EVENING OF RUSSIAN ROMANCE
scenario
literary and musical composition
"TO THE WONDERFUL SOUNDS OF ROMANCE"
The audience: 5-11 grades
Goals:
Educational: introduce the work of Russian composers and gypsy romance; acquaintance with new trends in the development of literature in Russia after the reform of 1861.
Educational: develop ideas about the genres of Russian literature; expand the links of literature with other areas of art - theater, music; develop communication skills and improve the ability to behave in public.
Educational: cultivate love for Russian national culture, strengthen the ties between schoolchildren and teachers, create conditions for the creative self-realization of the child's personality.
Decor:
Thematic wall newspapers with materials about composers, authors of romances, as well as performers of Russian and gypsy romances. Wall newspapers are hung out a week before the Performance in the Russian language classroom or lobby.
The curtain is decorated with Pavlovo Posad shawls.
Living room in the style of the 19th century: piano (if possible), sofa, tables, flowers, candles.
Scenario
Two presenters appear at the curtain - a young man and a girl.
Music “Open the gate slowly…”.
Presenter 1:
As soon as the evening glows blue,
Only the stars will light up the sky
And bird cherry silver hoarfrost
Will remove dew with pearls.
Slowly open the gate
And enter the quiet garden like a shadow
Don't forget the darker cape
Put lace on your head.
Host 2: Of course, you recognized both these lines and this melody. Tonight we dedicate to Russian romance
I dreamed of a garden in a wedding dress,
In this garden, you and I are together.
Stars in the sky, stars in the sea
Stars in my heart.
Presenter 1: This amazing phenomenon is romance. You will hear, and everything in you will turn over, embrace with inexpressible tenderness, sadness, love. It is full of charm and light sadness. Meeting with him is always pleasant and desirable. Today we will take a closer look at the history of the romance.
Presenter 2: Even our great-grandfathers in the 18th century sang Russian romance to our great-grandmothers in order to conquer them. And now, for two and a half centuries, Russian romances have conquered us with their lyricism, sincerity, and spontaneity. . Where did romance first appear? Where did he come to us on Russian soil? What does this word mean?
Presenter 1: Spain is considered the birthplace of the romance. It was here in the XIII - XIV centuries. wandering poet-singers created a new musical genre. The songs were sung in their native Romance. This is where the name "romance" comes from. The romance is performed with the accompaniment of a musical instrument, most often a guitar or piano.
Presenter 2: Today I am not at all afraid
Temporarily part with the twenty-first century,
Let me explain my love to you
The high style of Russian romance.
Presenter1: In Russia, this genre appeared in early XIX century and immediately won universal love. The first Russian romances were written in French Over time, composers began to create romances based on poems by Russian poets. Of course, everyone has heard the wonderful romances of Tchaikovsky, Glinka, Dargomyzhsky, Bulakhov.
Presenter 2: Many romances were based on true stories Great love. Alexei Konstantinovich Tolstoy and Sofya Andreevna Miller. Their romantic and beautiful meeting gave the lines of a wonderful poem:
In the midst of a noisy ball, by chance,
In the turmoil of the world,
I saw you, but the mystery
Your veiled features
Only sad eyes looked
And the voice sounded so wonderful,
Like the sound of a distant flute,
Like the waves of the sea.
I liked your slim figure
And all your thoughtful look
And your laughter is both sad and sonorous
Since then it has been in my heart.
In the hours of lonely nights
I love, tired, lie down -
I see sad eyes
I hear a cheerful speech.
And sadly I fall asleep so
And in the dreams of the unknown I sleep ...
Do I love you - I don't know
But I think I love it!
Presenter 1: Beautiful and smooth melodies, heartfelt words of romances touch the soul of every person.
Lead 2. Russian romance... Beloved and forgotten, popular, languishing, tearing the soul, sad and even cruel, exciting, amazing.
Romance will not leave anyone indifferent, it enters our souls without knocking, disturbs the heart.
A romance sounds to the words of B. Pasternak, music by I. Skazin “A candle burned on the table ...”
Lead 2. The origin of Russian romance began in the second half of the 19th century. And now, for two and a half centuries, Russian romances have conquered listeners with their lyricism, thoughtfulness, and the immediacy of the feelings conveyed in them. Romance owes its origin to the Russian song. At first, he was not much different from her. It was performed on the piano in the home circle, in the houses of the landowners and nobles. But the romance became especially popular with the advent of the seven-string guitar, which most subtly conveyed the intimate feelings of the author of the romance. The soft lyrics of the romance excites the soul of the listeners, makes them worry. Hence the love of the people for the romance is preserved to this day.
Lead 1. We address the words of gratitude to the creators of Russian romances both to poets and composers, both eminent and not so famous. The authors themselves, at times, did not predict such a fate for them. The names of many are forgotten, but they deserve our gratitude.
Lead 2. At first, the most famous composers Glinka, Dargomyzhsky, and later Borodin, Mussorgsky, Tchaikovsky, Rimsky-Korsakov worked in the romance genre in Russia. Famous poets such as Pushkin, Lermontov, Nekrasov also played a huge role in the development of Russian romance.
However, today we will listen not only to the original romances of famous composers ... We ourselves put the poems of poets on the well-known contemporary music. We present to your attention a poem by Boris Pasternak "Date", set to the song of Bianchi and Mota ....
Presenter 1
Sergei Yesenin's poems are recited by heart and sung to the guitar even by those who do not actually read poetry, because Yesenin is not just an amazing lyricist, an artist of a unique phenomenal gift. He is the singing soul of Russia.
The song "I do not regret, I do not call, I do not cry ..."
Lead 2. The poems of Marina Tsvetaeva are melodic, thoughtful, charming, composers constantly turn to them, and then they turn into romances of amazing beauty.
The song "I like that you are not sick with me ..."
