Music lessons as a leading form of education, upbringing and development of children. “The meaning and consequences of music lessons for children

24.02.2019

Olga Cherenkova
The value of music lessons, their originality

Music has a special gift - it is understandable and close to people of any nationality. From birth and throughout life, it affects a person and reflects the experiences of people at different moments of his life. Listening to a lullaby, a crying child calms down, tears well up in the eyes from the melodies of past years, from the dashing dancing legs they themselves ask to dance, marches make them beat the rhythm, even with their fingers.

Music capable of calming and comforting people, relieve mental stress, help, relax, overcome stress, becomes one of the sources of human health and a preventive tool for the treatment of mental illness. Most people feel the need to listen music love her, she is present in their lives.

Musical works reflect the pages of history and unite people in a single experience, they are like a means of communication between them. It accompanies a person all his life.

Even before birth, you can and should introduce children to music, make it active assistant aesthetic education. Music play a special role in the upbringing of the child.

child highlights music of all sounds and focuses on it your attention. That is, if music positively affects the child already in the first years of his life, then it is simply necessary to use it as a means of pedagogical influence.

After all music It provides great opportunities for communication between an adult and a child; it is the basis for emotional contact between them. Child with early childhood recognizes familiar melodies and distinguishes the height and strength of sounds (high - low, loud - quiet, can move according to the character music able to perform simple movements: stamps his foot, claps his hands, turns his hands

Data of modern scientific research testify that musical Education should begin at preschool age. If in childhood the child does not have music, then make up for the lack of full-fledged musical impressions afterwards is problematic.

Children come into contact with this art from birth, in kindergarten they already receive purposeful musical education. musical education is one of the means of shaping the personality of a child from an early age.

Preschool age is the most optimal for introducing a child to the world of beauty. Therefore, it is very important that the educator be fully developed and attached to the world. musical art. Like any other art music is able to influence the comprehensive development of the child, induce moral and aesthetic experiences. It is important not only to understand and love music, learn to sing expressively, harmoniously in the choir, move rhythmically and play the instrument to the best of your ability. The most important thing is to be able to apply your musical experience in raising children.

Music lessons is the main form musical upbringing and education of the child in a preschool institution. On music lessons children acquire knowledge, skills, listening skills music, singing, musically- rhythmic movements musical instruments. Music lessons contribute to the development musicality of the child, the formation of his personality.

Music lesson is the most difficult his construction in kindergarten, because the alternation various kinds musical activity requires attention, concentration, strong-willed efforts from children.

Music this is a means of aesthetic education, which is aimed at developing the abilities of preschoolers to perceive, feel and understand the beautiful, notice good and bad, act creatively on their own, thereby joining various types artistic activity.

Music lessons unite children by joint actions, joyful, aesthetic experiences, teach a culture of behavior, contribute to the manifestation of mental efforts, initiative, and creativity. Music lessons contribute to the overall development of the personality of the child. The relationship between all aspects of education develops in the process of various types and forms. musical activity. Emotional responsiveness and developed musical hearing will allow children to respond in accessible forms to good feelings and actions, will help to activate mental activity and, constantly improving movements, will develop preschoolers physically.

And in the daily life of the kindergarten there is also an influence music for preschoolers. Important to use musical works during the hours of reception of children, leisure, for a walk, for classes before bed and after sleep. Music enriches children with new experiences, which contributes to the development of independent creative initiative.

The life of children in a group must be organized in such a way that it becomes brighter and more diverse. So that the knowledge gained by children in the process of learning at music lessons each child could apply independently. To this end, the educator needs to think in advance possible options use music in the daily life of children, seeking its natural inclusion in children's activities.

If morning exercises or physical education Music accompanies classes, then the quality of the exercises they perform increases significantly better organized team.

It has been scientifically proven that sound musical products affect the performance of the cardiovascular, muscular, respiratory systems of the body. If you do exercises with musical accompaniment improves pulmonary ventilation, increases the amplitude of respiratory movements. The child is here to learn to perceive music, move in accordance with its character, means of expression.

When introducing children to Russians folk tales, the teacher can accompany his story with the performance of small songs of the heroes of fairy tales. A fairy tale is perceived by children faster and more interesting if, when retelling it, they use musical works , baby musical instruments. This will allow children to understand the nature of the characters, the features of the characters of fairy tales.

Music also enriches children's impressions. For example, children senior group draw an autumn landscape, how they fall slowly, spinning autumn leaves. And turning on the children musical composition"Autumn Song" by P. Tchaikovsky, or any other, the teacher creates a certain mood for work.

Children love to listen music not only during music lessons. With great pleasure they will listen to songs from familiar cartoons, musical compositions in contemporary style.

During leisure hours, children like to arrange impromptu "dances", they sing familiar songs together with the teacher. IN free time, children often play "concert", " music lessons"," birthday ", they can remember and sing already known musical works, dances, round dances, improvise, compose their own songs, trying to play on different musical instruments.

If use music and during the walks of children, then she will also here his educational influence and will stimulate their activity, independence, create a good mood.

Summer is usually the best time of the year for musical manifestations of children on walks, when interesting games are organized at the sites. Children can dance on their own or together with the teacher. Children love outdoor games with singing ("At the bear in the forest", "Teremok"). The success of all this work largely depends on the educator, on establishing close contact in the work of the educator and music director.

The entertainment provided in the kindergarten also enriches the child's life. The performance of songs, festive round dances, dances unites everyone in a single impulse. Even when a small group performs, the rest of the children rejoice in the success of their comrades.

Entertainment in kindergarten can be varied according to his subject matter and organization. These are concerts, performances, competition games, quizzes, carnival theatrical performances. Thus, entertainment is a very interesting, educational form of organization. musical activity, because they make the children want to express themselves independently and creatively, create fun, joy,. Happy birthday greetings are also organized. All this not only develops children's musical ability but also teaches them to take care of each other.

welcome and use musical didactic games who develop musical ear, the creative abilities of the child, help in a playful way to learn the elements of musical notation. For example, musical didactic game"Song, dance, march", where children must determine the genre musical works with the help of pictures of characters. Children enthusiastically listen to a cheerful, cheerful, mobile, energetic music, clearly and rhythmically walk under it.

Good to play to distinguish the nature of the dance music. listening music, children determine that it is a polka, waltz or Russian dance.

Character music sometimes you can understand by the movements under it. Moving under music, children can check whether they named the dance correctly, whether their movements are suitable for this music.

musical education is one of the means of shaping the personality of the child. It is important to give children bright colors at an early age. musical impressions, induce empathy music. Thus, musical activity creates the necessary conditions to form moral qualities personality of the child, lays the initial foundations of the general culture of the future person.

Music lessons play develop endurance, will, attention, memory, bring up a sense of collectivism, which contributes to the preparation for schooling.

Music lessons are the main form of organization of children's musical activities, where children are taught, their abilities are developed, personality traits are nurtured, the foundations of musical and general culture are formed

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Music has a special gift - it is understandable and close to people of any nationality. From birth and throughout life, it affects a person and reflects the experiences of people at different moments of his life. Listening to a lullaby, a crying child calms down, tears well up in the eyes from the melodies of past years, from the dashing dancing legs they themselves ask to dance, marches make them beat the rhythm, even with their fingers.

Music is able to calm and comfort people, relieve mental stress, help, relax, overcome stress, becomes one of the sources of human health and a preventive tool for the treatment of mental illness. Most people feel the need to listen music love her, she is present in their lives.

Musical works reflect the pages of history and unite people in a single experience, they are like a means of communication between them. It accompanies a person all his life.

