What century did Ostrovsky live in? Work in recent years

Alexander Nikolayevich Ostrovsky - the famous Russian writer and playwright, who had a significant impact on the development national theater. He formed new school realistic game and wrote many wonderful works. This article will outline the main stages of Ostrovsky's work. As well as the most significant moments of his biography.

Childhood

Alexander Nikolayevich Ostrovsky, whose photo is presented in this article, was born in 1823, on March 31, in Moscow, in the Malaya Ordynka area. His father, Nikolai Fedorovich, grew up in the family of a priest, graduated from the Moscow Theological Academy himself, but did not serve in the church. He became a court lawyer, engaged in commercial and court cases. Nikolai Fedorovich managed to rise to the rank of titular adviser, and later (in 1839) to receive the nobility. The mother of the future playwright, Savvina Lyubov Ivanovna, was the daughter of a sexton. She died when Alexander was only seven years old. Six children grew up in the Ostrovsky family. Nikolai Fedorovich did everything to ensure that the children grew up in prosperity and received a decent education. A few years after the death of Lyubov Ivanovna, he married a second time. His wife was Emilia Andreevna von Tessin, baroness, daughter of a Swedish nobleman. The children were very lucky with their stepmother: she managed to find an approach to them and continued to educate them.

Youth

Alexander Nikolayevich Ostrovsky spent his childhood in the very center of Zamoskvorechye. His father had a very good library, thanks to which the boy got acquainted early with the literature of Russian writers and felt a penchant for writing. However, the father saw only a lawyer in the boy. Therefore, in 1835, Alexander was sent to the First Moscow Gymnasium, after studying in which he became a student at Moscow University. However, Ostrovsky did not succeed in obtaining a law degree. He quarreled with the teacher and left the university. On the advice of his father, Alexander Nikolaevich went to work in the court as a scribe and worked in this position for several years.

Attempt at writing

However, Alexander Nikolayevich did not leave attempts to prove himself in the literary field. In his first plays, he adhered to an accusatory, "moral-social" direction. The first were printed in a new edition, Moscow City Listk, in 1847. These were sketches for the comedy "Failed Debtor" and the essay "Notes of a Zamoskvoretsky Resident". Under the publication were the letters "A. ABOUT." and "D. G." The fact is that a certain Dmitry Gorev offered the young playwright cooperation. It did not progress beyond the writing of one of the scenes, but subsequently became a source of great trouble for Ostrovsky. Some ill-wishers later accused the playwright of plagiarism. In the future, many magnificent plays will come out from under the pen of Alexander Nikolaevich, and no one will dare to doubt his talent. Further, the table presented below will be detailed, which will allow systematizing the information received.

First success

When did it happen? Ostrovsky's work gained great popularity after the publication in 1850 of the comedy "Our people - let's settle!". This work received positive reviews from literary circles. I. A. Goncharov and N. V. Gogol gave the play a positive assessment. However, an impressive fly in the ointment also fell into this barrel of honey. Influential representatives of the Moscow merchants, offended by the estate, complained to the highest authorities about the impudent playwright. The play was immediately banned for staging, the author was expelled from service and placed under the strictest police supervision. Moreover, this happened on the personal orders of Emperor Nicholas I himself. Supervision was abolished only after Emperor Alexander II ascended the throne. And the theatrical public saw the comedy only in 1861, after the ban on its production was lifted.

Early plays

The early work of A. N. Ostrovsky did not go unnoticed, his works were published mainly in the Moskvityanin magazine. The playwright actively collaborated with this publication both as a critic and as an editor in 1850-1851. Under the influence of the “young editors” of the magazine and the main ideologist of this circle, Alexander Nikolayevich composed the plays “Poverty is not a vice”, “Don’t get into your sleigh”, “Don’t live as you want”. The themes of Ostrovsky's work during this period are the idealization of patriarchy, Russian ancient customs and traditions. These moods slightly muffled the accusatory pathos of the writer's work. However, in the works of this cycle, the dramatic skill of Alexander Nikolayevich grew. His plays have become famous and in demand.

Collaboration with Sovremennik

Beginning in 1853, for thirty years, the plays of Alexander Nikolayevich were shown every season on the stages of the Maly (in Moscow) and Alexandrinsky (in St. Petersburg) theaters. Since 1856, Ostrovsky's work has been regularly covered in the Sovremennik magazine (works are published). During the social upsurge in the country (before the abolition of serfdom in 1861), the writer's works again acquired accusatory sharpness. In the play “A Hangover at a Strange Feast”, the writer created an impressive image of Bruskov Tit Titych, in which he embodied the rude and dark force home autonomy. Here, for the first time, the word "tyrant" was heard, which later became fixed for a whole gallery of Ostrovsky's characters. In the comedy Plum” ridiculed the venalism of officials that has become the norm. The drama "The Pupil" was a living protest against violence against the person. Other stages of Ostrovsky's work will be described below. But the pinnacle of reaching this period of his literary activity was the socio-psychological drama "Thunderstorm".

"Storm"

In this play, "bytovik" Ostrovsky painted a dull atmosphere provincial town with her hypocrisy, rudeness, the indisputable authority of the "senior" and rich. In opposition to the imperfect world of people, Alexander Nikolayevich depicts breathtaking pictures of the Volga nature. The image of Katerina is covered with tragic beauty and gloomy charm. The thunderstorm symbolizes the spiritual confusion of the heroine and at the same time personifies the burden of fear under which ordinary people constantly live. The kingdom of blind obedience is undermined, according to Ostrovsky, by two forces: common sense who preaches in the play Kuligin, and a pure soul Catherine. In his Ray of Light in the Dark Kingdom, the critic Dobrolyubov interpreted the image main character as a symbol of deep protest, gradually ripening in the country.

Thanks to this play, the work of Ostrovsky soared to an unattainable height. "Thunderstorm" made Alexander Nikolaevich the most famous and revered Russian playwright.

Historical motives

In the second half of the 1860s, Alexander Nikolayevich began to study the history of the Time of Troubles. He began to correspond with the famous historian and Nikolai Ivanovich Kostomarov. Based on the study of serious sources, the playwright created a whole cycle historical works: "Dmitry the Pretender and Vasily Shuisky", "Kozma Zakharyich Minin-Sukhoruk", "Tushino". Problems national history were portrayed by Ostrovsky with talent and authenticity.

