The image of symbols in the ornament of the tree of life. Protective meaning of solar signs

06.03.2019

In the school curriculum, an important place in the study of national culture is occupied by ancient images in folk art. Fine arts (fine arts) begin to be taught from primary school, and one of the first topics is devoted to the symbols that our distant ancestors embroidered on clothes, carved on wooden utensils, depicted on jewelry and clay pots. served not only as decoration - they carried a sacred meaning.

Spiritualization of images

Encoded in architectural compositions, household items, works of art and folklore texts, ancient images in folk art reflect the ideas of our ancestors about the world around us. The outstanding scientist Nikolai Kostomarov considered ancient symbols to be a figurative manifestation of moral ideas with the help of objects of physical nature endowed with spiritual properties.

Academician Vernadsky noted that the life of a given era and a given people is manifested in the works of folk art, and thanks to this, one can study and understand the soul of a people. He recognized the deep symbolism of artistic creativity, which the Cosmos bestows on us, passing through the consciousness of a living being.

Basic images

Examples of sacred symbols and their meaning are presented in an accessible form in the school theme “Ancient Images in Folk Art” (grade 5, art). This is a geometric ornament, images of the sun, eggs, the Tree of Life, sky, water, mother earth, images of animals and others.

  • The sun personified the bosom of the universe.
  • The Tree of Life is the center of the universe, the hierarchical structure of being.
  • The egg is a symbol of life, the celestial sphere from which stars and planets arise.
  • The image of the Earth was associated with the image of the mother-nurse.
  • With the help of ornaments, the sky, earth, water, animals and plants, fire, manifestations of nature (wind, rain, snow, etc.) were depicted.

Sun

This is the oldest image in folk art. The sun was considered the center of the world and the source of life, it symbolized heavenly spirituality, often acquiring the image of individual gods. The cult of the Sun was worldwide. In 1114, it is indicated that "The sun is the king, the son of Svarog, the hedgehog is Dazhbog." According to other sources, Svarog was considered.

The sun is the "Eye of God", which is endowed with the epithets "holy", "righteous", "clear", "red", "beautiful". Later, the Sun occupies a special place in the heavenly hierarchy next to the Almighty: a clear month, a bright sun and the God of Heaven. Recall that he pointed out the need to give "the morning Praise to God, and then to the rising sun."

In a school textbook about ancient images in folk art (grade 5) it is said that the Sun was designated by our ancestors allegorically in the form of rhombuses, round rosettes and even horses (they symbolize the arrival of spring). They were decorated with women's hats, belts, beads, pastries, a wedding loaf, Easter eggs, ceramics, etc.

Tree of Life

This is no less ancient image in folk art than the Sun. The Tree of Life symbolizes the trinity of the world, the mythical bird - the creator of the Existing. It unites heaven (branches), earth (trunk) and the underworld (roots). The Tree also means genus - hence the name "family tree", "roots of the genus", "native roots".

The image of the Tree of Life has, perhaps, the most complex ornamental structure. This is a bizarre pattern depicting a sprawling tree, with leaves, large fruits and flowers. Often the tops of the ornamental tree are crowned with images (hence the expressions “ Blue bird", "The Bird of Happiness"). Canonically, the Tree is depicted as growing from a bowl (vessel), thus indicating the origins of its roots from the sacred bosom (receptacle of the world, the universe). The well-known folklorist Xenophon Sosenko noted that the idea of ​​the World Tree "is considered by the people as the first peacemaking factor."

Mother Earth

The Earth has always been associated with the female image of the mother, because the Earth is the nurse. The goddess of fertility is found in many world cultures. Ancient images in the folk art of Mother Earth were personified with a large-breasted woman. She can give birth to children, and “give birth” to the harvest. Until now, archaeologists have found figures of female wooden idols installed in the fields.

On ornamental images, Mother Earth almost always stands with her hands raised to the sky, and instead of a head, a rhombus can be depicted - one of these. This emphasizes the dependence of the crop on solar heat and sky (rain).

Sky

According to ancient beliefs, the sky seemed to be the core of the universe, a symbol of the cosmos, that is, order and harmony, the source of life. The semantics of the word "heaven" among many peoples means "number", "harmony", "middle", "order", "navel", "life" (in particular in Latin, English, Latvian, Hittite, Irish, Welsh images in folk art endowed the Sky with special power: often the interpretation of the word "sky" is consonant with the concept of "God".

Our distant ancestors believed that the sky is a river along which the bright sun travels. Sometimes a cow was identified with Heaven, which was considered a celestial being and was called the "heavenly cow." The sky seemed to people a hemisphere, a dome, a lid, a vessel that protected them. Images of the sky were indicated on painted eggs, shirts, towels, carpets, etc.

Ornament

From ancient times, pottery, woven, embroidered, drawn, wicker, carved wooden and stone household items were decorated with various ornaments. The patterns had ideological semantics and compositionally consisted of simple elements: dots, zigzags, curls, straight and spiral lines, circles, crosses and others. Among the main groups and types of ornaments (geometric, floral, zoomorphic and anthropomorphic), researchers distinguish a group of symbols of celestial bodies (sun, moon, stars, etc.).

It was in the form of ornaments that ancient images were most often depicted in folk art. The central place in such compositions was usually occupied by astral signs of heavenly fire, stars, the sun and the month. Later, these deified elements were transformed into a floral ornament.

Conclusion

Sun, Tree of Life, Mother Earth, Sky, Month - these are the main ancient images in folk art. The discussion of their meanings both in the school lesson and among scientists develops into a fascinating controversy. It is enough to imagine yourself in the place of an ancient ancestor to understand what an indelible impression the majestic sunrise and the bottomless depth of the sky above your head, the violence of the elements and the pacifying fire of the hearth make. All this beauty, grandeur, unbridledness our forefathers captured in the ways available to them for future generations.

Hello dear readers!

At first glance, it may seem that the figures and ornaments in the pattern are only a figment of the imagination of its author. In fact, all its constituent elements are symbols of ancient knowledge.

They are part of the mythology and cultural heritage of a particular nation. And today we will look at some Buddhist patterns and find out their meaning using the example of Buryat ornaments - ugalza.

Definition and functions performed

The word ornament in Latin means "decoration, pattern." his main characteristic feature is that it is not independent, that is, it cannot exist separately from the object it decorates.

But decoration is not the only function of this image. It also serves for protection, as a talisman and for the transmission of certain information that reveals the properties of objects or phenomena, the qualities of a person.

Not every pattern is destined to become an ornament. For a pattern to fit this definition, the patterns in it must alternate or repeat in a certain order.

creative sources

Where do the ideas for this type of creativity come from? Usually they are drawn from the folk faith, the natural environment of many generations, their way of life.

All patterns are divided into:

  • cosmogonic (natural);
  • zoomorphic (animalistic);
  • geometric;
  • vegetable;
  • cult.

Variety of constituent elements

The most popular motifs are suggested by nature itself. These are rain, thunder, water, wind, sun, moon, stars, fire, rainbow, mountains, as well as mythical animals elevated to the rank of deities.


Animals may not be depicted in their entirety. Some part of their body is often taken as the basis. The most popular is the "horned" pattern, where the image of the horn is repeated.

The most ancient motifs are various geometric figures:

  • straight,
  • zigzag lines,
  • spirals and curls
  • different types of crosses
  • circles and circles
  • diamond patterns.

They symbolically convey natural phenomena associated with fertility. For example, round shapes represent celestial bodies, zigzag and wavy ones represent the air environment, reflecting the influence of wind, clouds and clouds on getting a good harvest.

Plant patterns include images of leaves, flowers, stems, shoots, fruits, trees. Of particular sacred significance for any Buddhist is the image of a lotus flower. It usually forms the throne of the deities on Buddhist icons, on which they sit or stand.

Since the green world draws strength from nature, floral motifs usually personify motherhood, vitality, and powerful energy.

The peoples who professed always tried to live in harmony with nature. She inspired them to create unique and original drawings. Buryat patterns are similar to the motifs of ancient and modern South Siberian and Central Asian nomads and semi-nomads.

Elements in iconic images

Speaking of Buddhist ornamentation, one cannot fail to mention 8 auspicious symbols that can be found everywhere both in temples and on altar tables in the dwellings of believers. This

  • white umbrella,
  • two goldfish,
  • treasure jar,
  • sink with right turn,
  • endless knot ,
  • victory banner,
  • golden wheel.

8 symbols of Buddhism

In different Buddhist cultures, these objects are interpreted differently: in China they are associated with the internal organs of the Buddha, in Tibet - with parts of his body. Also, each of these items has many more independent meanings.

Description of some images

All Mongolian-speaking peoples, including the Buryats, prefer geometric shapes. Among them, the most common patterns are:

  • hammer (alkhan hee, meander),
  • braid (ulza),
  • (has).

Hammer motif has many varieties: the ancient Greek classics, the options are simpler and more complicated than it. The meander contains the idea of ​​continuous movement:


meander pattern

The ranchers also expressed their respect for the artisans and their love for the craft itself by using the name ancient instrument- hammer in the designation of this ornament.

It is a well-known fact that the nomadic tribes became famous as great craftsmen in the manufacture of jewelry and horse harness.

The scope of the meander is wide. They decorate both hard objects and soft ones. This:

  • parts made of wood;
  • furniture;
  • felt products;
  • embroidery;
  • cloth;
  • utensils;
  • harness;
  • musical instruments.


Patterns on the dwelling of nomads

If earlier the hammer ornament was found only on things dear to the heart, then in the age of working people it can be seen everywhere.

Swastika- symbolizes:

  • the path of the sun around our planet;
  • four Seasons;
  • life;
  • light;
  • abundance;
  • generosity.

The two Sanskrit words from which the "swastika" came from, together mean "welfare."

The image focuses on the winter and summer solstices and on the four cardinal directions. The swastika can show movement both clockwise and counterclockwise. Accordingly, it symbolizes male and female energy, as well as good and evil.

The right-handed swastika dominates the material and controls energy on physical level to prevent lower forces from manifesting.

The left-handed swastika gives freedom to both physical forces and instincts, which interferes with the impact higher powers. She personifies black magic and negative energy.

This symbol can be seen in all places associated with Buddhism: on statues, rocks, in temples, on, in caves.

Ulzy- This is an image in the form of weaving, which is a symbol of prosperity and longevity. The sign can be framed with floral motifs. It can be placed on an object made of any material, it can be woven from beads. In Buddhism, it means infinite, which echoes the meaning of the meander.


Ulzy

Tattoo in Buddhism

Many Buddhist images look spectacular on the body in the form of tattoos. The attitude of the Buddhists themselves to this is ambiguous.

Some branches of Buddhism are neutral about stuffing, others are sharply negative, especially when sacred patterns placed by people who do not adhere to the Buddhist faith, on their feet.

Nevertheless, in the southeastern countries there is the practice of Sak Yant - applying sacred images to the body.

A specially trained Buddhist master applies the desired design using bamboo sticks and either oil (if the client wants no one to see him) or ink. At the same time, he reads prayers, and at the end he becomes the spiritual teacher of the customer. The image plays the role of a talisman.


Getting a tattoo at the Sak Yant festival in Thailand

Among the popular tattoos there is an image of an unalome. It symbolizes enlightenment. Winding lines represent the vicissitudes of fate, and a straight line - victory over weaknesses and desires and spiritual purity.