Even before birth, you can and should introduce children to music to make it an active assistant to aesthetic education. Music play a special role in the upbringing of the child.

child highlights music of all sounds and focuses on it your attention. That is, if the music positively affects the child already in the first years of his life, then it is simply necessary to use it as a means of pedagogical influence.

After all, music It provides great opportunities for communication between an adult and a child; it is the basis for emotional contact between them. A child from early childhood recognizes familiar melodies and distinguishes between the height and strength of sounds (high - low, loud - quiet, can move according to the character music able to perform simple movements : stamps his foot, claps his hands, turns his hands

The data of modern scientific research indicate that musical Education should begin at preschool age. If in childhood the child does not have music , then make up for the lack of full-fledged musical impressions afterwards is problematic.

Children come into contact with this art from birth, in kindergarten they already receive purposefulmusical education. musical education is one of the means of shaping the personality of a child from an early age.

Preschool age is the most optimal for introducing a child to the world of beauty. Therefore, it is very important that the educator be fully developed and attached to the world.musical art. Like any other art music is able to influence the comprehensive development of the child, induce moral and aesthetic experiences. It is important not only to understand and love music , learn to sing expressively, harmoniously in the choir, move rhythmically and play the instrument to the best of your ability. The most important thing is to be able to apply your musical experience in raising children.

Music lessonsis the main form musical upbringing and education of the child in a preschool institution. Onmusic lessonschildren acquire knowledge, skills, listening skills music, singing, musically - rhythmic movementsmusical instruments. Music lessonscontribute to the developmentmusicality of the child, the formation of his personality.

Music lessonis the most difficult his construction in kindergarten, since the alternation of different types musical activity requires attention, concentration, strong-willed efforts from children.

Music this is a means of aesthetic education, which is aimed at developing the abilities of preschoolers to perceive, feel and understand the beautiful, notice good and bad, act creatively on their own, thereby joining various types of artistic activity.

Music lessonsunite children by joint actions, joyful, aesthetic experiences, teach a culture of behavior, contribute to the manifestation of mental efforts, initiative, and creativity. Music lessons contribute to the overall development of the personality of the child. The relationship between all aspects of education develops in the process of various types and forms.musical activity. Emotional responsiveness and developed musical hearing will allow children to respond to good feelings and deeds in accessible forms, help to activate mental activity and, constantly improving movements, will develop preschoolers physically.

And in the daily life of the kindergarten there is also an influencemusic for preschoolers. Important to use musical works during the hours of reception of children, leisure, for a walk, for classes before bed and after sleep. Music enriches children with new experiences, which contributes to the development of independent creative initiative.

The life of children in a group must be organized in such a way that it becomes brighter and more diverse. So that the knowledge gained by children in the process of learning atmusic lessonseach child could apply independently. To this end, the educator needs to think in advance about possible options for using music in the daily life of children, seeking its natural inclusion in children's activities.

If morning exercises or physical educationMusic accompanies classes, then the quality of the exercises they performincreases significantlybetter organized team.

It has been scientifically proven that sound musical products affect the performance of the cardiovascular, muscular, respiratory systems of the body. If you do exercises with musical accompaniment improves pulmonary ventilation, increases the amplitude of respiratory movements. The child is here to learn to perceive music , move in accordance with its character, means of expression.

When introducing children to Russian folk tales, the teacher can accompany his story with the performance of small songs from the heroes of fairy tales. A fairy tale is perceived by children faster and more interesting if, when retelling it, they usemusical works, baby musical instruments. This will allow children to understand the nature of the characters, the features of the characters of fairy tales.

Music also enriches children's impressions. For example, children of the older group draw an autumn landscape, as autumn leaves fall slowly, spinning. And turning on the childrenmusical composition"Autumn Song" by P. Tchaikovsky, or any other, the teacher creates a certain mood for work.

Children love to listenmusic not only during music lessons. With great pleasure they will listen to songs from familiar cartoons, musical compositions in contemporary style.

During leisure hours, children like to arrange impromptu "dances", they sing familiar songs together with the teacher. In their spare time, children often play "concert"music lessons"," birthday ", they can remember and sing already knownmusical works, dances, round dances, improvise, compose their own songs, trying to play on differentmusical instruments.

If use music and during the walks of children, then she will also here his educational influence and will stimulate their activity, independence, create a good mood.

Summer is usually the best time of the year for musical manifestations of children on walks, when interesting games are organized at the sites. Children can dance on their own or together with the teacher. Children love outdoor games with singing("At the bear in the forest", "Teremok"). The success of all this work largely depends on the educator, on establishing close contact in the work of the educator andmusic director.

The entertainment provided in the kindergarten also enriches the child's life. The performance of songs, festive round dances, dances unites everyone in a single impulse. Even when a small group performs, the rest of the children rejoice in the success of their comrades.

Entertainment in kindergarten can be varied according to his subject matter and organization. These are concerts, performances, competition games, quizzes, carnival theatrical performances. Thus, entertainment is a very interesting, educational form of organization.musical activity, because they make the children want to express themselves independently and creatively, create fun, joy,. Happy birthday greetings are also organized. All this not only developschildren's musical abilitybut also teaches them to take care of each other.

welcome and usemusical didactic gameswho developmusical ear, the creative abilities of the child, help in a playful way to learn the elements of musical notation. For example,musical didactic game"Song, dance, march", where children must determine the genre musical works with the help of pictures of characters. Children enthusiastically listen to a cheerful, cheerful, mobile, energetic music , clearly and rhythmically walk under it.

Good to play to distinguish the nature of the dance music. listening to music , children determine that it is a polka, waltz or Russian dance.

The nature of the music sometimes you can understand by the movements under it. Moving under music , children can check whether they named the dance correctly, whether their movements are suitable for this music.

musical education is one of the means of shaping the personality of the child. It is important to give children bright colors at an early age.musical impressions, induce empathy music. Thus, the musical activity creates the necessary conditions for the formation of the moral qualities of the child's personality, lays the initial foundations for the general culture of the future person.

Music lessonsplay develop endurance, will, attention, memory, bring up a sense of collectivism, which contributes to the preparation for schooling.


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Music classes as the leading form of education,upbringing and development of children

Introduction

Questions music education worried mankind for a very long time. Distant ancient Eastern civilizations - India, Egypt, China - have left us myths and unique documents that capture the understanding of the ancient peoples of musical art, its divine purpose and the need to teach music.

The solution of the problems of musical education continues in the Middle Ages, the Renaissance turns us to music as an art of emotional and sensory knowledge of the world, elevates it to the rank of an independent art, and considers the composer as an artist, creator.

The 20th century becomes decisive for the development of professional music pedagogy and methods musical education preschoolers. The main directions of scientific and practical research are related to the development of ideas of musical education, the development of musical taste and the culture of listening to music; defining the logic and content of human musical education at all levels of education; determination of the totality of means of musical education of the child in the family and in educational institutions.

The 20th century is a key one for the methodology of musical education of preschoolers. There are studies related to the musical activities of children from birth to 7 years.

In the 20th century, independent national programs and author's systems of musical education of children preschool age.

In 1930-1940 years go by active scientific and practical search for solutions to the problems of musical education of children of early and preschool age.

In the 1930s, the music educator and methodologist T.S. Babajan creates unique games, a variety of game scenes accompanied by music.

N.V. Metlov is one of the first creators of the system of domestic musical education in kindergarten. great attention ON THE. Metlov devoted to the study of the child, his requests, interests, abilities.

The founder of the domestic system of artistic and aesthetic education of preschool children, the methodology of musical education of preschoolers, recognized in the world, N.A. Vetlugina proved the unique significance of musical activity in the holistic development of a preschooler, the holistic pedagogical process of a kindergarten.