Other plays

Alexander Nikolaevich still remained true to his favorite topic. In the 1860s, he wrote many "everyday" dramas and plays. Among them: " hard days”, “Abyss”, “Jokers”. These works consolidated the motives already found by the writer. Since the late 1860s, Ostrovsky's work has been undergoing a period of active development. In his dramaturgy, images and themes of the “new” Russia that survived the reform appear: businessmen, acquirers, degenerate patriarchal moneybags and “Europeanized” merchants. Alexander Nikolaevich created a brilliant cycle satirical comedies, debunking the post-reform illusions of citizens: "Mad Money", "Hot Heart", "Wolves and Sheep", "Forest". moral ideal playwrights are pure in soul, noble people: Parasha from "Hot Heart", Aksyusha from "Forest". Ostrovsky's ideas about the meaning of life, happiness and duty were embodied in the play "Labor Bread". Almost all of Alexander Nikolayevich's works written in the 1870s were published in Otechestvennye Zapiski.

"Snow Maiden"

The appearance of this poetic play was completely accidental. The Maly Theater was closed for repairs in 1873. His artists moved into the building Bolshoi Theater. In this regard, the commission for the management of the Moscow imperial theaters decided to create a performance in which three troupes will be involved: opera, ballet and drama. Alexander Nikolaevich Ostrovsky undertook to write a similar play. "The Snow Maiden" was written by the playwright for a very short term. As a basis, the author took a plot from the Russian folk tale. While working on the play, he carefully selected the sizes of the verses, consulted with archaeologists, historians, and connoisseurs of antiquity. The music for the play was composed by the young P. I. Tchaikovsky. The premiere of the play took place in 1873, on May 11, on the stage of the Bolshoi Theatre. K. S. Stanislavsky spoke of The Snow Maiden as a fairy tale, a dream told in sonorous and magnificent verse. He said that the realist and bytovik Ostrovsky wrote this play as if he had not been interested in anything before, except for pure romance and poetry.

Work in recent years

During this period, Ostrovsky composed significant socio-psychological comedies and dramas. They tell about tragic destinies sensitive, gifted women in a cynical and greedy world: "Talents and Admirers", "Dowry". Here the playwright developed new techniques of stage expression, anticipating the work of Anton Chekhov. Preserving the peculiarities of his dramaturgy, Alexander Nikolaevich sought to embody the "internal struggle" of the characters in an "intelligent fine comedy".

Social activity

In 1866, Alexander Nikolaevich founded the famous Artistic Circle. He subsequently gave the Moscow stage many talented figures. Ostrovsky was visited by D. V. Grigorovich, I. A. Goncharov, I. S. Turgenev, P. M. Sadovsky, A. F. Pisemsky, G. N. Fedotova, M. E. Ermolova, P. I. Tchaikovsky , L. N. Tolstoy, M. E. Saltykov-Shchedrin, I. E. Turchaninov.

In 1874, the Society of Russian Dramatic Writers and opera composers. Alexander Nikolaevich Ostrovsky was chosen as the chairman of the association. Photos of the famous public figure were known to every lover of theatrics in Russia. The reformer made a lot of efforts to ensure that the legislation of the theater management was revised in favor of the artists, and thereby significantly improved their financial and social situation.

In 1885, Alexander Nikolayevich was appointed to the post of head of the repertoire and became the head of the theater school.

Ostrovsky Theater

The work of Alexander Ostrovsky is inextricably linked with the formation of a real Russian theater in its modern sense. The playwright and writer managed to create his own theater school and a special holistic concept of staging theatrical performances.

Features of Ostrovsky's work in the theater are the absence of opposition to the acting nature and extreme situations in the action of the play. In the works of Alexander Nikolaevich, ordinary events occur with ordinary people.

The main ideas of the reform:

• the theater should be built on conventions (there is an invisible “fourth wall” that separates the audience from the actors);
• when staging a performance, bet must be placed on more than one famous actor, but on a team of artists who understand each other well;
• the invariability of the attitude of actors to language: speech characteristics should express almost everything about the characters represented in the play;
• people come to the theater to watch the actors play, and not to get acquainted with the play - they can read it at home.

The ideas that the writer Ostrovsky Alexander Nikolayevich came up with were subsequently finalized by M. A. Bulgakov and K. S. Stanislavsky.

Personal life

The personal life of the playwright was no less interesting than his literary creativity. Ostrovsky Alexander Nikolaevich lived in a civil marriage with a simple bourgeois for almost twenty years. Interesting Facts and the details of the marital relationship of the writer and his first wife are still of concern to researchers.

In 1847, in Nikolo-Vorobinovsky Lane, next to the house where Ostrovsky lived, a young girl, Agafya Ivanovna, settled with her thirteen-year-old sister. She had no relatives or friends. Nobody knows when she met Alexander Nikolayevich. However, in 1848 the young people had a son, Alexei. There were no conditions for raising a child, so the boy was temporarily placed in an orphanage. Ostrovsky's father was terribly angry that his son not only dropped out of a prestigious university, but also got in touch with a simple bourgeois woman living next door.

However, Alexander Nikolaevich showed firmness and, when his father, together with his stepmother, left for the recently purchased Shchelykovo estate in the Kostroma province, he settled with Agafya Ivanovna in his wooden house.

The writer and ethnographer S.V. Maksimov jokingly called Ostrovsky's first wife "Marfa Posadnitsa", because she was next to the writer in times of severe need and severe hardship. Ostrovsky's friends characterize Agafya Ivanovna as a very intelligent and cordial person by nature. She remarkably knew the manners and customs of merchant life and had an unconditional influence on Ostrovsky's work. Alexander Nikolaevich often consulted with her about the creation of his works. In addition, Agafya Ivanovna was wonderful and hospitable hostess. But Ostrovsky did not register an official marriage with her even after the death of his father. All the children born in this union died very young, only the eldest, Alexei, briefly survived his mother.

Over time, Ostrovsky had other hobbies. He was passionately in love with Lyubov Pavlovna Kositskaya-Nikulina, who played Katerina at the premiere of The Thunderstorm in 1859. However, a personal break soon occurred: the actress left the playwright for the sake of a rich merchant.

Then Alexander Nikolaevich had a connection with a young artist Vasilyeva-Bakhmetyeva. Agafya Ivanovna knew about this, but she steadfastly carried her cross and managed to maintain Ostrovsky's respect for herself. The woman died in 1867, March 6, after a serious illness. Alexander Nikolaevich did not leave her bed until the very end. The burial place of Ostrovsky's first wife is unknown.

Two years later, the playwright married Vasilyeva-Bakhmetyeva, who bore him two daughters and four sons. Alexander Nikolaevich lived with this woman until the end of his days.

Writer's death

Tense public and could not but affect the health of the writer. In addition, despite good fees from staging plays and an annual pension of 3 thousand rubles, Money Alexander Nikolayevich missed all the time. Exhausted by constant worries, the writer's body eventually failed. In 1886, on June 2, the writer died at his Shchelykovo estate near Kostroma. The emperor granted 3,000 rubles for the playwright's burial. In addition, he assigned a pension of 3,000 rubles to the writer's widow, and another 2,400 rubles a year for the upbringing of Ostrovsky's children.

