Gotap French originally, in late Middle Ages, any work written in the Romance language, as opposed to those written in Latin) is a major epic work in which the narrative is focused on fate individual person. The novel is the most complex epic genre, which is distinguished by an incredible number of themes and plots: love, historical, detective, psychological, fantastic, historical, autobiographical, social, philosophical, satirical, etc. All these forms and types of the novel are united by its central idea - the idea of ​​personality, the individuality of a person.

The novel is called an epic privacy, because it depicts the diverse connections of the world and man, society and personality. The reality surrounding a person is presented in the novel in different contexts: historical, political, social, cultural, national, etc. The author of the novel is interested in how the environment affects the character of a person, how he is formed, how his life develops, whether he managed to find his destiny and realize himself.

Many attribute the emergence of the genre to antiquity, these are Long's Daphnis and Chloe, Apuleius' Golden Ass, the chivalrous novel Tristan and Isolde.

In the work of the classics of world literature, the novel is represented by numerous masterpieces:

Table 2. Examples of the classic novel by foreign and Russian writers (XIX, XX centuries)

famous novels Russians writers of the 19th V .:

In the 20th century, Russian writers develop and multiply the traditions of their great predecessors and create no less remarkable novels:

Of course, none of these enumerations can claim to be complete and exhaustive objectivity, this is especially true for modern prose. In this case, the most famous works that glorified both the literature of the country and the name of the writer are named.

epic novel. In ancient times, there were forms of the heroic epic: folklore sagas, runes, epics, songs. These are the Indian "Ramayana" and "Mahabharata", the Anglo-Saxon "Beowulf", the French "Song of Roland", the German "Song of the Nibelungs", etc. In these works, the exploits of the hero were exalted in an idealized, often exaggerated form. The later epic poems "Iliad" and "Odyssey" by Homer, "Shah-name" by Ferdowsi, while retaining the mythological nature of the early epic, nevertheless, had a pronounced connection with real history, and the theme of the interweaving of human fate and the life of the people becomes one of them. main. The experience of the ancients will be in demand in the 19th-20th centuries, when writers will try to comprehend the dramatic relationship between the era and the individual personality, tell about the tests that morality, and sometimes the human psyche, are subjected to at the time of the greatest historical upheavals. Let us recall the lines of F. Tyutchev: "Blessed is he who visited this world in its fatal moments." The romantic formula of the poet in reality meant the destruction of all habitual forms of life, tragic losses and unfulfilled dreams.

The complex form of the epic novel allows writers to artistically explore these problems in all their completeness and inconsistency.

When we talk about the genre of the epic novel, of course, we immediately recall Leo Tolstoy's War and Peace. Other examples can be mentioned: Quiet Flows the Don by M. Sholokhov, Life and Fate by V. Grossman, The Saga of the Forsytes by the English writer Galsworthy; the book of the American writer Margaret Mitchell "Gone with the Wind" can also be reckoned with good reason in this genre.

The very name of the genre indicates a synthesis, a combination of two main principles in it: the novel and the epic, i.e. related to the theme of the life of an individual and the theme of the history of the people. In other words, the epic novel tells about the fates of the heroes (as a rule, the heroes themselves and their fates are fictitious, invented by the author) against the background and in close connection with epoch-making historical events. So, in "War and Peace" - these are the fates of individual families (Rostovs, Bolkonskys), favorite heroes (Prince Andrei, Pierre Bezukhov, Natasha and Princess Marya) in a crucial historical period for Russia and all of Europe early XIX century, the Patriotic War of 1812. In Sholokhov's book, the events of the First World War, two revolutions and a bloody civil war tragically intrude into the life of the Cossack farm, the Melekhov family, the fate of the main characters: Grigory, Aksinya, Natalya. V. Grossman talks about the Great Patriotic war and its main event - the Battle of Stalingrad, about the tragedy of the Holocaust. In "Life and Fate" the historical and family theme is also intertwined: the author traces the history of the Shaposhnikovs, trying to understand why the fate of the members of this family developed so differently. Galsworthy describes the life of the Forsyte family during the legendary Victorian era in England. Margaret Mitchell is a central event in US history, the Civil War between North and South, which dramatically changed the lives of many families and the fate of the most famous heroine of American literature - Scarlett O'Hara.

