Miniature (literary genre). Nesting dolls of the Nizhny Novgorod province

11.03.2019

Aesthetics of the pop genre

Rubber.

Performed:

4th year student 423 groups

Boboshko Margarita

Checked by: Professor

Andrachnikov S.G.

Moscow 2012.

Introduction

Rubber - originally considered circus genre, but has long since occupied its niche on the stage of the stage. Let's see what is the appeal of this genre that will allow it to exist outside the arena. According to scientific information, this genre is called contortion- English word contortion stands for flexibility in all its manifestations. It was from him that the name contortion came from, characterizing the amazing and truly amazing performing art. This original genre of performing arts is based on the unique abilities of a person to transform his body: fold in half, twist into rings, bend in a bizarre way.

"Rubber" - (eng. saoutchouc) as a circus term is found in special literature only at the very end of the last century. One must think that its occurrence is associated with the flourishing of the automotive and aviation industries, which required a huge amount of rubber for tires. The thick, viscous juice of rubber plants became the most profitable of the colonial goods. The word "rubber" has become fashionable. Apparently because of the properties of this material, they began to call people who have perfect flexibility of their body.

The history of the genre.

The earliest information about him dates back to very, very distant times.

AT ancient egypt during the feasts of Theban nobles and priests, acrobats performed, along with harpists and dancers with famous gladiators and hunters. From the drawings in the tombs, you can recreate a picture of the performance of acrobats of the past. It began with the fact that a string of swords was strengthened on a long board with the points up. To show how sharp swords are, the acrobat threw an apple on the tip of the sword. The halves of a cut apple were then offered to the public as a highly valued treat. The monuments of antiquity that have survived to this day - reliefs and wall paintings - store various images of "bridges" - the main pose of "rubber".

Demonstrating the flexibility of the body, like dance and pantomime, can be considered one of the origins of theatrics, the forefather of all circus genres.

How did this type of acrobatics originate? There is no exact information on this. It seems that its beginnings go back to those distant times, when ritual dances were performed in pagan temples. It is possible that during such a dance around the flame of the sacrificial fire, one of the priestesses in ecstasy leaned back deeply, arching her back beautifully in a pose that could attract with its unusualness and arouse imitation.



The flexible, trained human body, seemingly devoid of a bone base (which is why the artists who performed in this genre were advertised as "people without bones"), attracted attention at all times. This, in fact, led to the fact that the genre turned out to be so tenacious, passed through the centuries, not fading even today. AT ancient rome on the amphorae we can see colorful images of flexible acrobats, here the skillful artist, standing on her hands and arching her back sharply, began to carefully move along the board, and not just move, not with a step, but with “front bridges”, or, as they say in a professional environment, "Stand with bogen", while trying not to touch the dangerous obstacle - swords.

If it was traditional for the acrobats of Rome to demonstrate flexibility over the points of swords, for the ancient Greeks - on the shield held by the athlete, then Chinese artists millennia ago, they introduced an original, dispersed throughout the earth style of plastic acrobatics. Standing on a bench painted with national ornaments, the acrobat smoothly tilted his body back, sinking lower and lower, and now his head and shoulders passed over his feet. But this is only the beginning, the main thing was that the acrobat had to bend in such a way that, without the help of his hand-mouth, he could pick up a scarlet poppy flower from the carpet. This rise, a slow, tense rise, in which the outstanding elasticity of the body is expressively intertwined with the easily guessed strength of the legs, and still looks with exciting interest.

A little differently, but also in their own national-original manner, rooms were built Uzbek artists, flexible teenagers-muallakchi. With a copper basin filled with water, the Muallakchi walked around the spectators, who, as was customary from ancient times, threw coins into the basin. And although everyone was well aware of what would happen next, this nevertheless did not in the least affect the close attention with which hundreds of eyes followed all the preparations, how, putting the basin on the ground, the muallakchi (most often they performed together with their teacher in twos, threes) were taken to make “bridges”, “wheels”, “rolls from elbows to legs”. But this is just a "warm-up". Then the main thing began - the most prepared of the muallakchi, standing with his back to the pelvis, trying on again and again, descended onto the "bridge", immersed his face in water and managed to get his eyes out of the bottom of the coin for centuries.

Russian literature is enriched by a peculiar work, known in two versions - "The Word" and "Prayer" by Daniil Zatochnik. The “Word” (second half of the 12th century) contains the author’s prayer, apparently addressed to Novgorod prince Yaroslav Vladimirovich (great-grandson of Vladimir Monomakh), so that the prince would remove the author from the beggarly state in which he, an educated person, for some reason found himself.

The "Prayer", compiled on the basis of the "Word" in the second quarter of the 13th century, makes a similar request to Yaroslav Vsevolodovich (father of Alexander Nevsky), who reigned in Pereyaslav of Suzdal, and then received from Khan Batu "elder" over the Russian princes.

With the help of skillfully selected authoritative quotations and aphorisms, both versions of the monument strive to create perfect image such a prince who would become a reliable protection for his subjects. The prince revives “all men by his grace”, he is the protector of orphans and widows, he is an energetic master and commander, he is sharply different from his “tivun” assistants who ruin the people.

The author of "Prayer" condemns the boyars, he agrees to wear "bast shoes" (bast shoes) in the prince's house rather than walk "in black boots in the boyar court." Here, the image of the prince largely preserves those ideas about the ideal ruler that Vladimir Monomakh created in his "Instruction" for children.

In contrast to the literary traditions of Kievan Rus, where vassal relations were usually considered in the sphere military activities and were conceptualized as a princely retinue search for "honor and glory", Daniil Zatochnik did not hesitate to even declare to the prince about himself that he was not brave "in the army". But he was strong in "words" and "strong in thought", and therefore a new way of princely service opened up before him.

Skillfully operating with sayings bible books, "Physiologist", "The Tale of Akira the Wise", "The Tale of Bygone Years", "Izbornik" Svyatoslav (1076), "Bees" and other monuments, the author proved his education to the prince. His witty speech was interspersed with sayings (“To whom Pereslavl, and to me Goreslavl”; “To whom Bogolyubovo, and fierce grief to me”).

