In one of the halls of the Tretyakov Gallery you can see famous painting artist N.P. Bogdanov-Belsky "Oral Account". It depicts a lesson in a rural school. Classes are conducted by an old teacher. Village boys in poor peasant shirts and bast shoes crowded around. They solve the problem proposed by the teacher with concentration and enthusiasm... A story familiar to many from childhood, but not many people know that this is not the artist's fiction and that all the characters are behind the paintings. real people, written by him from nature - people whom he knew and loved, and most importantly actor- an elderly teacher, a man who played a key role in the artist's biography. His fate is amazing and unusual - after all, this man is a wonderful Russian teacher and educator, teacher of peasant children Sergey Alexandrovich Rachinsky (1833-1902)
N.P. Bogdanov-Belsky "Oral account in public school Rachinsky" 1895.
Future teacher S.A. Rachinsky.
Sergey Alexandrovich Rachinsky was born on the estate of Tatevo, Belsky district, Smolensk province in noble family. His father Alexander Antonovich Rachinsky, a former participant in the December movement, was exiled to his family estate Tatevo. Here May 2, 1833 and was born future teacher. His mother was the sister of the poet E.A. Baratynsky and the Rachinsky family closely communicated with many representatives of Russian culture. In the family, parents gave great attention comprehensive education for their children. All this was very useful to Rachinsky in the future. Having received excellent education at the natural faculty of Moscow University, he travels a lot, gets acquainted with interesting people, studies philosophy, literature, music and much more. After a while he writes a few scientific works and receives a doctorate degree and the chair of a professor of botany at Moscow University. But his interests were not limited to scientific frameworks. The future rural teacher studied literary creativity, wrote poetry and prose, played the piano perfectly, was a collector of folklore - folk songs and handicrafts. Khomyakov, Tyutchev, Aksakov, Turgenev, Rubinstein, Tchaikovsky and Tolstoy often visited his apartment in Moscow. Sergei Alexandrovich was the author of the libretto for two operas by P.I. Tchaikovsky, who listened to his advice and recommendations and dedicated his first string Quartet. With L.N. Tolstoy Rachinsky had friendly and family relations, since the niece of Sergei Alexandrovich, the daughter of his brother, the rector of the Petrovsky (now Timiryazev) Academy Konstantin Alexandrovich Rachinsky - Maria was the wife of Sergei Lvovich, son of Tolstoy. The correspondence between Tolstoy and Rachinsky is interesting, full of discussions and disputes about public education.
In 1867, due to circumstances, Rachinsky left the professorship at Moscow University, and with it all the fuss metropolitan life, returns to his native Tatevo, opens a school there and devotes himself to teaching and educating peasant children. A few years later, the Smolensk village of Tatevo became known throughout Russia. Education and service common people from now on it will be his life's work.
Professor of Botany at Moscow University Sergei Alexandrovich Rachinsky.
Rachinsky is developing an innovative, unusual for that time, system of teaching children. A combination of theoretical and practical exercises becomes the basis of this system. At the lessons, children were taught various crafts necessary for the peasants. The boys learned carpentry and bookbinding. They worked in the school garden and in the apiary. Natural history lessons were held in the garden, in the field and in the meadow. The pride of the school church choir and an icon painting workshop. At his own expense, Rachinsky built a boarding school for children who come from far away and do not have housing.
N.P. Bogdanov-Belsky "Sunday reading of the Gospel in the folk school of Rachinsky" 1895. In the picture, second from the right, S.A. Rachinsky.
The children received a varied education. At the lessons of arithmetic, they not only learned to add and subtract, but also mastered the elements of algebra and geometry, and in an accessible and exciting form for children, often in the form of a game, making amazing discoveries along the way. It is this discovery of his theory of numbers that is depicted on school board in the painting "Oral Account". Sergei Alexandrovich gave children interesting problems to solve, and they had to be solved verbally, in the mind. He said: "You can't run for a pencil and paper in the field, you have to be able to count in your mind."
S. A. Rachinsky. Figure N.P. Bogdanov-Belsky.
One of the first to enter the Rachinsky school was a poor peasant shepherd boy, Kolya Bogdanov, from the village of Shitiki, Belsk district. In this boy, Rachinsky saw the talent of a painter and helped him develop, completely taking over his future art education. In the future, all the work of the artist of the Wanderer Nikolai Petrovich Bogdanov-Belsky (1868-1945) will be devoted to peasant life, school and favorite teacher.