Host.2. The role of the poet, musician, performer Bulat Okudzhava in the development of Russian romance is immeasurable. This name hardly needs any special introduction. He is still modern, his songs, poems, romances are listened to, sung.
The song sounds"Your Honor, Lady Separation."
Presenter 1: Yes, romance has everything: it contains words about friendship, love, unrequited feelings, jealousy, separation, beauty native nature, longing for the Motherland, in a word, something that touches the soul of every person. Well, what kind of Russian soul can light up without a gypsy romance!
Romance sounds "Black eyes"
Lead 2.
To write good song You don't have to be a professional performer or guitarist. The song needs to give a piece of your soul, and for this you need to have a harmonious, kind, bright and boundless soul.
Happiness is like a butterfly. The more you catch it, the more it slips away. But if you turn your attention to other things, it will come and sit quietly on your shoulder.
Presenter 1. I agree with you, Andrey. Indeed, many romances were created in this way, thanks to the muses, who gave birth to tender lines and melodies in the heart of a poet or poetess.
And this is confirmed by the poetry of Marina Tsvetaeva.
The romance "Do not renounce loving" sounds
Host 2:. Throughout the second half of the 20th century, composers turned to romance traditions and intonations in different musical directions: theater and film music, lyrical pop music, art song, rock music.
Romance on the words of Viktor Tsoi "Cuckoo"
Presenter1: The real gem that united the geniuses of the poet and composer is the romance "I remember a wonderful moment." This romance has an amazing story.
Imagine Petersburg, 1819. One of the noisy social evenings. Pushkin's eyes followed a very young charming woman. There is sadness in her big eyes. This was remembered by the poet Anna Kern.
Host: It's been six years. Pushkin was in exile in the village of Mikhailovskoye. How great was the joy of the poet when, at the neighbors on the estate, he unexpectedly met Anna Kern. She stopped by a relative of hers. Every evening Alexander Sergeevich could listen to her singing.. The last day has come. Anna Petrovna was leaving for Pskov to her husband. Saying goodbye, Pushkin gave her the recently published second chapter of the novel "Eugene Onegin". A small sheet of poems fell out of the book, they were dedicated to her:
I remember a wonderful moment
You appeared before me...
Presenter: And in 1838, at a family party with his sister, Mikhail Ivanovich Glinka met Ekaterina, the daughter of Anna Petrovna Kern.
Dating scene.
Presenter 2: He listened to her voice, followed the movements of her hands, and something unusually bright, not yet conscious, was born in the soul. For the first time in many years, Glinka felt that he was young, strong and happy no matter what. And soon Ekaterina Kern had notes of Glinka's romance to Pushkin's poems "I remember wonderful moment". And again, like fifteen years ago, they sounded like a confession.
And now we present to your attention A. S. Pushkin's poem "I remember a wonderful moment", which we put on a rap melody by the 21st century artist Yegor Creed
Lead 1.
Our evening, the Russian romance, has come to an end.
I would like to hope that this evening will leave you pleasant memories and attract new admirers of the genre.
Don't forget the old songs
They will tell you a lot
They were sung to the accordion and to the guitar,
And just like that, and just like that.
Presenter 2 They were blown around the world by the wind,
But in our years, in our days,
For joy and sadness light,
They will come to us as friends.
Lead 1. I would like to add to the words “Beauty will save the world” ... and kindness!
Be kind... And all the best to you!
Goodbye!
Leading: “This amazing phenomenon is a romance. You will hear, and everything in you will turn over, embrace with inexpressible tenderness, sadness, love. It is full of charm and light sadness. Meeting with him is always pleasant and welcome.
Today we will take a closer look at the history of romance. Spain is considered the birthplace of the romance. It was here in the XIII - XIV centuries. wandering poet-singers created a new musical genre. The songs were sung in their native Romance language. In Russia, this genre appeared at the beginning of the 19th century and immediately won universal love. The first Russian romances were composed in French. Over time, composers began to create romances based on poems by Russian poets.
The fate of the romance, which even in the last century for some reason was called "ancient", largely depended on the performer, on his talent and culture.
Old romances! How many are in them warmth and charm, melody and emotional excitement! They always found a way to human hearts. These works were the direct heirs of romances of the 19th century, when the masterpieces of romance lyrics were created by the composers Alyabyev, Bulakhov, Gurilev, Varlamov, and the authors of the texts most famous romances there were Pushkin, Lermontov, Tyutchev, Fet, Apukhtin, Turgenev, Polonsky, Pleshcheev ...
To mid-nineteenth centuries, two types of romance crystallize - "professional" and everyday.
The first was created by professional composers on verses famous poets. The romances of Franz Schubert are based on the poetry of Johann Goethe, the work of Robert Schumann is associated with the works of Heinrich Heine, Mikhail Glinka wrote romances based on the verses of Alexander Pushkin, Pyotr Tchaikovsky - on the verses of Alexei Tolstoy, Nikolai Rimsky-Korsakov - on the verses of Apollo Maykov.
The second type of romance was born among the people. However, even among everyday romances, works of high artistic value appeared.
These two types of romance - professional and everyday - were not isolated, but, on the contrary, enriched each other.
"AT musical environment half contemptuously called amateurs, but in fact great talents and true masters who created amazing examples of art that still live in the hearts of thousands and thousands of people. “The bell rattles monotonously”, “Here the postal troika rushes”, “My nightingale, nightingale”, “Don’t you sew me, mother, a red sundress” ... I love the Russian romance of the pre-Glinka era ... ”, - wrote G. Sviridov in the book“ Music as fate".
Among the composers of the “pre-Glinka era” who wrote romances, Alexander Lvovich Gurilev occupies a prominent place, whose works were mentioned by Sviridov. Alexander Lvovich Gurilev is the author of wonderful lyrical romances.