Offering himself to the prince as a wise adviser, the humble and poor author claimed the high place occupied by the senior squad, as, for example, the boyars - the interpreters of the "muddy" dream of Prince Svyatoslav of Kyiv in the "Tale of Igor's Campaign". Thus, for the first time in Russian literature, the concept of “mind” appears as a decisive sign of the dignity of the individual and professional activity.

The author of the "Prayer" considered himself to be a "nobles" (employees at the "court" of the prince), he wanted the prince to protect him from the boyars with the fear of his "thunderstorm". The prisoner looked at the prince as the main defender of the fatherland and prayed to God to strengthen his strength in order to repel the conquerors, and this revealed features of the new patriotic concept of North-Eastern Russia.

The literary genre of prayers spread mainly in those eras. Developed Middle Ages, when in public consciousness the principles of monarchical statehood began to strengthen again, based not on the old feudal-clan traditions, but on the personal service of subjects.

The new position of the writer, a petty vassal, in relation to his first reader - the autocratic overlord - was not to sing epic praise of his exploits, as was the case before, or, on the contrary, publicistically condemn his mistakes from the standpoint of the common good of the Russian land, but in in order to oppose the prince to his largest vassals (boyars) and offer him his devoted service, while catering to his political views and personal tastes.

Appearance in ancient Russian literature genre of such political words and prayer testifies that she has entered into new period its development, determined by serious modifications in the field of social thought. This genre was well known in the European Middle Ages.

It included the pleading elegy of the monk Ermold, sent by him from prison to the French prince, son of King Louis the Pious (IX century), and Proverbs (XIII century), the composition of a certain Italian "grinder". Byzantine prayers were more significant - literary petitions for pardon, for release from prisons.

Byzantine poets paid much attention to the ironic depiction of troubles. family life and the strife of women. The Russian Sharpener cited the traditional word about "evil wives" on the same occasion.

Against the background of such typological correspondences in genre structure, the theme and style of the prayers of the Middle Ages, the originality of the ancient Russian writer - the first pamphleteer - clearly stands out.

Daniil Zatochnik was far from historical experience and the education of contemporary Byzantine writers, therefore, unlike them, with the naivete of a neophyte, he was filled with the deepest respect for the authorities of ancient wisdom, delight in relation to the “mind” in general and to his own in particular.

It seemed to him that, having mastered the ancient Christian literature, he had already put on "the wisest robe." Although he was "poor in clothing, but rich in mind." Significant shifts have taken place in the attitude of the ancient Russian writer.

If in the old literary tradition In Byzantium and Bulgaria, only a true Christian ascetic was decent to “woe near the mind with his mind”, if Metropolitan Nikifor in a Greek message to Vladimir Monomakh could say to such a high addressee “your mind flies quickly”, and in “The Tale of Igor's Campaign” it was appropriate to sing about Boyan the Prophet, “flying with his mind under the clouds”, then Daniil the Sharpener without any hesitation appropriated the same lofty characteristics for himself, he himself already knew how to “soar with his thought”, like an eagle through the air. He even rhetorically invited his readers to “sound”, as if into a gold-forged trumpet, “into the mind of his mind.”

This rational self-confidence of the writer, clothed in archaic literary forms, was based on such new features of feudal self-consciousness, which were associated with the emerging prospects for the political role of an ignorant "service" person on historical stage resurgent ancient Russian statehood. Zatochnik's "Prayer" was a literary harbinger of the nobility journalism of the Muscovite state.

Story world literature: in 9 volumes / Edited by I.S. Braginsky and others - M., 1983-1984

Definition of the genre of the story. Short story and short story, their relationship.

B.V. Tomashevsky: “A short story (story) is a work with a simple plot,<…>with a short chain of changing situations, or rather, with one central change of situations (Tomashevsky B.V. Poetics).

G.N. Pospelov: “The story is a small epic genre form fiction - a prose work, small in terms of the volume of the depicted phenomena of life, and hence in terms of the volume of the text.<...>There is another kind of small prose genre- novella. Apparently, it would be more correct to understand the story as a small prose form in general, and to distinguish between stories works of an essay (descriptive-narrative) type and a novelistic (conflict-narrative) type ”(Pospelov G.N. Story // Literary Encyclopedic Dictionary).

Y. Nagibin: “The story is one-line, it has one dramatic knot, one conflict” (Nagibin Y. Not someone else's craft).

V.P. Skobelev: “A story (short story) is an intensive type of organization of artistic time and space, involving a centripetal concentration of action, during which a test, a test of a hero or any significant phenomenon in general is carried out with the help of one or several homogeneous situations. So the reader's attention is reduced to the decisive moments in the life of the character or the phenomenon as a whole. Hence the concentration of the plot-compositional unity, the one-dimensionality of the speech style and the small / against the background of the novel and the story / volume as a result of this concentration ”(Skobelev V.P. Poetics of the story).

The history of the genre. The appearance of the first works with the subtitle "story" in the mid-1820s and the consolidation of this definition for narrative works of small form from the mid-1840s (see details about the history of the emergence of the genre and the term in the works of E. Shubin, A.V. Luzhanovsky and etc.). Active development of small prose genres in the mid-1840s. The connection between the emergence of the genre and its development with the history of realism in Russian literature. "Tales of Belkin" by A.S. Pushkin and "Evenings on a farm near Dikanka" by N.V. Gogol as an important moment in the history of the Russian story. Big role“Notes of a Hunter” by I.S. Turgenev in the formation of the genre (see the article by V.G. Belinsky “A look at Russian literature of 1847”, where the author wrote that the story that had long existed in literature as “ younger brother"story, received the right of an independent genre).

The story in the works of L.N. Tolstoy, A.P. Chekhov, I.A. Bunin and others. The genre is widespread in the literature of the Silver Age. The fate of the story and the metamorphosis of this genre in the literature of the 20th - early 21st century.

Topic 2. E. Zamyatin - short story writer.