In the painting "On the Threshold of the School", the artist captured the moment of his first acquaintance with the Rachinsky school.
N.P. Bogdanov-Belsky "On the threshold of the school" 1897.
But what is the fate of the Rachinsky folk school in our time? Has the memory of Rachinsky been preserved in Tatev, once famous all over Russia? These questions worried me in June 2000 when I went there for the first time.
And finally, it is in front of me, spread among the green forests and fields, the village of Tatevo in the Belsky district, the former Smolensk province, and today attributed to the Tver region. It was here that the famous Rachinsky school was created, which so influenced the development of public education in pre-revolutionary Russia.
At the entrance to the estate, I saw the remains of a regular park with linden alleys and centuries-old oaks. A picturesque lake in the clear waters of which the park is reflected. A lake of artificial origin, fed by springs, was dug even under the grandfather of S.A. Rachinsky, the St. Petersburg Chief of Police Anton Mikhailovich Rachinsky.
Lake on the estate.
And here I come to a dilapidated landowner's house with columns. From the majestic building built at the end of the 18th century, only the skeleton remains now. The restoration of the Trinity Church has begun. Near the church is the grave of Sergei Alexandrovich Rachinsky - a modest stone slab with the Gospel words inscribed on it at his request: "Man will not live on bread alone, but on every word that comes from the mouth of God." There, among the family tombstones, his parents, brothers and sisters are buried.
The manor house in Tatev today.
In the fifties, the landlord's house began to gradually collapse. In the future, the destruction continued, reaching its full apogee in the seventies of the last century.
The manor house in Tatev during the time of Rachinsky.
Church in Tatev.
The building of the wooden school has not been preserved. But the school was preserved in another two-story, brick house, the construction of which was conceived by Rachinsky, but carried out shortly after his death in 1902. This building, designed by a German architect, is considered unique. Due to a design error, it turned out to be asymmetrical - it lacks one wing. Only two more buildings were built according to the same project.
Rachinsky school building today.
It was nice to know that the school is alive, active and in many ways superior to the capital's schools. At this school, when I arrived there, there were no computers and other modern innovations, but there was a festive, creative atmosphere, teachers and children showed a lot of imagination, freshness, invention and originality. I was pleasantly surprised by the openness, heart, and cordiality with which I was greeted by students and teachers, led by the director of the school. Here, the memory of its founder is cherished. IN school museum cherish the relics associated with the history of the creation of this school. Even the external design of the school and classrooms was bright and unusual, so unlike the standard official design that I had seen in our schools. These are windows and walls originally decorated and painted by the students themselves, and a code of honor hanging on the wall invented by them, and their own school anthem and much more.
Memorial plaque on the wall of the school.
Within the walls of the Tatev school. These stained-glass windows were made by the students of the school.
At the Tatev school.
At the Tatev school.
At the Tatev school today.
N.P. Museum Bogdanov-Belsky in former home manager.
N.P. Bogdanov-Belsky. Self-portrait.
All the characters in the painting “Mental Counting” are painted from life and in them the inhabitants of the village of Tatevo recognize their grandfathers and great-grandfathers. I want to tell you a little about how the life of some of the boys depicted in the picture developed. I was told about this by local old-timers who knew some of them personally.
S.A. Rachinsky with his students on the threshold of a school in Tatev. June 1891.
N.P. Bogdanov-Belsky "Oral counting in the folk school of Rachinsky" 1895.
Many people think that in the boy depicted in the foreground of the picture, the artist depicted himself - in fact, this is not so, this boy Vanya Rostunov. Ivan Evstafievich Rostunov was born in 1882 in the village of Demidovo in a family of illiterate peasants. Only in the thirteenth year did he enter the Rachinsky public school. Later he worked on the collective farm as an accountant, saddler, postman. For lack of a mail bag, before the war he carried letters in a cap. Rostunov had seven children. All of them studied at Tatev high school. Of these, one is a veterinarian, another is an agronomist, the third is a military man, one daughter is a livestock specialist, another daughter was a teacher and director of the Tatev school. One son died during the Great Patriotic War, and another, upon returning from the war, soon died from the consequences of injuries received there. Until recently, Rostunov's granddaughter worked as a teacher at the Tatev school.