Gurilev A. Sl. Makarova I. "Bell"
Performed by Katya Medunitsyna, accompanist T. G. Yakubovich
Leading : “Many of Gurilev's romances were written in the rhythm of the waltz, which was widespread in the urban life of that time. At the same time, the smooth three-part waltz movement is in harmony with the purely Russian poetic size, so-called five-syllable, very typical for poems in the genre of "Russian song". Such are the romances of The Girl's Sadness.
Gurilev A. Poems Koltsov A. "Sadness of a girl"
Performed by Anya Sidorova, accompanist T. G. Yakubovich
Leading: “Romance Bulakhov P.P. "My Bells", op. A. Tolstoy. Poems and melody in the romance are perceived in semantic and figurative continuity. In a single impulse, the melody merges, the measured “clatter” of the accompaniment with whirlwind passages of role-playing, the horseman rushing, not knowing where and the wind, under which grasses and flowers bend ... "
“My bells, steppe flowers,
What are you looking at me, dark blue.
And what are you ringing about on a cheerful May day,
Among the uncut grass, shaking your head?
The horse carries me with an arrow to the open field;
He tramples you under him, beats you with his hoof.
My bells, steppe flowers,
Don't curse me, you dark blue ones!"
Bulakhov P. Poems of Tolstoy A. “My bells, flowers of the steppe”
Performed by Zenina Vika, accompanist Yakubovich T. G.
Leading: “Chamber vocal lyrics occupied important place and in the work of A. Alyabyev. Romance "The Beggar" was written in the 40s XIX years century.
During this period, the composer turns to the plots social value. He creates images of the destitute, similar to the images of Russian literature of that time - Petersburg stories N. Gogol, early stories F. Dostoevsky and M. Turgenev. Alyabyev's songs of this period were prepared by the innovative works of A. Dargomyzhsky and M. Mussorgsky. Among these works is the romance "The Beggar". This romance marks Alyabyev's transition from creating songs of a purely lyrical nature to dramatic works.
In the interpretation of the text by Beranger Alyabiev managed to find a generalizing musical image, reveal the tragedy of a humiliated and destitute person. The image of hopeless human grief, in subtle association with the atmosphere winter nature, aptly and concisely conveyed in music. The initial melodic intonation, which is the basis of the piano accompaniment, further develops in the vocal part as a “leitmotif of sorrow”.
"Winter, snowstorm, and in large flakes
At strong wind snow falls.
At the entrance to the temple, alone, in rags,
The old beggar is standing ...
And waiting for mercy
She's all here with her stick,
Both in summer and in winter, blind! ..
Give her mercy!”
Alyabiev A. "Beggar"
Performed by Valya Gunina, accompanist T. G. Yakubovich
Leading : "What in the silence of the nights mysteriously dream,
What do I think about in the light of day,
That will be a secret to everyone, and even you, my verse,
You, my windy friend, are the delight of my days,
I will not give you the soul of my dreams,
And then you will tell, whose voice in the silence of the night
I hear whose face I find everywhere,
Whose eyes shine on me, whose name I repeat.
I read a poem by Apollon Maikov “What in the stillness of the night…”
Maikov's poetry is contemplative, idyllic and distinguished by a touch of rationality, but at the same time it reflects Pushkin's poetic principles: the accuracy and concreteness of descriptions, logical clarity in the development of the theme, simplicity of images and comparisons. For artistic method Maikov is characterized by the allegorical application of landscapes, anthological paintings, plots to the thoughts and feelings of the poet. This feature makes him related to the classical poets.
Many of Maykov's poems have been set to music (Tchaikovsky, Rimsky-Korsakov and others)."
Rimsky - Korsakov N. A. Poems by Maikov A. “What in the stillness of the night…”
Performed by Anya Karpina, accompanist T. G. Yakubovich
Leading: “On November 9, 1918, in the Kuban, an absurd tragic case cut short the life of a talented composer and poet, the author of the world-famous romance "The Chrysanthemums Have Faded" Nikolai Ivanovich Kharito.
According to legend, at the moment when a shot rang out and Nikolai Kharito fell dead, hit by a bullet from a jealous officer, Baron Bongarden, in the adjacent hall of one of the restaurants in the city of Tikhoretsk, where a wedding was celebrated, someone sang softly: “The chrysanthemums have faded a long time ago in the garden". The author of this romance lay bleeding, and the smile froze forever on his beautiful face...
Nikolai Kharito was unusually handsome, courteous and talented. According to contemporaries, it was simply impossible not to fall in love with him. He was adored by the regulars of fashionable noble salons and fashionable living rooms. It was there that the romances were performed outstanding masters of this genre.
Nikolai Kharito was a favorite of the public visiting concert halls, where the stars of the then stage performed: Varya Panina, Anastasia Vyaltseva, Nadezhda Plevitskaya, Iza Kremer, Alexander Vertinsky. Their work was a bright phenomenon of the national musical culture. Pain and joy, sadness and… hope sounded in their voices.
... For almost 100 years, Nikolai Kharito's romance "The chrysanthemums in the garden have faded a long time ago" has been heard. It has stood the test of time. It was performed by Alla Bayanova and Valery Agafonov, Vadim Kozin and Petr Leshchenko with an immense sense of melancholy and nostalgic anguish. It sounds in one of the episodes of the movie "Love Yarovaya". Today it is sung by opera singers and pop singers, pop stars and rock musicians. This romance occupies a worthy place in the repertoire of People's Artist USSR Joseph Kobzon.
"In that garden
where we met
your favorite bush
chrysanthemum blossomed.
And in my chest
blossomed then
Feeling bright
tender love…”
Harito N. "The chrysanthemums in the garden have faded long ago"
Performed by Yulia Morozova, accompanist T. G. Yakubovich.
Leading:
"Not the wind, blowing from above,
Sheets touched on a moonlit night;
You touched my soul
She is anxious, like sheets,
She, like a harp, is multi-stringed.
The whirlwind of life tormented her
And crushing raid
Whistling and howling, tore the strings
And covered with cold snow.