E. Zamyatin as one of prominent representatives small epic genre in the literature of the 20th century, a talented experimental writer. Writer's autobiography. Polytechnic education and its role in the life and work of E. Zamyatina. Fascination with the ideas of socialism and direct participation in the revolutionary events in Russia.

Appeal of E. Zamyatin to the genre of the story at the beginning of the 20th century. The motive of district Russia as the main one in his work. The satirical nature of creativity, the traditions of N.V. Gogol, M.E. Saltykov-Shchedrin, N.S. Leskov. The northern theme in the writer's works (the stories "Africa", "North", "Yola").

Business trip to England in 1916 and its role in the life and work of E. Zamyatin. Criticism of English bourgeois society and Western rationalism in the spirit of O. Spengler (story "The Catcher of Men"). Fascination with modernism.

E. Zamyatin and the Revolution of 1917. Educational practice, participation in many cultural projects of Soviet Russia. Theoretical works by E. Zamyatin on neorealism and expressionism (“On Synthetism”, “I'm Afraid”, “New Russian Prose”, “On Literature, Revolution, Entropy and Other Things”). The main thing in the style: emphasized rationalism, geometry of form, distortion of the image, use of the grotesque, tragic irony: "synthetic image in symbolism, synthesized everyday life, synthesis of fantasy and everyday life, experience of artistic and philosophical synthesis" ("New Russian Prose").

The embodiment of the basic principles of the new poetics in his short stories ("Cave", "Rus", "Dragon", "Mamai", "The Story of the Most Important", "Yola", etc.). Interest in fantasy. The influence of G. Wells and A. France on the work of E. Zamyatin. Recent Literature about Zamyatin.

Over the millennia of cultural development, mankind has created countless literary works, among which some basic types can be distinguished, similar in the way and form of reflection of a person's ideas about the world around. These are three types (or types) of literature: epic, drama, poetry.

How is each type of literature different?

Epos as a kind of literature

epic(epos - Greek, narration, story) is an image of events, phenomena, processes that are external to the author. Epic works reflect the objective course of life, human existence as a whole. Using various artistic means, the authors of epic works express their understanding of the historical, socio-political, moral, psychological and many other problems that human society as a whole and each of its representatives in particular lives with. Epic works have significant pictorial possibilities, thus they help the reader to learn the world to comprehend the deepest problems of human existence.

Drama as a kind of literature

Drama(drama - Greek, action, action) is a kind of literature, the main feature of which is the stage nature of works. Plays, i.e. dramatic works are created specifically for the theater, for staging on stage, which, of course, does not exclude their existence in the form of independent literary texts intended for reading. Like the epic, the drama reproduces the relationship between people, their actions, the conflicts that arise between them. But unlike the epic, which has a narrative nature, the drama has a dialogic form.

Related to this features of dramatic works :

2) the text of the play consists of the characters' conversations: their monologues (the speech of one character), dialogues (the conversation of two characters), polylogues (simultaneous exchange of remarks by several participants in the action). That's why speech characteristic turns out to be one of the most important means of creating a memorable character of the hero;

3) the action of the play, as a rule, develops quite dynamically, intensively, as a rule, it is given 2-3 hours of stage time.

Lyrics as a kind of literature

Lyrics(lyra - Greek, a musical instrument, to the accompaniment of which poetic works, songs were performed) is distinguished by a special type of construction of an artistic image - this is an image-experience in which the individual emotional and spiritual experience of the author is embodied. Lyrics can be called the most mysterious kind of literature, because it is addressed to the inner world of a person, his subjective feelings, ideas, ideas. In other words, a lyrical work primarily serves the individual self-expression of the author. The question arises: why are the readers, i.e. other people refer to such works? The thing is that the lyricist, speaking on his own behalf and about himself, miraculously embodies universal human emotions, ideas, hopes, and the more significant the personality of the author, the more important his individual experience is for the reader.

Each type of literature also has its own system of genres.

Genre(genre - French genus, species) - a historically established type of literary work that has similar typological features. The names of the genres help the reader navigate the boundless sea of ​​literature: someone loves detective stories, another prefers fantasy, and the third is a fan of memoirs.

How to determine what genre does it belong to specific work? Most often, the authors themselves help us in this, calling their creation a novel, story, poem, etc. However, some author's definitions seem unexpected to us: remember that A.P. Chekhov emphasized that The Cherry Orchard is a comedy, and not a drama at all, but A.I. Solzhenitsyn considered "One Day in the Life of Ivan Denisovich" a story, not a story. Some literary scholars call Russian literature a collection of genre paradoxes: the novel in verse "Eugene Onegin", the poem in prose "Dead Souls", the satirical chronicle "The History of a City". There was a lot of controversy regarding "War and Peace" by L.N. Tolstoy. The writer himself said only about what his book is not: “What is War and Peace? This is not a novel, still less a poem, still less a historical chronicle. "War and Peace" is what the author wanted and could express in the form in which it was expressed. And only in the 20th century did literary critics agree to call the brilliant creation of L.N. Tolstoy's epic novel.

Each literary genre has a number of stable features, the knowledge of which allows us to attribute a particular work to one or another group. Genres develop, change, die off and are born, for example, literally before our eyes arose new genre blog (web loq English online magazine) - a personal online diary.

However, for several centuries now, there have been stable (they are also called canonical) genres.

Literature of literary works - see table 1).

Table 1.

Genres of literary works

Epic genres of literature

Epic genres primarily differ in volume, on this basis they are divided into small ones ( essay, short story, short story, fairy tale, parable ), average ( story ), large ( novel, epic novel ).

Feature article- a small sketch from nature, the genre is both descriptive and narrative. Many essays are created on a documentary, life basis, they are often combined into cycles: a classic example is “Sentimental Journey Through France and Italy” (1768) by the English writer Laurence Sterne, in Russian literature it is “Journey from St. Petersburg to Moscow” (1790) A . Radishcheva, "Frigate Pallada" (1858) I. Goncharov "Italy" (1922) B. Zaitsev and others.