Dramatic genres of literature

Tragedy(tragodia Greek goat song) is a dramatic genre that originated in ancient Greece. The emergence of the ancient theater and tragedy is associated with the worship of the god of fertility and wine, Dionysus. A number of holidays were dedicated to him, during which ritual magical games were played with mummers, satyrs, whom the ancient Greeks represented as bipedal goat-like creatures. It is assumed that it was this appearance of the satyrs, who sang hymns to the glory of Dionysus, that gave such a strange name in translation to this serious genre. Theatrical action in Ancient Greece was given a magical religious significance, and theaters, built in the form of large open-air arenas, were always located in the very center of cities and were one of the main public places. Spectators sometimes spent the whole day here: they ate, drank, loudly expressed their approval or condemnation of the spectacle presented. The heyday of ancient Greek tragedy is associated with the names of three great tragedians: Aeschylus (525-456 BC) - the author of the tragedies Chained Prometheus, Oresteia, etc.; Sophocles (496-406 BC) - author of "Oedipus Rex", "Antigone" and others; and Euripides (480-406 BC) - the creator of Medea, Troy Nok, etc. Their creations will remain examples of the genre for centuries, they will be tried to imitate, but they will remain unsurpassed. Some of them ("Antigone", "Medea") are staged even today.

What are the main features of the tragedy? The main one is the presence of an insoluble global conflict: in ancient tragedy, this is the opposition of fate, fate, on the one hand, and man, his will, free choice- with another. In the tragedies of later eras, this conflict took on a moral and philosophical character, as a confrontation between good and evil, loyalty and betrayal, love and hatred. It has an absolute character, the heroes, embodying the opposing forces, are not ready for reconciliation, compromise, and therefore there are often many deaths at the end of the tragedy. This is how the tragedies of the great English playwright William Shakespeare (1564-1616) were built, let us recall the most famous of them: Hamlet, Romeo and Juliet, Othello, King Lear, Macbeth, Julius Caesar, etc.

In the tragedies of the French playwrights of the 17th century Corneille ("Horace", "Polyeuctus") and Racine ("Andromache", "Britanic") this conflict received a different interpretation - as a conflict of duty and feeling, rational and emotional in the souls of the main characters, i.e. . received a psychological interpretation.

The most famous in Russian literature is the romantic tragedy "Boris Godunov" by A.S. Pushkin, created on historical material. In one of his best works, the poet sharply posed the problem of the “real misfortune” of the Moscow state - a chain reaction of impostures and “terrible atrocities” that people are ready for for the sake of power. Another problem is the attitude of the people to everything that happens in the country. The image of the “silent” people in the finale of “Boris Godunov” is symbolic; to this day, discussions continue about what Pushkin wanted to say by this. Based on the tragedy, an opera of the same name by M. P. Mussorgsky was written, which became a masterpiece of Russian opera classics.

Comedy(Greek komos - a cheerful crowd, oda - a song) - a genre that originated in ancient Greece a little later than tragedy (5th century BC). The most famous comedian of that time is Aristophanes ("Clouds", "Frogs", etc.).

In comedy, with the help of satire and humor, i.e. comic, moral vices are ridiculed: hypocrisy, stupidity, greed, envy, cowardice, complacency. Comedies tend to be topical; addressed to social issues, exposing the shortcomings of power. Distinguish between sitcoms and character comedies. In the first, a cunning intrigue, a chain of events are important (Shakespeare's "Comedy of Errors"), in the second - the characters of the characters, their absurdity, one-sidedness, as in the comedies "The Undergrowth" by D. Fonvizin, "The Tradesman in the Nobility", "Tartuffe", pen-owned the classic of the genre, the 17th-century French comedian Jean-Baptiste Molière. In Russian dramaturgy, satirical comedy with its sharp social criticism, as, for example, N. Gogol's "Inspector General", M. Bulgakov's "Crimson Island". Many wonderful comedies were created by A. Ostrovsky (“Wolves and Sheep”, “Forest”, “Mad Money”, etc.).

The comedy genre invariably enjoys success with the public, perhaps because it affirms the triumph of justice: in the finale, vice must certainly be punished, and virtue must triumph.

Drama- a relatively "young" genre that appeared in Germany in the 18th century as a lesedrama (in German) - a play for reading. Drama addressed to Everyday life of a person and society, everyday life, relationships in the family. Drama is primarily interested in the inner world of a person, it is the most psychological of all dramatic genres. At the same time, it is also the most literary of the stage genres, for example, the plays of A. Chekhov are largely perceived more as texts for reading, and not as theatrical performances.