Your speech caresses the ear,
Your light touch
Like flying fluff from flowers,
Like a breath of May night ... "
A poem by Aleksey Tolstoy was recited, to the text of which Nikolai Andreevich Rimsky-Korsakov wrote a romance of the same name.
The romantic languor that sounds in the lines of the poem has its source not only in the abstract philosophical views Tolstoy, but also his social well-being, in particular, the understanding that the life of the layers of Russian society socially close to him is empty and empty.
The poem "The wind does not blow from above" was written in 1851.
In the same winter of 1850-1851, Tolstoy met the wife of the Horse Guards Colonel Sofya Andreevna Miller and fell in love with her. They got along, but their marriage was prevented, on the one hand, by Sofya Andreevna's husband, who did not give her a divorce, and on the other, by Tolstoy's mother, who treated her unkindly. Only in 1863 their marriage was officially formalized. Sofya Andreevna was an educated woman, she knew a lot foreign languages and possessed, apparently, an outstanding aesthetic taste. Tolstoy repeatedly called her his best and most severe critic and heeded her advice. All his love lyrics since 1851.
Rimsky Korsakov N. A. Poems by A. Tolstoy “The wind does not blow from above”
Performed by: Vocal Ensemble, accompanist Volkova I. A.
Leading: “Continuing the theme of love and romance, let's talk a little about the creators of this magnificent music.
The 20th century brought to the world a completely unique composer - Mikael Tariverdiev (1931-1996). He is loved for films: "Irony of Fate", "Seventeen Moments of Spring". But this is only part of the music that he left behind.
Tariverdiev's music is special, his vocal works cannot be strictly divided according to genre. This is the "confession of the heart".
And when the hearts of two geniuses unite in one work, the music of their souls begins to sound in unison.
Brodsky considered Bella Akhmadulina “the undoubted heir of the Lermontov-Pasternak line in Russian poetry”, a poet whose “verse reflects, meditates, deviates from the topic; the syntax - viscous and hypnotic - is largely a product of her authentic voice.
"On my street which year
Footsteps sound - my friends are leaving.
My friends slow departure
That darkness outside the windows is pleasing.
Running my friends deeds,
There is neither music nor singing in their houses,
And only, as before, Degas girls
Pigeons straighten their feathers.
Well, well, well, let fear not wake
You, defenseless, in the middle of this night.
A mysterious passion for betrayal,
My friends, clouds your eyes.
Oh, loneliness, how cool your character is!
Flashing with an iron compass,
How cold you close the circle
Ignoring useless assurances.
So call me and reward me!
Your darling, caressed by you,
I console myself, leaning against your chest,
I will wash with your blue cold.
Let me stand on tiptoe in your forest
At the other end of the slow gesture
Find foliage, and bring it to your face,
And feel orphanhood, like bliss.
Grant me the silence of your libraries,
Your concerts are strict motives,
And - wise - I will forget those
Who died or are still alive.
And I will know wisdom and sorrow
Mine secret meaning trust me with items.
Nature leaning on my shoulders
Announce their children's secrets.
And then - from tears, from darkness,
From the poor ignorance of the past
My friends beautiful features
They will appear and dissolve again.”
Tariverdiev M. Poems by Akhmadulina B. “Along my street that year”
Performed by Galya Onuchina, accompanist T. G. Yakubovich
Leading : “And one more romance to the verses of Bella Akhmadulina, the music for which was composed by Andrey Petrov “And in the end I will say ...”
"And in the end I will tell:
Farewell to love do not oblige.
I'm going crazy. I'm ascending
To high degree madness.
How you loved you sipped
Doom. Not in this case.
How did you love? You ruined.
But ruined so clumsily
Work a small temple
He still administers, but his hands fell,
And a flock, obliquely
Smells and sounds go away.
And in the end I will tell:
Farewell to love do not oblige.
I'm going crazy. I'm ascending
To a high degree of insanity"
Petrov A. Poems by Akhmadulina B. “And in the end I will say ...”
Performed by Natasha Goryainova, accompanist T. G. Yakubovich
Leading : « Dear friends! Our evening has come to an end. I hope you enjoyed the captivating sounds of the ageless Russian romance.
I hope that our guys will be happy to include Russian romances in their repertoire. See you again."
Scenario of the evening of Russian romance
Slide 1. Title.
Date: January 2016
Time: 15.00
Venue: block foyer.
Tables covered with tablecloths, candles in candlesticks on the tables, flowers in a vase. Multimedia projector, computer, drawings.
The course of the evening
Waltz to music Nikolai Shishkin to the romance "The night is bright". Performed by Baida Vladislav and Buryak Julia. 9-B
Slide 2.
Pupil. (read by Sofia Krylyshkina, 11-B)
Do you remember when in solitude
I am so many times with dumb care
I was waiting for you, seeing in the distance
How did your chest beat with joy alive?
Do you remember how in involuntary timidity
Did I give you the ring?
How was I satisfied with your happiness?
I remember everything... But you - do you remember?
The romance "I remember a wonderful moment" sounds.
The words Alexander Pushkin, music Mikhail Glinka.
(Performed by Alexey Senchenko and Alexander Nemshilov)
1 led. Good evening, Dear guests!
2 led. Hello, friends!
1 led. Opened the door for you today musical evening. Evening of Russian romance. And we have gathered to plunge into its enchanting world.
2 led. Russian romance ... What is the attractive power and charming charm of it? Romance is a song-sigh, a song-revelation, expressing everything that hurts the heart, that worries and does not let you fall asleep.
Slide 3.
Leading. Russian romance ... It is full of charm and light sadness. Meeting with him is always pleasant and welcome. Tonight we will hear "the quivering sounds of romance."
Leading. Welcome to our evening dedicated to Russian romance!
Leading. The words and music Nikolai Zubov. Larisa Mironova will perform the romance "Don't Leave".
Romance sounds "Don't leave." Mironova L.G.
slide 4.