Chronological table

The life and work of Ostrovsky can be briefly displayed in a chronological table.

Ostrovsky's life and work were filled with such events. The table, which shows the main events in the life of the writer, will help to better study his biography. The dramatic heritage of Alexander Nikolaevich is difficult to overestimate. Even during the life of the great artist, the Maly Theater was called “Ostrovsky's house”, and this says a lot. Creativity Ostrovsky, short description which is presented in this article, it is worth studying it in more detail.

It is the name of A. N. Ostrovsky that stands at the origins of the development of the Russian drama theater. His dramas to this day are very popular due to the extraordinary flavor of his talent as a writer and playwright, who always felt what the secular audience expected from him. Therefore, it is interesting to know what kind of person Alexander Ostrovsky was. His books contain a huge creative legacy. Among his most famous works: “Guilty Without Guilt”, “Dowry”, “Thunderstorm”, “Wolves and Sheep”, “Snow Maiden”, “Hangover at someone else's feast”, “What you go for, you will find”, “Your people - let's settle", "Mad money", etc.

Alexander Nikolaevich Ostrovsky. short biography

Alexander Nikolaevich was born in the spring of March 31 (April 12), 1823. He grew up on Malaya Ordynka in Moscow. His father was the son of a priest, and his name was Nikolai Fedorovich. Having received a seminary education in Kostroma, he went to study at the Moscow Theological Academy. But he never became a priest, but began to practice as a lawyer in judicial institutions. Over time, he rose to the rank of titular adviser and received a title of nobility.

Ostrovsky's biography (short) says that Ostrovsky's mother, Lyubov Ivanovna, died when he was 7 years old. There are six children left in the family. In the future, their stepmother, Emilia Andreevna von Tesin, who was the daughter of a Swedish nobleman, took over the care of the family. The Ostrovsky family did not need anything, much attention was paid to the education and upbringing of children.

Childhood

Almost all of his childhood Ostrovsky spent in Zamoskvorechye. His father had a large library, the boy began to study Russian literature early and felt a craving for writing, but his father wanted his son to become a lawyer.

From 1835 to 1940 Alexander studied at the Moscow Gymnasium. Then he entered Moscow University and began to study as a lawyer. But a quarrel with a teacher did not allow him to finish his last year at the university. And then his father arranged for him to serve in the court. The first salary he received was 4 rubles, but then it grew to 15 rubles.

Creation

Further, Ostrovsky's biography (short) indicates that Alexander Ostrovsky's fame and popularity as a playwright was brought by the play “Our people - let's settle!”, Published in 1850. This play was approved by I. A. Goncharov and N. V. Gogol. But the Moscow merchants did not like it, and the merchants complained to the sovereign. Then, on the personal order of Nicholas I, its author was dismissed from service and taken under police supervision, which was removed only under Alexander II. And in 1861, the play again saw the stage.

During the disgraced period of Ostrovsky, the first staged play in St. Petersburg was called "Do not get into your sleigh." Biography of Ostrovsky (short) includes information that for 30 years his plays were staged at the St. Petersburg Alexandrinsky and Moscow Maly Theaters. In 1856, Ostrovsky began working for the Sovremennik magazine.

Ostrovsky Alexander Nikolaevich. Artworks

In 1859, Ostrovsky, with the support of G. A. Kushelev-Bezborodko, published the first collection of works in two volumes. At this point, the Russian critic Dobrolyubov will note that Ostrovsky is an accurate depiction of the "dark kingdom".

In 1860, after the "Thunderstorm", Dobrolyubov will call him "a ray of light in a dark kingdom."

Indeed, Alexander Ostrovsky knew how to captivate with his remarkable talent. Thunderstorm has become one of the most bright works playwright, with the writing of which his personal drama is also connected. The prototype of the main character of the play was the actress Lyubov Pavlovna Kositskaya, with her for a long time had a close relationship, although they were both not free people. She was the first to play this role. Ostrov's image of Katerina made it tragic in its own way, so he reflected in it all the suffering and torment of the soul of a Russian woman.

Cradle of Talents

In 1863, Ostrovsky was awarded the Uvarov Prize and became an elected corresponding member of the St. Petersburg Academy of Sciences. Later, in 1865, he organized the Artistic Circle, which became the cradle of many talents.

Ostrovsky received in his house such eminent guests as F. M. Dostoevsky, L. N. Tolstoy, P. I. Tchaikovsky, M. E. Saltykov-Shchedrin, I. S. Turgenev, etc.

In 1874, the writer-playwright founded the Society of Russian Dramatic Writers and Opera Composers, whose chairman remained Ostrovsky until his death. He also served on a commission related to the revision of the theater management regulations, which led to new changes, thanks to which the position of artists was significantly improved.

In 1881, a benefit performance of the opera The Snow Maiden by N. A. Rimsky-Korsakov took place at the Mariinsky Theater. Biography of Ostrovsky (short) indicates that at that moment Ostrovsky was inexpressibly pleased musical arrangement great composer.

Last years

In 1885, the playwright began to manage the repertoire of Moscow theaters and headed the theater school. Ostrovsky almost always had financial problems, although he collected good fees from plays, and there was a pension appointed by Emperor Alexander III. Ostrovsky had many plans, he literally burned at work, this affected his health and depleted his vitality.

On June 2, 1886, he died at his Shchelykovo estate near Kostroma. He was 63 years old. His body was buried next to the grave of his father at the Church of St. Nicholas the Wonderworker in the Kostroma province in the village of Nikolo-Berezhki.

The widow, actress Maria Andreevna Bakhmetyeva, three sons and daughter were granted a pension by Tsar Alexander III.

His estate in Shchelykovo is now a memorial and natural museum Ostrovsky.

Conclusion

Ostrovsky created his own theater school with its holistic concept theatrical production. The main component of his theater was that there were no extreme situations in it, but depicted life situations that go back to the everyday life and psychology of a person of that time, which Alexander Nikolayevich Ostrovsky knew very well. short biography describes that there were many ideas in Ostrovsky's theater, but new stage aesthetics and new actors were needed to put them into practice. All this was later brought to mind by K. S. Stanislavsky and M. A. Bulgakov.

Ostrovsky's dramas served as the basis for film adaptations of films and television series. Among them is the film "Balzaminov's Marriage", filmed in 1964 based on the play "For what you follow, you will find" directed by K. Voinov, the film " Cruel romance”, Filmed in 1984 based on “Dowry” directed by Eldar Ryazanov. In 2005, Evgeny Ginzburg made the film Anna based on the play Guilty Without Guilt.