Conclusion

Buddhist ornamentation has not yet been sufficiently studied. If all its mysteries are ever revealed, the understanding of the unique Buddhist culture will certainly expand significantly.

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Ancient Slavic symbols

Original ancient Slavic symbols carry encrypted messages in their image. Our ancestors were aware of the simplicity and complexity of perceiving the World. Each group to which Slavic signs and symbols belong has a direct impact on our true desires. Thanks to this, consciousness is tuned to a healthy tone of work.

Slavic protective symbols are divided by elements, they are conductors of male or female energy. Symbols set up consciousness, perform protective functions, serve as conductors between the worlds created by the Family. This article is the key to understanding the swastika, runic symbolism. Here you will find everything you need to interpret Slavic symbols used in embroidery folk clothes, in everyday life, in military affairs, sorcery.

Perception of a graphic image by the brain

For a contemporary, it is no secret that our brain is a complex and mysterious phenomenon. Conventionally, it is divided into two halves: conscious and unconscious perception of reality. Its structure contains the evolution of humanity itself.

Called "elongated", the oldest department is responsible for our primary instincts, actions that are not controlled by us intentionally. It is also responsible for our reaction to any phenomenon and the subsequent work of the whole organism.

The most amazing thing is that Slavic signs and symbols are able to directly carry information to this department. In this case, images of Scandinavian runes or Celtic ligature do not have such an effect. This is due to the fact that our deep departments store codes for decoding genetic memory.

Thus, Slavic symbols are in contact with our brain. They are engaged in a dialogue not only with us, but also with a whole generation of ancestors. The graphical structure of each sign is read, conveying the embedded information at the root level.

Static lines and dynamics

Considering the ancient Slavic symbols as geometric patterns, one can notice their amazing property. Simple lines are woven into a pattern perceived as movement. This is not an optical effect. We fix the direction, and the brain completes the dynamics according to its ideas.

The ingenious decision was the fruit of the observation of our ancestors. A thrifty attitude and sensitivity created these images in their worldview. Logic is honored in every stroke, the absence of superfluous or cumbersome.

Slavic signs and symbols - what did our Ancestors see in them?

All characters can be divided into groups:

  • magical and protective;
  • tied to the elements;
  • personifying the gods;
  • reflective phenomena of nature;
  • for different generation groups;
  • patrons of crafts.

The most incomprehensible thing is that Slavic symbols, with all their diversity, have common features. They are aimed at uniting the soul and spirit of man.

Our Ancestors believed in the complexity and multifaceted structure of the World. Such was, in their opinion, the man. The individual was divided into spirit, which filled the essence with content. At the same time, the soul was another phenomenon bestowed by the Gods.

With all the separation, the ancient Slavic symbols were not isolated from each other. They had a specialization, but at the same time they had common features. Thus, each sign was part of the general and complemented the whole picture.

Mysterious messages from the past: Slavic signs in the structure of the Universe

The ancient Slavic symbols known to us store not only specific information. They carry the codes of the structure of the Universe. It is already known that the Slavs knew about the diversity of cosmic bodies. They had access to information about celestial bodies which cannot be seen without special equipment.

The space explorer Yakov Nikolaevich Borzhevsky once noticed that the structure of the solar sign of the Solstice resembles a rotating galaxy. Considering his assumption in more detail, he became convinced of the affinity of other Slavic symbols with appearance space bodies.

It remains to be assumed how much knowledge we have not yet inherited from our ancestors. And what secrets carry the true meanings of ancient drawings. Perhaps the combination of symbols reveals amazing details of the creation of our universe or the possibility of interstellar travel.

How symbol information was collected

For a long time, scientists attributed the available information about the found images to applied art. The currently collected Slavic protective symbols are the product of a long and painstaking work.

Only a part of the surviving ancient monuments became a clue to the true meaning of the inscriptions. With each new found city or excavated temple, the number of images multiplied. At the same time, there was no doubt that graphic images carry sacred and cult information.

Mosiacs of the Etruscans

Ethnographers and adherents of the original faith conducted their own research, replenishing the treasury with transcripts. The source of reliable information was the folk epic, which can still be touched. Epics, sayings and other information revealed the true meaning of Slavic signs.

Analogies with symbols of other countries

Considering Slavic symbols, one can note their affinity with other cultures. One of the fundamental inscriptions - the Cross - can be found in the culture of Ancient Egypt, Mesopotamia, Scandinavia, Celtic and German cultures, Anglo-Saxon, Hinduism and Buddhism.

The crossed lines denoting the field in all cultures have a similar meaning. The swastika, or solstice, has the same design and meaning in all cultures.

buddha statue

Swastika Slavic symbols can be traced on the map of everything the globe. This fact is confirmed by:

  • folklore;
  • excavations;
  • religious movements of many peoples, where swastika symbols serve as the basis of the cult movement;
  • the architecture of ancient structures, which are thousands of years old.

One example of such monuments of ancient architecture is the temple buildings of the city of Baalbek, located in Lebanon. Baalbek is considered one of the oldest cities in the world. Unique footage provided by employees of the Veles online store.

Temple buildings in Baalbek

However, Slavic protective symbols, despite all the similarities with the cultures of other countries, have their own unique impact on our consciousness.

Protective properties

Slavic protective symbols for the culture of modern man enjoy great attention. The need to become aware of oneself and feel connected to one's roots leads people to explore meanings. Each inscription carries its own unique information, which is aimed at eliminating blocks and negative programs in the mind.

Due to their positive essence, Slavic protective symbols influence:

  • to a holistic perception of one's personality;
  • setting internal systems life;
  • harmonization of energy metabolism;
  • restoration of mental balance;
  • creation of strong logical connections between parts of the brain;
  • balance of perception of reality.

Putting on the chosen symbol, a person interacts with it at all levels of his essence. This allows him to build his own shield from negative external influences. A complex or simple interlacing of lines works as a cipher against the entry of hostile entities. Thus, the owner receives not only protection, but also help from the ancestors themselves.

The meaning and interpretation of Slavic symbols

Our ancestors transmitted the description of Slavic symbols orally. The process of Christianization has largely disrupted the continuity of generations. That is why disputes and disagreements are raging among modern admirers of the original culture in the true interpretation of Slavic symbols. However, it is necessary to understand that our modern perception in many respects differed from the everyday way of life of the ancestors. The accumulated knowledge, sacred meaning and unique worldview were invested in each cult image.

How did our ancestors perceive the world?

The intricate tie of patterns left by our ancestors carries a whole ocean of knowledge. In trying to decipher their meaning, we little think about how different a person's worldview is then and now.

Modern man is surrounded by various encrypted and open information. Artificial heap blocks the true perception of things. Our ancestors invested in Slavic symbols and their meaning only those information that are of real importance for the body and spirit.

Our ancestors saw the drawing of intricate patterns in every bend of a branch or plexus of a web. The openness and emancipation of consciousness allowed them to read information without distortion. That is why the study of the basics of the signs and symbols of the Slavs is a kind of healing of the mind from the layers of excess intellectual burden.

Subtleties of energy connection with the universe

The description of Slavic symbols contains many provisions on energy exchange. The direction, the number of turns and the smoothness of the lines are important. For our forefathers, all this served a kind of map ley lines through which they channeled their energy.

In the center of each image there is always a place for the most important element - a living beating heart. The symbol itself is part of a single flow of power. Reuniting with a person, this chaotic energy of life is transformed into creation.

After all, only a person is able to transform the world around him to his inner state. That is why it is necessary to select symbols carefully, with knowledge of the subtleties.

Slavic signs: interpretation of the symbol

Even in the culture of our ancestors, the interpretation of Slavic symbols was a real art. Knowledge of the rules of inscription and the time of making an amulet or amulet was highly valued. It was possessed by the most experienced members of the community and some masters.

The geometry of life

An amazing fact, but Slavic symbols and their meaning are directly related to geometry. Even before this science acquired its own name, its foundations were actively used by our ancestors.

The main geometric shapes in symbolism:

  • cross - the definition of the four cardinal points, the distribution of energy;
  • the circle is the sphere of each standard of living;
  • square, rhombus, rectangle - stability of positions;
  • dot - basis, creation, outcome;
  • bending is a complex figure that personifies movement.

Our ancestors more deeply and broadly understood the structure of any geometric phenomenon. Stable sharp corners are combined with soft fluid transitions. It is the center of perfect balance in which any act of creation is possible.

Direction in sign

The most common description of the right-hand and left-hand direction in signs. However, the description of Slavic symbols includes much more complex provisions. If we compare the movement of the symbol with the direction of the blood flow through the human body, we can get a clear picture of the distribution of energy according to the sign.

In the female body, the left half of the hemisphere has the greatest activity, in men - the right. This affects the activity of the vascular system. That is why female and male symbols act differently on representatives of different sexes.

Inscription on clothes

The interpretation of Slavic symbols contains sacred information about human capabilities. The combination of a cross and an oval gives a stable composition of the distribution of the flow and the suppression of third-party interference. Broken and smooth lines give direction to the active zones of our body.

If a person is dominated creative potential He is able to give more than he takes. This creates an unstable position in the exchange of energies. In the old days of such a person, relatives would embroider a shirt with rhombuses and squares. Thus, his energy through the prism of the sign would be in balance.

Masculine and feminine

Slavic symbolism is divided according to the principle of strengthening energy centers. In this series, male Slavic symbols combine a list of signs, are associated with the elements of air and heavenly fire. Whereas the Slavic symbols for women are turned to the moon, the water element, the earthly principle. All of them make up single cycle equilibrium security symbols.

Male Slavic symbols

The traditional Slavic symbol for a man represents:

  • strength;
  • protection;
  • freedom;
  • movement;
  • power.

All these signs refer to the elements of fire, air and heavenly light. The semantic load that the Slavic symbol carries for a man is aimed at awakening his true beginning.

The sword in the symbolism of the Slavs

Symbols deserve special attention - swords. They have different forms styles, but each sign has character traits:

  • direction;
  • magnitude;
  • sustainability.

The sword is an attribute of power, protection and patronage. These concepts were perceived in the broadest aspect. Divine patronage, absolute power. However, this implied a wise perception of one's power, aimed at the benefit of the community. Swords served as a security and attacking symbol at the same time.

Kolovrat

Kolovrat is the personification of rebirth, the ascending energy of life. He absorbed the cosmogonic picture of the structure of the World, created by our ancestors. It is a direct reference to the ancient knowledge of the universe.

Ratiborets

Patiborets is a bright solar symbol, the true embodiment of universal fire. This is not just sunlight, but rather a flash in which life is born. One of the strongest signs of the male line.

Yarovrat

Sign Yarovrat - refers to the art of war and agriculture. Our ancestors praised the plowman on a par with the defender. There are two styles of Yarovrat - six- and four-beam. At the same time, the root "yar" makes a reference to the blazing fire that protects from darkness.

Falcon

The image of the Falcon is interpreted as freedom, victory, superiority, protection. In mythopoetics, a Slavic symbol for a man means the ascent of the spirit, the fulfillment of a karmic duty to the family.

Slavic symbols for women

A special place was occupied by female Slavic symbols, personifying creation and creation.