Leading. Romance has only one theme - love. Everything else - life and death, fate and its blows, loneliness and disappointment, faith and disbelief - only to the extent that it is connected with this main and only theme.
Leading. Incomprehensible, beautiful and amazing, captivating and passionate, bewitching and inspiring, exciting and fragile... A lot can be said about romance. And you can silently listen to it, because in silence and silence its mysterious meaning and power is comprehended.
Waltz "Two Eternal Friends" 9-B
Slide 5. Spain 13-14th century.
Leading. The birthplace of the romance is Spain. It was here, in the 13-14th centuries, that troubadour singers wandered along the roads, who sang songs in their native "Romance" language. Hence the name "romance". Later, a romance began to be called any solo song performed accompanied by a musical instrument, most often a guitar.
Leading. The founders of the genre of Russian romance are considered to be composers N.S. Titov, A. Alyabyev, M. Yakovlev, A. Varlamov, A. Gumilyov, whose work dates back to the first half of the 19th century. They wrote romances to the verses of A.S. Pushkin, A.A. Delviga, M.Yu. Lermontov, A. Koltsova.
slide 6.
Leading. Music for the romance on the verses of Fyodor Tyutchev "I met you ..." The poem is read by Dmitry Kostiv.
(The poem is read by Dmitry Kostiv, 11-A)
Music for the romance "I met you ..."
I met you - and all the past
In the obsolete heart came to life;
I remembered the golden time -
And my heart felt so warm...
How late autumn sometimes
There are days, there are hours.
When it suddenly blows in the spring
And something stirs in us -
So, the whole is covered with a breath
Those years of spiritual fullness,
With a long forgotten rapture
Looking at cute features...
As after centuries of separation,
I look at you as if in a dream,
And now - the sounds became more audible,
Not silenced in me...
There's not just one memory
Then life spoke again -
And the same charm in you,
And the same love in my soul! ..
Leading. Special meaning has a Russian romance in films that tell about the past of Russia. Not so long ago it was released Feature Film"Admiral"tells about the life of a combat officer in the navy, later , leader , Supreme Commander . Back to history great love in this film, an unusually beautiful romance is the best fit.Words by Vladimir Chuevsky, music by Pyotr Bulakhov. "Burn, burn, my star".
(Video based on the film "Admiral").
Leading. Romance does not allow anyone to remain indifferent: neither those who listen, nor the creators of the romance, who feel its invisible call and go to it, conveying all its charm and beauty to its grateful listeners. human soul in her suffering, her struggle, in her victory.
Romance "I was going home." Music and lyrics by Marie Poiret. Performed by Elena Alekseevna Rovnaya.
Romance "I was going home." Performed by Elena Alekseevna Rovnaya.
Slide 7.
Leading. The irresistible power of romanceRussian poets Ivan Turgenev, Afanasy Fet, Fyodor Tyutchev, Ivan Koltsov and many others felt very subtly. Beautiful and smooth melodies, heartfelt words of romances are easy to remember. These are words that touch the soul of every person.
Slide 6. Music for the composer's romance sounds to poems by Ivan Turgenev "Misty Morning" (Poems read by Anastasia Revva 11-B)
foggy morning, gray morning,
Fields are sad, covered with snow...
reluctantly remember and old time,
Remember faces long forgotten.
Remember abundant, passionate speeches,
Glances, so greedily and tenderly caught,
First meeting, last meeting,
Remember separation with a strange smile,
You will remember much dear, distant,
Listening to the unceasing voice of the wheels,
Looking thoughtfully at the wide sky.
Leading. itlove itself speaks and calls out in the wondrous voice of romance. This love itself is inexpressible and completely incomprehensible, and therefore the romance itself is also incomprehensible and infinite, a wonderful genre, or even not a genre, but the language of performing arts.
Leading. Composer's romanceBoris Fomin to the verses of the poet Pavel German “There is a meeting only once in a life” is performed by Karina Shulga.
Romance “Only once in a life there is a meeting” Karina Shulga (10-A)
Leading. The love of romance is eternal. It sounded many years ago and sounds today. Let's listen to the romance from Eldar Ryazanov's film "Cruel Romance" performed by amazing singer Valentina Ponamareva.
Slide 7.
Video from the movie “Cruel Romance. And in the end I will tell"
Leading. Russian romance ... How many secrets broken destinies and he keeps trampled feelings! But how much tenderness and touching love sings!
The poem is read by Ekaterina Garmash.10-B
Dance to music by Mikhail Zvezdinsky for a romance on verses Nikolai Zabolotsky "Enchanted, Bewitched" . (9-B)
Leading. Late 19th-early 20th centuriesromance in Russia was very popular. Now there will be a romance from the film "Days of the Turbins", staged according to play of the same name Mikhail Bulgakov.The wordsMikhail Matusovsky,musicVeniamin Basner. "White acacia clusters are fragrant." Performed by Violetta Buzovkina and Anastasia Demyanenko.
The romance "Fragrant clusters of white acacia" sounds.
slide 18.
Leading. Many romances, having become popular and loved by the people, lost their authorship and were considered folk songs. The romance-song "Oh, it's not evening" is performed by a vocal group.
( Romance song "Oh, it's not evening." vocal group 10-A class).
Leading.
Cruel romance, I laugh at you
Because you are beautiful and bright,
For what's on everything that's happened to fate
You simply and clearly answered.
Because your old sadness is smart,
And I'm dumb before her.
Romance "Love is a deceitful country" Performed by Larisa Mironova.
Leading. Many of our favorite modern films have given a new sound to old romances and songs. You have just heard a romance from the movie "Cruel Romance", filmed famous composer Eldar Ryazanov based on the play "Dowry" by Russian playwright Alexander Ostrovsky. Let's enjoy another romance from this movie.