Ostrovsky created an extensive repertoire for the Russian theater stage, which included 47 very original plays. He worked in collaboration with talented young playwrights, including P. M. Nevezhin and N. Ya. Solovyov. Ostrovsky's dramaturgy became national due to its origins and traditions.

Times and street scenery change, but people in Russia remain the same. Writers of the 19th century wrote about their time, but in society, many relationships remained the same. There are global patterns of social relations.

Melnikov-Pechorsky described events in the Trans-Volga region, and many wrote about Moscow life in the 19th century, including A.N. Ostrovsky.

Alexander Nikolaevich Ostrovsky (March 31 (April 12), 1823 - June 2 (14), 1886) - Russian playwright, corresponding member of the St. Petersburg Academy of Sciences. Wrote about 50 plays, of which The most famous are "Profitable Place", "Wolves and Sheep", "Thunderstorm", "Forest", "Dowry".

Russian theater begins with Ostrovsky in his modern understanding: the writer created a theater school and a holistic concept of playing in the theater . Staged performances in Moscow Maly Theatre.

The main ideas of the theater reform:

• the theater should be built on conventions (there is a 4th wall separating the audience from the actors);
• immutability of attitude towards language: mastery speech characteristics expressing almost everything about the characters;
• the bet on the entire troupe, and not on one actor;
• "People go to see the game, not the play itself - you can read it."

Ostrovsky's ideas were carried to their logical end by Stanislavsky.

Compound Complete collection compositions in 16 volumes. The composition of the PSS in 16 volumes. M: GIHL, 1949 - 1953 With the application of translations not included in the PSS.
Moscow, State Publishing House of Fiction, 1949 - 1953, circulation - 100 thousand copies.

Volume 1: Plays 1847-1854

From the editor.
1. family picture, 1847.
2. Our people - let's settle. Comedy, 1849.
3. Morning young man. Scenes, 1950, qualification. resolution 1852
4. Unexpected case. dramatic study, 1850, publ. 1851.
5. Poor bride. Comedy, 1851.
6. Do not sit in your sleigh. Comedy, 1852, publ. 1853.
7. Poverty is not a vice. Comedy, 1853, publ. 1854.
8. Don't live as you want. folk drama, 1854, publ. 1855.
Application:
Claim request. Comedy (1st edition of the play "Family Picture").

Volume 2: Plays 1856-1861

9. Hangover in someone else's feast. Comedy, 1855, publ. 1856.
10. Profitable place. Comedy, 1856, publ. 1857.
11. Festive sleep - before dinner. Pictures of Moscow life, 1857, publ. 1857.
12. Didn't get along! Pictures of Moscow life, 1857, publ. 1858.
13. Pupil. Scenes from village life, 1858, publ. 1858.
14. Thunderstorm. Drama, 1859, publ. 1860.
15. old friend better than the new two. Pictures of Moscow life, 1859, publ. 1860.
16. Own dogs squabble, don't pester someone else's! 1861, publ. 1861.
17. What you go for, you will find (Balzaminov's Marriage). Pictures of Moscow life, 1861, publ. 1861.

Volume 3: Plays 1862-1864

18. Kozma Zakharyich Minin, Sukhoruk. Dramatic Chronicle (1st edition), 1861, publ. 1862.
Kozma Zakharyevich Minin, Sukhoruk. Dramatic Chronicle (2nd edition), publ. 1866.
19. Sin and trouble does not live on anyone. Drama, 1863.
20. Hard days. Scenes from Moscow life, 1863.
21. Jokers. Pictures of Moscow life, 1864.

Volume 4: Plays 1865-1867

22. Governor (Dream on the Volga). Comedy (1st edition), 1864, publ. 1865.
23. In a lively place. Comedy, 1865.
24. Abyss. Scenes from Moscow life, 1866.
25. Dmitry Pretender and Vasily Shuisky. Dramatic Chronicle, 1866, publ. 1867.

Volume 5: Plays 1867-1870

26. Tushino. Dramatic Chronicle, 1866, publ. 1867.
27. Simplicity is enough for every wise man. Comedy, 1868.
28. Hot heart.. Comedy, 1869.
29. Crazy money. Comedy, 1869, publ. 1870.

Volume 6: Plays 1871-1874

30. Forest. Comedy, 1870, publ. 1871.
31. Not everything is a carnival for a cat. Scenes from Moscow life, 1871.
32. There was not a penny, but suddenly Altyn. Comedy, 1871, publ. 1872.
33. Comedian XVII century. Comedy in verse, 1872, publ. 1873.
34. Late love. Scenes from the life of the outback, 1873, publ. 1874.

Volume 7: Plays 1873-1876

35. Snow Maiden. spring fairy tale, 1873.
36. Labor bread. Scenes from the life of the outback, 1874.
37. Wolves and sheep. Comedy, 1875.
38. Rich brides. Comedy, 1875, publ. 1878.

Volume 8: Plays 1877-1881

39. The truth is good, but happiness is better. Comedy, 1876, publ. 1877.
40. Last victim. Comedy, 1877, publ. 1878.
41. Dowry. Drama, 1878, publ. 1879.
42. The heart is not a stone. Comedy, 1879, publ. 1880.
43. Slaves. Comedy, 1880, publ. 1884?

Volume 9: Plays 1882-1885

44. Talents and fans. Comedy, 1881, publ. 1882.
45. Handsome man. Comedy, 1882, publ. 1883.
46. ​​Guilty without guilt. Comedy, 1883, publ. 1884.
47. Not of this world. Family scenes, 1884, publ. 1885.
48. Governor (Dream on the Volga). (2nd edition).

Volume 10. Plays written jointly with other authors, 1868-1882.

49. Vasilisa Melentyeva. Drama (with the participation of S. A. Gedeonov), 1867.

Together with N. Ya. Solovyov:
50. Happy day. Scenes from the life of a provincial outback, 1877.
51. Marriage of Belugin. Comedy, 1877, publ. 1878.
52. Savage. Comedy, 1879.
53. Shines, but does not heat. Drama, 1880, publ. 1881.

Together with P. M. Nevezhin:
54. A whim. Comedy, 1879, publ. 1881.
55. Old in a new way. Comedy, 1882.

Volume 11: Selected translations from English, Italian, Spanish, 1865-1879

1) Pacify the wayward. Shakespeare's comedy, 1865.
2) Coffee shop. Comedy Goldoni, 1872.
3) The family of criminals. Drama by P. Giacometti, 1872.
Sideshows by Cervantes:
4) Salamanskaya cave, 1885.
5) Theater of miracles.
6) Two talkers, 1886.
7) Jealous old man.
8) Divorce Judge, 1883.
9) Biscay impostor.
10) Election of alcaldes in Daganso.
11) Watchman, 1884.