The boy standing on the far left in boots and a purple shirt is Dmitry Danilovich Volkov (1879-1966), who became a doctor. During civil war worked as a surgeon in a military hospital. During the Great Patriotic War he was a surgeon in a partisan unit. In peacetime, he treated the residents of Tatev. Dmitry Danilovich had four children. One of his daughters was a partisan in the same detachment as her father and died heroically at the hands of the Germans. Another son was a participant in the war. The other two children are a pilot and a teacher. The grandson of Dmitry Danilovich was the director of the state farm.
The fourth from the left, the boy depicted in the picture is Andrey Petrovich Zhukov, he became a teacher, worked as a teacher in one of the schools created by Rachinsky and located a few kilometers from Tatev.
Andrey Olkhovnikov (second from right in the picture) also became a prominent teacher.
The boy on the far right is Vasily Ovchinnikov, a participant in the first Russian revolution.
The boy, dreaming and throwing his hand behind his head, is Grigory Molodenkov from Tatev.
Sergey Kupriyanov from the village of Gorelki whispers into the teacher's ear. He was the most gifted in mathematics.
The tall boy, thinking at the blackboard, is Ivan Zeltin from the village of Pripeche.
The permanent exhibition of the Tatev Museum tells about these and other residents of Tatev. There is a section dedicated to the genealogy of each Tatev family. Merits and achievements of grandfathers, great-grandfathers, fathers and mothers. The achievements of a new generation of students of the Tatev school are presented.
peering into open faces current Tatev schoolchildren, so similar to the faces of their great-grandfathers from the painting by N.P. Bogdanov-Belsky, I thought that maybe the source of spirituality, which the Russian teacher, the ascetic, my ancestor Sergey Alexandrovich Rachinsky, relied on so much, had not completely died out yet.
Many have seen the painting "Mental Counting in a Public School". The end of the 19th century, a folk school, a board, an intelligent teacher, poorly dressed children, 9-10 years old, are enthusiastically trying to solve the problem written on the board in their minds. The first to decide communicates the answer in the teacher's ear, in a whisper, so that others do not lose interest.
Now look at the problem: (10 squared + 11 squared + 12 squared + 13 squared + 14 squared) / 365 =???
Crap! Crap! Crap! Our children at the age of 9 will not solve such a problem, at least in their minds! Why were grimy and barefoot village children taught so well in a one-room wooden school, while our children are taught so badly?!
Don't be quick to get angry. Take a look at the picture. Don't you think that the teacher looks too intelligent, somehow like a professor, and is dressed with obvious pretense? Why in school class such a high ceiling and an expensive stove with white tiles? Did the village schools and the teachers in them really look like this?
Of course they didn't look like that. The picture is called "Mental counting in the folk school of S.A. Rachinsky." Sergey Rachinsky - professor of botany at Moscow University, a person with certain government connections(for example, a friend of the chief prosecutor of the Synod Pobedonostsev), a landowner - in the middle of his life he abandoned all his affairs, went to his estate (Tatevo in the Smolensk province) and started there (of course, at his own expense) an experimental folk school.
The school was one-class, which did not mean that it taught for one year. In such a school they taught then 3-4 years (and in two-class schools - 4-5 years, in three-class schools - 6 years). The word one-class meant that children of three years of study make up a single class, and one teacher deals with them all within the same lesson. It was quite a tricky thing: while the children of one year of study were doing some kind of written exercise, the children of the second year answered at the blackboard, the children of the third year read the textbook, etc., and the teacher alternately paid attention to each group.
Rachinsky's pedagogical theory was very original, and its different parts somehow poorly converged with each other. Firstly, Rachinsky considered the teaching of the Church Slavonic language and the Law of God to be the basis of education for the people, and not so much explanatory as consisting in memorizing prayers. Rachinsky firmly believed that knowing by heart a certain amount of prayers, the child will certainly grow up as a highly moral person, and the very sounds of the Church Slavonic language will already have an effect that improves morality. For practice in the language, Rachinsky recommended that children be hired to read the Psalter over the dead (sic!).
Secondly, Rachinsky believed that it was useful for the peasants and they needed to quickly count in their minds. teaching mathematical theory Rachinsky was not very interested, but he did a very good job of mental counting in his school. The students firmly and quickly answered how much change per ruble should be given to someone who buys 6 3/4 pounds of carrots at 8 1/2 kopecks per pound. The squaring shown in the painting was the most complex mathematical operation studied at his school.