Messages are hidden in every female sign:

  • fertility;
  • veneration of ancestors;
  • hidden sacred knowledge;
  • women Health.

According to the surviving information, Slavic symbols for women were compiled based on their status, occupation and significance for the community.

Lunnitsa

Almost all female Slavic symbols are divided into three age periods. Lunnitsa depicts a young moon, it is a symbol of the tide and fertility. It could be worn by young unmarried women recently married.

Rozhanitsa

One of the oldest symbols Rozhanitsa personifies the connection with the family, ancestors. This is the power of matriarchy, the protection of the most valuable gift - childbearing. He is the creation, creation and giving of life in one image. The symbol was worn by women who entered maturity, married and gave birth to children.

Ladinets

The paired sign Ladinets echoes the male symbol Kolyadnik. This is a symbol of the harmony of the two principles. It contains the patronage of the feminine chaotic principle, ready to move into a peaceful state of creation. It contains two figures representing fire and the full moon.

The amulet is intended for women practicing mysticism. It is a strong defense and guide in the Implicit World. Protects from false knowledge, reveals consciousness. Through it, the owner reveals the deep ancient female magic.

Symbols of the Slavic Gods and their meaning

Universal love is the power carried by the symbols of the Slavic gods. Each sign contains unique codes that reveal the secrets of the universe. Through the symbols of the Slavic gods and their meaning, we receive the blessing of our ancestors.

Strength and harmony in every sign

In the view of our ancestors, the main driving force was love. Everything generated by the Gods was permeated by it and consisted in unbreakable harmony. If we look at symbols Slavic Gods separately, it is easy to notice a unique fact.

All images of the Gods can be combined, creating groups of new signs. At the same time, the strength of each element subordinate to God will be summed up. The clear geometry of the symbolism makes it possible to compose ornamental rows.

The sacred semantic load, which the symbols of the Slavic Gods possessed and their significance in the life of their ancestors, has only partially survived to this day. From the known data, it is clear that the signs served as a kind of communication center with the patron. Turning to the deity through a symbol, a person tuned in to creation.

Common symbolism of the Slavs

The symbols of the Slavic Gods are divided into personal and elemental. Some are addressed specifically to God, others are the elements that he commands.

The collected symbols of the Slavic Gods and their meaning differed slightly among different nationalities. The transcripts below describe the most characteristic features of signs that coincide in meaning with all Slavic peoples.

Lelnik

Lelnik was considered a symbol worn by children and young girls. The decoding of the name has the meaning "nurtured", that is, nurtured in love. The patronage of the deity protected the growing children, a special favorable attitude towards girls.

It was believed that Lelnik absorbs the power of sincere deep love and drives away evil spirits and evil thoughts.

Symbol of the Family

The symbol of the Family enjoyed special love for our ancestors. He personified powerful forces:

  • the relationship of generations;
  • help of ancestors;
  • Creator of all things;
  • creative power of creativity.

Worn by representatives of different generations and genders. Possesses incredible power, enhanced by a respectful attitude towards the family tree. Influences the fate of the owner, giving him clarity of thought.

Ax of Perun

The traditional male symbol of the ax of Perun refers to personal amulets. Connecting with the energy of the owner, it influences his character and worldview.

Impact on character:

  • willpower;
  • sobriety of thinking;
  • courage;
  • self-discipline;
  • strength of mind.

The ax was one of the types of weapons that Perun used to fight the dark forces.

Veles symbol

The personal symbol of Veles has a schematic outline of the head of the tour. According to one version, the deity turned into this animal. Through the amulet, a person established a connection directly with the deity.

The strength of the sign stands guard over justice, it is a defense against lies in any manifestation. It is believed that contracts were concluded on the sign. The owner of the amulet gets the opportunity to feel the hidden meaning.

Veles seal

Veles seals are depicted as two signs - the paws of a wolf and a bear. Both animals were considered sacred, through them they carried out their will in the Explicit World.

According to the semantic meaning, the bear's paw belongs to the iconic amulets. He grants the owner good luck in solving legal affairs, trade. The symbol nourishes the inner strength of a person, giving him the breadth of thinking.

The wolf paw amulet is suitable for mystical personalities. His strength embodies the power of Veles over the world of the subtle plan. It is in his power to protect a person engaged in spiritual practices from mental attacks.

Star of Lada

The traditional female protective symbol was the star of Lada, the patroness of love and family. The personalization of the Goddess through the sign protects the life and house of the owner.

The value of the amulet has a wide range:

  • honor;
  • faith;
  • justice;
  • love of freedom.

This is a guide to the source of the wisdom of generations, carrying out the relationship with the ancestors. He is credited with protecting motherhood, since it contains the power of omnipotent love.

Reza Dazhdboga

The solar sign Dazhdbog carries unwavering strength deities. It contains the energies of fertility, rebirth and sunlight.

Under his patronage:

  • weddings;
  • prosperity;
  • military courage;
  • spiritual guidance.

He is a powerful protection and guide for those who find themselves in a difficult life situation.

Reza Chura

The strong sacred sign Chur refers to personal amulets. It is in his power to establish powerful protection from otherworldly forces. God Churu obeyed the spirits of nature, living next to a person. Under the patronage of a deity, the owner may not be afraid of the machinations of opposing forces.

Makoshi sign

The Makosh amulet is intended for wise women. It is a powerful conductor of fertility energy. Through symbolism, the Goddess guides her children, helping them find inner peace and wisdom.

The image of the symbol bears two main geometric shapes - a cross and a rhombus. The first is a conductor of solar energy, the second is the personification of the earthly principle. Uniting, they form a sown field - fertility and prosperity.

Reza Beloboga

Consisting of broken lines, the harmonious symbol of Belobog develops into a bizarre labyrinth. Its features contain knowledge of the complex structure of the universe. Refers to personal symbols; conductor of pure energy of love and light.

Wishes are encoded in it:

  • well-being;
  • clarity of thought;
  • of good;
  • purity of thought.

Reuniting with the owner, the sign brings the inner world into harmony with the thoughts and aspirations of a person. Thanks to the amulet, the wearer gains the ability to soberly weigh the facts and find the right solutions.

Kolyadnik or cut Kolyada

The amazing Kolyadnik is the personification of the power of rebirth. This is the eternal desire of the Universe to renew and recreate life. The solstice depicted on the sign is in perpetual motion, the so-called “salting” direction.

Symbolism of the ancient Slavs memory from the depths of time

The first discovered finds bearing Slavic signs date back to the 1st millennium BC. e. The Penkovskaya, Prague-Korchak and Kolochinskaya cultures are recognized as the progenitors of the Slavic nationality. The discovered household and cult objects are covered with the symbolism of the ancient Slavs, the meaning of which has practically not changed to this day.

Slavic signs - early archaeological finds

In the works of Soviet and Russian archaeologists the first Slavic signs are attributed to the period from the 1st millennium BC. e. until the 6th century.

These include graphics:

  • carved on stone statues;
  • covering clay and wooden utensils;
  • embossed on leather or jewelry.

Clay vessel. Pozdnyakovskaya culture

Basically, these are primitive drawings depicting wavy lines, dots and semicircles. Gradually, these images are transformed, becoming more complex. At the turn of the 6th century, the first examples of clear solar symbolism appeared. The found clay vessel of the Pozdnyakovskaya culture (middle of the 2nd millennium BC) is covered with images of the Fern Flower and wavy lines.

Proto-Slavic and pre-Slavic cultures

The early progenitor cultures include the Penkovsky, Prague-Korchak and Kolochinsky. They existed in the period of the 5th-6th century and left a large number of monuments of those civilizations. Historian-archaeologist V.V. Sedov assumed that during this period the list of running symbols was finally formed.

The Slavic signs and their meaning found in the southern Pripyat basin and the upper reaches of the Dniester repeat the elements of ornaments and fragments of images of other regions.

Among the discovered finds of the 5th-10th centuries, graphic symbols are presented:

  • solar;
  • elements of the cult of the earth;
  • stylistic images of animals;
  • cult symbols of deities.

There is reason to believe that this historical period reflects the origins of the formation of a single Slavic symbolism.

Pagan symbolism of the Slavs - Kyiv culture

Cultural monuments of the Kyiv type belong to the end of II-IV centuries. Most of the finds were found in the Middle Dnieper, Seim, Desna and Dnieper. Kievan culture echoes the layers of the Baltic and northern tribes.

Among the items of utensils, jewelry and megalithic finds, the symbolism of the Slavs was found, which is repeated in other regions. The main feature of this period was the manufacture of amulets as a separate direction of fishing. used precious metals, not found in earlier finds.

V. V. Sedov assumed that active trade relations with neighboring tribes were established during this period. What influenced the development of pottery and blacksmithing. Judging by the numerous finds, Slavic signs and their meaning were influenced from outside. Elements appeared borrowed from the Romano-Germanic peoples. The Black Sun and the Valkyrie came into use.

Interpretation of symbols

Archaeologist G.S. Lebedev suggested that the Slavic signs reflected a unique understanding of the laws of the surrounding world of our ancestors. Each symbol carries several meanings that have one semantic root.

Alatyr

Named as Alatyr, the image is widespread in folk craft. This symbolism of the Slavs occupied a cult place, since it belonged to sacred signs.

This is evidenced by the list of its interpretations:

  • the center of the universe;
  • unity of the four elements;
  • the unity of the world;
  • original fire.

The first finds of this sign date back to the 10th century, they were found at the Troitsky excavation site in Novgorod.

Triglav

Triglav, a symbol of the trinity of the divine principle, is found on stone and clay products of the 2nd century BC. e. It was repeatedly recorded as part of the decoration of religious buildings and stone sculptures of different cultural periods.

Cres

Kres - the symbolism of the ancient Slavs of the 6th-10th centuries BC found in the Caucasus. e. included complex images. Among them, on bronze items, there were prints of an image recognized as Cres - symbols of purification and fire. The drawing included a number of elements that only in 1982 were deciphered and were able to identify the name.

Crean

The pagan symbols of the Slavs had a lot of unique images that belong to pre-Slavic cultures. One of these is Krin, a symbol of new life, a sprouting sprout.

tree of life

A symbol common in different eras. Complements the cosmogonic ancient Slavic signs, rooted in the Aryan culture. It was brought by nomadic tribes, as evidenced by the finds of the Smolensk-Polotsk long mounds.

Flower of Life

The plant symbolism of the Slavs and their meaning are inextricably linked with rebirth and the eternal cycle of life. Images of the Flower of Life have been found on numerous finds of household utensils from various eras. Archaeologist P.K. Semenov suggested that the image came from the Aryan culture along with the settlers.

Deer images

The pagan symbolism of the Slavs is closely connected with craft. Images of animals and people in the process of hunting were found on petroglyphs throughout Russia, Belarus, and some regions of the Caucasus. The deer symbol refers to early civilizations Slavs, apparently, depicting the remains of the glacial fauna. The Scythian culture is especially rich in deer images - apparently this animal was the main totem of the people of that time.

Tour

The animalistic symbolism of the Slavs and their meaning refers to sacred cults that preceded a single pantheon. The Tur symbol is found on cult stones and rock carvings. T.N. Grekov put forward the theory that our ancestors tried to borrow the strength and power of the animal.

indrik beast

Ancient Slavic signs were supplemented not only with real animals, but also with mythical fauna. The symbol of Indrik the beast adorned the walls of Radagost, according to the testimony of Titmar of Merseburg. The images of the indrik carved on wooden facings were found by P. A. Vavilov in the excavation under the village. Kanevo, Vologda region.