In his works, N.A. Vetlugina has repeatedly turned to the problem of the relationship between education and creativity of preschoolers, considering it the most interesting and complex in methodology, to the problem of developing a child’s musicality in the context of the pedagogical process in kindergarten, the formation of musical culture from an early age. These questions have not lost their relevance today.

Glinka, Tchaikovsky, Mozart, Beethoven... Famous names known to everyone. Who chose the path of geniuses for them? Who determined the glory of musicians-composers? Nature? Parents? Teachers? Teachers and musicians came to the conclusion that everyone has the makings of a musical activity. They form the basis for the development of musical abilities. The concept of "non-developing ability", according to scientists, experts in the field of musicality research, is absurd in itself. It is considered proven that if the necessary conditions are created for the musical development of a child from birth, then this has a significant effect in shaping his musicality.

Musical development children depends on the forms of organization of musical activity, each of which has its own capabilities.

The main form of organization of musical education in kindergarten is a musical lesson. The issues of the musical development of preschoolers and the organization of learning in the classroom are discussed in the works of such researchers as N.A. Vetlugin, I.L. Dzerzhinskaya, L.N. Komisarova, M.A., Medvedeva, N.A. Chicherina and others. The problem of organizing music lessons was also touched upon in the studies of A.I. Katichene, M.Yu. Vikat, L.I. Vaychen, A.N. Zinich and others.

It is in the classroom that the interaction between the teacher and the child takes place.

Purpose of the study: determine the importance of music lessons for the learning and development of preschoolers.

Object of study: the process of organizing musical activity in a preschool educational institution.

Subject of study- music classes as the leading form of education and development of children of senior preschool age.

Hypothesis- if music classes are used in work with children and children of older preschool age, then the formation of abilities will occur faster and more efficiently.

To achieve this goal, the following tasks are formulated:

1. Analyze the psychological, methodological and historical literature on this topic.

2. Study the process of developing abilities

3. Study the music lessons of older preschool children

4. Carry out experimental work. confirming the influence of music lessons on the development of the abilities of children of senior preschool age.

Research methods: analysis of psychological and pedagogical, methodological, and other scientific literature, monitoring the productivity of children's activities, questioning. These methods are used in a certain system, which is characterized by an increase in the role of certain methods at certain stages of research. A. Vetlugina, O.P. Radynova, E.A. Medvedeva, B.P. Nikitina, V.G. Petrova.

1. Meaning and tasksmusical education of preschool children

1.1 The meaning of music

Faculty of Preschool Musical Learning

Music is the art of a special, artistic and figurative reflection of life and inner world person.

Music has the ability to reflect the experiences of people in different moments of life. It accompanies a person all his life.

Musical works reflect the pages of history. They unite people in a single experience, become a means of communication between them.

Another feature of music is that each person in his own way shows interest and passion for music, prefers any musical genre, favorite composer, individual work having some listening experience.

Most interesting us the peculiarity of music is to influence a person from the very first days of his life. An early emotional reaction makes it possible to introduce children to music from the first months of life, to make it an active assistant in aesthetic education.

1.2 Tasks of musical education of preschool children

The main tasks of musical education can be considered:

1. Cultivate love and interest in music. Only the development of emotional responsiveness and receptivity makes it possible to widely use the educational impact of music.

2. To enrich the impressions of children by introducing them in a specifically organized system to a variety of musical works and the means of expression used.

3. Introduce children to various types of musical activities, forming the perception of music and the simplest performing skills in the field of singing, rhythm, playing children's instruments. To acquaint with the initial elements of musical literacy. All this will allow them to act consciously, naturally, expressively.

4. To develop the general musicality of children (sensory abilities, pitch hearing, a sense of rhythm), to form singing voice and expression of movement. If at this age a child is taught and involved in active practical activity, then all his abilities are formed and developed.

5. Promote the initial development of musical taste. On the basis of the impressions and ideas about music received, first a selective and then an evaluative attitude towards the performed works is manifested.

6. Develop creative attitude to music, primarily in such activities accessible to children as the transfer of images in musical games and round dances, the use of new combinations of familiar dance movements, and the improvisation of chants.

2. Content, types and forms of musical activity of children in a preschool educational institution

The organization of work on musical education implies the implementation of targeted musical education of children in various types of musical activities. These include: classes, holidays and entertainment, independent musical activities.

Musical head of preschool educational institution is responsible for the overall setting of musical education in kindergarten: conducts systematic work with children, using various forms of its organization, deals with educators, raising their musical level, organizes consultations, and promotes issues of musical and aesthetic education among parents. The theory and practice of preschool pedagogy determines the following forms of organization of musical activity: classes, the use of music at holidays and in entertainment, in play, independent and other activities.

A game- the main activity of preschool children, in which round dances, role-playing songs, and outdoor games can take place.

Musically-independent activity arises on the initiative of children in the process of games and fills their lives with interesting content.

The source of the emergence of children's music-making is, first of all, music lessons. Here children learn the repertoire of songs, games, dances. They are systematically encouraged to act independently. Children transfer the knowledge gained in the classroom into independent activities. For example, in the classroom, children often sing accompanied by an instrument. But if they are taught to sing without accompaniment, then they will be able to sing at will without the support of the piano.

Many guys like to dance, march to the music.

But if they learn to sing a dance melody, a march, they will already be able to accompany the movements with their singing without the help of an adult.

In the life of a kindergarten, the child uses the types of performing and acting that are closest to him. creative activity. The participation of the teacher is indirect. The quality of independent children's performance, as a rule, is somewhat worse than in class, but the value of such performance is great, as it indicates the formation of interest in music. The use of music in everyday life is the responsibility of the educator .

Holidays and entertainment include a wide variety of types and genres of art music, which, with the creative initiative of educators and the activity of children, solves the big problems of musical and aesthetic education.

As O.P. Radynova, the holiday performs important functions only if systematic work is carried out in the kindergarten on the musical education of children.

Tasks of cultural and leisure activities in kindergarten A.N. Zimina sees in the following:

Give children joy and encourage them to be active;

Give vivid artistic musical impressions;

To instill interest and love for music, develop musical susceptibility and musical activity of the child.

Organization children's holiday, as Yu.I. Bratchikov, includes the following preliminary work:

1) careful selection of the script and actors;

2) the choice of musical and literary material according to the theme of the holiday and the age characteristics of children;

3) learning musical and speech material with children and teachers;

4) conducting rehearsals;

5) making costumes and scenery;

6) selection of phonograms, special light and sound special effects;

7) cooking treats.

Entertainment reinforces and deepens the musical impressions received in the classroom, spiritually enriches children, develops the foundations of children's musical culture and gives children pleasure. The role and place of music in entertainment is not the same. Music can play a leading role (conversation-concert) or a role musical arrangement(play).

The holiday brings together different types art, therefore, first of all, it develops aesthetic feelings in children, an aesthetic attitude to the surrounding reality

Music lessons are based on mandatory program requirements, compiled taking into account the age characteristics of preschoolers.

2.2 Music lessons

Various forms of organizing music lessons enrich and diversify the content of the activity and methods of managing it.

A special role in solving the problems of musical and aesthetic education of children belongs to classes. This is a special form of organization of the pedagogical process. They are mandatory, are carried out under the guidance of adults and provide for the systematic coverage of the pedagogical influence of all the children of the group. All this makes it possible to build aesthetic education children in the program.

Classes are the main form of organization in which children are taught, their abilities are developed, personality traits are nurtured, and the foundations of musical and general culture are formed. Classes involve active mutual activity of the teacher and children.