And finally, Rachinsky was a supporter of a very practical teaching of the Russian language - the students were not required to have any special spelling skills or good handwriting, they were not taught theoretical grammar at all. The main thing was to learn to read and write fluently, albeit in a clumsy handwriting and not very competently, but it’s clear that a peasant could come in handy in everyday life: simple letters, petitions, etc. Even at Rachinsky’s school some manual labor was taught, the children sang in chorus, And that's where education ends.
Rachinsky was a real enthusiast. School became his whole life. Rachinsky's children lived in a hostel and were organized into a commune: they performed all the housekeeping work for themselves and the school. Rachinsky, who had no family, spent all the time with the children from early morning until late at night, and since he was a very kind, noble and sincerely attached person to children, his influence on the students was enormous. By the way, Rachinsky gave the first child who solved the problem a gingerbread (in the literal sense of the word, he did not have a whip).
themselves school lessons they took 5-6 months a year, and the rest of the time Rachinsky worked individually with older children, preparing them for admission to various educational institutions of the next level; elementary folk school was not directly related to other educational institutions and after it it was impossible to continue training without additional training. Rachinsky wanted to see the most advanced of his students as teachers. elementary school and priests, so that he prepared children mainly for theological and teacher's seminaries. There were also significant exceptions - first of all, this is the author of the painting himself, Nikolai Bogdanov-Belsky, whom Rachinsky helped to get into the Moscow School of Painting, Sculpture and Architecture. But, oddly enough, to lead peasant children along the main road educated person- gymnasium / university / public service- Rachinsky did not want to.
Rachinsky wrote popular pedagogical articles and continued to enjoy a certain influence in the capital's intellectual circles. The most important was the acquaintance with the ultra-influential Pobedonostsev. Under a certain influence of the ideas of Rachinsky, the spiritual department decided that there would be no sense in the zemstvo school - the liberals would not teach children good - and in the mid-1890s began to develop their own independent network of parochial schools.
In some ways, the parochial schools were similar to the Rachinsky school - they had a lot of Church Slavonic and prayers, and the rest of the subjects were reduced accordingly. But, alas, the dignity of the Tatev school was not transferred to them. The priests showed little interest in school work, ran the schools under duress, did not teach in these schools themselves, and hired the most third-rate teachers, and paid them noticeably less than in zemstvo schools. The peasants took a dislike to the parochial school, because they realized that they almost didn’t teach anything useful there, and prayers were of little interest to them. By the way, it was the teachers of the church school, recruited from pariahs of the clergy, who turned out to be one of the most revolutionized professional groups of that time, and it was through them that socialist propaganda actively penetrated into the village.
Now we see that this is a common thing - any author's pedagogy, designed for the deep involvement and enthusiasm of the teacher, immediately dies with mass reproduction, falling into the hands of uninterested and sluggish people. But for that time it was big bummer. Church-parish schools, which by 1900 accounted for about a third of primary public schools, turned out to be disliked by everyone. When, starting in 1907, the state began to send elementary education a lot of money, there was no question of passing subsidies to church schools through the Duma, almost all the funds went to the Zemstvo.
The more common zemstvo school was quite different from the Rachinsky school. For starters, the Zemstvo considered the Law of God completely useless. It was impossible to refuse his teaching, according to political reasons, so the Zemstvos pushed him into a corner as best they could. The law of God was taught by an underpaid and neglected parish priest, with corresponding results.
Mathematics at the Zemstvo school was taught worse than at Rachinsky, and to a lesser extent. The course ended with operations with simple fractions and non-metric system of measures. Up to raising to a degree, training did not reach, so the students of an ordinary elementary school simply would not understand the task depicted in the picture.
The zemstvo school tried to turn the teaching of the Russian language into world science, through the so-called explanatory reading. The technique consisted in dictating educational text in Russian, the teacher also additionally explained to the students what was said in the text itself. In such a palliative way, the lessons of the Russian language also turned into geography, natural history, history - that is, into all those developing subjects that could not find a place in the short course of a one-class school.