Swastika symbols of the Slavs and their meaning

Slavic solar symbols are built according to the laws of the universal accordion and sacred geometry. Each bend or curl is subject to the law of equilibrium and balance. Through these schematic representations, our Ancestors turned not only to the power of the luminary itself, but also to the energy of creation.

heavenly fire

In the view of the ancients, the Explicit World was created by a powerful life force. Directing this energy with the power of creative thought, the mighty Rod recreated everything that exists. An incredible amount of energy was involved in this act, which had visible forms of heavenly fire.

That is why for the Slavs swastika symbols played a leading role in culture. Their images were an integral part of the cultural and everyday life. The most important meaning of the solar sign is the living embodiment of divine love for all that exists.

Swastika Symbols and Sacred Geometry

From the point of view of geometry, the swastika symbols of the Slavs combine similar features:

  • cross;
  • starting point;
  • sphere or hemisphere.

The direction of movement of the sign determines the course of energy through the lines. Continuous rotation pulls particles of life force into the center of the symbol. Thus, any solar image is a powerful accumulator.

Experts recommend that when choosing a sign, take into account the activity of blood movement in the human body. For women it is left-sided, for men it is right-sided. However, it is worth paying attention to personal characteristics, as well as the meaning of the symbol that has come down to us.

Unique swastika symbolism

The Slavic solar symbols known to us form an arcade of many signs. And this set is not accidental. It is a unique combination of stability and contradiction. The main interpretation of multidirectionality is the departure of the obsolete, the re-creation of the new. The symbol of rebirth formed the basis for the description of each solar image. Taking on one of the amulets, a person agrees to be included in the process of good changes and renewal.

Svarozhich

Svarozhich heads the Slavic solar symbols, one of the strongest protective signs. He is the embodiment of the heavenly power of Svarog. The visual labyrinth system builds an insurmountable defense against spiritual degradation, protection of the soul.

Rodimich

Not inferior in importance to Svarozhich. Rodimich also crowns swastika symbols and embodies the power of the Family. He patronizes ancestral memory, carries a powerful charge of the creative energy of creation. Symbol of the continuity of generations.

Fern flower

The embodiment of spiritual purity, vitality and regeneration. Suitable for people involved in spiritual practices, as it builds reliable protection against otherworldly interference. The Fern Flower has the power to bring out the hidden.

Overcome-grass

Odolen-grass is an incredibly powerful symbol of protection against ailments. The cleansing process takes place at the bodily and all levels. spiritual existence. It cleanses the thoughts of a person, setting him up for goodness and harmony.

Molvinets

Complements the swastika symbols of the Slavs, facing the Family. Molvinets embodies the ideas of spiritual growth, the inner "burning" of the spirit. Protects from slander, negative thoughts. Protects family ties from curses.

Radinets

Active security sign. It is based on images of meridians - celestial arrows. Protects babies from evil, often depicted on cradles. Radinets is filled with the power of joy and peace.

Wedding attendant

An ornate sign promises protection to all newlyweds. The bridegroom attracts good luck and happy occasions. It is aimed at the successful embodiment of the desire to create a family hearth.

Doukhobor

Dukhobor is an important symbol for leaders and spiritual practitioners. Strengthens the spirit and restores the relationship with the soul. Protects inner harmony and agreement of the true "I" with the world.

Light

A unique sign that has a double direction. The lantern models the movement of energies in the universe. Its essence is the reunion of the earthly and the spiritual. Divine embodiment of love.

Svitovit

Svitovit is a transforming symbol that brings the energy of renewal to the owner. Resonates with the essence of the owner, revealing his inner potential. Symbol of the defenders of truth and justice.

Znich

The incarnation of the heavenly fiery deity. Keeper of the universal fire. It encodes a whirlwind of vitality. Znich carries protection from destruction and internal disagreement.

Newborn

The embodiment of balance and movement. A newborn gives inner peace, acceptance of the true "I" of a person. Directs the owner's aspirations to the knowledge of true laws.

bogovnik

Bogovnik is the quintessence of the patronage of all the bright Gods. An energetically rich depiction of the relationship and opposition of the four basic elements of life.

rodovik

Rodovik redirects the legacy that has been put together previous generations into one powerful stream. Connects the owner to this current. The result of this process is a clear understanding of one's destiny, the choice of the right path.

Grozovik

Image of celestial electricity. Has a salting direction, protects from lightning. It carries the meaning of the will of the gods. Depicted on the doors of dwellings, temple complexes.

Thunderbolt

The direction of the sign is to the left. Bestows the patronage of Indra on the wearer. The meaning is heavenly wisdom, longevity and the weapon of a true warrior of the spirit. They were applied to the entrance portals of the vaults. It was believed that the Thunderbolt strikes those who entered with bad thoughts.

Valkyrie

Symbolism of the defenders of the fatherland. Valkyrie recreates a single chain with relatives who defended their homeland. Increases the spiritual potential of the wearer. It carries the meaning of "peaceful warrior".

Swati

Recreates the picture of Perunov's way. Embodies a graphic representation of the structure of the solar system. Oriented to people of creativity, leading spiritual quests.

vaiga

Complements the swastika symbols of the Slavs with a contradictory (bipolar) meaning. It bears the seal of the goddess Tara, who protected the four spiritual paths of man. Helps to search true purpose, its generic program. At the same time, sharply curved lines embody the four great winds, opposed spiritual search.

Velesovik

Recreates a harmonious relationship with nature. It gives strength to join the surrounding world, to find in it a reflection of oneself.

Vseslavets

A powerful symbol of protection of balance, reunion. It unites all childbirth, allows you to connect to a common karmic network. Appeal to the spiritual flame, transmitted from generation to generation.

fireworks

Female solar symbol. It personifies the protection of heavenly mothers. Through him, the appeal to any of the Goddesses receives the strength of an increasing impulse. Protects motherhood, bonds of parents and children.

Slavets

The symbol combines two geometric shapes - a cross and lightning. It is considered a female sign of protection of reproductive capabilities. It was of particular importance for young girls, protecting their fate from damage and the evil eye.

Garuda

Personification of the God of the Highness in the sign. Embodies protection from decline, lack of money. Attracts the benevolent energies of creation, wealth and balance.

dunia

The task of the symbol is to preserve the paths of the true search for the meaning of life. Reunion of heavenly and earthly fire.

sky boar

Included in the swastika symbols of the Slavs. The personification of the meeting of the future and the past. Protects the spiritual self-improvement of the owner, endows him with perseverance in achieving goals.

spiritual swastika

The symbol of immaterial fire, which embodied the thoughts of the Sort. This is the pure energy of universal love, imprinted with lines.

soul swastika

Connects to the energy of the spirit. Regulates the conscious life of the earthly incarnation. It has power over the lines of a person's fate, responding to his intentions.

Spiritual strength

Spiritual power helps to feel the relationship of the mind with the subtle plane. Adjusts the flair to the subconscious choice of the right path.

Dhata

The image of a person in both hypostases - material and spiritual. It helps to manifest the opportunities bestowed by the Gods and pacifies negative character traits.

Colard

A female symbol that can be worn by men. Its main meaning is fertility, bestowed by the Mother of the Raw Earth. A gift from the origins of life, bringing prosperity to the owner.

Solard

Retribution symbol. Enhances any action, allowing you to quickly feel the results. This is an energy boomerang that allows you to get the fruits of what you honestly earned on time.

Source

Embodiment of the original nature of the soul. It personifies the halls of Alive, from which the creative energy of creation comes.

Kolokhort

Equilibrium symbol of the order of the Universe. Light and dark beginning in the eternal dance of true harmony. A person on the path of spiritual search shows all the visible and hidden paths of development. The choice of path determines what energy the sign will use.

Navnik

The embodiment of the connection of two parallel worlds - Navi and Yavi. Grants access to the unique capabilities of a person in the spiritual realm. Protects from otherworldly interference.

Narayana

It unites the spiritual and physical energy of a person. A symbol of the connection between pure light and the material world. Increases the momentum of aspiration, allowing you to see your goals more clearly.

solar cross

The embodiment of the powers of Yaril - the summer sun. Enhances the health and power of a person. Strengthens the connection between spirit and soul. Patronizes warriors. Male symbol.

heavenly cross

A universal symbol suitable for both sexes. Depicts the eternal power of rebirth. Protection given to spiritual search, family ties.

fireman

Another symbolism of the Sort. Often depicted on his idols. An insurmountable barrier from the evil influence on family ties, the support of the ancients.

Yarovik

Male symbolism of fertility. The fullness of life, the fire of eternal flame. It was considered a protective sign against diseases for livestock, maintaining profit in the house. It was drawn on stables and cowsheds, applied to news posts.

Rubezhnik

Sign of fortitude, male symbol. Aimed at protection from unclean creatures, allows you to develop both sides of the essence. It gives stability to the psyche, connecting the internal reserves of a person.

Rysich

The symbolism of the unity of the entire race of Slavs. Conductor of powerful creative energy of creation. Gives protection to the entire nation. It revives the desire to know the roots and heritage.

sologne

Household symbols that protect home life and prosperity from external interference. Endowed with the power to multiply tangible heritage. Universal sign.

Yarovrat

Incarnation of Yaro-God. Male symbol of fertility, rebirth and life after death. Symbols were painted on barns as protection of the seed from spoilage. Gives fertility and a bountiful harvest.

sadhana

Symbols of the Slavic halls

The Svarog circle is united by 16 signs, each of which is under the auspices of a certain deity. The semantic load carries the concept of the structure of all layers of the world. Each image has unique features that affect the fate and character of the owner.

The meaning of the symbolism of the palace for a person

At birth, a person is given the opportunity to enlist the support of the gods. You can contact your intercessor through the symbols of the halls. The sign is a conductor of the will of the petitioner and a channel of energy transmission. Because each character has own characteristics, unique changes will take place in the life and character of a person. Amulets allow you to acquire protection and direct the energy and efforts of the owner to achieve harmony with his life task.

Under the auspices of the gods

The symbols of the Slavic halls are endowed with unique features. Their value makes adjustments to the characteristics of the wearer, depending on the patron deity.

Virgo

It is under the tutelage of the goddess Jiva. Refresh energy conductor.

The owner is endowed with the following qualities:

  • independence;
  • stubbornness;
  • purposefulness.

All these qualities are manifested due to the transmitted energy of youth, love for life.

boar

The sign is under the auspices of Rahmat, the deity of the Heavenly Court, Universal justice and law and order.

Gives character traits:

  • striving for purity of thoughts;
  • clarity of consciousness;
  • balance.

The owners of the sign are determined, but not reckless.

Pike

Those born in this sign were lucky to become the beloved children of Rozhana, who is responsible for family comfort and prosperity.

The people of this symbol are inherent in:

  • calm;
  • equilibrium;
  • desire for peace.

It is difficult for the owners of the sign to leave the comfort zone. However, they adapt well to change.

Swan

The Great Heavenly Mother of God Mokosh leads the destinies of people born in the sign of the Swan.