The main task facing the teacher in the classroom is to arouse the children's interest in music and musical activity, to enrich their feelings. The development of children's emotional responsiveness to music throughout the lesson should be the focus of the teacher. When it is carried out, other tasks are also more successfully solved - to develop musical abilities, form the foundations of taste, teach children the necessary skills and abilities, which they can then apply in independent activities in kindergarten and family. In singing, playing musical instruments in children develops a sound pitch hearing, in musical and rhythmic movements, singing, playing musical instruments - a sense of rhythm.

Classes contribute to the education of many positive qualities of the child's personality.

In music classes, a versatile education of children is carried out (mental, aesthetic, physical)

Mental: Children gain knowledge about various aspects and phenomena of the surrounding reality, i.e. knowledge about the seasons, holidays and working days of people. Life experience is systematized.

Moral - inleft: The feeling of love for the mother, the Motherland is brought up, the skills of cultural behavior are formed (in organizational moments), the ability to listen, sing, dance in a team is brought up. Purposefully engaged, the ability to bring the work started to the end, to overcome difficulties

Physical: Dancing and games form certain motor skills that develop certain muscle groups.

Aesthetic: To be able to listen and understand music, you need to feel it, to know the beautiful.

Singing skills: Purity of intonation, breathing, diction, coherence of singing intonations

Types of musical activity:

1. Listening is the main type of musical activity. This activity, being independent, at the same time is an obligatory component of any form of music-making, any kind of musical activity. For the aesthetic development of preschoolers, mainly 2 types of music are used: vocal, instrumental music. For the early and younger age, the vocal form of sound is more accessible. Older children listen to instrumental music ("Clowns", "Horse"). It is necessary not only to teach the child to listen to music, but also to speak emotionally about it (character), give some names (dance, march, lullaby), introduce the means of expression (tempo, dynamics, register) and the names of composers. Listening to a work repeatedly, children gradually memorize it, they develop a taste and a certain attitude to a particular work, favorite works appear.

2. Singing and songwriting is one of the most favorite types of music for children. activities. Choral singing unites children, creates conditions for their emotional communication. at the first stage, children can only sing along and reproduce onomatopoeia (a cat meows, a dog barks, a bird sings)

3. Musical and rhythmic movements include dancing, dance creativity, music games, round dance exercises. Children learn to move according to the nature of the music, with the means musical expressiveness. Develop a sense of rhythm, develop artistic and creative abilities. At the initial stage, when learning dances. Movements, the teacher needs to show. In the future, only verbal instructions are given in the course of execution, errors are corrected. Children learn to communicate various images(birds fly, horses jump, bunnies jump). The educator verbally helps to more accurately convey the resemblance to the characters. In older groups, we seek from children a conscious attitude to their role and high-quality performance in performing movements. Consequently, the creative activity of children develops through purposeful learning, expanding musical experience, activating feelings, imagination, and thinking. To uncomplicated creative tasks includes staging songs.

4. Learning to play children's musical instruments (acquaintance with the sound of instruments performed by an adult, selection of familiar melodies on various instruments. In this type of activity, sensory musical abilities, a sense of rhythm, musical ear, musical thinking. Playing in an orchestra contributes to the development of attention, independence, initiative, the ability to distinguish the sound of instruments

Music lesson consists of several sections:

1. Introductory part: movements in various constructions(columns, lines, links, couples, in a circle), walking, running, dance steps (jumping, straight, lateral gallop, fractional, round dance, etc.). Movements to music create a cheerful, cheerful mood, improve posture, coordination of arms and legs.

2. Listening to music

3. Singing and songwriting -

4. Learning to play children's musical instruments (acquaintance with the sound of instruments performed by an adult, selection of familiar melodies on various instruments

Classes unite children with common joyful, aesthetic experiences, joint actions, teach a culture of behavior, require a certain concentration, manifestation of mental effort, initiative and creativity. They have an undoubted influence on other forms of organization of children. The independent musical activity of the children will be more active on the basis of knowledge, skills and abilities acquired in the classroom. Holidays, entertainment will be more successful, more interesting if the songs, dances, round dances learned in the classroom are performed expressively and naturally.

Types of musical activities in the classroom can sometimes have a different sequence. Starting from middle group learning to play musical instruments for children is introduced.

At each lesson, the teacher must carry out general educational tasks. It is very important that the child experiences joy from communication with music, learns something new every time.

In teaching preschoolers, a variety of methods and techniques are used, taking into account the age of the children and the content of the classes.

Children should be introduced to new musical and didactic games in class. Then the music director uses them in individual work with pupils.

What is distinctive is that the children are taught several types of musical activity at once, which is not the case in drawing, modeling, etc. classes.

The difficulty of building a lesson lies in the fact that the teacher needs to skillfully switch the attention of children from one type of activity to another, without reducing the emotional upsurge when works that differ in subject matter and mood are heard.

Another difficulty is the sequence of learning the educational material: initial acquaintance, mastering skills in the learning process, repetition, consolidation, and implementation of what has been learned. In one lesson, the stages of learning a particular work may not coincide. For example, out of three songs that are being worked on, one is learned well and is performed expressively, the other is being listened to for the first time, the third is just being learned.

At a musical lesson, formal memorization of the repertoire, multiple, monotonous repetitions, coaching and drill are unacceptable.

Teaching children in the classroom should be supported by a variety of impressions of music received in other forms of organizing activities.

It should always be remembered that it is difficult to achieve desired results in the musical development of children.

When compiling a musical lesson, the teacher must take into account the following requirements: mental, physical, emotional stress of children; consistent distribution of activities, learning repertoire; continuity in the development of musical abilities, mastering skills, knowledge, learning musical repertoire; variability and compliance with the age capabilities of children13.

Thus, a musical lesson in a preschool educational institution is the main form of musical education and development of preschoolers. In the classroom, the process of cognition of musical art in all its forms takes place.

2.3 Types and types of music lessons

A typical lesson includes all types of musical activities.

In dominant any kind of musical activity prevails. A variant of the dominant occupation is the alignment of its content for the development of the musical ability lagging behind in the child. In such a case, those activities that can develop it dominate. This type of training is used in frontal, individual and subgroup classes.

At the thematic lesson, one topic is selected that unites all types of musical activity. Thematic lesson can also be frontal, individual and subgroups.

A complex lesson contains various types of art, types of artistic activity. It is frontal, carried out with the entire group of children.

The teacher needs to vary the types of classes depending on the age of the children, the level of their musical development.

Types of Music Activities

Classes are divided into individual, subgroups and frontal, depending on the number of children participating in them.

Individual classes and subgroups are held with children of early and younger preschool age, when the kids are not yet able to complete tasks collectively. This type of activity is used in other groups to pay attention to the development of each child.

Frontal classes are held with the entire group of children. They represent all types of musical activity: perception, performance, creativity, musical and educational form.

Individual and group lessons

Children are accepted into preschool institutions from a year and a half. At this age, the child needs special attention from an adult. He is not yet able to coordinate his actions with the actions of others; therefore, music lessons are held individually twice a week, the duration of the lesson is 5-10 minutes.

At 1.5-2 years old, babies already walk freely, run, begin to master speech, but they still do not have the experience of communicating with other children.

A feature of a typical lesson in early age groups is the unity of all sections, the unification of various types of musical activity (listening, singing, musical and rhythmic movements).

The child listens to music and reacts to its character with movements, at the same time he can sing along to an adult without words, waving a toy to the beat of the music.

The repertoire contains folk song and dance melodies, works by contemporary composers (songs, games, dances).