Story- small narrative genre, which usually depicts one episode, an incident, a human character, or an important incident from the life of a hero that influenced his future fate (“After the Ball” by L. Tolstoy). The stories are created like a documentary, often autobiographical basis(“Matryonin Dvor” by A. Solzhenitsyn), and thanks to pure fiction (“The Gentleman from San Francisco” by I. Bunin).

The intonation and content of the stories are very different - from comic, funny ( early stories A.P. Chekhov”) to deeply tragic (“Kolyma Tales” by V. Shalamov). Stories, like essays, are often combined into cycles (“Notes of a Hunter” by I. Turgenev).

Novella(novella ital. news) is in many ways akin to a story and is considered its variety, but it is distinguished by a special dynamism of the narrative, sharp and often unexpected turns in the development of events. Quite often the narration in the short story begins with the finale, is built according to the law of inversion, i.e. in the reverse order, when the denouement precedes the main events ("Terrible Revenge" by N. Gogol). This feature of the construction of the short story will later be borrowed by the detective genre.

The word "novella" has another meaning that future lawyers need to know. AT Ancient Rome the phrase "novellae leges" (new laws), called laws introduced after the official codification of law (after the release of the Code of Theodosius II in 438). The short stories of Justinian and his successors, published after the second edition of the Code of Justinian, later formed part of the code of Roman laws ( Corpus iuris civilis). In the modern era, a novel is called a law submitted for consideration by parliament (in other words, a draft law).

Story- the oldest of the small epic genres, one of the main ones in oral art any people. it small work magical, adventurous or everyday nature, where fiction is clearly emphasized. Another important feature folk tale- its instructive character: “A fairy tale is a lie, but there is a hint in it, good fellows lesson". Folk tales are usually divided into magical ("The Tale of the Frog Princess"), household ("Porridge from an ax") and fairy tales about animals ("Zayushkina's hut").

With the development of written literature, literary fairy tales arise that use traditional motifs and symbolic possibilities. folk tale. The Danish writer Hans Christian Andersen (1805-1875), his wonderful "The Little Mermaid", "The Princess and the Pea", " The Snow Queen”,“ The Steadfast Tin Soldier ”,“ Shadow ”,“ Thumbelina ”are loved by many generations of readers, both very young and completely middle age. And this is far from accidental, because Andersen's fairy tales are not only extraordinary, but sometimes even strange adventures heroes, they contain a deep philosophical and moral sense, enclosed in beautiful symbolic images.

From European literary tales of the 20th century became a classic The little Prince"(1942) French writer An-toine de Saint-Exupery. And the famous "Chronicles of Narnia" (1950 - 1956) by the English writer Kl. Lewis and The Lord of the Rings (1954-1955), also by the Englishman J. R. Tolkien, are written in the fantasy genre, which can be called a modern transformation of an ancient folk tale.

In Russian literature, unsurpassed, of course, are the tales of A.S. Pushkin: “About the dead princess and seven heroes”, “About the fisherman and the fish”, “About Tsar Saltan ...”, “About the golden cockerel”, “About the priest and his worker Balda”. A substitute storyteller was P. Ershov, the author of The Little Humpbacked Horse. E. Schwartz in the 20th century creates the form of a fairy tale play, one of them “The Bear” (another name is “Ordinary Miracle”) is well known to many thanks to the wonderful film directed by M. Zakharov.

Parable- also a very ancient folklore genre, but, unlike a fairy tale, parables contained written monuments: the Talmud, the Bible, the Koran, a monument of Syrian literature "Teaching Akahara". A parable is a work of an instructive, symbolic nature, distinguished by sublimity and seriousness of content. Ancient parables, as a rule, are small in volume, they do not contain a detailed account of events or psychological characteristics the character of the hero.

The purpose of the parable is edification or, as they once said, the teaching of wisdom. AT European cultures The most famous are the parables from the Gospels: about the prodigal son, about the rich man and Lazarus, about the unjust judge, about the crazy rich man and others. Christ often spoke with the disciples allegorically, and if they did not understand the meaning of the parable, he explained it.

Many writers turned to the parable genre, not always, of course, putting a high religious meaning into it, rather trying to express some kind of moralistic edification in an allegorical form, as, for example, L. Tolstoy in his late work. Carry it. V. Rasputin - Farewell to Matera "can also be called a detailed parable in which the writer speaks with anxiety and sorrow about the destruction of the "ecology of conscience" of a person. The story "The Old Man and the Sea" by E. Hemingway is also considered by many critics to be in the tradition of a literary parable. The well-known modern Brazilian writer Paulo Coelho also uses the parable form in his novels and short stories (the novel The Alchemist).

Tale- an average literary genre, widely represented in world literature. The story depicts several important episodes from the life of the hero, as a rule, one storyline and a small number of characters. The stories are characterized by great psychological saturation, the author focuses on the experiences and mood changes of the characters. Very often, the main theme of the story is the love of the protagonist, for example, "White Nights" by F. Dostoevsky, "Asya" by I. Turgenev, "Mitina's Love" by I. Bunin. The stories can also be combined into cycles, especially those written on autobiographical material: "Childhood", "Adolescence", "Youth" by L. Tolstoy, "Childhood", "In People", "My Universities" by A. Gorky. The intonations and themes of the stories are very diverse: tragic, addressed to acute social and moral issues (“Everything flows” by V. Grossman, “House on the Embankment” by Y. Trifonov), romantic, heroic (“Taras Bulba” by N. Gogol), philosophical , parable ("Pit" by A. Platonov), mischievous, comic ("Three in a boat, not counting the dog" by the English writer Jerome K. Jerome).

Novel(Gotap French originally, in late Middle Ages, any work written in Romance, as opposed to those written in Latin) is a major epic work in which the narrative focuses on fate individual person. The novel is the most complex epic genre, which is distinguished by an incredible number of themes and plots: love, historical, detective, psychological, fantastic, historical, autobiographical, social, philosophical, satirical, etc. All these forms and types of the novel are united by its central idea - the idea of ​​personality, the individuality of a person.