Volume 12: Articles about the theater. Notes. Speeches. 1859-1886.

Volume 13: Works of art. Criticism. Diaries. Dictionary. 1843-1886.

Works of art. pp. 7 - 136.
The story of how the quarter warden started dancing, or from the great to the ridiculous is only one step. Story.
Notes of a Zamoskvoretsky resident Essay.
[Biography of Yasha]. Feature article.
Zamoskvorechye on a holiday. Feature article.
Kuzma Samsonych. Feature article.
Did not get along. Tale.
"I dreamed of a big hall ..." Poem.
[Acrostic]. Poem.
Maslenitsa. Poem.
Ivan Tsarevich. Fairy tale in 5 acts and 16 scenes.

Criticism. pp. 137 - 174.
Diaries. pp. 175 - 304.
Dictionary [Materials for the dictionary of the Russian folk language].

Volume 14: Letters 1842 - 1872.

Volume 15: Letters 1873 - 1880

Volume 16: Letters 1881 - 1886

Translations not included in the Complete Collection

William Shakespeare. Anthony and Cleopatra. An excerpt from an unfinished translation. , first publication 1891
Staritsky MP For two hares. Comedy from petty-bourgeois life in four acts.
Staritsky M.P. Last night. Historical drama in two scenes.

Alexander Nikolaevich Ostrovsky; Russian Empire, Moscow; 03/31/1823 - 06/02/1886

One of the greatest playwrights Russian empire is considered to be A.N. Ostrovsky. He left behind a significant contribution not only to the Russian, but also world literature. Plays by A. N. Ostrovsky enjoy great success even now. This allowed the playwright to take a high place in our rating, and his works to be presented in other ratings of our site.

A N Ostrovsky biography

Ostrovsky was born in Moscow. His father was a priest, and his mother was the daughter of a sexton. But, unfortunately, Alexander's mother passed away when he was only 8 years old. The father remarried the daughter of a Swedish nobleman. The stepmother turned out to be a good woman and devoted a lot of time to her adopted children.

Thanks to his father's large library, Alexander became addicted to literature at an early age. The father wanted his son to be a lawyer. That is why, immediately after graduating from the gymnasium, Ostrovsky went to study at the law faculty of Moscow University. But he did not finish the university, because of a quarrel with a teacher, but went to court as a clerk. It was here that Ostrovsky saw many episodes from his first comedy - "Insolvent Debtor". Subsequently, this comedy was renamed into "Own people - let's settle."

This debut work of Ostrovsky was scandalous, as it represented the merchant class quite badly. Because of this, the life of A.N. Ostrovsky became much more complicated, although such writers as highly appreciated this work. Since 1853, reading Ostrovsky has become more and more popular, his new works are staged at the Maly and Alexandrinsky theaters. Since 1856, Ostrovsky can be read in the Sovremennik magazine, where almost all of his works are published.

In 1960, Ostrovsky's Thunderstorm appeared, which you can read on our website. This work deserves the most rave reviews from critics. Subsequently, the author receives more and more respect and recognition. In 1863 he was awarded the Uvarov Prize and elected a member of the St. Petersburg Academy of Sciences. The year 1866 of the life of A. N. Ostrovsky also becomes special. This year he founds the Artistic Circle, of which are, and many others famous writers. But, despite this, Alexander Nikolayevich does not stop there, and works on new works, until his death.

Plays by A.N. Ostrovsky on Top Books website

Ostrovsky got into our rating with the work "Thunderstorm". This play is considered one of the best works of the author, so it is not surprising that Ostrovsky's Thunderstorm is loved to be read, despite the age of the work. At the same time, interest in the play is quite stable, which can only be achieved by a truly significant work. You can get acquainted with the works of Ostrovsky in more detail below.

All works by A. N. Ostrovsky

1. family picture
2. unexpected case
3. Morning of a young man
4. poor bride
5. Do not sit in your sleigh
6. Don't live the way you want
7. Hangover in someone else's feast
8. Plum
9. Festive sleep before dinner
10. Did not get along
11. pupil
12. an old friend is better than two new ones
13. Their dogs are biting, don't pester someone else's
14. Balzaminov's marriage
15. Kozma Zakharyich Minin-Sukhoruk
16. hard days
17. Sin and trouble on whom does not live
18. Governor
19. Jokers
20. In a lively place
21. abyss
22. Dmitry Pretender and Vasily Shuisky
23. Tushino
24. Vasilisa Melentyeva
25. Enough simplicity for every sage
26. Warm heart
27. crazy money
28. Every day is not Sunday
29. There was not a penny, but suddenly Altyn
30. 17th century comedian

Alexander Nikolaevich Ostrovsky April 12, 1823 in Moscow on Malaya Ordynka. His father, Nikolai Fedorovich, was the son of a priest, he himself graduated from the Kostroma Seminary, then the Moscow Theological Academy, but began to practice as a court lawyer, dealing with property and commercial matters; rose to the rank of collegiate assessor, and in 1839 received the nobility. Mother, Lyubov Ivanovna Savvina, the daughter of a sexton and a prosvir, died when Alexander was not yet nine years old. There were four children in the family (four more died in infancy). Younger brother - statesman M. N. Ostrovsky. Thanks to the position of Nikolai Fedorovich, the family lived in prosperity, great attention was paid to the education of children who received home education. Five years after the death of Alexander's mother, his father married Baroness Emily Andreevna von Tessin, the daughter of a Swedish nobleman. The children were lucky with their stepmother: she surrounded them with care and continued to teach them.

Ostrovsky's childhood and part of his youth were spent in the center of Zamoskvorechye. Thanks to his father's large library, he was early acquainted with Russian literature and felt a penchant for writing, but his father wanted to make him a lawyer. In 1835, Ostrovsky entered the third grade of the 1st Moscow Provincial Gymnasium, after which he became a student in 1840. Faculty of Law Moscow University. He failed to complete the university course: without passing the exam in Roman law, Ostrovsky wrote a letter of resignation (he studied until 1843). At the request of his father, Ostrovsky entered the service of a clerk in the Constituent Court and served in the Moscow courts until 1850; his first salary was 4 rubles a month, after a while it increased to 16 rubles (transferred to the Commercial Court in 1845).

By 1846, Ostrovsky had already written many scenes from merchant life and conceived the comedy "Insolvent Debtor" (later - "Own people - let's settle!"). The first publication was a short play "The Picture family life”and the essay“ Notes of a Zamoskvoretsky Resident ”- they were printed in one of the issues of the“ Moscow City List ”in 1847. Professor of Moscow University S.P. Shevyrev, after Ostrovsky read the play at his home on February 14, 1847, solemnly congratulated the audience on "the appearance of a new dramatic luminary in Russian literature."