It is important to arouse in the child the joy of communicating with music, corresponding to its character. emotional manifestations, attention, interest. The repetition of the repertoire helps this, as familiar melodies are perceived with great pleasure. To enhance the emotional reaction of children, a comparison of contrasting works is used (for example, a lullaby - a dance).

To form a sustainable positive attitude Playing techniques, toys, paraphernalia are widely used for music at this age.

The leading type of musical activity that unites the lesson is the perception of music, which includes the simplest movements, children's play actions, singing along.

As already mentioned, individual lessons are held not only with young children, but also in all age groups. This is due, on the one hand, to the fact that children develop differently, their musical manifestations are individual; on the other hand, the specifics of teaching certain types of musical activity, involving contact with each child individually (playing musical instruments, some types of musical rhythmic movements).

Front lessons

IN younger age classes in subgroups gradually acquire a clearer structure. Separate types of musical activity begin to stand out in independent sections. In terms of content, classes are close to frontal. In the second younger group, they are already held with the entire group of children and have all types of frontal exercises. Individual and subgroup sessions continue to be held as needed. In middle and older preschool age, the main ones are frontal exercises. They are divided into typical, dominant, thematic and complex.

Typical lessons. The variability of their structure. Typical frontal lessons include all types of musical activities: perception (section of the lesson "Listening to music" and perception of works in the course of the lesson), performance (singing, musical and rhythmic movements, playing children's musical instruments), creativity (singing, dancing and playing, playing music on instruments), musical and educational type (information about music and methods of its performance).

The settings that the teacher gives before listening to the works lead the children to understand the content of the music. They gain listening experience classical music, learn to speak out about her character, express their preferences, which brings up taste and forms general fundamentals musical culture.

Listening develops the most important musical ability - emotional responsiveness to music, which is necessary for successful learning in all types of musical activities.

Frontal classes have a structure that has traditionally developed in the practice of work, but it is necessary to constantly vary it.

3. Pedagogical experiment and its results

School prep group.

The following are planned on a calendar basis: frontal classes (in the first half of the day), musical and didactic games, exercises for the development of musical ear and voice, games with singing (“in the afternoon). When planning classes (2 times a week), the program content for teaching singing is determined, taking into account the stage of learning a song, tasks and methodological techniques for exercises and creative tasks are noted.

When planning to learn the song “Pipe”, music by V. Karaseva, words by N. Frenkel, the teacher conducts exercises with children to develop voice and hearing, which reveal the features of this song. In accordance with this, the music director distributes educational material for each lesson and also for each lesson fixes program tasks.

1st lesson

The development of musical ear. To form in children a stable palmotonal hearing. Introduce the name of the steps (5-3 - .1) of the musical ladder. Exercise in the pure singing of these steps on the sounds of si - sol - mi (fifth, third, first).

chanting. To consistently expand the range and correct voice formation, the teacher invites children to sing the familiar song "Pipe", music by V. Karaseva, words by N. Frenkel. Children should sing melodiously, at a moderate pace, with a light sound, without tension.

Song learning. Listen to a cheerful song playful character, emotionally respond to it, speak about it. When performing again, learn the first verse of the song, correctly conveying the melody. Distinguish between musical introduction and conclusion. Pay attention to the clarity of pronunciation of words. In the word "green" emphasize the last syllable.

2nd lesson

The development of musical ear. To form in children a stable palmotonal hearing. To consolidate knowledge about the steps of the musical ladder, sing them in different sequence. Introduce the song "Jingles", music by E. Tilicheeva, lyrics by M. Dolinov. Perceive and compare sounds in height, determining by ear (high, medium, low), show their height position with a movement of the hand.

chanting. Perform the song "Pipe" by V. Karaseva, cleanly intonate the melody, clearly pronounce the words. Sing, performing logical stresses in words. Sing in 2-3 nearest keys, adjusting to the tone set by the teacher.

Song learning. Listen to the song; to speak independently about its character, content, to determine the musical introduction, conclusion, to distinguish between the chorus and chorus of the song. Continue learning the melody, start singing immediately after the introduction, accurately intoning the melody of the first measure, built on one sound. Purely sing three-tone (si sol - mi), as well as jumps up a fourth (fa - si). Correctly pronounce vowel sounds in the words: “green”, “plays”, “small”, “beginning”. Sing long sounds (half), do not cut them off, but gently end.

3rd lesson

The development of musical ear. Continue to form a stable ladotonal hearing in children, identify by ear three sounds that are different in height (triad), perform the song “Jingle Bells”, showing with your hand the position of the sounds being sung. Sing at a moderate pace, with a light sound, without tension, clearly pronounce the words, pure intonation of the triad.

chanting. Perform the song "Dudochka", distinguishing musical phrases, sing them in one breath. Sing in different keys, transposing the song up in semitones (from the sound of fa to la). The teacher gives the tone.

Song learning. Repeat the song, consolidate the skills of pure intonation of the melody, paying attention to the exact singing of the triad and the purity of intonation on one si sound in the 1st measure. Learn to take a breath between musical phrases and before singing. Clearly pronounce words, performing logical stresses in musical phrases.

The development of musical ear. Strengthen the children's stable palmotonal hearing. Exercise in pure singing of triad sounds (up to la-fa), calling them ding - tribute - dong.

Sing in different order. Play these sounds on the metallophone (individually).

chanting. Sing the song "Dudochka" without accompaniment with the help of a musical director. Correct impure intonation in singing. Perform the song "Bells" with musical accompaniment, then without accompaniment with the help of a teacher.

Song learning. Continue to learn the song, work on the harmony of the sound of the song in the ensemble: at the same time everyone starts and ends singing. The teacher should use the conductor's gesture (show the intro, accents, end of the song). Learn to sing by performing dynamics. Sing moderately loudly, without tension, amplifying the sound in the 4th and 5th verses, but do not force the sound.

5th lesson

The development of musical ear. To consolidate in children the knowledge of the steps of the triad, the ability to find any of the triad sounds on the metallophone (do - la fa), playing them individually and as a subgroup at the same time. Be able to sing these sounds without musical accompaniment.

chanting. Sing the song "Dudochka" in different keys without musical accompaniment with the help of a musical director, maintaining a moderate pace of performance. Pay attention to the clarity and expressiveness of the text, to the melodiousness and ease of sounding of children's voices.

Song learning. Repeat the song, performing it with musical accompaniment without the help of a musical director. Sing expressively, conveying the character of the song. Transpose it up a semitone. Invite children to perform a song without musical accompaniment, but with the support of the teacher's voice.

In later lessons, you can act out this song.

6th lesson

The development of musical ear. To consolidate children's ideas about the ability to convey the movement of a melody using a game technique, a figurative comparison, by offering children a musical and didactic game "Birds on a Wire". Develop the activity of auditory attention, musical memory.

chanting. To expand and strengthen the range, smoothness and melodiousness of the sound, invite the children to sing the familiar song "Jest" (r. n. m.), Arr. V. Karaseva. Teaching children to hit accurately alt melody, consciously distinguish the height ratio of the individual parts of the melody.

Song learning. Start learning the song "Light House", music by T. Popatenko, lyrics by A. Kuznetsova. Listen and perceive the song of a cheerful joyful character. Express your feelings towards her. Distinguish between the chorus, chorus, musical introduction. Learn the first verse of the song with the exact transmission of the melody.

Song repetition. Find out the song "Pipe" by V. Karaseva by the musical introduction. Have a conversation with the children about how to sing this song. Achieve expressive performance in transmission musical shades. Offer to sing in a chain according to musical phrases and all together (standing in chorus).