Lyrical genres of literature

The division into genres in the lyrics is not absolute, because. the differences between genres in this case are conditional and not as obvious as in epic and drama. More often we distinguish lyric works by their thematic features: landscape, love, philosophical, friendly, intimate lyrics, etc. However, we can name some genres that have pronounced individual characteristics: elegy, sonnet, epigram, message, epitaph.

Elegy(elegos Greek mournful song) - a poem of medium length, as a rule, moral-philosophical, love, confessional content.

The genre arose in antiquity, and elegiac distich was considered its main feature, i.e. dividing the poem into couplets, for example:

The longed-for moment has come: my long-term work is over, Why is an incomprehensible sadness secretly disturbing me?

A. Pushkin

In the poetry of the 19th-20th centuries, the division into couplets is no longer such a strict requirement, now the semantic features that are associated with the origin of the genre are more significant. In terms of content, the elegy goes back to the form of ancient funeral “weeps”, in which, while mourning the deceased, they simultaneously recalled his extraordinary virtues. This origin predetermined the main feature of the elegy - the combination of sorrow with faith, regret with hope, the acceptance of being through sadness. Lyrical hero elegy is aware of the imperfection of the world and people, his own sinfulness and weakness, but does not reject life, but accepts it in all its tragic beauty. A striking example is "Elegy" by A.S. Pushkin:

Crazy years faded fun

It's hard for me, like a vague hangover.

But like wine - sadness past days

In my soul, the older, the stronger.

My path is sad. Promises me labor and sorrow

The coming turbulent sea.

But I do not want, oh friends, to die;

I want to live in order to think and suffer;

And I know I will enjoy

Between sorrows, worries and anxiety:

Sometimes I'll get drunk again with harmony,

I will shed tears over fiction,

And maybe - at my sad sunset

Love will shine with a farewell smile.

Sonnet(sonetto, ital. song) - the so-called "solid" poetic form, which has strict construction rules. There are 14 lines in the sonnet, divided into two quatrains (quatrains) and two three-line verses (tercet). In quatrains only two rhymes are repeated, in terzets two or three. The methods of rhyming also had their own requirements, which, however, varied.

The birthplace of the sonnet is Italy, this genre is also represented in English and French poetry. Petrarch, the 14th-century Italian poet, is considered the luminary of the genre. He dedicated all his sonnets to his beloved Donna Laura.

In Russian literature, the sonnets of A.S. Pushkin remain unsurpassed, beautiful sonnets were also created by the poets of the Silver Age.

Epigram(Greek epigramma, inscription) is a short, mocking poem, usually addressed to a specific person. Many poets write epigrams, sometimes increasing the number of their ill-wishers and even enemies. The epigram on Count Vorontsov turned around for A.S. Pushkin by the hatred of this nobleman and, ultimately, expulsion from Odessa to Mikhailovskoye:

Popu-my lord, half-merchant,

Half wise, half ignorant,

Semi-scoundrel, but there is hope

What will be complete at last.

Mocking verses can be dedicated not only to a specific person, but also to a generalized addressee, as, for example, in the epigram of A. Akhmatova:

Could Bice create like Dante,

Were Laura to glorify the heat of love?

I taught women to speak...

But, God, how to silence them!

There are even cases of a kind of duel of epigrams. When the famous Russian lawyer A.F. Horses were appointed to the Senate, ill-wishers extended an evil epigram to him:

Caligula brought the horse to the Senate,

He stands dressed in both velvet and gold.

But I will say, we have the same arbitrariness:

I read in the papers that Kony is in the Senate.

What A.F. Horses, distinguished by outstanding literary talent, answered:

(Greek epitafia, tombstone) - a farewell poem to a dead person, intended for tombstone. Initially, this word was used in a literal sense, but later it received more figurative meaning. For example, I. Bunin has a lyrical miniature in prose "Epitaph", dedicated to farewell to the writer's dear, but forever receding Russian estate. Gradually, the epitaph is transformed into a dedication poem, a farewell poem (A. Akhmatova's Wreath to the Dead). Perhaps the most famous poem of this kind in Russian poetry is “The Death of a Poet” by M. Lermontov. Another example is the "Epitaph" by M. Lermontov, dedicated to the memory of Dmitry Venevitinov, a poet and philosopher who died at the age of twenty-two.

Greek drama - action) - a kind of literature in which an image of life is given through events, actions, clashes of heroes, i.e. through the phenomena that make up the external world.