So, our picture depicts not a typical, but a unique school. This is a monument to Sergei Rachinsky, unique personality and teacher, the last representative of that cohort of conservatives and patriots, to which one could not yet attribute famous expression"Patriotism is the last refuge of a scoundrel." The mass public school was economically equipped much poorer, the mathematics course in it was shorter and simpler, and teaching was weaker. And, of course, the students of an ordinary elementary school could not only solve, but also understand the problem reproduced in the picture.
By the way, how do students solve the problem on the board? Only direct, head-on: multiply 10 by 10, remember the result, multiply 11 by 11, add both results, and so on. Rachinsky believed that the peasant did not have writing materials at hand, so he taught only oral methods of counting, omitting all arithmetic and algebraic transformations that required calculations on paper.
For some reason, only boys are depicted in the picture, while all the materials show that children of both sexes studied with Rachinsky. What this means is not clear.
Painting by the artist Bogdanov-Belsky "Oral Account" is perhaps more famous than its author. Thanks to the intricate problem depicted on it, the work has become a textbook example math puzzle. Many of those who came across her in the process of learning arithmetic calculations or among the numerous humorous versions of the canvas, of which there are plenty on the network, sometimes they have not even heard of its creator.
In addition to the above example, there is another remarkable moment in the picture: the figure school teacher. An intellectual in a bow tie and a black tailcoat looks like a foreign body among ordinary rural boys. And this is no accident: "Oral Account" is dedicated to the guardian angel of the artist Bogdanov-Belsky, who gave him and other barefoot village tomboys a start in life in the form of a decent education - university professor and hereditary nobleman Sergei Alexandrovich Rachinsky.
Teaching is light
And the school depicted on the canvas is also not easy. Built at the expense of Rachinsky in his ancestral village of Tatevo, it became the first Russian educational institution with full board for children of peasants. Bogdanov-Belsky himself was lucky to study there.The years spent at Rachinsky's school left an indelible mark on the artist's soul. Almost throughout his life, he will return with gratitude and warmth to this era, devoting more and more new canvases to both the teaching profession and the process of schooling (,,). And no wonder: educational methods, and the personality of Rachinsky himself was, well, very outstanding.
The professor's interests were extremely versatile, and to some extent mutually exclusive. A mathematician and botanist, he was the first to translate into Russian the famous work of Charles Darwin on the origin of species. At the same time, Rachinsky believed that "the first of the practical needs of the Russian people ... is communion with the Divine"; “The peasant is not drawn to the theater in search of art, but to the church, not to the newspaper, but to the Divine Book”.
He also believed that those who mastered the Church Slavonic literacy would be able to understand Dante and Shakespeare, and the person familiar with church chants would become closer to Beethoven and Bach. Moreover, Rachinsky developed a method for treating stuttering by reading Old Church Slavonic texts and church singing.
Therefore, at his school, the compulsory program included the study of the law of God, the interpretation of the Psalms, as well as participation in church services. In the painting “Mental Account”, this feature is reflected in the form of the image of the Mother of God with the Child, placed next to the slate.
Mathematics is the queen of sciences
But Rachinsky staked not only on the church charter. The progressive teacher, who develops his own teaching methods, corresponded with his German colleague Karl Volkmar Stoy and Leo Tolstoy. He personally taught drawing, drawing and painting at school.But main passion Rachinsky was mathematics, and the emphasis was placed on it in teaching. He created tutorial"1001 tasks for oral account”, and the problem in the picture of Bogdanov-Belsky is one of them. By the way, such a task could not be included in the standard curriculum of public schools, since it did not provide for the study of degrees in primary school. But not in the educational institution of Rachinsky.
To solve this example, knowledge about the laws of addition of squares of some two-digit numbers, named after the famous Russian teacher, allows. So, according to the Rachinsky sequences, the sum of the squares of the first three numbers on the board will be equal to the sum of the next three. And since in the first and second cases this number is 365, the answer to this already classical problem extremely simple 2.
Many have seen the painting "Mental Counting in a Public School". The end of the 19th century, a folk school, a board, an intelligent teacher, poorly dressed children, 9-10 years old, are enthusiastically trying to solve the problem written on the board in their minds. The first to decide communicates the answer in the teacher's ear, in a whisper, so that others do not lose interest.
Now look at the problem: (10 squared + 11 squared + 12 squared + 13 squared + 14 squared) / 365 =???
Crap! Crap! Crap! Our children at the age of 9 will not solve such a problem, at least in their minds! Why were grimy and barefoot village children taught so well in a one-room wooden school, while our children are taught so badly?!