The “Kindergarten Education and Training Program” defines the following tasks for the senior group in the field of singing: “To teach children to sing expressively, without tension, smoothly, with a light sound in the re-do range, take a breath before the start of the song, between musical phrases, pronounce clearly words, timely start and end the song. Continue to learn how to correctly convey the melody, sing mezzo forte (moderately loudly) and piano (quietly) in different paces independently (accompanied by a musical instrument, with a teacher without musical accompaniment). To teach solo performance of previously learned songs.

By the end of the year, children of 6-7 years old should independently distinguish sounds in duration and in height within fifths. Distinguish between right and wrong singing.

In addition, the "Program ..." involves a purposeful solution to the problem of developing the creative initiative of children in independent searches for singing intonation.

Therefore, music directors in their work with children should systematically use exercises for the development of ear for music and voice. These exercise songs contribute to the development of separate automated actions of the vocal apparatus, as they are built on short, repetitive melodies and chants. By mastering the exercises, children learn to correctly reproduce in singing various types of melodic movement and the most characteristic intonational turns found in the song repertoire for children of this age. And this, in turn, will further facilitate the assimilation of more complex songs by children.

Given the peculiarities of the perception of preschool children, it is necessary to focus on exercises in the form of short songs with game content. Such exercises are small songs, selected by teachers V.K. Kolosova, N.Ya. Frenkel, N.A. Metlov. Among the exercises there are many songs written by composers E. Tilicheeva, V. Karaseva, folk songs-chants.

The exercises are distinguished by a variety of harmonic coloring, melodic turns, and vivid musical images.

Conclusion

Music lessons are an important stage in the musical education of children. This form of organization of children's musical activity is the most effective. Music lessons have a clear structure, which is veiled into a game for easy perception by children. In the classroom, you do not need to impose your decision and opinion on the child, you need to encourage him to think independently, creatively.

A preschooler does not know how to independently express his feelings, emotional experiences without special education and upbringing, since the ability to arbitrarily control one's actions and emotions develops throughout preschool childhood. The child learns to understand not only his own feelings, but also the experiences of other people. He begins to discern emotional states according to them outward manifestation, through facial expressions and pantomime, can empathize, sympathize, play, convey various emotional states of the characters.

Music lessons most deeply capture the child and organize his emotional perception. In communicating with her, the child easily finds an outlet for his emotional activity and creative initiative. The activity of the emotional sphere of a preschooler is a condition for his successful musical and creative development. It is emotional activity that gives the child the opportunity to realize his musical abilities, becomes a means of emotional communication.

Feelings and moods caused by music lessons give movement, emotional coloring, affecting the plasticity and expressiveness of gestures. According to the researchers, musical-motor exercises for the hands, including turning the head, stretching the neck, make it possible to improve the quality of vocal and choral skills. The musical impressions received from the movement to music in the classroom remain for life.

So, the more active the child's communication with music, the more musical he becomes, the more musical he becomes, the more joyful and desirable new meetings with her for kids in kindergarten.

Let child grows healthy, cheerful, and music accompanies him all his life!

Bibliography

1. Gogoberidze A.G., Solntseva O.V. Preschool pedagogy with the basics of methods of education and training: Proc. allowance for students. higher textbook Institutions: Peter, 2014. - 464 p.

2. Gogoberidze A.G. Theory and methods of musical education of preschool children: Proc. allowance for students. higher textbook institutions / A.G. Gogoberidze V.A. Derkunskaya. M.: Academy Publishing Center 2005. 320 p.

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Read this article:

Children's interest in music can be seen from an early age. At the same time, often questions related to the development of the baby's world practically do not concern their parents. In fact, it is very important for preschool children to develop musicality and love for music. On this issue, adults should put a lot of emphasis. When children are forced to memorize notes, learn different scales and etudes, they quickly get tired and do not understand what can be interesting in these activities. Sometimes it happens that the baby learns to play a particular instrument, but at the same time he does not know how to play those children's songs that they sing in the kindergarten. He does not quite understand the music that he is forced to learn, and for this reason such activities become boring and uninteresting for him. He does not perceive them as a creative occupation. A little later, such classes turn into real hard labor. Music lessons for these children should be based on their interests and preferences. The environment has a huge imprint on the tastes of a preschooler. Parents also play an important role here.

The development of musicality of preschoolers

Music occupies a special place not only in the lives of adults, but also in the lives of children. Introducing the younger generation to musical culture, you can open a world filled with new sensations and joyful experiences for a preschooler, and at the same time help him develop aesthetically and emotionally.

In order for the musical development of children to be successful, it is necessary to instill in the child a love of music from an early age. The main components of the development of musicality are hearing and emotional responsiveness. Without these musical abilities, it becomes impossible to introduce a preschool child to the world of music. In turn, this can adversely affect the holistic education of the individual.

Emotional perception of music is considered one of the main indicators of musicality. Thanks to the simplest sensory abilities, a basis is formed for the development of a sense of rhythm and pitch hearing. These abilities are manifested not only during the perception of music, but also during its performance.

There is currently a large number of questions about the relationship between music and child development. Music is able to influence the one who listens to it, change his mood, creating images through various means of expression. Some are bright and dynamic, others make you think. In any case, only being in a complex interaction, they are able to influence the listener.

While listening to music, not only the formation of musical abilities takes place, but also emotional development, because, listening to music, children learn to distinguish images and empathize with the characters. The language of music cannot be expressed in words, it is able to evoke such emotions and feelings that have no verbal descriptions.

Why is musical development necessary?

It has long been proven that the baby begins to perceive music while still inside the womb. When listening to music with future mother there is a musical and emotional development, the formation of his tastes and preferences.

The main period in which the formation of musical abilities and familiarization with musical culture takes place is preschool age. The expansion of the musical and aesthetic consciousness of children at this stage will positively affect the subsequent development of the personality.

Music also influences the mental development of children and provides a lot of information about the life of composers. Parsing the content of the works, children expand their horizons, new words appear in the dictionary, with the help of which a preschooler can convey the mood expressed in music. The expansion of mental abilities in preschool children occurs as a result of the fact that musical works must be analyzed, compared and contrasted with each other, memorized, and so on.

In modern pedagogy, music is presented as a means without which emotional development is impossible, which is necessary in order to instill in a child a love for the good and the beautiful.

Types of musical activity

Musical education of preschoolers includes the following types activities:

  • perception of music;
  • its execution;
  • manifestation of creativity;
  • educational activity.

Each of these species has its own varieties, which can exist both independently and in combination with each other. The formation of the musical abilities of children occurs under the influence of each of these types. By excluding any activity, one can violate the holistic education of the individual.

The emotional perception of music by older children is more conscious. They are able to single out not only the main images, but also determine by what means they are depicted by the composer.

The performing activity of seven-year-old children also differs from the performing activity of toddlers. They can not only sing or dance, but perform movements to their own singing.

Older preschoolers are more independent in the manifestation of creativity. Children can not only perform ready-made exercises, but also come up with their own elements.

It is impossible to develop the musical abilities of children without educational activities, which exists in close alliance with other species.

Musical development of toddlers

When a child is three years old, he already has a sufficient set of skills, without which the development of musical abilities is impossible. This age corresponds to some features of the perception of types of music. Three-year-old children are quite well versed in this area, they know that music can be listened to, sung, danced and played to.

Thanks to this knowledge, not only the development of musical abilities, but also emotional enrichment occurs. Adults can set tasks for children that require precise execution.

The leading role in the formation of musicality is still occupied by perception. If children are allowed to listen to two contrasting works, for example, a quiet lullaby and a peppy march, then the reaction to them will be completely different.