Great Definition

Incomplete definition ↓

DRAMA

Greek drama - action).- 1. One of the main. birth of the artist literature (along with lyrics and epic), covering works usually intended to be performed on stage; subdivided into genre varieties: tragedy, comedy, drama in the narrow sense, melodrama, farce. Dramatic text. consists of dialogues and monologues of characters embodying certain human characters, manifested in actions and speeches. The essence of drama is the disclosure of the contradictions of reality, which are embodied in the conflicts that determine the development of the action of the work, and in the internal contradictions inherent in the personality of the characters. Plots, forms, and styles of drama have changed over the course of cultural history. Initially, myths served as the subject of the image, in which the spiritual experience of mankind was generalized (D. East, Ancient Greece, religious D. European Middle Ages). A turning point in dramatization came with an appeal to real history and state and everyday conflicts (D. Vozrozhdeniye, the dramaturgy of Shakespeare, Lope de Vega, Corneille, Racine, and others); plots D. began to reflect the events and characters of the majestic and heroic. In the XVIII century. under the influence of the aesthetics of the Enlightenment, D.

the promoters of the rising bourgeois class (Didero, Lessing). The realism of the Enlightenment D. romance of the first half of XIX V. contrast legendary and historical plots, extraordinary heroes, intensity of passions. At the turn of the XIX-XX centuries. symbolism revives mythological subjects in D., while naturalism addresses the darkest aspects of everyday life. D. in socialist art, striving for a comprehensive coverage of reality, follows the traditions of realism of the previous period, often supplementing realism with revolutionary romance. 2. A variety of plays in which the conflict does not receive a tragic, deadly denouement, but the action does not acquire a purely comic character either. This genre of drama, which is intermediate between tragedy and comedy, was particularly widespread in the second half of the 19th and 20th centuries. A prime example such a variety of plays is the dramaturgy of A.P. Chekhov.

Great Definition

Incomplete definition ↓

- ▲ kind of fiction genres of literature. epic genre. epic. prose is an artistic story about what l. events. prosaic (# works). fiction. lyrics. drama... Ideographic Dictionary of the Russian Language

This term has other meanings, see Drama. Not to be confused with Drama (a type of literature). Drama is a literary (dramatic), stage and cinematic genre. Received special distribution in the literature of the XVIII XXI centuries, ... ... Wikipedia

In art: Drama is a kind of literature (along with epic and lyrics); Drama is a kind of stage cinematic action; a genre that includes various subgenres, modifications (such as petty-bourgeois drama, drama of the absurd, etc.); Toponym(s): ... ... Wikipedia

D. as a poetic genus Origin D. Eastern D. Antique D. Medieval D. D. Renaissance From Renaissance to Classicism Elizabethan D. Spanish D. Classical D. Bourgeois D. Ro ... Literary Encyclopedia

Epos, poetry, drama. It is determined according to various criteria: from the point of view of ways of imitating reality (Aristotle), types of content (F. Schiller, F. Schelling), categories of epistemology (objective subjective in G. W. F. Hegel), formal ... ... encyclopedic Dictionary

Drama (Greek dráma, literally - action), 1) one of the three types of literature (along with epic and lyrics; see Literary type). D. belongs simultaneously to the theater and literature: being the fundamental principle of the performance, it is also perceived in ... ... Great Soviet Encyclopedia

Modern Encyclopedia

Genus literary- GENUS LITERARY, one of the three groups of works of fiction epos, lyrics, drama. The tradition of generic division of literature was founded by Aristotle. Despite the fragility of the boundaries between genera and the abundance of intermediate forms (lyroepic ... ... Illustrated Encyclopedic Dictionary

Epos, poetry, drama. It is determined according to various criteria: from the point of view of ways of imitation of reality (Aristotle), types of content (F. Schiller, F. Schelling), categories of epistemology (objective subjective in G. Hegel), formal features ... ... Big Encyclopedic Dictionary

GENUS, a (y), prev. about (in) kind and in (on) kind, pl. s, ov, husband. 1. The main social organization of the primitive communal system, united by blood relationship. Elder of the family. 2. A number of generations descending from one ancestor, as well as a generation in general ... Explanatory dictionary of Ozhegov

Books

• Pushkin, Tynyanov Yuri Nikolaevich. Yuri Nikolayevich Tynyanov (1894-1943) - an outstanding prose writer and literary critic - outwardly looked like Pushkin, as he was told about student years. Who knows, maybe it was this similarity that helped ...