Don't be quick to get angry. Take a look at the picture. Don't you think that the teacher looks too intelligent, somehow like a professor, and is dressed with obvious pretense? Why does the classroom have such a high ceiling and an expensive stove with white tiles? Did the village schools and the teachers in them really look like this?
Of course they didn't look like that. The picture is called "Mental counting in the folk school of S.A. Rachinsky." Sergei Rachinsky, a professor of botany at Moscow University, a man with certain government connections (for example, a friend of the chief prosecutor of the Synod Pobedonostsev), a landowner, abandoned all his affairs in the middle of his life, went to his estate (Tatevo in the Smolensk province) and started there (of course, for own account) experimental folk school.
The school was one-class, which did not mean that it taught for one year. In such a school they taught then 3-4 years (and in two-class schools - 4-5 years, in three-class schools - 6 years). The word one-class meant that children of three years of study make up a single class, and one teacher deals with them all within the same lesson. It was quite a tricky thing: while the children of one year of study were doing some kind of written exercise, the children of the second year answered at the blackboard, the children of the third year read the textbook, etc., and the teacher alternately paid attention to each group.
Rachinsky's pedagogical theory was very original, and its different parts somehow poorly converged with each other. Firstly, Rachinsky considered the teaching of the Church Slavonic language and the Law of God to be the basis of education for the people, and not so much explanatory as consisting in memorizing prayers. Rachinsky firmly believed that a child who knew by heart a certain number of prayers would certainly grow up as a highly moral person, and the very sounds of the Church Slavonic language would already have a moral-improving effect.
Secondly, Rachinsky believed that it was useful for the peasants and they needed to quickly count in their minds. Rachinsky was not very interested in teaching mathematical theory, but he did very well in mental arithmetic at his school. The students firmly and quickly answered how much change per ruble should be given to someone who buys 6 3/4 pounds of carrots at 8 1/2 kopecks per pound. The squaring shown in the painting was the most complex mathematical operation studied at his school.
And finally, Rachinsky was a supporter of a very practical teaching of the Russian language - the students were not required to have any special spelling skills or good handwriting, they were not taught theoretical grammar at all. The main thing was to learn to read and write fluently, albeit in a clumsy handwriting and not very competently, but it’s clear that a peasant could come in handy in everyday life: simple letters, petitions, etc. Even at Rachinsky’s school some manual labor was taught, the children sang in chorus, And that's where education ends.
Rachinsky was a real enthusiast. School became his whole life. Rachinsky's children lived in a hostel and were organized into a commune: they performed all the housekeeping work for themselves and the school. Rachinsky, who had no family, spent all the time with the children from early morning until late at night, and since he was a very kind, noble and sincerely attached person to children, his influence on the students was enormous. By the way, Rachinsky gave the first child who solved the problem a gingerbread (in the literal sense of the word, he did not have a whip).
School classes themselves took 5–6 months a year, and the rest of the time Rachinsky worked individually with older children, preparing them for admission to various educational institutions of the next level; the primary folk school was not directly connected with other educational institutions, and after it it was impossible to continue education without additional training. Rachinsky wanted to see the most advanced of his students as elementary school teachers and priests, so he prepared children mainly for theological and teacher's seminaries. There were also significant exceptions - first of all, this is the author of the painting himself, Nikolai Bogdanov-Belsky, whom Rachinsky helped to get into the Moscow School of Painting, Sculpture and Architecture. But, oddly enough, Rachinsky did not want to lead peasant children along the main path of an educated person - gymnasium / university / public service.
Rachinsky wrote popular pedagogical articles and continued to enjoy a certain influence in the capital's intellectual circles. The most important was the acquaintance with the ultra-influential Pobedonostsev. Under a certain influence of the ideas of Rachinsky, the spiritual department decided that there would be no sense in the zemstvo school - the liberals would not teach children good - and in the mid-1890s began to develop their own independent network of parochial schools.
In some ways, the parochial schools were similar to the Rachinsky school - they had a lot of Church Slavonic and prayers, and the rest of the subjects were reduced accordingly. But, alas, the dignity of the Tatev school was not transferred to them. The priests showed little interest in school work, ran the schools under duress, did not teach in these schools themselves, and hired the most third-rate teachers, and paid them noticeably less than in zemstvo schools. The peasants took a dislike to the parochial school, because they realized that they almost didn’t teach anything useful there, and prayers were of little interest to them. By the way, it was the teachers of the church school, recruited from pariahs of the clergy, who turned out to be one of the most revolutionized professional groups of that time, and it was through them that socialist propaganda actively penetrated into the village.