Character carriers are characterized by:

  • caring for others;
  • joyfulness;
  • abundance;
  • well-being.

He bestows the gift of clairvoyance on women who have reached their peak.

Snake

The sign is subject to the keeper of the Heavenly Fire Semargl. The symbols of the Slavic palaces associated with the fire element have the strongest influence on the owner.

Those related to the amulet have:

  • clear sober mind;
  • perfect internal balance;
  • irascibility;
  • ambition.

The sign has a supportive effect during a difficult period.

Crow

The sign is under the jurisdiction of Kolyada. Patron of change and paths human destinies grants the owner of the symbol:

  • good nature;
  • sense of humor;
  • deep wisdom.

The bearers of the amulet have an amorous and open character.

Bear

One of the main symbols belongs to Svarog.

Those born in the hall have:

  • fortitude;
  • justice;
  • boundless kindness.

The owners of the amulet strive to achieve a strong position through creative work. Their quality is to destroy vital barriers on the way to the chosen goal.

busl

The ancient symbols of the halls always refer to the power of ancestral ties. The Hall of the Stork is under the auspices of the Family. It is particularly strong bonds with past generations.

The owner is given the following features:

  • flair;
  • ability to navigate in life situations;
  • developed sense of duty;
  • desire to create a family.

The carriers of the amulet receive a blessing for the birth of healthy and full-fledged offspring.

Wolf

The symbolism belongs to Veles, the keeper of the Gates of the Interworld. Supports the defenders of the family and the fatherland.

The characteristic qualities of the carrier are:

  • success in business;
  • Thirst for knowledge;
  • prosperity and prosperity.

The owners of the symbol are able to build strong communications.

Fox

The wise earthly goddess Marena sends a blessing to the bearers of the sign.

The owner of the amulet grants:

  • mental flexibility;
  • cunning;
  • curiosity.

Enlisting the support of the goddess, a person achieves good luck in business, shows ingenuity.

Tour

The sign is supervised by the god Kryshen. God has two hypostases - a warrior and a reaper.

In his ward enhances the qualities:

  • diligence;
  • the ability to listen to oneself;
  • sense of the true purpose of life.

God helps his child to gain confidence and stability in self-interest.

Elk

Mother Lada patronizes the life of those born in the sign.

Thanks to her supervision, a person acquires:

  • honesty;
  • a strong desire for justice;
  • Love;
  • understanding with others and with yourself.

People of this sign are devoted to their work, find joy in serving society.

Finist

The god of the bright worlds Navi Vyshen takes care of the carriers of the symbol.

The sign helps the owner to acquire:

  • perseverance in the fight against dark forces;
  • sincerity;
  • clear vision.

It protects the wearer from slander, the evil eye.

Horse

The Kupala amulet complements the symbols of the halls, providing the wearer with protection from the disease.

The qualities of the owner of the mark are:

  • purity of soul;
  • body strength;
  • a heart free from false feelings.

Being under the auspices of Kupala, a person receives a deep inner impulse for renewal.

Eagle

Perun patronizes the soldiers and defenders of the peace of the fatherland.

The owner of the symbol is endowed with the following properties:

  • firmness;
  • internal balance;
  • decisiveness.

The owners of the mark act without hesitation, always find the right solution.

Ras

The Keeper of the great universal Wisdom Dazhdbog blesses those born in his sign.

They are endowed with the following qualities:

  • prudence;
  • foresight;
  • the ability to make plans.

The owners of the symbol radiate inner light and confidence. They know how to unite people around them, leading them to true goals.

Slavic symbols and Runes

Slavic symbols and runes cause heated debate among the scientific community. Since the facts that have come down to us are fragmentary, the very existence of writing is called into question. However, there is evidence that the symbols of the runes performed a ritual role and were of a communication nature. The signs of the Slavic runes allowed the tribes to conduct business, to transmit information. The found symbols of ancient runes are known for their sacred meaning.

Runic symbols of the Slavs

The Slavic peoples had developed communication, which for foreigners created the impression of a single nationality. Despite the originality of each tribal union, the runic symbolism of the Slavs made it possible to transmit information in an accessible form.

There is evidence that the symbols of the ancient runes had two purposes:

  • writing;
  • divination.

The German chronicler Titmar of Merseburg, who studied the monuments of Slavic religious culture, described that in Radogost each idol was inscribed with the name of a god or goddess. Despite the fact that those who came to give praise were from different tribes, they read and understood these inscriptions in the same way.

This suggests that the symbols of the runes come from a single source that gave rise to all the cultural branches of the Slavs. The remaining decoding into Slavic symbols and runes refers to their religious meaning. The fact that this information reached contemporaries in a relatively complete form speaks of the special place that the signs of Slavic runes occupied in cultural life our ancestors.

Symbols of ancient runes

Known rune symbols include 18 characters. Some of them are named after gods. The meaning and interpretation depends on who the inscription is dedicated to.

The runic symbols of the Slavs used as divination have a unique set of meanings. Each decoding embodies the originality of the worldview of our ancestors.

World- He is also called Belobog. The embodiment of the World Tree, a sign of prosperity, order and prosperity.

Chernobog- chaos, a destructive force that brings change.

Alatyr― the embodiment of balance and harmony, the starting point of the World.

Rainbow- the sign symbolizes movement, the path. The rune signifies a spiritual or physical journey followed by inner development.

Need- the personification of Viy, means the destined outcome of the current action or event. Everything that happens is in the power of higher powers, does not depend on the will of the fortuneteller.

Krada- financial stability, rebirth after a long stagnation or complete ruin. A symbol of ascending forces that bring prosperity to any area of ​​​​life.

Force Spiritual cleansing energy, Warrior Spirit. Combining purpose and aspiration.

Treba- a symbol of the edge of the sword, masculinity and victory. The strength of perseverance and faith in victory, backed by the spiritual patronage of the gods.

Wind― personification of spirits and elements of air, the pointer of a way. Means the direction of willpower towards goals that will lead to wholeness and happy outcome enterprises.

Bereginya- a symbol of protection from negative influences. Powerful spiritual protection, support of ancestors. Delivered irresistible protection from the evil eye.

Oud- the second interpretation of the name Yarilo. The embodiment of the power of love, the energy of passion. It personifies a powerful creative principle.

Lelya- the potential of creativity, the rune of imagination, the power of intuition. Indicates a smooth course of change of direction.

Rock- closed possibilities, the inevitability of what is happening. A pre-planned scenario, the course of which cannot be changed.

Support- a rune of good luck, the help of higher powers. The key value of the message from the ancestors, support from their side.

Dazhdbog— the symbol has a double meaning. A test that brings purification. Support of the divine patron.

Perun- the intervention of powerful forces, a person endowed with power.

Eat- material abundance obtained by following one's destiny. A reward for long and hard work.

Source- stop, calm before a favorable period. Hidden deep growth, stagnation phase.

Slavic symbols in embroidery, their meaning and patterns

Slavic symbols in embroidery were used as a talisman for the body and spirit of the wearer. Techniques for applying cult images include satin stitch and cross-stitch techniques. Geometric symbols formed into ornaments, the meaning of Slavic symbols in embroidery formed a message to higher powers.

Cult signs in everyday life

Even before the formation of writing, signs and symbols served for our ancestors as a means of transmitting and saving information. Cult signs were applied to household items and clothing. According to the set of images and the nature of their application, the nationality of a person and his social status were determined.

most brightly signaling system expressed Slavic symbols in embroidery. She covered both outerwear and lower layers. Each type of decoration had its own set of drawings and signs. There were unwritten rules according to which the images were subject to a clear structure of inclusion in the composition.

Ornament formation rules

The signs used in embroidery were not performed separately. Each element was included in a complex ornament. By the nature of the arrangement of the picture, it was possible to read the encrypted meaning. The meaning of Slavic symbols in embroidery determined the group of symbols that could be included in a single pattern.

Women's and men's signs have never been combined. They were diluted with a pattern with a neutral meaning.

For example, the symbolism of abundance - birds of paradise always coexists with earthly signs of fertility.

Slavic ornaments have geometrically regular patterns, the balance of every detail. The protruding parts do not break the composition, they are complemented by balancing elements.

Women's and men's symbols

The difference in female and male symbolism lies not only in the set of characters. Solar signs and elements of nature are introduced depending on the nature of the meaning.

So the right-handed Kolovrat was depicted only in mature men, the left-handed could be present in female ornament. Signs were distributed according to age criteria, for example:

  • Bereginya with lowered hands is a symbol of a young maiden;
  • folded on the sides - a married mature woman;
  • hands raised - an elderly person.

Plant topics were also differentiated according to gender and age criteria:

  • rose, lily, viburnum - female drawing;
  • oak, cornflower, Chernobrovtsy - male signs;
  • hop - youthful ornament;
  • poppy is a girlish sign.

Male ornaments were more symmetrical and clear. Fluid smooth lines prevailed in women's patterns.

Reading the scheme of embroidery of Slavic symbols

The schemes of embroidery of Slavic symbols reconstructed by folk craftsmen practically did not change. To read an encrypted message, it is enough to know both individual values ​​and their group value. By the type of images used, it was possible to find out where a person lived and what position he occupied in the tribal union.

Among the inhabitants of mountainous areas, broken angular lines prevailed in embroidery. Wavy in combination with ovals were found among the inhabitants of the water area of ​​reservoirs. The higher the status of a person in the community, the denser the outfit is covered with patterns.

For boys and girls, the edges of shirts and underwear were embroidered. At married women the shirt had several fields from the shoulder to the wrist.

The solar symbol of the swastika was found in the southern and central regions of the Slavic peoples. Among the northern tribes, animalistic patterns often predominated.

Rules for embroidering Slavic patterns

In order to observe a clear sequence of alternating fragments, a corner part is selected to start work. From this point the space is divided into squares. Schemes for embroidery of Slavic symbols are formed based on who will be the bearer of the product.

The fields of edges were filled in first. Then large details of the pattern were located above it. Various additions have been made to last turn. The course of the pattern always had a direction to the female or male side.

Knowledge is most often hidden in symbols, images, numbers, notes, letters, patterns. Speech, song, rituals, embroidery, carving are woven from signs and images. Not everyone knows their deeper meaning, but the feeling of harmony, measure and beauty through creativity are the right steps to the truth. And everyone can master it.

Solar embroidery, "Deer with a tree of life", - Nevreva Claudia Petrovna

Symbolism is a legacy of the history of mankind, when people began to express their thoughts, their worldview through conventional signs. The study of ancient cult symbols reveals the spiritual world of human societies in the preliterate era. Similar cult symbols and ornamental motifs are widespread. Quite often, similar or even identical elements are found among related and unrelated peoples.

Mass migrations of people contributed to the dissemination of ideas and experience. But sometimes even a small tribe of aliens passed rich information to the population. Therefore, the migration of the spiritual phenomena of culture: language, myths, rituals, religion took place on a larger scale than the migration of people. It is difficult to trace the history of symbolism. Is it because the materials used for the images are not durable? bark, leather, wood, clay. Most examples of the symbolism of antiquity have come down to us from 2-1 thousand BC. e., when there was already a departure from the use of symbols and began to be used as an ornament or as sacred signs fixed by custom.