A. N. Ostrovsky.

Literary fame for Ostrovsky was brought by the comedy “Our people - let's settle!”, Published in 1850 in the journal of the university professor M. P. Pogodin “Moskvityanin”. Under the text was: "A. ABOUT." (Alexander Ostrovsky) and "D. G.". Under the second initials, Dmitry Gorev-Tarasenkov was hiding, provincial actor who offered Ostrovsky cooperation. This collaboration did not go beyond one scene, and subsequently served as a source of great trouble for Ostrovsky, since it gave his detractors a reason to accuse him of plagiarism (1856). However, the play evoked favorable responses from H. V. Gogol and I. A. Goncharov. Influential Moscow merchants, offended for his class, complained to the "bosses"; as a result, the comedy was banned from staging, and the author was dismissed from service and placed under police supervision on the personal order of Nicholas I. Supervision was removed after the accession of Alexander II, and the play was allowed to be staged only in 1861.

Ostrovsky's first play, which was able to get on the stage, was Don't Get into Your Sleigh, written in 1852 and staged for the first time in Moscow on the stage of the Maly Theater on January 14, 1853.

For more than thirty years, since 1853, new plays by Ostrovsky appeared almost every season in the Moscow Maly and Alexandrinsky theaters in St. Petersburg. Since 1856, Ostrovsky became a permanent contributor to the Sovremennik magazine. In the same year, in accordance with the wishes of the Grand Duke Konstantin Nikolayevich, a business trip of outstanding writers took place to study and describe various areas of Russia in industrial and domestic terms. Ostrovsky took over the study of the Volga from the upper reaches to Nizhny Novgorod.

A. N. Ostrovsky, 1856

In 1859, with the assistance of Count G. A. Kushelev-Bezborodko, the first collected works of Ostrovsky were published in two volumes. Thanks to this edition, Ostrovsky received a brilliant assessment from N. A. Dobrolyubov, which secured him the fame of a painter " dark kingdom". In 1860, the Thunderstorm appeared in print, to which Dobrolyubov dedicated the article “Ray of Light in dark kingdom". From the second half of the 1860s, Ostrovsky took up the history of the Time of Troubles and entered into correspondence with Kostomarov. The fruit of the work were five " historical chronicles in verse": "Kuzma Zakharyich Minin-Sukhoruk", "Vasilisa Melentyeva", "Dmitry the Pretender and Vasily Shuisky", etc.

In 1863, Ostrovsky was awarded the Uvarov Prize (for the play The Thunderstorm) and was elected a corresponding member of the St. Petersburg Academy of Sciences. In 1866 (according to other sources - in 1865), Ostrovsky founded the Artistic Circle, which later gave the Moscow stage many talented figures. Ostrovsky's house was visited by I. A. Goncharov, D. V. Grigorovich, I. S. Turgenev, A. F. Pisemsky, F. M. Dostoevsky, I. E. Turchaninov, P. M. Sadovsky, L. P. Kositskaya-Nikulina, M. E. Saltykov-Shchedrin, L. N. Tolstoy, P. I. Tchaikovsky, M. N. Ermolova, G. N. Fedotova.

In 1874, the Society of Russian Dramatic Writers and Opera Composers was formed, of which Ostrovsky remained the permanent chairman until his death. Working in the commission "for the revision of legal provisions in all parts of the theater management", established in 1881 under the directorate of the Imperial Theaters, he achieved many changes that significantly improved the position of artists. In 1885, Ostrovsky was appointed head of the repertoire of Moscow theaters and head of the theater school.

Despite the fact that his plays made good collections and that in 1883 the emperor Alexander III granted him an annual pension of 3 thousand rubles, money problems did not leave Ostrovsky until last days his life. Health did not meet the plans that he set for himself. Hard work exhausted the body.

On June 2 (14), 1886, on Spirits Day, Ostrovsky died in his Kostroma estate Shchelykovo. His last work was the translation of "Antony and Cleopatra" by William Shakespeare - Alexander Nikolayevich's favorite playwright. The writer was buried next to his father at the church cemetery near the Temple in the name of St. Nicholas the Wonderworker in the village of Nikolo-Berezhki, Kostroma province. For the burial, Alexander III granted 3,000 rubles from the sums of the cabinet; widow, inseparably with 2 children, was assigned a pension of 3,000 rubles, and for education three sons and daughters - 2400 rubles a year. Subsequently, the widow of the writer M.V. Ostrovskaya, an actress of the Maly Theater, and the daughter of M.A. Shatelen were buried in the family necropolis.

After the death of the playwright, the Moscow Duma set up a reading room named after A. N. Ostrovsky in Moscow.

Family

• The younger brother is the statesman M. N. Ostrovsky.

Alexander Nikolaevich had a deep passion for the actress Lyubov Kositskaya, but both of them had a family. However, even after becoming a widow in 1862, Kositskaya continued to reject Ostrovsky's feelings, and soon she began a close relationship with the son of a wealthy merchant, who eventually squandered her entire fortune; She wrote to Ostrovsky: "... I do not want to take away your love from anyone."

The playwright lived in cohabitation with the commoner Agafya Ivanovna, but all their children died in early age. Having no education, but being a smart woman, with a subtle, easily vulnerable soul, she understood the playwright and was the very first reader and critic of his works. Ostrovsky lived with Agafya Ivanovna for about twenty years, and in 1869, two years after her death, he married the actress Maria Vasilyevna Bakhmetyeva, who bore him four sons and two daughters.

Creation

"Columbus Zamoskvorechye"

The play Poverty is Not a Vice (1853) was first staged on January 15, 1869 at the Maly Theater for a benefit performance by Prov Mikhailovich Sadovsky.

Ostrovsky Theater

Russian theater in its modern sense begins with A. N. Ostrovsky: the playwright created a theater school and an integral concept of theatrical production.

The essence of Ostrovsky's theater is the absence of extreme situations and opposition to the actor's gut. The plays of Alexander Nikolaevich depict ordinary situations with ordinary people whose dramas go into everyday life and human psychology.

The main ideas of the theater reform:

• the theater should be built on conventions (there is a 4th wall separating the audience from the actors);
• invariability of attitude to language: mastery of speech characteristics, expressing almost everything about the characters;
• betting on more than one actor;

“A good play will please the public and be successful, but will not last long on the repertoire if poorly played: the public goes to the theater to see a good performance of good plays, and not the play itself; play can be read. Othello, no doubt good play; but the public did not want to watch it when Charsky played the role of Othello. The interest of the performance is a complex matter: both the play and the performance are equally involved in it. When both are good, the performance is interesting; when one thing is bad, then the performance loses its interest.