The novel is called the epic of private life, because it depicts the diverse connections between the world and man, society and the individual. Surrounding a person reality is presented in the novel in different contexts: historical, political, social, cultural, national, etc. The author of the novel is interested in how the environment affects the character of a person, how he is formed, how his life develops, whether he managed to find his destiny and realize himself.

Many attribute the emergence of the genre to antiquity, these are Long's Daphnis and Chloe, Apuleius' Golden Ass, the chivalrous novel Tristan and Isolde.

In the work of the classics of world literature, the novel is represented by numerous masterpieces:

Table 2. Examples classic novel foreign and Russian writers (XIX, XX centuries)

famous novels Russians writers of the 19th in .:

In the 20th century, Russian writers develop and multiply the traditions of their great predecessors and create no less remarkable novels:


Of course, none of these enumerations can claim completeness and exhaustive objectivity, especially in modern prose. In this case, the most famous works who glorified both the literature of the country and the name of the writer.

epic novel. In ancient times, there were forms of the heroic epic: folklore sagas, runes, epics, songs. These are the Indian "Ramayana" and "Mahabharata", the Anglo-Saxon "Beowulf", the French "Song of Roland", the German "Song of the Nibelungs", etc. In these works, the exploits of the hero were exalted in an idealized, often exaggerated form. The later epic poems "Iliad" and "Odyssey" by Homer, "Shah-name" by Ferdowsi, while retaining the mythological nature of the early epic, nevertheless, had a pronounced connection with real history, and the theme of the interweaving of human fate and the life of the people becomes one of them. main. The experience of the ancients will be in demand in XIX-XX centuries when writers try to comprehend the dramatic relationship between the era and the individual personality, tell about the tests that morality, and sometimes the human psyche, are subjected to at the moment of the greatest historical upheavals. Let us recall the lines of F. Tyutchev: "Blessed is he who visited this world in its fatal moments." The romantic formula of the poet in reality meant the destruction of all habitual forms of life, tragic losses and unfulfilled dreams.

The complex form of the epic novel allows writers to artistically explore these problems in all their completeness and inconsistency.

When we talk about the genre of the epic novel, of course, we immediately recall Leo Tolstoy's War and Peace. Other examples can be given: Quiet Don» M. Sholokhov, "Life and Fate" by V. Grossman, "The Forsyte Saga" by the English writer Galsworthy; the book of the American writer Margaret Mitchell "Gone with the Wind" can also be reckoned with good reason in this genre.

The very name of the genre indicates a synthesis, a combination of two main principles in it: the novel and the epic, i.e. related to the theme of the life of an individual and the theme of the history of the people. In other words, the epic novel tells about the fates of the heroes (as a rule, the heroes themselves and their fates are fictitious, invented by the author) against the background and in close connection with epoch-making historical events. So, in "War and Peace" - these are the fates of individual families (Rostovs, Bolkonskys), favorite heroes (Prince Andrei, Pierre Bezukhov, Natasha and Princess Mary) in the turning point for Russia and all of Europe, the historical period of the beginning of the 19th century, the Patriotic War of 1812 . In Sholokhov's book, the events of the First World War, two revolutions and a bloody civil war tragically intrude into the life of the Cossack farm, the Melekhov family, the fate of the main characters: Grigory, Aksinya, Natalya. V. Grossman talks about the Great Patriotic War and its main event - Battle of Stalingrad about the tragedy of the Holocaust. "Life and Fate" also intertwines historical and family theme: the author traces the history of the Shaposhnikovs, trying to understand why the fate of the members of this family developed so differently. Galsworthy describes the life of the Forsyte family during the legendary Victorian era in England. Margaret Mitchell - the central event in US history, the Civil War between North and South, which dramatically changed the lives of many families and the fate of herself famous heroine American Literature - Scarlett O'Hara.

Dramatic genres of literature

Tragedy(tragodia Greek goat song) - a dramatic genre that originated in Ancient Greece. emergence ancient theater and tragedies are associated with the worship of the god of fertility and wine, Dionysus. A number of holidays were dedicated to him, during which ritual magical games were played with mummers, satyrs, whom the ancient Greeks represented as bipedal goat-like creatures. It is assumed that it was this appearance of the satyrs, who sang hymns to the glory of Dionysus, that gave such a strange name in translation to this serious genre. Theatrical action in ancient Greece, magical religious significance was attached, and theaters built in the form of large open-air arenas were always located in the very center of cities and were one of the main public places. Spectators sometimes spent the whole day here: they ate, drank, loudly expressed their approval or condemnation of the spectacle presented. The heyday of ancient Greek tragedy is associated with the names of three great tragedians: Aeschylus (525-456 BC) - the author of the tragedies Chained Prometheus, Oresteia, etc.; Sophocles (496-406 BC) - the author of "Oedipus Rex", "Antigone" and others; and Euripides (480-406 BC) - the creator of Medea, Troy Nok, etc. Their creations will remain examples of the genre for centuries, they will be tried to imitate, but they will remain unsurpassed. Some of them ("Antigone", "Medea") are staged even today.

What are the main features of the tragedy? The main one is the presence of an unresolvable global conflict: in ancient tragedy this is the opposition of fate, fate, on the one hand, and man, his will, free choice- with another. In the tragedies of later eras, this conflict took on a moral and philosophical character, as a confrontation between good and evil, loyalty and betrayal, love and hatred. It has an absolute character, the heroes, embodying the opposing forces, are not ready for reconciliation, compromise, and therefore there are often many deaths at the end of the tragedy. This is how the tragedies of the great English playwright William Shakespeare (1564-1616) were built, let us recall the most famous of them: Hamlet, Romeo and Juliet, Othello, King Lear, Macbeth, Julius Caesar, etc.

In the tragedies of the French playwrights of the 17th century Corneille ("Horace", "Polyeuctus") and Racine ("Andromache", "Britanic") this conflict received a different interpretation - as a conflict of duty and feeling, rational and emotional in the souls of the main characters, i.e. . received a psychological interpretation.