Andrey Petrov's romance "Shaggy Bumblebee" to the verses of Rudyard Kipling will be performed by Alexei Senchenko and Alexander Nemshilov 11-B
Leading. Romance never ceases to be popular and loved. The names of the great performers of romances are known: Varvara Panina, Isabella Yuryeva, Ivan Kozlovsky, Sergey Lemeshev, Vadim Kozin, Alexander Vertinsky.
Slide 20
Leading. Many composers of the twentieth century turned to the romance genre. The romances “Only once in a life there is a meeting”, “Dear long”, “Your eyes are green”, “Hey, friend, guitar” gained great popularity.
Leading. In the era Silver Age Romances appeared in Russian poetry on the verses of B. Pasternak, A. Blok, N. Gumilyov, M. Tsvetaeva, S. Yesenin and others.
S. Mikhailov's poem "Candle" is read by Yulia Glushko 11-B
And the snow returned, the ice returned, the ashes -
The eternal combination of winter,
In which the house is neither dark nor bright.
There are no shadows here - we roam the shadows.
Shadows brittle, devoid of rest.
From the sky excommunicated by glass -
Among clothes, hopes and interruptions
In the blood supply from the heart muscle, we are waiting
Miracles of the rebirth of freedom
(Without the measured knocking of the clock)
From the dimensionless sound of the word "years",
From the words "it's time to get up", from other words,
In which something toiled and prelo,
Until it turned into a ni-shisha:
“The candle was on the table, the candle was burning…”
It was not a candle burning, but the soul.
slide 22.
Video. Romance by V. Evzerov "The Candle Was Burning" to the verses of B. Pasternak.
Dance "The candle burned" (9-B)
Leading.
Sad romance is disturbing and light,
And to you it is incomprehensible in every word
The revelation comes
How did you enter my destiny once.
Romance “I don’t regret, I don’t call, I don’t cry” on poems by Sergei Yesenin. Composer Grigory Ponomarenko. Perform Alexey Senchenko and Alexander Nemshilov 11-B
Leading. Romance has no age limits and restrictions; it cannot be called either youth culture or the culture of older generations. And numerous lovers of romance are those in whom romance finds its lively response, its shelter, and in whom it bears its fruits - the fruits of love, the fruits of patience, the fruits of purification and rebirth.
Romance on poems by Marina Tsvetaeva "I like that you are not sick with me." Composer Mikael Tariverdiev. Performed by Elena Rovnaya.
Leading. And so our meeting came to an end. There is a belief among the people that a burning candle cleanses a person from everything bad, heavy, that while it burns, a person has hope. I would like to believe that the romances that sounded today gave your soul something unusual, kind and tender.
Leading. As long as our soul strives for the beautiful, for the poetic, as long as it is alive, love will live in it!New romances will be born along with new lovers. But the old lyrical romances will never resound - a priceless gift for all time!
Leading.
I'm happy that I met you
Unique and wonderful!
And that means I didn't live in vain...
Thank you, my magical ROMANCE!
Dance to the romance by Mark Minkov on the verses of Veronika Tushnova "Loving Don't Renounce"
Romance has been one of the most popular genres in our country for over two centuries. The history of romance in Russia in the context of a concert-conversation.
Municipal state-financed organization additional education
"Novgorod children's School of Music No. 1 im. S.V. Rachmaninov"
instead of a preface.
Suggested Scenario school evening allows in new form meet again with popular genre what romance is. AT this text a large amount of information is laid down, it undoubtedly implies adjustment depending on the composition of the concert numbers, the number of participants and the age of the listeners. It seemed to us interesting to trace the history of the development of the romance in our country outside the scope of the subject " Musical literature', but more broadly.
"When the old melody sounds,
He seems to be calling us
Follow him on a long road
Where romance will meet us.
He torments and enchants
Make you believe and love
Where the heart yearns again
And do not forget the wonderful evening ... "
Dear friends!
I). Introduction
Imagine a person you have known well for many years. Imagine that each time you learn something new about him, and your meetings become more and more interesting. The same can be said about romance.
None of the musical genres was as popular in Russia as the romance, and interest in it has not faded to this day.
II). A bit of history.
Term « romance » originated in Spain in the Middle Ages and originally denoted a poem in the local "Romance" dialect, and not in Latin adopted in church hymns. Romance also called folk song lyrical or heroic content, describing, for example, historical events, the exploits of legendary national heroes, disasters of war, battles with the Moors, etc. Collections of such songs, sometimes united by a common plot, were called "romancero ».
Romance developed thanks to a large number of itinerant poet-singers in the 13th-14th centuries, who performed their works to the accompaniment of a violin, flute, guitar or harp.
Having spread in other countries, the term "romance" began to denote, on the one hand, a particularly melodious lyric poem, and on the other, a genre of vocal music.
Since the 18th century in France, then in Germany and other European countries the word "romance" began to be called a small musical and poetic composition for a soloist and an accompanying instrument, most often a guitar, harpsichord and, finally, a piano. Sometimes the singer was accompanied by an instrumental ensemble and even an orchestra. The content of romances also expanded: along with love lyrics, sentimental verses were used, causing tears and delight in the audience, scenes from a shepherd's life appeared, and comic situations were played out.
In the 19th century, bright national schools Romance: German, Austrian, French. True, abroad these works were called the word "lied" - a song. It would not be an exaggeration to say that the most famous composer who created more than 600 vocal compositions, is the Austrian Franz Schubert. Not recognized during his lifetime, the composer acquired world fame after death.
We will listen to the arrangement for piano of a fragment of the vocal cycle "The Beautiful Miller's Woman". And although we will not hear a single word, the music will tell us how the young apprentice told the story of his unhappy love to the stream.
Listen: Schubert "The Miller and the Stream", Spanish. Maksimov Alexander
III). Russia
In Russia, the romance appeared later than in Europe, in the second half of the 18th century, after the reforms of Tsar Peter I, which affected all aspects of the life of the Russian state, including music. Music was divided into spiritual and secular (entertainment). The forerunner of the romance was the lyrical cant - special kind three-part choral singing. The first romances were written exclusively in French, and works with Russian text were called "Russian songs".