Ancient symbolism is a layering of motifs belonging to different eras, and interweaving of plots of various ethno-cultural origins. It is difficult to establish the chronological sequence and geographical ways of their distribution. And yet, in the exhibits and traditions that have come down to us, along with the general picture of the world, there are their own original shades. There is a great similarity in patterns among the East Slavic and Finno-Ugric peoples.

Symbols, signs, ornaments - amazing book about the life and beliefs of our distant ancestors, the leaves of which are mostly lost. And, apparently, what was left to remain, what is eternal.

Ornament is the language of millennia, it is older than all works of art. Academician B.A. Rybakov said this about it: “Looking at intricate patterns, we rarely think about their symbolism, rarely look for meaning. It often seems to us that there is no more thoughtless, light and meaningless field of art than ornament. Meanwhile, in the folk ornament, as in ancient writings, the thousand-year-old wisdom of the people, the rudiments of its worldview and the first attempts of man to influence the mysterious forces of nature were deposited.

Our material world is currently decorated with floral and plot ornaments, but the most ancient ornament is geometric.

Rosettes of different types are a favorite ornament in architectural decoration and applied art. The disk served as a designation of the sun in the ancient civilizations of Egypt, Asia Minor, Mesopotamia, although it must be borne in mind that in the Bronze Age a circle, a disk and a rosette could mean the sky. B. Rybakov believes that the sign in the form of a six-beam rosette ^ was obtained as a result of a combination of a circle, supposedly symbolizing the sun, and a snowflake scheme, supposedly symbolizing the sky. Both the Slavs and the Dagestanis depicted a six-petal rosette on salt shakers, and salt is a product associated with the sun. The socket-wheel is almost always depicted on a spinning wheel.

The Rigveda says that the sun "rolls like a wheel". The sun is compared to a wheel in Slavic, Polish and Lithuanian songs. Such a sign can be found on an old boat, wagon, chariot, on everything that moves. All European peoples with Slavic influence retain the tradition of lighting the wheels on Ivan Kupala and letting them go from the mountain into the river as a symbol of the fading sun from that day on.

A wheel with teeth and a cross means the sky, rain clouds and the sun. In the Rigveda, the sun is called the divine eye, in the mythology of the ancient Greeks the sun was represented as the eye of Zeus, among the ancient Germans - Odin, among the ancient Egyptians the sun and moon were the eyes of Horus, among the Romans - the eyes of Jupiter. But all of them are connected with the concept of "light-eye". In this case, the luminary was designated by a circle with a dot and a small circle inside.

In the sun, our ancestors felt two principles - male and female. The feminine is indicated by a circle, the masculine by a square or a triangle (which is rare).

Spinning wheels with the image of the Universe - the Earth and the Sky ("white light")

Sometimes the sun is depicted through a spiral - the movement of the sun across the sky.

Zigzags and divorces can often be a symbol of heavenly water if there is a cross among them

IN Ancient Rus' the fire was called Svarozhich, and the sun was called the son of Svarog, that is, fire and the sun had the same epithets. The fires lit at the festivities of the summer and winter solstices symbolize the heavenly fire-sun. This is confirmed by the fact that there were customs to light the wheel at the top of the pole or roll it burning down the hill. Ritual fires were lit not only on holidays, but at any disaster, in order to propitiate the god who was embodied in fire and was considered the source of these disasters. At the same time, it was supposed that nine different types of wood would burn in the ritual fire and that 9 people would participate, and the number "9" was associated with the god of the underworld. On These examples show that fire can be the personification of the sun, and god, and the underground ruler. The burning of the wheel on the pole is the union of heaven and earth by fire.

The geometric figures that make up the simplest patterns once carried a great semantic load, personifying the forces of nature and being security signs. They decorated all household items, clothes and the house itself.

In rhombuses, crosses, squares, dots, repetition in certain numbers is observed first of all. Counting, rhythm help to feel and explain the structure of the world. Numbers are elements of a special numerical code with which you can represent the whole world and a person, that is, numbers can be one of the images of the world. These numbers are: 3 - the image of the Absolute, the divine Trinity, three spheres of living space (heaven, earth, underworld), time (past, present, future). The number 4 is an image of integrity, an ideally stable structure: 4 cardinal points, 4 elements, top-bottom-right-left, 4 seasons. 5 - sacred number - 4 sides + center - balance. The number 7 has become a symbol of harmony. Through it, mankind has been given 7 colors of the spectrum, 7 notes in music, 7 days in a week. From the product of the numbers 3 and 4, the number 12 arises - 12 months, 12 zodiac constellations. Accordingly, all these numbers, and not only in the ornament, are considered lucky.

The number of teeth, rhombuses, crosses was necessarily associated with this series of magic numbers or a multiple of them.

The laws of the cosmos, the mutual influence of the elements and their connection with man were also reflected in the ornament. And more often the elements are depicted in their correct combination: fire - air, earth - water. Earthly images were placed below, heavenly images above. The laws were also reflected in the observance of color (in embroidery, painting). There were no invented and unnatural shades, only the colors of nature, and arranging them in folk costume corresponded to the trinity of the world (the bottom from the earth is darker, and the higher, the brighter the color).

In Slavic arts and crafts, a cross is often found. A straight equilateral cross is an image of the sun. The terminal cross is associated with earthly fire, which was represented as a kind of heavenly fire. If the cruciform patterns in the center of the circle and square can also mean the illuminated four cardinal points, then the swastika 4-6-8-1 2rays is always the sign of the revolving sun. And they still call it a rot. Kolovorot is an ancient Slavic sign of the sun. It is considered a talisman against all dark forces. The word "kolo" in Russian means "circle", "wheel", "turn" - rotation. An equilateral cross is a sign of justice, goodness, balance. More often he is depicted with tips rotating to the right side - this is a sign of active, real justice.

In the design of Russian fairy tales, we can often see a symbolic dome - this is a diagram of the sky. Ancestors represented the sky as a transparent dome, and under it life. In domes, as a rule, the letter "Ж", called in Slavic alphabet"lives" - "life". The letter is made up of plant weaves, also symbolizing endless life. In the arches you can also see scenes from the life of gods and people, scenes of sacrifices. On the diagram we see Simargl (Semargl).Semargl from the word "seed". portrayed him winged dog protecting crops and seeds. Semargl was also the personification of "armed good", fiery, always ready to protect peaceful fields. Later, the archaic Simargl was called Pereplut. It was associated with the roots of plants and is closely related to the theme of water - mermaids. Under the domes, mermaids were also depicted - winged maidens, at that time they were deities of irrigation of fields, rains or damp morning fogs.

Knot weaves are often found in Russian ornamentation and the design of capital letters - red. Among other peoples, the dome of the sky was depicted as a circle, with waves or a cross - the sun and rain clouds.

Schemes of the water element are recognizable and varied. The ancient water ornament is geometric, this is the time when people could not draw smooth lines. They especially liked to decorate bowls for water, drinking, wine, sacrificial bowls with such a pattern. Rhythmically and in a special way, the “traveling wave” of different slopes looks beautiful. Divorces on the bowls can also have a free character (the Trypillian bowls). Favorite and snake theme. The snake among the Slavs is a symbol of the first water, spring, warmth. Seasonal calendars often reflect the image of snakes. Snake means spring, summer, rain. Consider a few more examples of water-themed symbolism.

Single, double and triple clouds carrying heavenly moisture were depicted with and without rain. In carving, such patterns are usually called "heavenly abyss". Rain clouds also look like a woman's breasts, because rain was considered heavenly milk that feeds the earth.

In all patterns, the theme of the fertility of the earth prevails. First of all, these are images of women in childbirth, giving harvest and benefits. The bottom of such an image is decorated, as a rule, with a seed or sprout.

The rhombus among the ancient Slavs was revered as a universal symbol of fertility and childbearing, i.e. a symbol of the feminine in nature, inextricably linked with the ideas of the Mother-ancestress, who was also thought of as Mother Nature. In a geometric ornament, this is embodied in a rhombus figure with hooks on the upper and lower peaks. Women simply call it "frog" or "rhombus-frog".

With the transition of the nomadic tribes to settled life, pens-sheds, fenced with poles, and log-houses appeared. The greatest discovery was made - the principle of the quadrupleness of time, space (four cardinal points, four seasons) was discovered. From here, the rhombus was associated among the ancients with ideas about the cyclical nature of time, when a person was already aware of the beginning and end of a certain period; I was also aware of the basic provisions in the daily movement of the sun - sunrise, zenith, sunset. As in nature, in a person's life, periods of birth, prosperity, maturity, fading - old age are successively replaced. Generation succeeded generation, just as nature flourished and died from year to year.

But the cycle that people live in their “age”, nature experienced before their eyes several dozen times .. Therefore, the ancient farmers saw in nature only a regular repetition. Not change, not disappearance, but repetition was the defining motive of their consciousness and behavior. And this is conveyed in the image of a rhombus with hooks on the tops.

B. Rybakov, who writes: “The ancient man saw the ubiquitous bone images of female progenitors covered with a rhombic pattern of natural origin, inherent in the very structure of the tusk from which the sacred figure was cut.

The rhombic pattern, therefore, united two important concepts in the eyes of the primitive hunter: the mammoth (the source of life, satiety, prosperity) and the sacred image of a woman (a symbol of fertility, continuation of life, counting kinship). The rhombus and rhombic meander in themselves became symbols of vitality and prosperity, the first ideogram of Life and Good in the history of human thought.

On the other hand, for the farmer, 4 cardinal points were associated with the sides of his rectangular dwelling. It is known that in the hut the logs in the log house were stacked with the remainder, this remainder looked like a horn, a fork. The Russians even have a riddle: “Outside - horned, inside - kamola” (hut). With the laying of the first crown, space was ordered, its isolation, impenetrability for external, evil forces was ensured, chaos turned into space (that is, order). It is noteworthy that even when the hut was cut down without a trace, the first crown, the ground one, was necessarily horned. Apparently, the immediate proximity to the "underworld", the "house of the dead" required security from such a neighborhood, from possible evil "intrigues" of the "inhabitants of the underworld". Moreover, the earth was given the remains of enemies killed in battles during raids, and the ancient Slavs burned their relatives on a funeral pyre. Burials of the log type are also known. Hence it is clear why the presented rhombus motifs with sides extended at the corners, with a marked middle, called “rhombus-burdock” (also known as “small lattice”), symbolized a log house, a fenced space with a hearth or an altar - the habitat of ancestors.

And a rhombus of a different configuration of three pairs of intersecting lines is a funeral or sacrificial pyre, which was a sign of the Sacred action during burning - according to the belief of ancient people, contact with ancestors is established during this rite.

A rhombus with dots is a sign of a sown field. Crosses are often seen at the ends. This is a typical four-part scheme for spreading the good in 4 directions.

Very often in geometric woven ornaments there is a motif of a hand (palm). This motif played big role in the art of the ancients among many peoples. The palm - the hand - was synonymous with the brush (bundle) of plants, which was relevant for the consciousness of early farmers. According to Russian subject embroideries, a female figure is well known, often depicted with enlarged palms and with a head - a radiant rhombus, with solar rosettes in the middle of the figure. Academician B.A. Rybakov associates with the embroidered goddess the weekly festival of light - Sunday. This goddess could be only the Great Goddess, and such a title has been preserved in Russian folklore behind Lada.