The most famous in Russian literature is the romantic tragedy "Boris Godunov" by A.S. Pushkin, created on historical material. In one of his best works, the poet sharply posed the problem of the “real misfortune” of the Moscow state - a chain reaction of impostors and “terrible atrocities” that people are ready for for the sake of power. Another problem is the attitude of the people to everything that happens in the country. The image of the “silent” people in the finale of “Boris Godunov” is symbolic; to this day, discussions continue about what Pushkin wanted to say by this. Written in tragedy opera of the same name M. P. Mussorgsky, which has become a masterpiece of Russian opera classics.

Comedy(Greek komos - a cheerful crowd, oda - a song) - a genre that originated in ancient Greece a little later than tragedy (5th century BC). The most famous comedian of that time is Aristophanes ("Clouds", "Frogs", etc.).

In comedy, with the help of satire and humor, i.e. comic, moral vices are ridiculed: hypocrisy, stupidity, greed, envy, cowardice, complacency. Comedies tend to be topical; addressed to social issues exposing the shortcomings of power. Distinguish between sitcoms and character comedies. In the first, the cunning intrigue, the chain of events (Shakespeare's Comedy of Errors) are important, in the second - the characters of the characters, their absurdity, one-sidedness, as in the comedies "The Undergrowth" by D. Fonvizin, "The Tradesman in the Nobility", "Tartuffe", written by the classic genre, French comedian of the 17th century Jean-Baptiste Molière. In Russian dramaturgy, it turned out to be especially in demand satirical comedy with its sharp social criticism, such as, for example, N. Gogol's "Inspector General", M. Bulgakov's "Crimson Island". Many wonderful comedies were created by A. Ostrovsky (“Wolves and Sheep”, “Forest”, “Mad Money”, etc.).

The comedy genre invariably enjoys success with the public, perhaps because it affirms the triumph of justice: in the finale, vice must certainly be punished, and virtue must triumph.

Drama- a relatively "young" genre that appeared in Germany in the 18th century as a lesedrama (in German) - a play for reading. Drama addressed to Everyday life of a person and society, everyday life, relationships in the family. Drama is primarily interested in the inner world of a person, it is the most psychological of all dramatic genres. At the same time, it is also the most literary of the stage genres, for example, the plays of A. Chekhov are largely perceived more as texts for reading, and not as theatrical performances.

Lyrical genres of literature

The division into genres in the lyrics is not absolute, because. the differences between genres in this case are conditional and not as obvious as in epic and drama. More often we distinguish lyrical works according to them thematic features: landscape, love, philosophical, friendly, intimate lyrics, etc. However, we can name some genres that have pronounced individual characteristics: elegy, sonnet, epigram, message, epitaph.

Elegy(elegos Greek mournful song) - a poem of medium length, as a rule, moral-philosophical, love, confessional content.

The genre arose in antiquity, and elegiac distich was considered its main feature, i.e. dividing the poem into couplets, for example:

The longed-for moment has come: my long-term work is over, Why is an incomprehensible sadness secretly disturbing me?

A. Pushkin

In the poetry of the 19th-20th centuries, the division into couplets is no longer such a strict requirement, now the semantic features that are associated with the origin of the genre are more significant. In terms of content, the elegy goes back to the form of ancient funeral “weeps”, in which, while mourning the deceased, they simultaneously recalled his extraordinary virtues. This origin predetermined the main feature of the elegy - the combination of sorrow with faith, regret with hope, the acceptance of being through sadness. The lyrical hero of the elegy is aware of the imperfection of the world and people, his own sinfulness and weakness, but does not reject life, but accepts it in all its tragic beauty. A striking example- "Elegy" by A.S. Pushkin:

Crazy years faded fun

It's hard for me, like a vague hangover.

But like wine - sadness past days

In my soul, the older, the stronger.

My path is sad. Promises me labor and sorrow

The coming turbulent sea.

But I don't want, oh friends, to die;

I want to live in order to think and suffer;

And I know I will enjoy

Between sorrows, worries and anxiety:

Sometimes I'll get drunk again with harmony,

I will shed tears over fiction,

And maybe - at my sad sunset

Love will shine with a farewell smile.

Sonnet(sonetto, ital. song) - the so-called "solid" poetic form, which has strict construction rules. The sonnet has 14 lines, divided into two quatrains (quatrains) and two three-line verses (tercet). In quatrains only two rhymes are repeated, in terzets two or three. The methods of rhyming also had their own requirements, which, however, varied.

The birthplace of the sonnet is Italy, this genre is also represented in English and French poetry. Petrarch, the 14th-century Italian poet, is considered the luminary of the genre. He dedicated all his sonnets to his beloved Donna Laura.

In Russian literature, the sonnets of A.S. Pushkin remain unsurpassed, beautiful sonnets were also created by the poets of the Silver Age.

Epigram(Greek epigramma, inscription) is a short, mocking poem, usually addressed to a specific person. Many poets write epigrams, sometimes increasing the number of their ill-wishers and even enemies. The epigram on Count Vorontsov turned around for A.S. Pushkin by the hatred of this nobleman and, ultimately, expulsion from Odessa to Mikhailovskoye:

Popu-my lord, half-merchant,

Half wise, half ignorant,

Semi-scoundrel, but there is hope

What will be complete at last.

Mocking poems can be dedicated not only to specific person, but also to a generalized addressee, as, for example, in the epigram of A. Akhmatova:

Could Bice create like Dante,

Were Laura to glorify the heat of love?

I taught women to speak...

But, God, how to silence them!

There are even cases of a kind of duel of epigrams. When the famous Russian lawyer A.F. Horses were appointed to the Senate, ill-wishers extended an evil epigram to him:

Caligula brought the horse to the Senate,

He stands dressed in both velvet and gold.

But I will say, we have the same arbitrariness:

I read in the papers that Kony is in the Senate.