Now we see that this is a common thing - any author's pedagogy, designed for the deep involvement and enthusiasm of the teacher, immediately dies with mass reproduction, falling into the hands of uninterested and sluggish people. But for the time it was a big bummer. Church-parish schools, which by 1900 accounted for about a third of primary public schools, turned out to be disliked by everyone. When, beginning in 1907, the state began to allocate large amounts of money to primary education, there was no question of subsidizing church schools through the Duma; almost all the funds went to the Zemstvo.
The more common zemstvo school was quite different from the Rachinsky school. For starters, the Zemstvo considered the Law of God completely useless. It was impossible to refuse his teaching, for political reasons, so the zemstvos pushed him into a corner as best they could. The law of God was taught by an underpaid and neglected parish priest, with corresponding results.
Mathematics at the Zemstvo school was taught worse than at Rachinsky, and to a lesser extent. The course ended with operations with simple fractions and non-metric units. Up to raising to a degree, training did not reach, so the students of an ordinary elementary school simply would not understand the task depicted in the picture.
The zemstvo school tried to turn the teaching of the Russian language into world science, through the so-called explanatory reading. The method consisted in the fact that while dictating the educational text in the Russian language, the teacher also additionally explained to the students what the text itself says. In such a palliative way, the lessons of the Russian language also turned into geography, natural history, history - that is, into all those developing subjects that could not find a place in the short course of a one-class school.
So, our picture depicts not a typical, but a unique school. This is a monument to Sergei Rachinsky, a unique personality and teacher, the last representative of that cohort of conservatives and patriots, to which the well-known expression "patriotism is the last refuge of a scoundrel" could not yet be attributed. The mass public school was economically equipped much poorer, the mathematics course in it was shorter and simpler, and teaching was weaker. And, of course, the students of an ordinary elementary school could not only solve, but also understand the problem reproduced in the picture.
By the way, how do students solve the problem on the board? Only direct, head-on: multiply 10 by 10, remember the result, multiply 11 by 11, add both results, and so on. Rachinsky believed that the peasant did not have writing materials at hand, so he taught only oral methods of counting, omitting all arithmetic and algebraic transformations that required calculations on paper.
P.S. For some reason, only boys are depicted in the picture, while all the materials show that children of both sexes studied with Rachinsky. What that means, I couldn't figure it out.
The famous Russian artist Nikolai Petrovich Bogdanov-Belsky painted a unique and incredible life story in 1895. The work is called "Oral Account", and in full version"Verbal counting. In the folk school of S. A. Rachinsky.
Nikolai Bogdanov-Belsky. Verbal counting. In the folk school of S. A. Rachinsky
The picture is painted in oil on canvas, it depicts rural school 19th century during an arithmetic lesson. Students solve interesting and complex example. They are in deep thought and searching for the right solution. Someone thinks at the blackboard, someone stands on the sidelines and tries to compare knowledge that will help in solving the problem. Children are completely absorbed in finding the answer to the question posed, they want to prove to themselves and the world that they can do it.
Nearby stands a teacher whose prototype is Rachinsky himself, a famous botanist and mathematician. No wonder the picture was given such a name, it is in honor of a professor at Moscow University. The canvas depicts 11 children and only one boy quietly whispers in the teacher's ear, perhaps the correct answer.
The picture depicts a simple Russian class, the children are dressed in peasant clothes: bast shoes, pants and shirts. All this very harmoniously and succinctly fits into the plot, unobtrusively bringing to the world the craving for knowledge on the part of the simple Russian people.
Warm colors bring kindness and simplicity of the Russian people, there is no envy and falsehood, there is no evil and hatred, children from different families with different incomes came together to make the only right decision. This is sorely lacking in our modern life where people are used to living in a completely different way, regardless of the opinions of others.