Lada was revered as the goddess of marriage, marriage, fun, consolation and all prosperity. She, Lada, is still called in many traditional rituals, they sing songs, hitting her hands on her hands or on the table. Apparently, by clapping their hands (palm - Lada) or hitting the table with their palms, the pagans thus “established” a connection with the deity, asking her for a cheerful, blissful life. And the image of crossed palms on the patterns of towels are signs this deity.

Serpentine pattern. Trypillian culture bowls

The land in the sense of a plot that yields a crop was represented in the form of squares, rectangles covered with a dense grid, i.e. sown. Grains were placed between the strips of earth and water. The main theme of the Earth, fertility, childbearing prevails in the Russian pattern. The image of the Earth is a favorite in embroidery.

TREE. The image of the sacred tree is found among all the peoples of the world. In one of the Russian fairy tales, the hero climbs a tree to heaven. Siberian shamans put a tree in a ritual place and performed actions near it. On the Christian holiday of the Ascension of Christ, Russians baked small stairs from dough and imagined that one could ascend to heaven by a tree or stairs. The Bible calls the sacred tree the "Tree of Life", while it is said that it is "in the middle of the garden", under the clouds) which means the center of the world. In the hymns of the Rigveda and the Edda, a snake dwells between the roots of a tree. The roots of the Tree go to unknown depths, its top goes to the sky. The snake is a symbol of time, spiral movement and repetition, wisdom and caution, and it all starts from the roots of a person, nation, humanity. Therefore, you can find the image of the Tree entwined with the Serpent.

The world tree was thought to be the embodiment of the Great Mother of the world — the Earth. The motif of determining the fate of people is associated with the tree. In the Rigveda, the World Tree was compared with a woman giving birth. Among the peoples of the world, the Tree in the form of a woman is represented by a snake-footed and sun-headed one. Among the Slavs and Latvians, at cult holidays, the girl stood on one leg - this is the pose of the incarnation of the Mother of the World - the Tree, holding the whole world. In India, standing on one leg expresses the idea of ​​fertility. In Rus', the birch became the tree of the goddess. In spring, girls bring gifts to birch trees, tell fortunes on them, dress one of the girls with birch branches, a wreath and dedicate songs to Lada, Lelya, asking for love and marriage, childbearing. In ancient times, if a child was already punished, then with a birch rod, as a ritual of sacrifice for sins, so that Mother Fate would not get angry.

Abyss of heaven (rain clouds)

In the most ancient dwellings of the Slavs, there was always a tree-pillar holding the roof. The pillar tree symbolized a woman, the ancients always believed that a house, a dwelling rests on a woman. The pillar supports the roof of the house, like a world tree - the sky. The world tree is the pillar of the universe, the pillar supporting the sky.

Plant motifs predominate in wood carving and embroidery of the southern Slavs. Endless sprouts of sacred herbs and flowers are shown in the process of germination and flowering. Sprouts are depicted, as a rule, strong, strong, and they are guarded either by a lion or a bird of Syria, since only they are trusted to guard the infinity of life. Vegetable world- the image of Reveal, manifested life, sprouts and flowers? symbol of earthly life. The images of plants are different, it depends on which plants are considered pure, sacred in a given area. In the south - rose, periwinkle, in the middle lane - cornflower, fern, in the north - coniferous twigs, bathing suit.

Labyrinths and spirals. Meander-spiral images date back to Paleolithic times. One of the oldest spirals on a mammoth tusk was found in Western Siberia. Spiral motifs were found on the banks of the Desna, in Pskov and Tver, in the White Sea region, on Solovki, in all corners of the earth. Especially a lot of them among the Indians. On a bronze statue of a Lithuanian pagan god Perkunas - Perun has many spirals. He holds a bundle of spirals in one hand and a wheel in the other. Spirals are popular among Russians in jewelry, especially on temporal rings. They can be found in brooches, diadems, buckles. Spiral ornament is a favorite image in Russian traditional embroidery. The women of Novgorod loved to decorate their headdresses with spirals.

Trypillia figurines with grain imprints
or with signs of a sown field

Deities with a spiral, sitting astride a wolf, were found on the territory of Russia, Prikamye. The images of the wolf and the snake were the embodiment of the demons of the underworld. And the labyrinth is a trap, the path along which you need to find a way out. But the labyrinth is also considered a home, a fortress. The labyrinth of many nations also reflects the sky. The floor in many temples is made like a labyrinth. Is the floor ground? reflects the sky. Both the sky and Underworlds, where everything is subject to perpetual motion, repetition through the life and destinies of people, were presented to the ancestors in the scheme of the labyrinth.

“Spiral codes were passed down from generation to generation, from people to people, from worldview to worldview, from religion to religion. The spiral is one of the oldest symbols of the Universe. And the cosmos itself is dotted and permeated with spirals - galaxies, vacuum quantum vortices. According to the torsion theory, the Universe as a supercomputer forms with human brain a kind of biocomputer operating in accordance with torsion laws, that is, according to the principles of the same twisted spiral. 0

Currently Solar symbols many people associate with submission of anti-Russian media, it is not known for whom working , with Fascism and Adolf Hitler. This has been hammered into people's heads for the last 70 years. Few people now remember that the Swastika was depicted on Soviet money in the period from 1917 to 1923, as legalized state symbols; that on the sleeve patches of soldiers and officers of the Red Army in the same period there was also a Swastika in a laurel wreath, and inside the Swastika were the letters R.S.F.S.R. There is even such a version that the Golden Swastika-Kolovrat, as a party symbol, was presented to Adolf Hitler by Comrade I.V. Stalin in 1920. There are so many legends and conjectures around this ancient sign that we decided to tell in detail about this ancient sign on Earth. solar cult symbol.

Represents a rotating cross with curved ends directed clockwise or counterclockwise. Now all Solar symbols are called in one word - SWASTIKA, which is fundamentally wrong, since each Solar symbol in ancient times had its own name, purpose, protective power and figurative meaning.

Solar symbols, as the most ancient, are most often found in archaeological excavations. More often than other symbols, they were found in ancient burial mounds, on the ruins of ancient cities and settlements. In addition, swastika symbols were depicted on various details of architecture, weapons, clothing and household utensils among many peoples of the world. found everywhere in ornamentation, as a sign of Light, Sun, Love and Life.

The oldest archaeological artifacts depicting swastika symbols now date back to approximately 4-15 millennium BC.
(on the right is a vessel from the Scythian Kingdom 3-4 thousand BC). According to the materials of archaeological excavations, the richest territory for the use of the swastika, both for religious and cultural purposes, is Russia and Siberia.

Neither Europe nor India nor Asia can compare with Russia or Siberia in abundance solar symbols covering Russian weapons, banners, national costumes, household utensils, everyday and agricultural items, as well as houses and churches. excavations of the ancients
mounds, cities and settlements speak for themselves - many ancient Slavic cities had a clear shape of the Swastika, oriented to the four cardinal points. This can be seen on the example of Arkaim, Vendogard and others (on the left is a plan-reconstruction of Arkaim).

Solar symbols were the main and, one might say, almost the only elements of the most ancient Proto-Slavic ornaments. But this does not mean at all that the Slavs were bad artists. First, image varieties Solar symbols there were a lot. Secondly, in ancient times, not a single pattern was applied just like that, each element of the pattern corresponded to a certain cult or security (charm) meaning, since each symbol in the pattern had its own magical power.

Bringing together the strengths of different solar symbols, white people created a favorable atmosphere around themselves and their loved ones,
in which it was easiest to live and create. These were carved patterns, stucco molding, painting, beautiful carpets woven by industrious hands.

But not only Aryans and Slavs believed in the magical power of swastika patterns. The same symbols were found on clay vessels from Samarra (the territory of modern Iraq), which date back to the 5th millennium BC.

Solar symbols in the left-handed and right-handed forms are found in the pre-Aryan culture of Mohenjo-Daro (Indus River basin) and ancient China around 2000 BC

In Northeast Africa, archaeologists have found a burial stele of the Meroz kingdom, which existed in the 2nd-3rd centuries AD. The fresco on the stele depicts a woman entering the afterlife, and the Swastika flaunts on the clothes of the deceased.

The rotating cross also adorns the golden weights for scales that belonged to the inhabitants of Ashanta (Ghana), and the clay utensils of the ancient Indians, beautiful carpets woven by the Persians and Celts.

Man-made belts created by Komi, Russians, Sami, Latvians, Lithuanians and other peoples,
also filled solar symbols, moreover, at present it is difficult even for an ethnographer to figure out which of the peoples to attribute these ornaments to. Judge for yourself.

Since ancient times, solar symbolism has been the main and dominant among almost all peoples on the territory of Eurasia: Slavs, Germans, Mari, Pomors, Skalvians, Curonians, Scythians, Sarmatians, Mordovians, Udmurts, Bashkirs, Chuvashs, Hindus, Icelanders, Scots and many others.

In many ancient beliefs and religions Solar symbols are the most important and brightest cult symbol. So, in ancient Indian philosophy and Buddhism, the Swastika is the eternal cycle of the Universe, a symbol of the Buddha Law, to which everything that exists is subject (Dictionary "Buddhism", M., "Respublika", 1992); in Tibetan Lamaism - a security symbol, a symbol of happiness and a talisman.

In India and Tibet, it is depicted everywhere: on the walls and gates of temples, on residential buildings,
as well as on the fabrics in which all the sacred texts and tablets are wrapped. Very often, sacred texts from the Book of the Dead are framed with swastika ornaments, which are written on burial covers before kroding (cremation).

Image of many Swastikas, you can see how on the old Japanese engraving of the 18th century (picture above), and on the matchless mosaic floors in the halls of the St. Petersburg Hermitage (picture below).

But you will not find any messages about this in the media, because they have no idea what the Swastika is, what ancient figurative meaning it carries, what it has meant for many millennia and now means for the Slavs and Aryans and many peoples inhabiting our Earth.

In these media, alien to the Slavs, the Swastika is called either german cross, or a fascist sign and reduce its image and meaning only to Adolf Hitler, Germany 1933-45, to fascism (National Socialism) and the Second World War.

Modern "journalists", "is-Torics" and guardians of "universal values" seem to have forgotten that the Swastika is the Ancient Russian symbol, that in the past, representatives of the highest authorities, in order to enlist the support of the people, always made the Swastika a state symbol and placed its image on money .

So did the princes and tsars, the Provisional Government, and the Bolsheviks, who later seized power from them.

Matrix banknotes in denominations of 250 rubles, with the image of the Swastika symbol - Kolovrat - against the background of a double-headed eagle, were made by special order and sketches of the last Russian Tsar Nicholas II.

The Provisional Government used these matrices to issue banknotes in denominations of 250, and later 1000 rubles.

Starting from 1918, the Bolsheviks put into circulation new banknotes in denominations of 5,000 and 10,000 rubles, which depict three Kolovrat Swastikas: two smaller Kolovrats in side ties are intertwined with large numbers 5000, 10,000, and a large Kolovrat is placed in the middle.

Money with the Swastika-Kolovrat was in use until 1923, and only after the appearance of the banknotes of the USSR, they were withdrawn from circulation.