What A.F. Horses, distinguished by outstanding literary talent, answered:

(Greek epitafia, tombstone) - a farewell poem to a dead person, intended for tombstone. Initially, this word was used in a literal sense, but later it acquired a more figurative meaning. For example, I. Bunin has a lyrical miniature in prose "Epitaph", dedicated to farewell to the writer's dear, but forever receding Russian estate. Gradually, the epitaph is transformed into a poem-dedication, a farewell poem ("Wreath to the Dead" by A. Akhmatova). Perhaps the most famous poem of this kind in Russian poetry is “The Death of a Poet” by M. Lermontov. Another example is the "Epitaph" by M. Lermontov, dedicated to the memory of Dmitry Venevitinov, a poet and philosopher who died at the age of twenty-two.

Lyric-epic genres of literature

There are works that combine some features of lyrics and epic, as evidenced by the very name of this group of genres. Their main feature is the combination of narration, i.e. a story about events, with the transfer of feelings and experiences of the author. It is customary to refer to the lyric-epic genres poem, ode, ballad, fable .

Poem(poeo Greek I create I create) is a very famous literary genre. The word "poem" has many meanings, both direct and figurative. In ancient times, poems were called large epic works, which today are considered epics (the poems of Homer already mentioned above).

AT literature XIX-XX centuries, a poem is a large poetic work with a detailed plot, for which it is sometimes called a poetic story. The poem has characters, a plot, but their purpose is somewhat different than in a prose story: in the poem they help the author's lyrical self-expression. Perhaps that is why romantic poets loved this genre so much (“Ruslan and Lyudmila” by early Pushkin, “Mtsyri” and “Demon” by M. Lermontov, “Cloud in Pants” by V. Mayakovsky).

Oh yeah(oda Greek song) - a genre represented mainly in the literature of the 18th century, although it also has an ancient origin. The ode goes back to antique genre dithyramba - a hymn glorifying folk hero or the winner of the Olympic Games, i.e. an outstanding person.

Poets of the 18th-19th centuries created odes on various occasions. It could be an appeal to the monarch: M. Lomonosov dedicated his odes to Empress Elizabeth, G. Derzhavin to Catherine P. While glorifying their deeds, the poets at the same time taught the empresses, inspired them with important political and civil ideas.

Significant historical events could also become the subject of glorification and admiration in the ode. G. Derzhavin after the capture by the Russian army under the command of A.V. Suvorov of the Turkish fortress, Izmail wrote the ode “Thunder of victory, resound!”, Which for some time was the unofficial anthem of the Russian Empire. There was a kind of spiritual ode: "Morning reflection on God's greatness" by M. Lomonosov, "God" by G. Derzhavin. civil, political ideas could also become the basis of an ode (“Liberty” by A. Pushkin).

This genre has a pronounced didactic nature, it can be called a poetic sermon. Therefore, it is distinguished by the solemnity of style and speech, the leisurely narration. An example is the famous excerpt from M. Lomonosov’s “Ode on the Day of Accession to the All-Russian Throne of Her Majesty Empress Elisaveta Petrovna in 1747”, written in the year when Elizabeth approved the new charter of the Academy of Sciences, significantly increasing funds for its maintenance. The main thing for the great Russian encyclopedist is the enlightenment of the younger generation, the development of science and education, which, according to the poet, will become the key to the prosperity of Russia.

Ballad(balare provence - to dance) was especially popular at the beginning of the 19th century, in sentimental and romantic poetry. This genre originated in French Provence as a folk dance love content with obligatory choruses-repetitions. Then the ballad migrated to England and Scotland, where it acquired new features: now it is a heroic song with a legendary plot and heroes, for example, the famous ballads about Robin Hood. The only constant feature is the presence of refrains (repetitions), which will be important for ballads written later.

Poets of the 18th and early 19th centuries fell in love with the ballad for its special expressiveness. If we use the analogy with epic genres, the ballad can be called a poetic novel: it must have an unusual love, legendary, heroic plot that captures the imagination. Quite often, fantastic, even mystical images and motifs are used in ballads: let us recall the famous "Lyudmila" and "Svetlana" by V. Zhukovsky. No less famous are "The Song of the Prophetic Oleg" by A. Pushkin, "Borodino" by M. Lermontov.

In Russian lyrics of the 20th century, a ballad is a love romantic poem, often accompanied by musical accompaniment. Ballads are especially popular in "bardic" poetry, the anthem of which can be called the ballad of Yuri Vizbor, beloved by many.

Fable(basnia lat. story) - short story in verse or prose of a didactic, satirical nature. Elements of this genre from ancient times were present in the folklore of all peoples as fairy tales about animals, and then transformed into anecdotes. The literary fable took shape in ancient Greece, its founder is Aesop (V century BC), after his name allegorical speech began to be called "Aesopian language". In a fable, as a rule, there are two parts: plot and moralizing. The first contains a story about some funny or absurd incident, the second - morality, teaching. The heroes of fables are often animals, under the masks of which quite recognizable moral and social vices are hidden, which are ridiculed. The great fabulists were Lafontaine (France, 17th century), Lessing (Germany, 18th century). In Russia, I.A. Krylov (1769-1844). The main advantage of his fables is a lively, folk language, a combination of cunning and wisdom in the author's intonation. The plots and images of many of I. Krylov's fables look quite recognizable even today.

Continuing the series of articles on music theory, we would like to tell you about how genres in music were formed and developed. After this article, you will never again confuse a musical genre with a musical style.

So, first, let's look at how the concepts of “genre” and “style” differ. Genre- This is a type of work that has developed historically. It implies the form, content and purpose of music. Music genres began their formation at an early stage in the development of music, in the system of primitive communities. Then music accompanied every step of human activity: life, work, speech, and so on. Thus, the main genre principles were formed, which we will analyze further.

Style also implies the sum of materials (harmony, melody, rhythm, polyphony), the way in which they were used in piece of music. Usually the style is based on the trend of a certain era or is classified by composer. In other words, style is a set of means musical expressiveness, which defines the image and idea of ​​music. It may depend on the individuality of the composer, his worldview and tastes, approach to music. Also, the style determines the currents in music, such as jazz, pop, rock, folk styles and so on.

Now back to genres of music. There are five main genre beginnings, which, as we said, originated in primitive communities:

  • Motority
  • Declamation
  • chant
  • signaling
  • Sound imaging

It was they who became the basis of all subsequent genres that appeared with the development of music.