FROM late XVIII century in Russia, the creativity of amateur composers flourishes. Who composed romances in Russia? Surprisingly, among them are Senator, Privy Councilor, Full Member of the Academy of Sciences and Arts Grigory Teplov, Major General Alexei Titov, banker Fyodor Dubyansky, lawyer Mikhail Yakovlev, official Alexei Verstovsky. The texts of romances most often became popular lyrical poems of contemporary poets.
Romances gradually became more complicated, later they were divided into several types: urban, classical, cruel, gypsy, Cossack, etc. Romances were intended for home music making, duets enjoyed special love. Imagine a picture: evening, a cozy living room, candles are burning, two young ladies sing a duet to the accompaniment of a piano. What could be more poetic?
Listen: G. Gladkov "Diana's Romance" from the film "Dog in the Manger",
Spanish Daria Volnova and Daria Bezruchko.
Curious historical fact: the development of the genre of urban romance was greatly influenced by three Alexanders: singing teacher Varlamov, serf Gurilev, officer Alyabyev. The popularity of the romances of these authors is explained by the simplicity of the content, a well-remembered melody, and a simple accompaniment suitable for home music-making.
A. Varlamov graduated from the court singing chapel in St. Petersburg, sang beautifully himself, published the first in Russia tutorial in vocals "School of Singing", held the position of "composer of music of the Moscow imperial theaters." His romances are melodic, easily recognizable and enjoyed great success with listeners.
We will listen to an arrangement for flute of Varlamov's romance "Don't wake her up at dawn." It is about a girl who dreamed of love all night under the moonlight and fell asleep only in the morning.
We listen: A. Varlamov “Don’t wake her up at dawn”, Spanish. Ksenia Senina
A. Gurilev was the son of the famous composer Lev Gurilev, the serf musician Count V. Orlov. From the age of six, he began to study music under the guidance of his father. Then he studied with famous Moscow teachers - J. Field and I. Genishta. From a young age, Gurilev played in the count's orchestra, one of the best fortress orchestras of that time, on the violin and viola. All the years of childhood, adolescence and youth, the composer remained a serf. After the death of Count Orlov, the Gurilev family received freedom and settled in Moscow. Gurilev was then 28 years old.
Since that time, Gurilev's intensive composing and pedagogical activity began. Soon his compositions become popular, many of his romances literally "go to the people." Gurilev is gaining fame as a prominent piano teacher. However, the popularity did not save the composer from the cruel need that oppressed him throughout his life. The difficult conditions of existence broke the musician and led him to a severe mental illness.
Gurilev's romances have their own, special features: hopeless sadness, a desperate impulse for happiness, the theme of loneliness, sad thoughts about women's lot.
We listen: A. Gurilev, op. Polezhaeva "Sarafanchik", the author of the words is unknown "You do not understand my sadness", Spanish. Galina Ivanova
The fate of A. Alyabyev, the hero, is tragic Patriotic War 1812. He was wounded, decorated for bravery, retired with the rank of lieutenant colonel. At the age of 38, he was arrested on suspicion of murder and, despite the lack of evidence of the accusation, was sentenced to exile in Siberia with the deprivation of all rights and the title of nobility. The link lasted 18 years.
All sources adhere to the version that the most famous romance "The Nightingale" to the words of Delvig was written by Alyabyev in prison. And the piano was delivered to him as a prisoner right in the cell. In the dampness of the dungeon, the composer fell ill with rheumatism and began to go blind, the only salvation was musical instrument. According to some reports, the composer dedicated this romance to Ekaterina Rimskaya-Korsakova, whom he fell in love with at first sight. New Year's ball and with whom I had no time to explain. Many years later they met again and got married.
The image of the nightingale is those invisible bonds that bind the forcibly separated - whether they are in love, whether they are relatives, friends - it does not matter. This is separation from those who are dear to man.
We listen: Alyabyev "The Nightingale", arranged for piano, Spanish. Karina Kuhn
IV). M.I. Glinka
A new page in the history of the romance opens with the work of Mikhail Ivanovich Glinka. Friends called Glinka "a lazy master" because, in their opinion, he composed little, but the composer had 80 romances! Mikhail Ivanovich was one of the first to turn to the work of Pushkin, with whom he was personally acquainted. Two geniuses gave the world such masterpieces as the romances "Adele", "Mary", "I remember a wonderful moment."
Glinka traveled a lot. Before another trip abroad, Mikhail Ivanovich wrote the vocal cycle "Farewell to St. Petersburg" to the words of his friend Nestor Kukolnik. One of the most famous romances of this cycle is The Lark.
We listen: M. Glinka, op. Puppeteer "Lark", Spanish. Alexander Sipaylo.
“Do not tempt me needlessly”, arranged for clarinet, Spanish. Ivan Pushkin and Nikolai Zanin
What new did Glinka bring to the romance genre? First of all, this is an attentive attitude to the word, the desire for beauty, magnificent melody, a more complex level of accompaniment. Mikhail Ivanovich himself was vocal teacher, knew the possibilities singing voices, therefore, with external simplicity, his romances are difficult to perform. One of the most prestigious vocal competitions is the Glinka Competition. Among its laureates are such names as Elena Obraztsova, Evgeny Nesterenko, Dmitry Hvorostovsky, Anna Netrebko.
V). There are many mysteries in the history of romances. One of them is related to the very popular romance "I met you". The poems were written by Fedor Ivanovich Tyutchev, but many questions arose with the authorship of the music.