- "Note on the draft "Rules on the Imperial Theater Prizes for Dramatic Works""

Ostrovsky's theater demanded a new stage aesthetics, new actors. In accordance with this, Ostrovsky creates an ensemble of actors, which includes such actors as Martynov, Sergei Vasiliev, Evgeny Samoilov, Prov Sadovsky.

Naturally, innovations met opponents. They were, for example, Shchepkin. The dramaturgy of Ostrovsky demanded from the actor a detachment from his personality, which MS Shchepkin did not do. For example, he left dress rehearsal Thunderstorms, being very dissatisfied with the author of the play.

Ostrovsky's ideas were brought to their logical end by K. S. Stanislavsky and M. A. Bulgakov.

Folk myths and national history in the dramaturgy of Ostrovsky

In 1881 on stage Mariinsky Theater the successful premiere of N. A. Rimsky-Korsakov's opera The Snow Maiden, which the composer called his best work. A. N. Ostrovsky himself appreciated the work of Rimsky-Korsakov:

“The music for my The Snow Maiden is amazing, I could never imagine anything more suitable for it and so vividly expressing all the poetry of the Russian pagan cult and this first snow-cold, and then irresistibly passionate heroine of a fairy tale.”

The appearance of the poetic play by Ostrovsky "The Snow Maiden", created on the basis of the fabulous, song and song-ritual material of Russian poetry, was caused by an accidental circumstance. In 1873 the Maly Theater was closed for overhaul, and his troupe moved to the building of the Bolshoi Theater. The Commission for the Management of the Imperial Moscow Theaters decided to put on an extravaganza performance in which all three troupes would participate: drama, opera and ballet. With a proposal to write such a play in a very short time, they turned to A.N. Ostrovsky, who willingly agreed to this, deciding to use the plot from the folk tale "The Snow Maiden Girl". The music for the play, at the request of Ostrovsky, was commissioned by the young P. I. Tchaikovsky. Both the playwright and the composer worked on the play with great enthusiasm, very quickly, in close creative contact. On March 31, on his fiftieth birthday, Ostrovsky finished The Snow Maiden. The first performance took place on May 11, 1873 at the Bolshoi Theatre.

While working on The Snow Maiden, Ostrovsky carefully looked for the size of the poems, consulted with historians, archaeologists, experts ancient life, contacted a large number historical and folklore material, including the Tale of Igor's Campaign. He himself highly appreciated this play of his, and wrote, "I<…>in this work I go out to new road»; he spoke enthusiastically about Tchaikovsky's music: "Tchaikovsky's music for The Snow Maiden is charming." I. S. Turgenev was “captivated by the beauty and lightness of the language of the Snegurochka.” P. I. Tchaikovsky, working on The Snow Maiden, wrote: “I have been sitting at work without getting up for about a month; I am writing music for Ostrovsky's magic play "The Snow Maiden", dramatic work he considered the pearl of Ostrovsky's creations, and said about his music for him: “This is one of my favorite brainchildren. The spring was wonderful, my soul was good ... I liked Ostrovsky's play, and in three weeks, without any effort, I wrote the music.

Later, in 1880, N. A. Rimsky-Korsakov wrote an opera based on the same plot. M. M. Ippolitov-Ivanov writes in his memoirs: “With some special warmth, Alexander Nikolayevich spoke about Tchaikovsky’s music for The Snow Maiden, which, obviously, greatly prevented him from admiring Rimsky-Korsakov’s The Snow Maiden. Undoubtedly ... Tchaikovsky's sincere music ... was closer to the soul Ostrovsky, and he did not hide the fact that she was dearer to him, as a populist.

Here is how K. S. Stanislavsky spoke about The Snow Maiden: “The Snow Maiden is a fairy tale, a dream, a national legend, written, told in Ostrovsky's magnificent sonorous verses. One might think that this playwright, the so-called realist and everyday worker, never wrote anything but wonderful poems, and was not interested in anything other than pure poetry and romance.

Criticism

Ostrovsky's work became the subject of fierce debate among critics of both the 19th and 20th centuries. In the 19th century, Dobrolyubov (the articles "Dark Kingdom" and "Ray of Light in the Dark Kingdom") and Apollon Grigoriev wrote about him from opposite positions. In the XX century - Mikhail Lobanov (in the book "Ostrovsky", published in the series "ZhZL"), M. A. Bulgakov and V. Ya. Lakshin.

Memory

• Central Library named after A. N. Ostrovsky (Rzhev, Tver region).
• Moscow regional Theatre of Drama named after A. N. Ostrovsky.
• Kostroma State Drama Theater named after A. N. Ostrovsky.
• Ural Regional Drama Theater named after A. N. Ostrovsky.
• Irbit Drama Theater named after A. N. Ostrovsky (Irbit, Sverdlovsk region).
• Kineshma Drama Theater named after A. N. Ostrovsky (Ivanovo region).
• Tashkent State Theater and Art Institute named after A. N. Ostrovsky.
• Streets in a number of cities of the former USSR.
• On May 27, 1929, a monument to Ostrovsky was unveiled in front of the Maly Theater (sculptor N. A. Andreev, architect I. P. Mashkov) (the jury preferred it over the monument to Ostrovsky, submitted to the competition by A. S. Golubkina, who depicted the great playwright at the moment captivating spectator creative impulse).
• In 1984 in Zamoskvorechye, in the house where he was born great playwright- a cultural monument of the early 20s of the XIX century, a branch was opened Theater Museum them. A. A. Bakhrushin - House-Museum of A. N. Ostrovsky.
• Now in Shchelykovo (Kostroma region) there is a memorial and natural museum-reserve playwright.
• Once every five years, since 1973, the All-Russian theater festival"Days of Ostrovsky in Kostroma", which is supervised by the Ministry of Culture Russian Federation and the Union of Theater Workers of the Russian Federation (All-Russian Theater Society).
• A memorial plaque in Tver, on Sovetskaya (former Millionnaya) Street, house 7, informs that the playwright lived in this house, the Barsukov hotel, in the spring and summer of 1856, during his trip to the Upper Volga region.
• Every two years, since 1993, the Maly Theater hosts the Ostrovsky in the Ostrovsky House festival, to which theaters from all over Russia bring their performances based on the plays of the playwright to Moscow.
• Ostrovsky's plays never leave the stage. Many of his works have been filmed or served as the basis for the creation of film and television scripts.
• Among the film adaptations most popular in Russia is Konstantin Voinov's comedy Balzaminov's Marriage (1964, starring G. Vitsin).
• The film "Cruel Romance", filmed by Eldar Ryazanov based on "Dowry" (1984), received considerable popularity.
• In 2005, director Evgeny Ginzburg received Grand Prize (The Grand Prix " Garnet bracelet» ) of the eleventh Russian festival "Literature and cinema" (Gatchina) " for an incredible interpretation great play A. N. Ostrovsky "Guilty Without Guilt" in the film "Anna""(2005, screenplay by G. Daneliya and Rustam Ibragimbekov; starring - Opera singer Lyubov Kazarnovskaya).