Quite soon after the formation of the main genre principles, the genre and style began to intertwine in single system. Such genre and style systems were formed depending on the occasion for which the music was created. This is how genre-style systems appeared, which were used in certain ancient cults, for ancient rituals and in everyday life. The genre had a more applied character, which formed a certain image, style and compositional features of ancient music.

On the walls of the Egyptian pyramids and in the surviving ancient papyri, lines of ritual and religious hymns were found, which most often spoke about the ancient Egyptian gods.

It is believed that ancient music received its highest point of development in ancient Greece. It was in ancient Greek music that certain patterns were discovered on which its structure was based.

As society evolved, so did music. In medieval culture, new vocal and vocal instrumental genres have already been formed. During this era, genres such as:

  • Organum is the most early form polyphonic music in Europe. This genre was used in churches, and it flourished in the Paris school of Notre Dame.
  • Opera is a musical and dramatic work.
  • Choral - liturgical Catholic or Protestant singing.
  • Motet is a vocal genre that was used both in church and at social events. His style depended on the text.
  • Conduct is a medieval song, the text of which was most often spiritual and moralizing. Until now, they cannot accurately decipher the medieval notes of conducts, since they did not have a definite rhythm.
  • Mass is a liturgical service in Catholic churches. Requiem is also included in this genre.
  • Madrigal is a short work on lyrical and love themes. This genre originated in Italy.
  • Chanson - this genre appeared in France, and initially choral peasant songs belonged to it.
  • Pavane is a smooth dance that opened the holidays in Italy
  • Galliard - a cheerful and rhythmic dance also comes from Italy
  • Allemanda is a procession dance that originated in Germany.

AT XVII-XVIII centuries in North America rural music - country music - developed quite actively. The genre has been heavily influenced by Irish and Scottish folk music. The lyrics of such songs often talked about love, rural life and cowboy life.

At the end of the 19th century and the beginning of the 20th century, Latin America and Africa, folklore developed quite actively. In the African American community, the blues is born, which was originally a "work song" that accompanied work in the field. The blues was also based on ballads and religious chants. The blues formed the basis of a new genre - jazz, which is the result of a mixture of African and European cultures. Jazz has become quite widespread and universally recognized.

Based on jazz and blues, at the end of the 40s, rhythm and blues (R'n'B), a song and dance genre, appeared. He was quite popular among the youth. Subsequently, funk and soul appeared within this genre.

Curiously, along with these African-American genres, the genre of pop music appeared in the 1920s. The roots of this genre are found in folk music, street romances and ballads. Pop music has always mixed with other genres, forming quite interesting musical styles. In the 70s, within the framework of pop music, the “disco” style appeared, which became the most popular dance music at the time, relegating rock and roll to the background.

In the 50s, rock bursts into the ranks of already existing genres, the origins of which are in blues, folk and country. It quickly gained wild popularity and grew into many different styles, mixing with other genres.

Ten years later, the reggae genre was formed in Jamaica, which became widespread in the 70s. The basis of reggae is mento - a genre folk music Jamaica.

In the 1970s, rap appeared, which was “exported” by Jamaican DJs to the Bronx. The founder of rap is DJ Kool Herc. Initially, rap was read for pleasure, to throw out their emotions. The basis of this genre is the beat that sets the rhythm for recitative.

In the second half of the 20th century, electronic music established itself as a genre. It is strange that it did not receive recognition at the beginning of the 20th century, when the first electronic instruments appeared. This genre involves the creation of music using electronic musical instruments, technology and computer programs.

Genres formed in the 20th century have many styles. For example:

Jazz:

  • new orleans jazz
  • Dixieland
  • Swing
  • Western swing
  • Bop
  • hard bop
  • Boogie Woogie
  • Cool or cool jazz
  • modal or modal jazz
  • avant-garde jazz
  • soul jazz
  • free jazz
  • bossa nova or latin jazz
  • Symphonic Jazz
  • progressive
  • Fusion or jazz rock
  • electric jazz
  • acid jazz
  • crossover
  • smooth jazz
  • Cabaret
  • minstrel show
  • music hall
  • Musical
  • Ragtime
  • lounge
  • Classic crossover
  • Psychedelic pop
  • italo disco
  • Eurodisco
  • Hi-energy
  • Nu-disco
  • space disco
  • Ye-ye
  • K-pop
  • europop
  • Arabic pop music
  • Russian pop music
  • Rigsar
  • Laika
  • Latin American pop
  • J-pop
  • Rock'n'roll
  • Big Beat
  • rockabilly
  • psychobilly
  • neo-rocabilly
  • skiffle
  • doo wop
  • Twist
  • Alternative Rock (Indie Rock/College Rock)
  • Mat rock
  • Madchester
  • grunge
  • shoegazing
  • Britpop
  • noise rock
  • noise pop
  • Post-grunge
  • lo-fi
  • indie pop
  • Twee pop
  • Art rock (Progressive rock)
  • jazz rock
  • kraut rock
  • garage rock
  • Freakbeat
  • Glam rock
  • country rock
  • Merseybit
  • Metal (Hard rock)
  • avant-garde metal
  • Alternative metal
  • black metal
  • Melodic black metal
  • Symphonic black metal
  • true black metal
  • viking metal
  • gothic metal
  • Doom metal
  • death metal
  • Melodic death metal
  • Metalcore
  • New metal
  • power metal
  • progressive metal
  • speed metal
  • stoner rock
  • Thrash metal
  • folk metal
  • Heavy metal
  • New wave
  • Russian rock
  • pub rock
  • Punk rock
  • ska punk
  • pop punk
  • crust punk
  • hardcore
  • crossover
  • Riot folk
  • pop rock
  • Postpunk
  • Gothic rock
  • no wave
  • Postrock
  • Psychedelic rock
  • soft rock
  • folk rock
  • techno rock

As you can see, there are many styles. For enumeration complete list It will take a lot of time, so we will not do this. The main thing is that you now know how modern popular genres and you will definitely no longer confuse genre and style.



Similar articles