S. Donaurov was the first to write music to Tyutchev's poems. Then these verses were put to music by A. Spiro and Yu. Shaporin. But none of them is the author of the currently extremely popular version of the romance "I met you", which was performed by the outstanding singer Ivan Semenovich Kozlovsky. Kozlovsky heard the melody of this version from the wonderful actor of the Moscow Art Theater I.M. Moskvin himself arranged the chant. Until recently, records were released with a recording of a romance performed by Kozlovsky, and the labels read: "The author of the music is unknown." But thanks to the research of the musicologist G. Pavlova, it was possible to prove that the composer who wrote the music, which is very close to the one that Kozlovsky sings, is Leonid Dmitrievich Malashkin.
I met you - and all the past
In the obsolete heart came to life;
I remembered the golden time -
And my heart felt so warm...
As after centuries of separation,
I look at you as if in a dream -
And now - the sounds became more audible,
Not silenced in me...
There's not just one memory
Then life spoke again -
And the same charm in us,
And the same love in my soul! ..
We listen: “I met you”, arrangement for flute, Spanish. Anastasia Yakovleva and Nikita Vikhrov
VI). Tchaikovsky, Rachmaninov, Rimsky-Korsakov
AT late XIX century, classical romance is undergoing significant changes, the role of accompaniment has increased significantly. This is especially evident in the work of Pyotr Ilyich Tchaikovsky. Pyotr Ilyich created romances of the most varied nature throughout his creative life. Tchaikovsky found sources of texts, mainly, from Russian poets of the 19th century, his contemporaries, among the authors was even the brother of the tsar, Grand Duke Konstantin Romanov, some of the romances were written on his own poems. He hid his name behind the pseudonym N.N. Music critics wrote that the composer is not picky about the choice of text. But Tchaikovsky emphasized: "The main thing in vocal music- truthful reproduction of feelings and moods.
Now the romance "Serenade" will sound. A serenade is an evening song in honor of someone, serenades are often found in romance lyrics, this is not surprising, because we are talking about love.
We listen: P. Tchaikovsky, op. Turchetti "Serenade" Galina Ivanova
Among Tchaikovsky's romances, lyrical romances predominate, with the theme of love in all the richness of feelings and moods. His romances, and there are more than 100 of them, often approach opera aria. The singers reproached the composer for the fact that the attention of the listeners was directed not only to singing, but also to accompaniment.
This type of romance is also characteristic of Sergei Vasilyevich Rachmaninoff. By the way, Rachmaninov was the first to present the romance in the form piece of music, the famous "Vocalise", written for the singer Antonina Nezhdanova. Romance is gradually going beyond chamber genre, approaches the vocal-symphonic direction. But this form is more difficult both to perform and to perceive; these romances resonate with a trained, rather than a mass audience. So, gradually, the classical romance becomes intellectual, elite, while losing its lightness and innocence.
We listen: S. Rachmaninov, op. Beketova "Lilac", Spanish. vocal ensemble choir girls
In 1862, the first Russian conservatory was opened in St. Petersburg, 4 years later a conservatory was opened in Moscow. There is still an unspoken rivalry between them.
Tchaikovsky and Rachmaninov - representatives of the Moscow composer school. And now we will hear the music of the composer of the St. Petersburg school - Nikolai Andreevich Rimsky-Korsakov. Rimsky-Korsakov is mainly known as the author of symphonic and opera music, but he also turned to the romance genre. The romance "Not the wind blowing from above" is recognized as the composer's vocal masterpiece.
Listen: sl. Tolstoy "Not the wind, blowing from a height", Spanish. Girls' Choir Vocal Ensemble
VII). Movie
The twentieth century gave the world the great invention of the Lumiere brothers - cinema. In the thirties, sound appeared in the cinema, the heroes of the films spoke and sang. Through songs and romances they expressed their feelings, experiences, dreams. Composers became full-fledged filmmakers along with screenwriters, directors, cameramen and artists. Outstanding film music was created by Dunaevsky, Shostakovich, Sviridov, from contemporary authors- Rybnikov, Krylatov, Gladkov. The famous film by Eldar Ryazanov "Cruel Romance" is literally filled with beautiful music, both the main characters and the gypsy choir sing in it.
We listen: A. Petrov, words by M. Tsvetaeva “Under the caress of a plush blanket”, Spanish. Anna Galvas
VIII). Conclusion
Over the 3 centuries of its development, the romance went beyond the chamber vocal genre. We will meet romances in operas, in dramatic performances, in symphonic suites. Romances are often called plays of a lyrical nature. They have no words, but poetic content we will feel in the music. Composers of the 19th and 20th centuries created many similar instrumental compositions for piano, strings and wind instruments.
We listen: R. Glier "Romance", Spanish. Nikita Vikhrov
- The “golden age” of Russian romance on the stage came at the beginning of the 20th century, when such large and original performers as Alexander Vertinsky, Varvara Panina, Anastasia Vyaltseva worked. Later, the romance tradition was continued by Pyotr Leshchenko, Isabella Yuryeva, Vadim Kozin.
AT Soviet time, especially since the late 1930s, the romance was persecuted as a relic of the tsarist era. Leading performers fell silent or were repressed. Nevertheless, a variation of the urban romance continued to exist, becoming widespread during the Great Patriotic War, and later gave rise to the activities of bards, performers of the author's song Bulat Okudzhava, Yuri Vizbor, Veronika Dolina, Novella Matveeva.
The revival of the Russian school of romance took place in the 1970s, when romances began to be performed by Nikolai Slichenko, Valentina Ponomareva, Nani Bregvadze and others bright artists scenes.
In our time, interest in romances has increased incredibly. On the TV channel "Culture" every Saturday there is a program "Romance of Romance" - a series of concerts dedicated to the world of songs and romances. Each program is an acquaintance with new or well-forgotten old romances and songs performed by both venerable and young artists. In addition to the traditional classical romance performed by singers academic vocal, bard songs, jazz improvisations, author's song and rock compositions sound.
At the end of our meeting, one of the most famous instrumental romances will sound.
Listening: D. Shostakovich, romance from the film "The Gadfly", Spanish. violin ensemble.