In philately

Postage stamps of the USSR

Portrait of A. N. Ostrovsky - postage stamp of the USSR. 1948

Portrait of A. N. Ostrovsky based on the painting by V. Perov (1871, State Tretyakov Gallery) Postage Stamp THE USSR. 1948

Postage stamp of the USSR, 1959.

Playwright A. N. Ostrovsky (1823-1886), actors M. N. Ermolova (1853-1928), P. S. Mochalov (1800-1848), M. S. Shchepkin (1788-1863) and P. M. Sadovsky (1818-1872). Postage stamp of the USSR 1949.

Plays

• "Family Picture" (1847)
• "Own people - let's count" (1849)
• "An Unexpected Case" (1850)
• "Young Man's Morning" (1850)
• "Poor Bride" (1851)
• "Do not get into your sleigh" (1852)
• "Poverty is no vice" (1853)
• "Do not live as you like" (1854)
• "Hangover at a stranger's feast" (1856) text. The play was first staged on the stage of the theater on January 9, 1856 at the Maly Theater for the benefit performance of Prov Mikhailovich Sadovsky, and then, on January 18, in St. Petersburg on the stage of the Alexandrinsky Theater for the benefit performance of Vladimirova.
• "Profitable Place" (1856) text The play was first staged on the stage of the theater on September 27, 1863 in Alexandrinsky theater to the benefit performance of Levkeeva. It was first staged at the Maly Theater on October 14 of the same year for a benefit performance by E. N. Vasilyeva.
• "Festive Sleep Before Dinner" (1857)
• "Did not get along!" (1858)
• "Pupil" (1859)
• "Thunderstorm" (1859)
• "An old friend is better than two new ones" (1860)
• “Your own dogs squabble, don’t pester someone else’s” (1861)
• "The Marriage of Balzaminov" (1861)
• "Kozma Zakharyich Minin-Sukhoruk" (1861, 2nd edition 1866)
• "Hard Days" (1863)
• "Sin and trouble does not live on anyone" (1863)
• Voevoda (1864; 2nd edition 1885)
• "Joker" (1864)
• "In a Busy Place" (1865)
• "Abyss" (1866)
• "Dmitry the Pretender and Vasily Shuisky" (1866)
• "Tushino" (1866)
• "Vasilisa Melentyeva" (co-authored with S. A. Gedeonov) (1867)
• "Sufficient Simplicity for Every Wise Man" (1868)
• "Hot Heart" (1869)
• "Mad Money" (1870)
• "Forest" (1870)
• "Not everything is Shrovetide for the cat" (1871)
• “There was not a penny, but suddenly an altyn” (1872) text On December 10, 1872, the first performance of the comedy took place at the Maly Theater for Musil's benefit performance.
• "Comedian of the 17th century" (1873)
• "Snow Maiden" (1873) text. In 1881, the premiere of the opera by N. A. Rimsky-Korsakov took place on the stage of the Mariinsky Theater
• "Late Love" (1874) text On November 22, 1874, the first performance of the comedy took place at the Maly Theater for Musil's benefit performance.
• Labor Bread (1874) text On November 28, 1874, the first performance of the comedy took place at the Maly Theater for Musil's benefit performance.
• "Wolves and Sheep" (1875)
• "Rich Brides" (1876) text On November 30, 1876, the first performance of the comedy took place at the Maly Theater for Musil's benefit performance.
• “Truth is good, but happiness is better” (1877) text On November 18, 1877, the first performance of the comedy took place at the Maly Theater for Musil's benefit performance.
• "The Marriage of Belugin" (1877), together with Nikolai Solovyov
• The Last Victim (1878)
• "Dowry" (1878) text On November 10, 1878, the first performance of the drama took place at the Maly Theater for Musil's benefit performance.
• "Good gentleman" (1879)
• "Wild Woman" (1879), together with Nikolai Solovyov
• "Heart is not a stone" (1880)
• "Slaves" (1881)
• "Shines, but does not warm" (1881), together with Nikolai Solovyov text. Premiere November 14, 1881 in St. Petersburg, at the Alexandrinsky Theater, in the benefit of F. A. Burdin.
• "Guilty Without Guilt" (1881-1883)
• "Talents and Admirers" (1882)
• "Handsome Man" (1883)
• "Not of this world" (1885)

Screen versions of works

• 1911 - Vasilisa Melentyeva
• 1911 - In a lively place (film, 1911)
• 1916 - Guilty without guilt
• 1916 - In a busy place (film, 1916, Chardynin)
• 1916 - In a lively place (film, 1916, Sabinsky) (Another name On the big road)
• 1933 - Storm
• 1936 - Dowry
• 1945 - Guilty without guilt
• 1951 - Truth is good, but happiness is better (film-play)
• 1952 - Wolves and sheep (teleplay)
• 1952 - Enough simplicity for every wise man (teleplay)
• 1952 - Snow Maiden (cartoon)
• 1953 - Hot Heart (film-play)
• 1955 - In a lively place (film-play)
• 1955 - Talents and Admirers (film-play)
• 1958 - Depths (TV film, adaptation of the performance of Leningradsky academic theater drama them. A. S. Pushkin).
• 1964 - Balzaminov's marriage
• 1968 - Snow Maiden
• 1971 - Pretty simple for every wise man (film-play)
• 1971 - Spring Tale (based on the play "The Snow Maiden")
• 1972 - Shines, but does not warm (film-play)
• - Talents and Admirers (teleplay)
• 1973 - Talents and Admirers
• 1975 - The last victim
• 1978 - Handsome man
• 1980 - Forest
• 1981 - Mad Money
• 1981 - Vacancy - a film directed by Margarita Mikaelyan (based on the play "Profitable Place")
• 1982 - Trustees (teleplay based on the play "The Last Victim")
• 1983 - Late love
• 1984 - Cruel romance (based on the play "Dowry")
• 1985 - After the rain on Thursday (fairy tale film)
• 1989 - Heart is not a stone
• 1998 - In a lively place
• 2001 - Savage
• 2005 - Anna (based on the play Guilty Without Guilt)
• 2006 - Snow Maiden (cartoon based on the play "Snow Maiden")
• 2008 - Guilty without guilt
• 2008 - Russian money (based on the play "Wolves and Sheep")
• 2008 - Bribes are smooth (based on the play "Profitable Place")
• 2009 - Bankrupt (based on the play "Our people - let's settle")
• 2011 - Dowry