The authorities of Soviet Russia, in order to get support in Siberia, created sleeve patches in 1918 for the soldiers of the Red Army of the South-Eastern Front, they depicted a Swastika with the abbreviation R.S.F.S.R. inside (see photo on the right). But they did the same: the Russian Government of A.V. Kolchak, calling under the banner of the Siberian Volunteer Corps (see the photo at the top left); Russian emigrants in Harbin and Paris, and then the National Socialists in Germany.

Created in 1921 according to the sketches of Adolf Hitler, the party symbols and the flag of the NSDAP (National Socialist German Workers' Party) subsequently became the state symbols of Germany (1933-1945). Few people now know that in Germany the National Socialists did not use the Swastika (Swastika), but a symbol similar to it - Hakenkreuz, which has a completely different figurative meaning - a change in the world around us and a person's worldview.

For many millennia, various inscriptions solar symbols had a powerful influence on the way of life of people, on their psyche (Soul) and subconsciousness, uniting representatives of various tribes for the sake of some bright goal; gave a powerful surge of light divine forces, revealing the internal reserves in people for all-round creation for the benefit of their Clans, in the name of justice, prosperity and well-being of their Fatherland.

At first, only clergy of various Tribal cults, Religions and religions used this, then representatives of the highest state power - princes, kings, etc., began to use swastika symbols, and after them all kinds of occultists and politicians turned to the Swastika.

After the Bolsheviks completely captured all levels of power, the need for the support of the Soviet regime by the Russian people disappeared, because it is easier to seize the values ​​​​created by the same Russian people. Therefore, in 1923, the Bolsheviks abandoned the Swastika, leaving only the five-pointed star, the Hammer and Sickle as state symbols.

In ancient times, when our Ancestors used the Kh'Aryan Runes, the word

- Swastika, translated as Coming from Heaven.

- Rune SVA meant Heaven (hence Svarog - Heavenly God),

- C - Rune of direction;

- TIKA runes - movement, advent, flow, run.

Our children and grandchildren still pronounce the word "tick", that is, to run. In addition, the figurative form of the TIKA runes is still found in everyday words Arctic, Antarctic, mysticism, homiletics, politics, etc.

Ancient Vedic sources tell us that even our galaxy has a shape solar symbol, and our Yarila-Sun system is located in one of the arms of this Heavenly Swastika. And since we are in the galactic arm, our entire galaxy (its ancient name is Svasti) is perceived by us as Perunov's Way or the Milky Way.

Everyone knows that the Slavic prince Prophetic Oleg nailed his shield to the gates of Constantinople (Constantinople),
but few people now know what exactly was depicted on the shield. However, a description of the symbolism of the shield of the Prophetic Oleg and his armor can be found in historical chronicles (Figure of the shield of the Prophetic Oleg on the left).

Prophetic people, that is, those who have the gift of Spiritual Foresight and know Ancient Wisdom, which the Gods and Ancestors left to people, were endowed by the Priests with various symbols. One of the most prominent representatives of prophetic people was the Slavic prince - Prophetic Oleg.

In addition to being a prince and an excellent military strategist, he was also a high-level priest. The symbolism, which was depicted on his clothes, weapons, armor and the princely banner, tells about all this in detailed images.

The Fiery Swastika depicted on the shield of the Prophetic Oleg (symbolizing the land of the Ancestors) in the center of the nine-pointed Star of Inglia (the symbol of the Faith of the First Ancestors) is surrounded by the Great Kolo (Circle of Patron Gods), which radiates eight rays of Spiritual Light (the eighth degree of Priestly initiation) to the Svarog Circle. All this symbolism speaks of the enormous Spiritual and physical strength, which was sent to protect the native land and the Holy Old Faith.

They believed in the Swastika as a talisman that "attracts" good luck and happiness. In Ancient Rus', it was believed that if you draw Kolovrat on the palm of your hand, you will definitely be lucky. Even modern students draw the Swastika on the palm of their hand before exams. Solar symbols they also painted on the walls of the house so that happiness reigned there.

As a cult and everyday solar symbol that brings happiness, luck, prosperity, joy and prosperity, the Swastika was originally used only among the white people of the Great Race, professing the Old Faith of the First Ancestors - Ynglism, in the druidic cults of Ireland, Scotland, Scandinavia.

The only ones who don't recognize solar symbols sacred, are representatives of Judaism.

Some people may object: they say that in the oldest synagogue in Israel, the Swastika is depicted on the floor, and no one destroys it. Really, solar symbol is present on the floor in the Israeli synagogue, but only to be trampled underfoot by all who come.

Various variations of the Swastika symbols with no less different meanings are found not only in cult and protective symbols, but also in the form of Runes, which, like letters in ancient times, had their own figurative meaning. So, for example, in the ancient Kh’Aryan Karuna (Runic alphabet), there were four Runes depicting Swastika elements:

It had a figurative meaning: a powerful, directed, destructive Fiery stream (thermonuclear fire).

Had figurative meanings:
The Sacred Fire of the hearth, as well as the Sacred Fire of Life, located in the human body, and other meanings.

It had a figurative meaning:
Ice Flame guarding the Peace of the Universe. The rune of the transition from the World of Reveal to the World of Light Navi (Glory), incarnation in a new Life. Symbol of Winter and Sleep.

Had a figurative meaning
Primary Fire of the Creation of the Universe, from this Fire a lot of different Universes and various forms of Life appeared.

Solar elements in Russia, for political purposes, were used not only by the Bolsheviks and Mensheviks, much earlier than them, representatives of the Black Hundred began to use Solar symbols. At the end of the 20th century, the organization Russian National Unity began to use the Swastika symbolism.

Solar symbols carry a great secret meaning. They have great wisdom. Everyone opens before us the Great picture of the universe. The study of ancient symbols, Runic letters and ancient Traditions must be approached with open heart And pure Soul. Not for self-interest, but for knowledge!

A knowledgeable person never says that Solar symbolism is a German or fascist symbol. Only unreasonable and ignorant people speak like that, because they reject what they are not able to understand and know, and also try to wishful thinking. But even if ignorant people reject some symbol or some information, this does not mean that this symbol or information does not exist. Denial or distortion of truth for the sake of some, violates the harmonious development of others.

Even ancient symbol The Majesty of the Fertility of the Mother of the Raw Earth, called SOLARD in ancient times, some incompetent people rank as fascist symbols. A symbol that appeared many thousands of years before the rise of National Socialism.

At the same time, it does not even take into account the fact that SOLARD in the symbolism of the RNU is combined with the Star of the Lada-Virgin Mary (see on the right), where the Divine Forces (Golden Field), the Forces of Primary Fire (red), the Heavenly Forces (blue) and the Forces Nature (green).
The only difference between the original Symbol of Mother Nature and the sign used by the RNE is the multicolor of the Original Symbol of Mother Nature (on the right) and the two-color one of the Russian National Unity.

At ordinary people had their names solar symbol. In the villages of the Ryazan province, he was called "feather grass" - the incarnation of the Wind; on Pechora - "hare", here the graphic symbol was perceived as a piece of sunlight, a ray, sun bunny; in some places the Solar Cross was called a “horse”, “horse shank” (horse head), because a long time ago a horse was considered a symbol of the Sun and Wind; were called Swastikas-Solyarniki and "flinters", again, in honor of Yarila-Sun. The people very correctly felt both the Fiery, Fiery Nature of the symbol (Sun) and its Spiritual essence (Wind).

The oldest master of Khokhloma painting Stepan Pavlovich Veseloe (1903-1993) from the village of Mogushino, Nizhny Novgorod region, observing traditions,
painted on wooden plates and bowls, calling him "ginger", the Sun, and explained: "This is the wind of a blade of grass shakes, stirs."

In the photo, you can see swastika symbols even on a carved cutting board (left).

In the countryside, girls and women still wear elegant sundresses, ponevs and shirts for holidays, and men wear blouses embroidered with swastika symbols of various shapes. Lush loaves and sweet cookies are baked, decorated on top with Kolovrat, Salting, Solstice and others. Solar symbols.

As mentioned earlier, before the second half of the 20th century, the main and almost the only patterns and symbols that existed in Slavic embroidery were Swastika ornaments.

The enemies of the Clans of the Great Race in the second half of the 20th century began to decisively eradicate this one, and eradicated it in the same way as they had previously eradicated the Ancient folk Slavic and Aryan Culture, Ancient Faith and Folk Traditions, true, undistorted by the rulers, History, as they destroy the long-suffering Slavic People, the bearer of the ancient Slavic-Aryan Culture.

And now they are trying to ban any kind of rotating Solar symbols in many ways the same people or their descendants, but using different pretexts: if earlier this was done under the pretext of class struggle and anti-Soviet conspiracies, now it is a struggle against the manifestation of extremist activity.

For those who are not indifferent to the ancient Native Great Russian Culture, several typical patterns of Slavic embroidery of the 18th-20th centuries are given. On the presented fragments you can see for yourself Solar symbols and ornaments.

The use of swastika symbols in ornaments in the Slavic lands is simply incalculable. They are used in the Baltic States, Belarus, the Volga region, Pomorie, Perm, Siberia, the Caucasus, the Urals, Altai and Far East and other regions.

Academician B.A. Rybakov called - Kolovrat - a connecting link between the Paleolithic, where it first appeared, and modern ethnography, which provides innumerable examples of swastika patterns in fabrics, embroidery and weaving.

But after the Second World War, in which Russia, as well as all the Slavic and Aryan peoples suffered huge losses, the enemies of the Aryan and Slavic Culture, began to equate fascism and the Swastika, although the Slavs used this throughout their existence.

Streams of lies and fictions about the Swastika overflowed the cup of absurdity. "Russian teachers" in modern schools, lyceums and gymnasiums in Russia teach children complete nonsense, which The swastika is a German fascist cross made up of four letters "G", denoting the first letters of the leaders of Nazi Germany: Hitler, Himmler, Goering and Goebbels (sometimes replaced by Hess).

Listening to such "unfortunate teachers", you might think that Germany during the time of Adolf Hitler used exclusively the Russian alphabet, and not at all the Latin script and the German Runic.

Is it in German surnames: HITLER, HIMMLER, GERING, GEBELS (HESS), there is at least one Russian letter "G" - no! But the flow of lies does not stop.

Patterns and elements from solar symbols used by the peoples of the Earth over the past 10-15 thousand years, which is confirmed even by archaeologists.

Ancient thinkers said more than once: "Two misfortunes hinder human development: ignorance and ignorance." Our Ancestors were knowledgeable and knowledgeable, and therefore used various Swastika elements and ornaments in everyday life, considering them as symbols of the Yarila-Sun, Life, Happiness and prosperity.

Only narrow-minded and ignorant people undertake to denigrate everything that is pure, bright and expensive that remains among the Slavic and Aryan peoples.

Let's not be like them! Do not paint over the Swastika symbols in the ancient Slavic Temples and Christian temples, on the Kummirs of the Light Gods and the Images of the Wise Ancestors.

Do not destroy, at the whim of ignoramuses and Slav-haters, the so-called "Soviet staircase", the mosaic floor and ceilings of the Hermitage or the domes of the Moscow St. Basil's Cathedral just because they have been painted on them for hundreds of years various options Solar symbols.

One generation replaces another, state systems and regimes collapse, but as long as the People remember their ancient roots, honor the traditions of their Great Ancestors, retain their ancient culture and symbols, before that time The people are alive and will live!



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