At this age, it is common for children to be interested in highlights works, usually this is an introduction or conclusion, less often an expressive intonation of a melody. While listening, memory is trained, allowing you to remember the moment you like and recognize it when you listen again. The perception of music can also be formed when listening to small pieces with pronounced images: "Bear", "Train", "Bird", "Machine" and so on.

The formation of hearing in children is carried out during the performance of musical didactic tasks or games, the main task of which is the development of musical and sensory abilities that are directly related to the perception of such sound properties as pitch, timbre, strength and duration.

The next stage in the development of the musicality of preschool children is the imitation of the voice of an adult. In children, the voice apparatus is formed, their speech becomes more active. Of course, kids can’t immediately give out whole verses and lines, first they pick up the endings of phrases for adults, then individual words, and then they can easily sing along with an adult. When repeating words after an adult, the baby develops phonemic hearing, the violation of which can affect further academic performance.

In order for the baby to catch the rhythm, it is necessary to slowly, in a singsong voice, pronounce the words of the song, besides, this allows you to control your breathing.

The musical activity of children includes the following sections:

  • hearing;
  • musical and rhythmic exercises;
  • singing;
  • musical and didactic games;
  • mobile musical games;
  • playing children's musical instruments;
  • dancing.

Only with an integrated approach is it possible to qualitatively develop the musical abilities of preschool children. By attending music classes in kindergarten, a preschooler takes part in each of the listed activities. As the baby grows and develops, the workload and time for classes increases.

Musical development of older preschoolers

At the older preschool age, musical activity consists of the same sections as in the younger one. But they are no longer so simple and pose more complex tasks for children.

The development of musical abilities of children occurs mainly in the classroom. The task of the teacher is to select the repertoire taking into account the age characteristics of the children. In addition, the lesson can be built on the basis of one topic, combining all types of musical activities with a single plot.

Children really like such activities, they get more emotions, open up, thanks to which they can freely show their creativity.

Listening is of great importance in the development of the musicality of older preschoolers. This type of activity is found both in an independent variant, and during singing training, in rhythmic exercises and didactic games, as well as while playing various instruments and learning dance compositions.

When a preschooler turns 6 years old, he can already show his artistic taste, as well as evaluate works and their performance. During singing, the voice of a preschooler sounds louder than that of younger children. In addition, a six-year-old child can play a smooth melody. The range becomes much wider, and the intonation is more stable.

At music lessons, the child receives not only musical, but also aesthetic, mental and physical education. Thanks to this, the harmonious development of the personality occurs, while the teacher sets himself the following tasks:

  1. To instill in your child a love of music, to teach him to respond emotionally to it.
  2. Expand children's impressions and increase the range of interests. This happens while getting to know new works and composers.
  3. Enrich the vocabulary of children, learn to use new words while characterizing the image of the work.
  4. Introduce children to the types of musical activities that are used in the classroom.
  5. Develop children's musical ability and voice ability, and improve motor skills.
  6. Learn to express your opinion about the work and express your thoughts.
  7. Develop creative independence, learn to convey images during games and dance movements.

Forming the musical abilities of preschool children, it is necessary to remember the influence that music has on the development of a full-fledged personality. She teaches him to be kind, sympathetic and at the same time develops his musicality and other positive qualities.

The Importance of Learning Music for a Child's Personal Development
(on the example of piano lessons)


In our time, a person’s education is determined not so much by special (subject) knowledge, but by his versatile development as a person who is guided by the traditions of domestic and world culture, in modern system values ​​capable of active social adaptation in society and self life choice for self-education and self-improvement.
Therefore, the learning process should be aimed not only at the transfer of certain knowledge, skills and abilities, but also at the diverse development of the child, the disclosure of his creative possibilities, abilities and such personality traits as initiative, initiative, fantasy, originality, that is, everything that relates to the individuality of a person.

Unfortunately, today's sociological research data state the displacement of aesthetic needs, values ​​into last places in the hierarchy of the main content components of the younger generation. The reasons for this phenomenon are noted by many teachers - practitioners on the pages of pedagogical journals. These are pragmatism, rationality and heartlessness, inattention to one's neighbor and to a person in general, disregard for moral values ​​that are beneficial today.

You can often hear teachers complain about the lack of cognitive needs in children, their passivity in learning activities, unwillingness to read, etc. To this can be added a number of social and psychological problems: lack of skills and abilities of gaming activities, as well as those that are necessary to establish and maintain socially positive relationships in the children's environment, lack of communication of different ages.

There are some reasons for this:
1. The passive position of the child is due to the reproductive level of education, because of which the child does not have the opportunity to bring something of his own, to do something new;
2. the inability to apply knowledge in real life, creates in the child the idea of ​​their uselessness, which does not contribute to the formation of cognitive motivation;
3. the lack of opportunities in real life for meaningful communication of children of different ages.

The peculiarity of musical education lies in the fact that its methodology is aimed at stimulating the comprehensive development of the child, expanding ideas about the unlimitedness of his abilities, maintaining interest in the chosen type of creative activity.
A special place in the musical education of a child is occupied by learning to play the piano.
“Playing the piano is the movement of the fingers; piano performance - the movement of the soul. Usually we hear only the first”, wrote A. Rubinshtein. Cognition of the world through the sounds of music, especially at an early age, makes it possible to reveal the child's creative abilities, which are still limited by social limits, and helps to form his aesthetic preferences. Mastering the piano technique does not require significant efforts from a novice pianist; in many ways, learning seems to him like a new, interesting game.
Meanwhile, learning to play the piano is a complex and multifaceted process. It includes not only the pianistic development of the student. Required element development is also extended educational work. Its main directions are: education of worldview and moral qualities, will and character, aesthetic tastes and love for music, interest in work and ability to work.

In my practical activities as a piano teacher, I encountered such a phenomenon as a decrease in motivation for homework in most students and, as a result, a decrease in the speed of passing musical material in class.
The problem, in my opinion, is that we, as piano teachers, do not always manage to move away from the model of music education that was accepted earlier, and on which many of us were brought up. Namely, from the model when the sign successful work teacher was considered the ability to pass as much musical material as possible in short period time, which sometimes had its own negative consequences. At present, in order to achieve positive results, it is necessary to pay much more attention to the development of the student's personality, using a wide range of means and forms. pedagogical activity.
The musical experience of children is still very simple, but it can be quite varied. Almost all kinds of musical activities in the most basic foundations are available to children and provide versatility of their musical and general development. Through the upbringing of an aesthetic attitude to the surrounding life, through the development of the ability to emotionally perceive the structure of feelings and thoughts expressed in works, the child enters the image, believes and acts in an imaginary situation. The influence of music prompts him to "wonderful ability to rejoice for others, to worry about someone else's fate, as for his own."

Through training, other abilities that were not noticed before can be revealed in the child. The acquisition of additional skills allows the child to stand out among other children, attract their interested attention, and therefore feel interest in themselves from others, achieve success and receive recognition, which is also a significant incentive in personal development and overcoming the difficulties and difficulties that may arise during life path.
The teacher, educating the student, strives for his artistic and technical improvement within the limits of the possible, not allowing negligence either in preliminary work or in execution.
technical work, initial period learning works, when direct artistic tasks are temporarily relegated to the background and persistent, often tedious work is required, on separate parts works, concentration of efforts of the will, discipline are of particular importance. By developing the purposeful will of the student, the teacher helps to form his personality, instills patience, love for work. All these qualities are necessary in the complex but wonderful work of a musician. The manifestation of will in work can be considered not only as a condition of labor, but also as a quality of performance. The volitional beginning in performance gives rise to brightness, rhythmic organization. On the stage, for some students, the slightest trouble causes a panic that they are not able to overcome. The strong-willed disciple, on the other hand, shows excellent self-control in such cases.