Nikolai Petrovich dedicated the painting to his teacher, the great genius of mathematics, whom he knew and respected well. Now the picture is in Moscow in Tretyakov Gallery, be there, be sure to take a look at the pen of the great master.
description-kartin.com
Nikolai Petrovich Bogdanov-Belsky (December 8, 1868, village of Shitiki, Belsky district, Smolensk province, Russia - February 19, 1945, Berlin, Germany) - Russian artist-itinerant, academician of painting, chairman of the Kuindzhi Society.
The picture shows village school late XIX centuries during an arithmetic lesson while solving a fraction in your head. Teacher - a real man, Sergei Alexandrovich Rachinsky (1833-1902), botanist and mathematician, professor at Moscow University.
On the wave of populism in 1872, Rachinsky returned to his native village of Tatevo, where he created a school with a hostel for peasant children, developed a unique teaching methodology mental arithmetic, instilling in the village children his skills and the basics of mathematical thinking. An episode from the life of the school with a creative atmosphere that reigned in the classroom, and dedicated his work to Bogdanov-Belsky, himself a former student of Rachinsky.
An example is written on the chalkboard for students to solve:
The task depicted in the picture could not be offered to students of a standard elementary school: the program of one-class and two-class elementary public schools did not provide for the study of the concept of a degree. However, Rachinsky did not follow the typical training course; he was confident in the excellent mathematical abilities of most peasant children and considered it possible to significantly complicate the mathematics program.
Solution of the Rachinsky problem
First way to solve
There are several ways to solve this expression. If you learned the squares of numbers up to 20 or up to 25 at school, then most likely it will not cause you much difficulty. This expression is: (100+121+144+169+196) divided by 365, which eventually becomes the quotient of 730 and 365, which is: 2. intermediate answers.
The second way to solve
If you didn’t learn the squares of numbers up to 20 in school, then a simple method based on the use of a reference number may come in handy. This method allows you to simply and quickly multiply any two numbers less than 20. The method is very simple, you need to add the unit of the second to the first number, multiply this amount by 10, and then add the product of units. For example: 11*11=(11+1)*10+1*1=121. The rest of the squares are also:
12*12=(12+2)*10+2*2=140+4=144
13*13=160+9=169
14*14=180+16=196
Then, having found all the squares, the task can be solved in the same way as shown in the first method.
The third solution
Another way involves using a simplification of the numerator of a fraction, based on the use of the formulas for the square of the sum and the square of the difference. If we try to express the squares in the numerator of the fraction through the number 12, we get the following expression. (12 - 2) 2 + (12 - 1) 2 + 12 2 + (12 + 1) 2 + (12 + 2) 2 . If you know well the formulas for the square of the sum and the square of the difference, then you will understand how this expression can be easily reduced to the form: 5*12 2 +2*2 2 +2*1 2, which equals 5*144+10=730. To multiply 144 by 5, simply divide this number by 2 and multiply by 10, which equals 720. Then we divide this expression by 365 and get: 2.
The fourth solution
Also, this problem can be solved in 1 second if you know the Rachinsky sequences.
Rachinsky sequences for mental counting
To solve the famous Rachinsky problem, you can also use additional knowledge about the regularities of the sum of squares. It's about about those sums that are called Rachinsky sequences. So mathematically, you can prove that the following sums of squares are equal:
3 2 +4 2 = 5 2 (both sums equal 25)
10 2 +11 2 +12 2 = 13 2 +14 2 (the sum is 365)
21 2 +22 2 +23 2 +24 2 = 25 2 +26 2 +27 2 (which is 2030)
36 2 +37 2 +38 2 +39 2 +40 2 = 41 2 +42 2 +43 2 +44 2 (which equals 7230)
To find any other Rachinsky sequence, it is enough to simply write the equation the following kind(note that always in such a sequence the number of summed squares on the right is one less than on the left):
n 2 + (n+1) 2 = (n+2) 2
This equation reduces to quadratic equation and is easily solved. In this case, "n" is 3, which corresponds to the first Rachinsky sequence described above (3 2 +4 2 = 5 2).
So the solution famous example Rachinsky, can be produced in the mind even faster than described in this article, simply by knowing the second Rachinsky sequence, namely:
10 2 +11 2 +12 2 +13 2 +14 2 = 365 + 365
As a result, the equation from the picture of Bogdan-Belsky takes the form (365 + 365)/365, which undoubtedly equals two.
Also, the Rachinsky sequence can be useful for solving other problems from the collection "1001 tasks for mental counting" by Sergei Rachinsky.
Evgeny Buyanov