Not all teachers are able to solve the problems associated with the education of the will, diligence of the student. You can often hear from teachers that most of their students do little, are lazy, amorphous, they lack will and initiative. The reasons for this may be different. After all, for a six-seven-year-old child, mastering the piano is an extremely difficult task. It is necessary not only to read notes like a primer, but also to find them on the keyboard, to know and feel their temporal organization, while controlling the most complex motor processes. Such a psychophysical and intellectual load can quickly discourage a student from making music. Therefore, the factor of motivation for music lessons is so important, especially in the initial period of study.
The influence of music is sometimes stronger than persuasion or instructions. Introducing children to the works of various emotional educational content we encourage them to empathize. Song about native land induces a feeling of love for the Motherland. Round dances, songs, dances of different nations arouse interest in their customs, bring up international feelings. The genre richness of music helps to perceive heroic images and lyrical mood, cheerful humor and fervent dances. A variety of feelings arising from the perception of music enrich the experiences of children, their spiritual world.
Modern pedagogy places high demands on the teaching profession. A sensitive teacher is, first of all, an excellent connoisseur of the complex psychology of a child. It is he who lays the foundation for everything that in the personality of the child will determine what position he will take in relation to music. The strength of the influence of the teacher on the child is an extremely important factor in learning. The teacher, as an already established personality, is given a responsible role, since very often this is the first teacher in a child's life. A piano teacher should have a high communication culture, a rich imagination, find words and methods of influence that would support the student's interest in work and playing the piano, the desire to overcome difficulties and achieve the goal.
The psychological basis for teaching music is the development of observation, reliance on the life experience of children, the development of auditory imagination, and the accumulation of musical experience. harmony musical influence on the formation of the personality of the child is achieved when all forms of organizing the musical activity of children are used.

Particularly noteworthy is such a form as the organization and holding of concerts by students and their parents.
A festive concert occupies a special place in the life of children. Children are emotional and impressionable. Distinctive feature their psyches - increased sharpness of perception, the desire for self-expression. Organizing a concert requires a lot of effort and serious attitude. At the same time, it should be taken into account that the concert itself is only one side of the multifaceted work with children. Therefore, the plan and organization of the concert itself are included in the overall system. educational process. The interests and psychological features children. This is very important in the selection of repertoire and distribution individual assignments. Such tasks are needed to involve all children in the process of preparing for the concert. Independence and initiative are encouraged.

The work of preparing and holding a concert is divided into several stages. The first is talking to children. Having become interested in the upcoming work, a situation of "tomorrow's joy" is created. During the conversation, the theme of the concert is born, the program is discussed. The next stage is the organization of preparatory work. The guys independently think over what their participation in the concert will be. At the same stage, it is planned to create quizzes, competitions , ensembles, work is being done on the design of the premises, invitation cards.
Considering that the main form of piano lessons is individual shape training, collective activity in preparation for the concert is an effective means of rallying children's team. Parents, grandparents should participate in the life of children. These activities bring children and adults together. Children see that collective efforts give good results, that things are going well if you are supported, they believe in your success. After the concert, children should be given the opportunity to exchange views and express their impressions. Such an analysis will help in further work with children.
Shared experiences create fertile ground for individual development. The example of comrades, the general enthusiasm, the joy of performance activate timid, indecisive children. For an overly self-confident, successful child spoiled by attention, the performance of other children serves as a well-known brake on negative manifestations. Such a child can be offered to help his comrades, thereby cultivating modesty and at the same time developing individual abilities.
The choice of repertoire is largely determined by the nature of the nervous organization of the student. A typical mistake is the tendency to "move" the student at an accelerated pace without taking into account his capabilities, which can lead to psychological trauma. In psychology, there is a term - "time factor" - in no case should you force the process, do not cripple the child's psyche if he is not ready to perform the works increased complexity. To overcome inhibition, phlegm in the nature of children, plays with active action will be important. Students with increased impulsiveness can be recommended plays of a contemplative nature to develop thoughtfulness and the ability to listen to the work being performed.
The development of students' creative abilities is stimulated not only by interesting material, but also by the teacher's conviction in the child's potential creative gift. In an atmosphere of benevolence and empathy, respect for the individual, the student easily perceives any tasks. The teacher should not forget about maintaining the student's faith in own forces.
With a new approach to the learning process, it should be remembered that central figure it is the student, not the music, because its values ​​have long been defined. If we change these landmarks, then there will be a bias, and the personality of the student will be out of our field of vision. And then the goal - "the harmonious development of the student's personality through music" - will remain on the sidelines. The teacher needs to remember that the subject to which the learning process is directed is the child. At the beginning of learning to play the piano, we have before us a personality that has not yet taken shape. The task of the teacher is to create optimal conditions for the development of all the innate abilities of the child. The end goal of this process should be to nurture creative personality able to prove himself in any field of activity.
Personal qualities for a student when learning to play the piano - this is the will, attention, independence and critical thinking, accuracy in achieving the goal or task, systematic work. These qualities stimulate the systematic development of the necessary skills.
The prerequisites for the development of the will is interest, which causes the need for activity. This is achieved by various methods that enrich the lesson, in which the student feels himself an accomplice of what is happening and feels the joy of creativity, which has a beneficial effect on his will. The teacher should pay attention to instilling the ability to work. Indeed, in order to spend one hour at the instrument, you need to make an effort on yourself. The child must resist the temptation to sit at the computer or watch their favorite series. Giving it up requires a certain amount of willpower.

Attention - next important factor learning to play the piano. In children, the ability to concentrate depends on age. It is important from the first steps to teach the child to properly distribute their attention. Efficient children perform well and work productively. There are types of children who quickly learn the material, but just as quickly get tired, others show slowness in work, and others - both slowness and carelessness. The teacher should look for individual approach: to accustom some to careful and detailed work, for others to encourage independence and activity.
Learning to play the piano involves an increased workload on nervous system students. Playing by heart, rehearsals, performances in concerts require effort and tension, exposing students to nervous tension, which should be compensated by the joy of playing, the possibility of self-expression at the instrument.
Independence of thought is another important component in teaching children. When a child makes something with his own hands, he sees the result of his work immediately. IN music school he is faced with the fact that the results will have long-term consequences: until he learns the play and, perhaps, performs with it in a concert or at a competition, that is, here the subject of labor for him has an abstract outline. For these reasons, the child should be led to independent thinking. Usually, the more gifted the student, the more clearly his passions in music are manifested. Students who are less capable should be helped to develop their attitude towards music. To do this, it is important to create conditions conducive to more wide choice works he liked. Encouragement of independence in this area stimulates a lively attitude to music and to work on the chosen work. It is not necessary to forbid the child to play the piece he likes, even if it does not correspond to the level of his musical development. If he wants to play it, then it answers him psychological state or emotional experiences.
Another requirement is connected with the education of independent thinking: the student must self-critically evaluate his game, suggest ways to eliminate mistakes. This method will be very productive at home. At the same time, the teacher leads the child to accuracy in completing tasks. If the student understands his task and knows how to accomplish it, he will avoid wasting time on relearning incorrectly consolidated skills.
At each stage, new tasks arise that make you think, fantasize, and create.
Thus, learning to play the piano makes a person's personality multifaceted, optimizes his creative abilities, develops fantasy and imagination, artistry, intelligence, i.e. forms universal abilities that are important for any field of activity

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